Shizuko Yoshikawa is one of the artists that knows how to build a bridge between architecture and Modern Art. Swiss citizen but Jpanese born Yoshikawa was largely influenced by the ideas of design department of the Hochschule fur Gestaltung in Ulm.
One of the people who recognized that was the owner of gallery Artline in the Netherlands who held an exhibition in 1986 on Yoshikawa, presenting her color reliefs for the first time in the Netherlands. I wish i had seen her work at that time, Because my knowledge on art has grown over the years. If i now had a chance in aquiring a Yoshikawa work i really would consider to add it to my collection. It is the kind of art that grows on you and is appreciated more and ore over the years. Rooted in the sixties it has a little from everything a bit minimal art, a dash of Zero and perhaps a drop of Kinetic art makes a Yoshikawa work one of a kind.
When i think about Ludwig Mies van der Rohe, three of his designs i remember instantly. The first …a chair by Mies van der Rohe, One i always wanted to own and when i finally had one i did not think it was comfortable enough so i sold it. The chair… a Barcelona chair.
The one he designed for the Barcelona Pavillion. It was designed for the World exhibition from 1929 and after the exhibition it was demolished, but a group of spanish architects recognized its importance and had it rebuild in the Eighties from last century. I finally had a chance to see it for myself when i visited Barcelona for the first time around 2005. We walked over there since it is only a 10 minutes walk from the Fundacio Joan Miro.
The last one is the Seagram building which is one of the skyscrapers i admired when i first visited New York together with my father. A building i remembered well and of which i recognized style elements when i visited the Neue Nationalgalerie in Berlin some 30 years later. Ludwig Mies van der Rohe is a force in design and has made his mark on many of last centuries greatest designs. Some of his classic publications are availabel at www.ftn-books.com
It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.
The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.
It was just recently that my eye was caught by a cover for a British exhibition on Architecture. ( available at www.ftn-books.com) The exhibition “ARCHITECTURE TODAY, has over 140 page filled with examples of typical Sixties architecture but what made it stand out for me was the excellent cover by Dennis Bailey.
Bailey was of great influence to other British designers because he taught at the Central School Of Art & Design (1957-60), Chelsea School of Art (1970-81) and at Middlesex Polytechnic during the late 1980s.
I wondered why i find his design so appealing. It must have been the influence of Swiss design . at least there is a hint Gerstner in his designs and it is no wonder, because he contributed for a period of over 20 years to GRAPHIS magazine based in Zurich.
For more information on this great Britisch designer please read the article that i found over here:
One of the first projects and designs Benno Wissing did for the Boymans van Beuningen Museum must have been this Frank Lloyd Wright catalogue “fllw”. The year is 1952 and the chosen size is different from the normal sized catalogues the Boymans had published until that date. But the size and lay out suits the subject of architecture. This is one of the hardest to find catalogues on Frank lloyd Wright and i was lucky to find a copy. The condition is not the best possible and i would rate it 6 out of 10 points , but still it is there and now available at www,ftn-books.com. This is the best from both worlds. Great graphic design meets top class architecture.
Is art? Yes perhaps it is ….. It is landscape architecture at the largest scale possible.
We noticed from early May the steady progress of the Trace of the high voltage lines between Nieuwe wetering and Rijpwetering. We can follow this progress, because we sail frequently the Ringvaart which is crossed by this Trace of high voltage lines. It is part of the new ring of voltage lines between the largest cities in the Netherlands. They stand like large sculptures in a landscape and are very impressive. Height is on average 55 meters, and they surely can not be missed. You see them from a large distance and they alter the landscape in a unlikely way.
The Netherlands has a long history with these immense masts in the landscape and this was recognized by Arij de Bode who made a beautiful publication on just these large masts which look like large sculptures. The book contains great photography by the best in dutch landscape photography and is available at www.ftn-books.com
Here is an artist who’s works were very well known from the very first beginning of his career. Suprematism being one of the key collection parts of the Stedelijk Museum, El Lissitzky soon became part of this great and important collection. Because of this large collection part, an interest in his works was aroused from the very first beginning resulting in some purchases by important collectors and acquiring works by museum for their collections. Among them; Stedelijk Museum, Haags Gemeentemuseum, Boymans van Beuningen and the van Abbemuseum.
