Alberto Giacometti (1901-1966) at Tate Modern

I just received by Blouin art info the announcement that a large Giacometti retrospective will be held at Tate Modern. read the Blouin article below:

Tate Modern, London presents a retrospective exhibition of works by Alberto Giacometti

Alberto Giacometti (1901-1966), celebrated sculptor, painter, and draughtsman, traced the shifting enthusiasms of European art before and after the Second World War in his remarkable career. As a Surrealist in the 1930s, he devised innovative sculptural forms, sometimes reminiscent of toys and games. As an Existentialist after the war, he led the way in creating a style that summed up the philosophy’s interests in perception, alienation, and anxiety. Although his output extends into painting and drawing, Giacometti is most famous for his sculpture. He is perhaps best remembered for his figurative works that helped make the motif of the suffering human figure a popular symbol of post-war trauma.

The exhibition reasserts Giacometti’s place alongside the likes of Matisse, Picasso, and Degas as one of the great painter-sculptors of the 20th century. Through unparalleled access to the extraordinary collection and archive of the Fondation Alberto et Annette Giacometti, Paris, this wide-ranging exhibition brings together over 250 works. It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti’s career across five decades.

The exhibition is on view through September 10, 2017 at Tate Modern, London, Bankside, London SE1 9TG, UK.

Alberto Giacometti publications are available at www.ftn-books.com

 

Japanese posters ( 1977 )…catalogue by Wim Crouwel

The Stedelijk Museum Amsterdam has a history with posters and specially the posters from Japan were presented on multiple occasions within exhibitions on the subject. In 1977 , the “Japanse Poster” exhibition catalogue was designed by Wim Crouwel, who designed a very special catalogue for the exhibition . The catalogue is one of the best from the seventies and instead of the typical Crouwel typography

on the cover there are Japanese letters drawing your attention. Red lettering on a silver background let this one stand out from the rest.

Stedelijk Museum#JAPANSE AFFICHES# Crouwel, 1977, NM

This catalogue was published with number 617 within the series of published Stedelijk Museum catalogues.

Pinot Gallizio (1902-1964)

Schermafbeelding 2017-07-14 om 15.00.38The inventor of industrial painting? i am not sure, but here follows the text i found on Wikipedia on Gallizio after i sought information on him. He is rather obscure and rarely presented in collections , but in the 60’s the Stedelijk Museum held an exhibition and published an extremely nice catalogue on him. But this artist deserves better because for many he was a source of inspiration and a great influence. he was admired by Jorn, Constant and Debord.

Pinot-Gallizio was born in Alba, Piedmont, where he became an independent Left councilman and a chemist. In 1955, he met Asger Jorn, with whom he co-founded the Experimental Laboratory of the Imaginist Bauhaus in Alba, which was part of the International Movement for an Imaginist Bauhaus, in opposition to the return to productivism by others in the Bauhaus school, in particular Max Bill. It was held in Pinot-Gallizio’s studio, a monastery from the seventeenth century, and was attended by such artists as Enrico Baj who experimented with nuclear painting techniques, Walter Olmo, who experimented with musical interventions, Ettore Sottsass, Elena Verrone, and Piero Simondo.

Pinot-Gallizio drew from his background as a chemist in developing new painting techniques. In 1956 he, along with Jorn, organized the First World Congress of Free Artists, at which a representative from the Lettrist International spoke, foreshadowing the foundation of the Situationist International in 1957 by members of both groups, including Pinot-Gallizio. At this conference the Italian artists withdrew from the Laboratory, and after the formation of the SI only Pinot-Gallizio and his son, Giors Melanotte, remained. He helped to make the SI known in the art world with an exhibition in Paris in 1959

www.ftn-books.com has the Stedelijk Museum publication available

 

Ram Katzir (1969) and Your Coloring Book

 

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This dutch/Israeli graphic designer and sculptor is not very well known outside the Netherlands, but perhaps this will change in the future. He has studio’s in Amsterdam and Beijing. Until 10 years ago i did not know this artist either, but because of a fantastic pubication he made for the Stedelijk Museum ( Your coloring book) he became known to me. Far before publishers discovered the commercial value of coloring books and the soothing and comforting qualities of coloring books. This book combines both. It is an artist book and coloring book in one and still available at www.ftn.books.com

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Jean-Paul Franssens an expanding inventory/ collection

It has been almost 20 years ago that i acquired my first Jean-Paul Franssens drawing and since, ever when i had the opportunity to acquire another work ,i did  and finally yesterday i was presented with the latest addition to my collection … a beautiful large yellow rabbit from 1992. I am proud to show you the collection as it is now and please look at www.kunstveiling.nl for the prints by Jean-Paul Franssens which i am offering now.

