I have stolen this title from the German Lufthansa magazine. They did an article on Sonnier . the article included an interview, a video and some photographs. For those who do not know anything about Keith Sonnier I judge this as one of the best short introductions to THE LIGHT MASTER. The article, including a short video, can be found here:
Jan Rothuizen illustrations are a joy and last month on a Thursday morning i was triggered by one he did on the Sculpture garden of the Kroller Muller museum. The drawings overflow with detail, have a signature of their own and should be shared and known worldwide. He is unique in his drawings and the approach of his subjects. Just look at this drawing he made of the Kroller Muller museum ( Museum Kroller Muller catalogues are available at www.ftn-books.com )
follow rothuyizen at his site or the Volkskrant site:
For me Hélène Delprat is the french equivalent of Jean-Michel Basquiat. She has the same free approach to what a good painting is as basquiat had and with this perspective on painting she has developed a style of her own. recognizable and appealing to many, but certainly not to all. I like what she does and beside the publications which are available at www.ftn-books.com, i still have a wish to one day acquire a drawing by Delprat. Ther were several editions done by galerie Ameght in the eighties and nineties, but recent works are harder to find by the year. Here is Delprat interviewed at her exhibition at Caen:
There is a work by Piet Dirkx that has been with me as long as i know it existed. I first have seen this long multi colored wax painting in Piet’s studio. Later i noticed the same work being a part of BIOTOOP and after our purchase it was one of our favorite works by Piet on our Sijzenlaan location and now, it is still “going strong” as our entrance work of art. The painting has been a part of our lives for nearly 30 years now. Long live ” MUSIQUE ORIGINALE ”
Savelli is the Italian master of “WHITE”. Practically all works by Savelli from 1959 on are executed in White. The difference is their shape and the materials used. This makes this Italian artist almost on par with the dutch Jan Schoonhoven , who used “WHITE” too. The difference… Schoonhoven is rooted in the Zero mouvement whereas Savelli is more an abstract constructivist who uses different kind of materials and execute them in WHITE.
Savelli is not very known outside Italy, but in prepaartion of this blog i found that some of his paintings are in famous museum collections. Moma and White Chapel gallery have work in their collections and when you look into his oeuvre you notice that his art must be now in fashion. it tends to Zero and has some qualities of the arte Povera. Both mouvements in art that now are in “Fashion” and are collected worldwide.
Perhaps the next 2 decades Savelli will be discovered by many and become a household name like Jan Schoonhoven’s name has become nowadays. www.ftn-books.com has Savelli publications available.
Not just an ordinary painting, but this time a very special painting by Giovanni Nicolai. Giovanni sent me this beautiful painting of an Italian gentleman. In bright greens and red colors . A classic composition , but when studied from up close there is an abstraction in the painting that is very appealing. Giovanni Nicolai is a typical italian artist with his roots in classic painting. It will be interesting to follow his career. If you are interested in his paintings and drawings , know that i have some drawing for sale at www.ftn-blog.com and that for other works you can approach him at : email@example.com
One of the greats in Abstract Modern Painting died at the age of 88 on the 8th of February 2019. White was his “color” and he painted on every material with his “white”. Impressed by the Rothko paintings at the Metropolitan Museum of Art where he was working as a museum guard, he started to paint himself and finding in the process the strength of “white” when used as the only color in his paintings. This approach made him famous within a period of 5 years. After these initial years he had had his first gallery exhibitions and soon after his his first major exhibition at the Guggenheim museum. Rymans paintings are highly recognizable abstract paintings and can be seen as the link between abstract expressionism and minimalism ( btw. Sol LeWitt also started his career as a museum guard). We are lucky to have al large collection of his paintings iin the Netherlands since the Stedelijk Museum started collecting his paintings from the very first years of his career. The result an impressive 11 paintings from all periods of his artistic life. Robert Ryman publications are available at www.ftn-books.com
Two iconic names in Modern Art have a long time history together. galerie MAeght must have been among the first to show works by Kelly. This contact resulted innumeral exhibitions at the the galerie Maeght. Paintings , lithographs , etchings, drawings…..every aspect of Kelly his art life have been presented at the Maeght galleries.
Ellsworth Kelly has been a widely influential force in the post-war art world. He first rose to critical acclaim in the 1950s with his bright, multi-paneled and largely monochromatic canvases. Maintaining a persistent focus on the dynamic relationships between shape, form and color, Kelly was one of the first artists to create irregularly shaped canvases. His subsequent layered reliefs, flat sculptures, and line drawings further challenged viewers’ conceptions of space. While not adhering to any one artistic movement, Kelly vitally influenced the development of Minimalism, Hard-edge painting, Color Field, and Pop Art. The Maeght galleries have contributed to his fame with many breathtaken exhibitions. The best is they still publish the exhibition posters which were published for these exhibitions and these posters/lithographed prints are availabble at www.ftn-books.com. Printed by Arte Paris make these the best available Kelly objects possible
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20