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Thomas Struth (1954)

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One of the aspects i noticed in the works by Thomas Strutch that this photographer includes in many of his photo’s another art object. Making this part of his own composition. An excellent example is this scene from the Chicago Art institute. Also just do a Google searcjh and notice the family group photographs which include in almost all cases another work of art.

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Thomas Struth was born 1954 in Geldern, Germany and currently lives and works in Berlin. He is best known for his genre-defying photographs, though he began originally with painting before he enrolled at the Kunstakademie, Düsseldorf in 1973. Struth has developed his individual photographic practice, often penetrating places of the human imagination in order to scrutinize the landscape of invention, technology, and beyond (as in his recent CERN and Animal images). Celebrated for his diverse body of work—Unconscious Places, Familienleben (Family Life), Museum Photographs, New Pictures from Paradise and Nature & Politics—Struth continues to advance his vocabulary with each new series, while maintaining the same principles core to his practice.

Recent comprehensive exhibitions of Struth’s work include the major touring exhibition Thomas Struth: Nature & Politics exhibited at the Museum Folkwang, Essen, Germany; the Martin-Gropius-Bau, Berlin, Germany, the High Museum, Atlanta, Georgia; the Moody Center for the Arts, Houston, Texas; the St. Louis Museum of Art, Missouri and the MAST Foundation Bolgna, Italy (2016-2019) as well as Figure Ground which opened at the Haus der Kunst, Munich, Germany and traveled to the Guggenheim Museum, Bilbao, Spain (2017-2019).

www.ftn-books.com has the catalogue available which was published for his Stedelijk Museum exhibition.

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Jan van Munster (continued)

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If i would make a top 10 of my favorit Stedelijk Museum publications this Jan van Munster publication from 1970 would be ceertainly somewhere in my top 10.

 

Published in 1970. It is typical Wim Crouwel design, but some details make it exceptional. First there is the use of a viny cover which has a silkscreened print in bright red on cover and backside. The vinyl cover is used as a portfolio for just one 2 page publication. Printed recto/verso and protected by a blank sheet of white paper. This publication is very special and instead of being a full catalogue with the exhibition , this is a true artist publication making this much more valuable for all Stedelijk Museum collectors and Jan van Munster admirers. The Jan van Munster 1970 / Stedelijk Museum by Wim Crouwel publication is now available at www.ftn-books.com

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the 500 first Stedelijk Museum publications…A very important list

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Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com

Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:

sm lijst 1 tm 500

 

 

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Marlo Broekmans (1953)

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I always have had an admiration for the photographs of Marlo Broekmans and sold her publications in the bookstore of the Haags Gemeentemuseum from the early 80’s. She is a master of lights and shadows and plays with them to enhance her models and subjects . This quality make her photographs stand out and make them recognizable at the same time.

The black and white photographs of her nudes are of a classic beauty and some of these were purchased by the Stedelijk Museum for their photography collection. In many of the photographs from the collection of the Stedelijk Museum, Marlo Broekmans is her own model , which gives these photographs an extra “:personal” layer and make them self reflecting documents.

marlo broekmans

 

 

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Wim Crouwel (1928-2019)

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This morning i heard that one of the most influential designers from our time, Wim Crouwel, has died. The last years of his life he suffered Parkinson disease, but he was still going strong and must have looked forward to the retrospective of his works being opened later this  month at the Stedelijk Museum Amsterdam. What better way to commemorate this great artist than to show a selection of the many items designed by him. www.ftn-books.com

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And to finish one of my personal favorites. Wim Crouwel will be an example for many designers in the decades to comewerkman crouwel aa.

 

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Joel Fisher (1947)

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Try to find a good biography on Joel Fisher and you will have a hard time finding one. The best i can come up with a a list of exhibitions:

Exhibitions

1997
Stefan Stux Gallery New York, NY
1996
Stefan Stux Gallery New York, NY
1990
Farideh Cadot New York, NY & Paris, FRANCE
1989
4 Americans–Aspects of Current Sculpture, The Brooklyn Museum Brooklyn, NY
1988
Gallery Shimada Yamaguchi, JAPAN
1987
Structure to Resemblance: Eight Sculptors, Albright-Knox Gallery Buffalo, NY
1984
An International Survey of Contemporary Painting and Sculpture, Museum of Modern Art New York, NY
1984
Kuntsmuseum Luzern Luzern, SWITZERLAND
1978
Stedelijk Museum Amsterdam, THE NETHERLANDS
1975
Stadtisches Museum Monchengladbach
1973
Seven, Penthouse Gallery, Museum of Modern Art New York, NY
1972
Documenta V, Kassel, Germany
1971
Victoria and Albert Museum London, ENGLAND

