Try to find a good biography on Joel Fisher and you will have a hard time finding one. The best i can come up with a a list of exhibitions:
Stefan Stux Gallery New York, NY
Stefan Stux Gallery New York, NY
Farideh Cadot New York, NY & Paris, FRANCE
4 Americans–Aspects of Current Sculpture, The Brooklyn Museum Brooklyn, NY
Gallery Shimada Yamaguchi, JAPAN
Structure to Resemblance: Eight Sculptors, Albright-Knox Gallery Buffalo, NY
An International Survey of Contemporary Painting and Sculpture, Museum of Modern Art New York, NY
Kuntsmuseum Luzern Luzern, SWITZERLAND
Stedelijk Museum Amsterdam, THE NETHERLANDS
Stadtisches Museum Monchengladbach
Seven, Penthouse Gallery, Museum of Modern Art New York, NY
Documenta V, Kassel, Germany
Victoria and Albert Museum London, ENGLAND
Study these and you will notice 2 important things. First these are all class A venues and this shows the importance that Joel Fisher was and still is. His art is not accessible at all, which makes his art not well kmnown among art lovers. The ” trigger” for me , was that it was one of the first classic Stedelijk Musuem publications that i bought for my collection. (Available at www.ftn-books.com), another aspect is that Joel Fisher designs his own catalogues . Small books that look like true artist books and have their style , design and size in common, Beautiful little books that are worth collecting.
Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.
A large work which is intended to be worn by the artist.
What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at www.ftn-books.com
I have copies of this 1951 catalogue for sale at www.ftn-books.com for a very long time now and whenever i have a copy available it is rapidly sold, but the one i have at this moment is very special ( please inquire). It is the same book/catalogue from 1951 as the other ones i had, but it has some extra’s that none of the copies i had before had. It contains the original folder ( it is possibly designed by Willem Sandberg) in which the separate rooms in the Stedelijk are described and 2 pages of stencilled texts on de Stijl. I have never seen the folder before and it must be one of the extremely rare Stedelijk Museum collectibles. To my knowledge this makes this package the only complete publication package on the very Special de STIJL 1951 exhibition at the Stedelijk Museum Amsterdam.
I have a long time admiration for both Gerard Verdijk and Josephine Sloet and now after a decade of collecting both artists i am proud to announce a cooperation with Josephine. On a regular basis, new works by Josephine Sloet will be presented on the pages of ftn-blog.com where a special section will be devoted to new and older works by Josephine Sloet that are for sale. Paintings, drawings and if possible photographs….all will be presented and all works listed are for sale through FTN-books/ FTN-art / FTN-blog. For more information, prices and viewing appointments please contact me at email@example.com
We plan to have the first works with descriptions available through FTN-blog by the end of January 2019
Personally i am not a great fan of Picasso. I understand his importance for Modern Art, but somehow he never appealed to me very much. One exception . In 1937 Picasso painted GUERNICA. The first time i saw this extremely large painting was in 1977 when i visited New York with my father. It was breathtaking!
So much to see in this painting. I shows the city of Guernica while it was bombarded by the Condor legion of the Luftwaffe. Pure panic and chaos on every painted part of the painting. This is a painting you must see in reality, because the sheer size is breathtaking already. It was one memory i brought home with me.
About 12 years ago the Gemeentemuseum Den Haag had the studies for Guernica in a special show and even on these much smaller studies you can see the struggle of the painter and the power of the subject.
A few years ago we went to the Reina Sofia Museum in Madrid and saw this masterpiece again. The same experience…still breathtaking.
When you look at this painting you can see that it has influenced many painters. . For one, there is a dutch painter ” Willy Boers” who borrowed the theme with the horse and made his own version of chaos and despair. The painting is called “La Quintessence” dated 1947/1948, 10 years after Guernicia was painted and is depicted in DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND. Can you spot the similarities too?
The Stedelijk Museum Amsterdam published roughly over 1000 catalogues with their exhibitions over the last 70 years. A very large number of publications. Designs were always done by the best . Willem Sandberg, Wim Crouwel, Piet Zwart ao.
These catalogues deserve to be collected. Their appearance, printing, lay out, typography and use of different materials and original art work ( yes, also original silkscreens and lithographs ) used as cover makes them stand out from the others which were made in this period. For instance compare the Stedelijk Museum from the 50’s and 60’s with their german counterparts and you see and appreciate the quality of these publications. Because of Sandberg many great names in art were first presented in the Stedelijk and received their first major publication with the exhibition. Pollock, Rothko, minimal art . You could see them for the first time in the Stedelijk …..that is the first time in Europe.
For the readers of my blog i have made a discount of 10% available that is valid for a week for all your purchases on www.ftn-books.com
use : stedelijk1000 and you will receive 10% on the total of your order.
This is probably the largest collection of Stedelijk Museum Amsterdam catalogues available on the internet and even if you do not order….look at them, because it is a great overview of their publications.
Check these catalogues out and see for yourself why these catalogues are among the best in the art world.
Genesis was the quintessential part of the exhibition Al Held held at the Stedelijk Museum in 1966. The catalogue was published with no.394 and the exhibition was from the 25th of March to the 1st of May.
A very short time, but the exhibition came with everything which makes the publications of the Stedelijk Museum special. Organized and curated by Willem Sandberg, catalogue design by Wim Crouwel and last but not least the contributions by Held himself who designed the cover with flaps and the fold out pages. The result is one of the most striking catalogues the Stedelijk Museum published during the sixties .
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20