Never heard of Yeats as a painter, until Rudi Fuchs curated an exhibition with his paintings at the Haags Gemeentemuseum and it was a nice surprise. His painting is spontane , a little childish and impressionistic at the same time and thus resulting in a painting what is typical for Yeats with a signature of its own. The exhibition was not that large and i remember that the sizes of the paintings were not that large too.
What i do remember was the excellent catalogue Gracia Lebbink designed with the exhibition. It was one of her first lareg catalogues she made for the Gemeentemuseum but it has proven to be a classic and available at www.ftn-books.com
I am proud to have finally found one of these iconic publications by the Staatliche Kunstgewerbeschule Stuttgart. It was a lucky find, but still one i have been looking for for for many many years in the past. The location was secret for many years because it was protected by another book which i recently had bought and which is roughly from the same date. It must have been the former owner who knew its value and wanted to protect the precious publication. These Stuttgarter Hefte were published in only 400 copies in the mid Twenties and printed in the printing rooms of the Kunstgewerbeschule. Everything is special about these publications. Sizes are far larger than usual. The lay out is impressive and the designs are true avant-garde for those years. This one was printed in 1926 and as said in an edition of only 400 copies. I am sure that only a few have survived over the years and most of these have found new owners or are in important libraries. I found the set being a part of the MOMA collection and when i tried to find other copies on the internet….. i found as expected…. ZERO of them. Now this excellent copy is for sale. On a scale of 1 to 10 i would rate this one at 8+ points
Pictures tell a better story so here are some of the pages an designs of this truly remarkable publication.
The above title is the same title as the exhibition held at the Museum of Modern Art in 1966. I recently acquired this catalogue which is now for sale at www.ftn-books.com and for me it makes clear the importance Modern Artists have for Modern typography. this is not the printed letter, but the much more free and personal lettering by artists on paper and canvas, making this a source of inspiration for modern typographers and designers and it shows clearly the way lettering can be used to make a splendid composition and be informative at the same time. A catalogue i can truly recommend.
It took me a while, but finally i purchased the small and interesting collection of Josua Reichert prints/posters i had my eye on. It contains 2 of his best and signed lino cut prints and 3 Museum publications from the Sixties. The one i want to point out is the one Reichert specially made for the Werkman exhibition in Baden-Baden. Two print masters united in one print makes this very special to me and shows the genius and complexity Reichert could realize with prints. all prints are available at www.ftn-books.com
de Koo was one of the most important of all PTT employed designers. He started as an interior and book designer, but soon after found his way into designing for the dutch postal service PTT. PTT has a long standing history with the best designers in the Netherlands. Schuitema, Piet Zwart and also de Koo have had their history with PTT.
de Koo designed some of the most iconic of all PTT designs. Among them letterboxes, printed matter, labels and signs.
The Gemeentemuseum Den Haag had a special exhibition on de Koo in 1988 and with it a very nice thini catalogue was published for this occasion. The book was originally published in 400 copies, but there was no interest in this publication and at the time the Berlage building was renovated , all of the remaining copies were destroyed. My guess is ther are some 100 copies being sold over time, making this one of the rarest of all Eighties publ;ications of the Gemeentemuseum and i now have an excelent copy for sale at www.ftn-books.com
He is an important dutch Typographer, but is not that known outside the Netherlands, but because Treebus has witnessed the transsition from lead printing into the digital age of printing it is nice to see how this process has taken effect in the designs of Treebus. Treebus has made numerous designs in those 32 years he was sdesigning papers, letters and forms for the STAATSDRUKKERIJ /Uitgeverij.
Treebus is one of those people that has influenced 3 genarations of designers, because his designs used by many over a period of 40 years
www.ftn-books.com has an excellent monographic book on Treebus available.
Swip Stolk is certainly one of the great names in dutch graphic design. He died last sunday at the age of 75 . There are some iconic designs by Stolk that are worldwide famous. Specially the peeing poster for the Serrano exhibition drew attention from all over the world. There was a typical Swip Stolk styke of design. He broke with the minimal designs of the sixties ( Crouwel and Wissing) and invented his own exuberant style of design which was soon to become the “house style” of the Groninger Museum for which museum he made for nearly two decades many important book and publication designs.
It took me almost 20 years to first see an actual work by Jean Gorin. I knoe if his great catalogue which was designed by Wim Crouwel for the 1967 Gorin exhibition. But at that time i was far too young to appreciate art in general, but since i took an interest in art, i took an interest in constructivist art and certainly Gorin is one of the great artists when you look and take in consider the reliefs produced by the other artist from his generation.
He was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs. His art developed along the same line as the art of Cesar Domela developed , resulting in complex reliefs that are now collected and appreciated worldwide. His appeal is still growing and personally i think his art is far better than the works Cesar Domela produced in the same period of his life.
I have to devote some special text on this publication, since the Crouwel designed catalogue is very special. It has the typical 60’s Crouwel dimensions, but what makes this one special is the embossed /relief printed cober, making this one, one of the very special Stedelijk Museum 60’s catalogues. Other titles are available too at www.ftn-books.com
It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.
The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.
I have copies of this 1951 catalogue for sale at www.ftn-books.com for a very long time now and whenever i have a copy available it is rapidly sold, but the one i have at this moment is very special ( please inquire). It is the same book/catalogue from 1951 as the other ones i had, but it has some extra’s that none of the copies i had before had. It contains the original folder ( it is possibly designed by Willem Sandberg) in which the separate rooms in the Stedelijk are described and 2 pages of stencilled texts on de Stijl. I have never seen the folder before and it must be one of the extremely rare Stedelijk Museum collectibles. To my knowledge this makes this package the only complete publication package on the very Special de STIJL 1951 exhibition at the Stedelijk Museum Amsterdam.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20