 

Study these and you will notice 2 important things. First these are all class A venues and this shows the importance that Joel Fisher was and still is. His art is not accessible at all, which makes his art not well kmnown among art lovers. The ” trigger” for me , was that it was one of the first classic Stedelijk Musuem publications that i bought for my collection. (Available at www.ftn-books.com), another aspect is that Joel Fisher designs his own catalogues . Small books that look like true artist books and have their style , design and size in common, Beautiful little books that are worth collecting.

 

 

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Etienne Martin (1913-1995)

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Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.

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A large work which is intended to be worn by the artist.

What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at http://www.ftn-books.com

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de Stijl catalogue ( 1951 ) by Willem Sandberg

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I have copies of this 1951 catalogue for sale at www.ftn-books.com for a very long time now and whenever i have a copy available it is rapidly sold, but the one i have at this moment is very special ( please inquire). It is the same book/catalogue from 1951 as the other ones i had, but it has some extra’s that none of the copies i had before had. It contains the original folder ( it is possibly designed by Willem Sandberg) in which the separate rooms in the Stedelijk are described and 2 pages of stencilled texts on de Stijl. I have never seen the folder before and it must be one of the extremely rare Stedelijk Museum collectibles. To my knowledge this makes this package the only complete publication package on the very Special de STIJL 1951 exhibition at the Stedelijk Museum Amsterdam.

stijl package a

stijl package b

stijl package c

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Pablo Picasso and Guernica

 

schermafbeelding-2016-09-08-om-19-32-09Personally i am not a great fan of Picasso. I understand his importance for Modern Art, but somehow he never appealed to me very much. One exception . In 1937 Picasso painted GUERNICA. The first time i saw this extremely large painting was in 1977 when i visited New York with my father. It was breathtaking!

So much to see in this painting. I shows the city of Guernica while it was bombarded by the Condor legion of the Luftwaffe. Pure panic and chaos on every painted part of the painting. This is a painting you must see in reality, because the sheer size is breathtaking already. It was one memory i brought home with me.

About 12 years ago the Gemeentemuseum Den Haag had the studies for Guernica in a special show and even on these much smaller studies you can see the struggle of the painter and the power of the subject.

A few years ago we went to the Reina Sofia Museum in Madrid and saw this masterpiece again. The same experience…still breathtaking.

When you look at this painting you can see that it has influenced many painters. . For one, there is a dutch painter  ” Willy Boers” who borrowed the theme with the horse and made his own version of chaos and despair. The painting is called “La Quintessence” dated 1947/1948, 10 years after Guernicia was painted and is depicted in DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND. Can you spot the similarities too?

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wilfried

www.ftn-books.com

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Stedelijk Museum….Over 2500 catalogues available….and discount code.

 

The Stedelijk Museum Amsterdam published roughly over 1000 catalogues with their exhibitions over the last 70 years. A very large number of publications. Designs were always done by the best . Willem Sandberg, Wim Crouwel, Piet Zwart ao.

These catalogues deserve to be collected. Their appearance, printing, lay out, typography and use of different materials and original art work ( yes, also original silkscreens and lithographs ) used as cover makes them stand out from the others which were made in this period. For instance compare the Stedelijk Museum from the 50’s and 60’s with their german counterparts and you see and appreciate the quality of these publications. Because of Sandberg many great names in art were first presented in the Stedelijk and received their first major publication with the exhibition. Pollock, Rothko, minimal art . You could see them for the first time in the Stedelijk …..that is the first time in Europe.

For the readers of my blog i have made a discount of 10% available that is valid for a week for all your purchases on www.ftn-books.com

use : stedelijk1000 and you will receive 10% on the total of your order.

This is probably the largest collection of Stedelijk Museum Amsterdam catalogues available on the internet and even if you do not order….look at them, because it is a great overview of their publications.

Check these catalogues out and see for yourself why these catalogues are among the best in the art world.

 

wilfried

www.ftn-books.com