 

Ernst Wilhelm Nay (1902-1968)

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Another artist of whom i saw work for the first time in the Stedelijk Museum was Ernst Wilhelm Nay. The first impression you get it is a modern version of Matisse, but studying it in more detail you find differences and a style which is completely original. I found an excellent article on Nay in the ART DIRECTORY which i copied .

Ernst Wilhelm Nay studied under Karl Hofer at the Berlin Art Academy from 1925 until 1928. His first sources of inspiration resulted from his preoccupation with Ernst Ludwig Kirchner and Henri Matisse as well as Caspar David Friedrich and Nicolas Poussin. 
Nay’s still lifes, portraits and landscapes were widely acclaimed. In 1931 Ernst Wilhelm Nay received a nine-months’ study bursary to the Villa Massimo in Rome, where he began to paint in the abstract Surrealist manner. On the recommendation of the Lübeck museum director, C.G. Heise, Nay was given a work grant financed by Edvard Munch, which enabled Nay to spend time in Norway and on the Lofoten Islands in 1937. The “Fischer- und Lofotenbilder” represented a first pinnacle of achievement.
That same year, however, two of his works were shown in the notorious exhibition of “Degenerate Art” and Ernst Wilhelm Nay was forbidden to exhibit any longer. Conscripted into the German armed forces in 1940, Nay went with the infantry to France, where a French sculptor placed his studio at Nay’s disposal. In the “Hekatebildern” (1945-48), featuring motifs from myth, legend and poetry, Nay worked through his war and postwar experiences. 
The “Fugale Bilder” (1949-51) proclaim new beginnings in a fiery palette and entwined forms. In 1950 the Kestner Gesellschaft Hannover mounted a first retrospective of Nay’s work. The following year the artist moved to Cologne, where, with the “Rhythmischen Bildern” he took the final step towards entirely non-representational painting. In them he began to use colour purely as figurative values. From 1955 Nay’s painted “Scheibenbilder”, in which round colour surfaces organize subtle modulations of space and colour. These are developed further in 1963-64 in what are known as the “Augenbilder”. A first one-man-show in America at the Kleeman Galleries, New York, in 1955, participation in the 1956 Venice Biennale and the Kassel “documenta” (1955, 1959 and 1964) are milestones marking Nay’s breakthrough on the international art scene. 
Ernst Wilhelm Nay was awarded important prizes and is represented by work in nearly all major exhibitions of German art in Germany and abroad.

Nay publications are available at www.ftn-books.com

Eugene Brands (1913-2002)…there are forgeries on the market.

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In 1946 he participated in the exhibition JONGE SCHILDERS in the Stedelijk Museum and joined the experimental group of young painters in the Netherlands which would later become the COBRA mouvement. From there on he developed a very recognizable style with light bright colors, using many shades of red and yellow. Almost every large museum in the Netherlands has works by Brands in their collections and paintings and drawings are frequently offered for sale at auction or on auction sites. But beware !….. at one time i was visiting a viewing day ( many many years ago) by Sothebys on their Nes location when Brands walked in with the Amsterdam director of Sotheby’s. At that time there were about 10 works by Brands for sale. Brands walked around, glasses and furcoat still on (inside a heated room) , made a quick tour in the viewing hall, pointed out  and marked at least 5 works that were forgeries, since that occasion and knowing that there are many fake Brands paintings, i stayed away from them. Of course you can buy them at the gallery Nouvelles Images and Galerie de Rijk. It will be a safe buy, because all works sold by them are genuine, guaranteed and mostly registered pieces from the Brands studio, but from other sources …..BEWARE. Eugene Brands publications are available at http://www.ftn-books.com