There is so much to be told about El Lissitzky as an artist because he was a true multi talented artist. A Painter, sculptor , architect and designer all within the same person. One aspect of his career i would like to mention specially. His graphic design.
El Lissitzky is the 9th person from the left
During his stay in Germany Lissitzky also developed his career as a graphic designer with some historically important works such as the books Dlia Golossa (For the Voice), a collection of poems from Vladimir Mayakovsky, and Die Kunstismen (The Artisms) together with Jean Arp. In Berlin he also met and befriended many other artists, most notably Kurt Schwitters, László Moholy-Nagy, and Theo van Doesburg. Together with Schwitters and van Doesburg, Lissitzky presented the idea of an international artistic movement under the guidelines of constructivism while also working with Kurt Schwitters on the issue Nasci (Nature) of the periodical Merz, and continuing to illustrate children’s books. The year after the publication of his first Proun series in Moscow in 1921, Schwitters introduced Lissitzky to the Hanover gallery kestnergesellschaft, where he held his first solo exhibition. The second Proun series, printed in Hanover in 1923, was a success, utilizing new printing techniques. Later on, he met Sophie Küppers, who was the widow of Paul Küppers, an art director of the kestnergesellschaft at which Lissitzky was showing, and whom he would marry in 1927.
Yesterday my wife an i visited the ‘ DE PARADE ” a cultural fair with music and performances. a great evening and great fun on the fairground and at the time we left it was still light enough to distinguish the buildings in the surroundings. We took a shortcut to the tramstop and ….there it was …. a great building used nowadays as a care home for older people. architecture by J.W.E. Buijs en J.B. Lursen from 1924, commissioned by the dutch anthroposophic society and heavily inspired by the architecture of Rudolf Steiner.
This was a great building and for me a total surprise, because i never had seen it before nor heard about it. It brought back memories and i remembered the large inventory we had during the Spiritual in Art exhibition which was organized by the Haags Gemeentemuseum together with the Los Angeles County Museum which catalogues are still available at www.ftn-books.com. The exhibition showed the importance of the iedeas of rudolf Steiner and the influence these ideas had on the art and artist of the Interbellum and shortly after.
Architect, Photographer, furniture designer and engineer. All these disciplines were combined in one person…the genius Carlo Mollino.
Educated at the Politecnico di Torino he soon became one of the leading architects in that city. Linda and I will be visiting Torino later this year and we certainly will see some of these timeless Mollino buildings.
but for me Mollino stands for design and photography, because in both he excels. His engineering skills are undoubtedly there and so are his architectural accomplishments, but with his photography and design he is truly avant-garde. Look at his photographs and you know exactly where Araki and Saudek took their inspiration from and his furniture…. it has the “free” style of the later Memphis group but was much more stylish. (BTW this desk is still in production).
Mollino was a true genius who’s works are better known each year, because his name is not only known in Italy anymore. Because of some very important publications, exhibitions and books, his fame spreads all over the world. A unique artist and personality and one of the great multi disciplined artist from last century.
I found a very good blog on him at this address: https://buildllc.wordpress.com/2008/12/07/the-work-of-carlo-mollino/
What is possibly not known to many is that they have visited one of the masterpieces by Henry van de Velde in the past. The architecture of the Museum Kroller Muller was done by van de Velde after the family Kroller Muller turned down the sketches and plans by both Mies van der Rohe and Berlage. The new building was necessary for them to present their extremely large collection of van Gogh paintings. Later this collection has become the fundament of their collection which included highlights by many other contemporary artist, but the van Gogh’s are in most cases the reason why visitors from all over the world visit this museum in the forests of Park de Hoge Veluwe.
van de Velde designed a beautiful building with spectacular views on the surrounding forests and sculpture park. Later Wim Quist designed the necessary annex building , because the collection had grown too large for the old building alone and the museum was in need of an extra exhibition space for large objects.
Beside architecture van de Velde was a multi talent who designed everything. From wall papers to kitchen were all was executed with an exquisite taste.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20