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A very special Wim Couwel publication for the H.N. Werkman 1964 exhibition

Some combinations are hard to beat and this one is surely a classic. Wim Crouwel was not yet promoted to the position of designer of the catalogues of the Stedelijk Museum Amsterdam and had just left the van Abbemuseum with his designs. In the in between period he did some free lance works and one of these was the catalogue he designed for the H.N.Werkman exhibition of 1964 in the Groninger Museum and this catalogue became the standard for all his future designs. He chose a slim sized catalogue, but within the book he used some of the papers which he had used in the van Abbemuseum catalogues and would use again for the Stedelijk Museum catalogues. Making it simple but still complex.

On the cover a bold and typical Werkman print which emphasized the graphic quality of the catalogue. The back…. a typical red with clear black and white lettering. This is in my opinion one of the very best graphic designs ever made in the Netherlands and i am proud to still have a copy for sale of this beautiful and splendid Wim Crouwel catalogue.

For this catalogue please visit www.ftn-books.com

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Ossip, Winter and Chezhin

There different artists, 3 different backgrounds, 3 different era’s, but somehow their works have a resemblance with each other. The source is with all three an old photographs, which is worked over in a way the scene becomes surreal.

Above are some of the examples i found in my inventory of www.ftn-books.com , which has pubications of all three artists available.

From left to right: Ossip, Julie Winter and right Chezhin.

Chronologically and artistically there is for me no doubt who is the most original of these three……by far it is my friend OSSIP, who’s art is still developing . His “sculptures”are literally on the move nowadays.

 

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Deweer Art gallery in Ottegem since 1979

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Some of the galleries are out there for ages. For example Denise Rene in Paris and Willy Schoots in Antwerp but there is also Deweer gallery who have a presence in the gallery world since 1979. When you visit the gallery it is more like a small sized museum than a typical gallery. A huge surface, situated in an old factory with separate rooms, make it suitable to present a diversified collection. Artists from the gallery range from Jan Fabre to Mark Wallinger. www.ftn-books.com carries some sold out Deweer publications from the last decades.

The Deweer site gives the following information on the history of the gallery:

Deweer Gallery (est. 1979) is a leading second-generation gallery specialized in national and international contemporary art. Gerald and Bart Deweer are its owners and directors. The gallery is located in a building with approximately 1,200 m² of exhibition spaces in the rural town of Otegem, in Belgium. Deweer Gallery, representing more than twenty artists, focuses exclusively on work that evinces a combination of critical and poetic qualities. Well-known for its representation of artists such as Stephan Balkenhol, Jan Fabre, Günther Förg, Ilya and Emilia Kabakov and Panamarenko, the gallery has a reputation for building artists. Deweer Gallery has been working together with these artists for more than two/three decades. The early detection of talent is its trademark. It is evident in, among other things, their current supporting of artists such as Melissa Gordon, George Little, Enrique Marty, Benjamin Moravec, Nasan Tur, Anna Vogel and Andy Wauman.

HISTORY

From father to sons

Mark Deweer’s passion for collecting art led to the creation of Deweer Gallery in 1979. Mark was the driving force and the initiator. His nose for artistic talent and his business acumen, along with the unconditional support of his wife Marleen Deweer, made for an ideal combination that would make the realization of his dream possible.

Raised surrounded by art, their two sons, Gerald and Bart Deweer, know the world of art from within. Gradually, they took over the management of the gallery. Gerald and Bart want the gallery to continue to play a dynamic, ambitious and leading role on the international contemporary art scene. They aim to continue to promote artists on the basis of strong internal/external exhibitions and participations in international art fairs such as Art Cologne (since 1995), ARCO Madrid (since 2001) and recently also miart (Fiera Milano).

Building

Since the middle of the 1980s, Deweer Gallery is located in an unusually spacious building that once housed a small industrial enterprise. In 2011-2012, the spaces of the gallery were thoroughly renovated. Far-reaching architectural interventions were carried out, such as a doubling of the publicly accessible spaces (the lobby and three exhibition rooms) to a total area of approximately 1200m². In September 2012, the new gallery opened with the group exhibition ‘Re-Opening’, which clearly showcased the rejuvenation and renewal of the gallery program.

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Guillaume Le Roy a Triptych

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Just a short story how i found the Triptych by Guillaume Le Roy. I have been impressed by the graphic art of Guillaume Le Roy for over 15 years now. Since i began visiting specialized book auctions, i found that his works were offered on some occasions. In the beginnig i was not interested in buying them , but some 10 years ago i bought my first ” lot” which included 4 large prints ( ca. 120 x 80 cm). I began to admire his techniques and his compositions were fascinating to look at.

This was the beginning of a small collection of works by Le Roy. His black and /white ( now some are for sale at ftn art ) prints showed within the limit of the use of only black and white so many detail and shades that come alive as soon as you put them on a wall. So far the earliest of history on Le Roy and me as a collector.

2 years ago , at the november sale of which i could not visit the viewing days,  my interest was raised in the catalogue when i saw a description of an item that looked to be an early print by Guillaume Le Roy. The description was not that clear but i recognized his graphic signature. I placed a written bid and i won the item…… picked it up at the auctionhouse and discovered it was a genuine Guillaume Le Roy . …. a Triptych.

 

roy drieluik d

 

roy drieluik b

Two folding panels covered on both sides with etchings and in the middle another 2 etchings. In total 6 etchings and another discovery….it was signed, numbered and dated. very hard to discover the signature, but it was there , together with the other edition information ( see the photograph with the item).

One problem, i do not have the place to present it properly, so decided to put it up for sale and now it is available for the true admirer who values and cherishes Le Roy works too.

https://ftn-blog.com/product/20416/

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galerie Nouvelles Images…”the end”

A few days ago it was a shock for me to learn that gallery Nouvelles Images will close its doors permanently. This gallery has been a long time institution in the dutch art world and one of the galleries that gave direction to the dutch art world. Ton Berends and later on Erik Bos were visionary gallery owners that meant a lot to the young artists and because of their influence opened doors to museums and foreign galleries. Beside that they were great art dealers who presented and represented many artists for the very first time in the Netherlands and on art shows.

I visited the gallery dozens of times and i always enjoyed the spacious rooms. My personal favorites were of course Dirkx, van Hemert, Geurts and Willem Hussem who’s heirs they have  represented for more than 30 years now. Nouvelles Images will not exist any more in the near future. So take a look at a great art institution in The Hague while you can. The gallery will close on the 1st of October 2018.

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www.ftn-books.com has many Nouvelles Images available

GALERIE NOUVELLES IMAGES SLUIT DE DEUREN

Sinds de oprichting in 1960 is NOUVELLES IMAGES (NI) een beeldbepalende en invloedrijke galerie in Nederland; eerst onder de visionaire leiding van initiator Ton Berends en vanaf 1989 onder de bevlogen aanpak van zijn opvolger Erik Bos.

Erik Bos is in december 2016 overleden en liet zijn nalatenschap ten goede komen aan de beeldende kunsten, in het bijzonder de fotografie via het Erik Bos Fonds, een fonds op naam van het Gemeentemuseum Den Haag. De galerie voortzetten was voor alle betrokkenen een grote wens.

Sinds vorig jaar maart werkten wij, de nieuwe directeur Marie Jeanne de Rooij en rechterhand Sander Creman, voortvarend aan de continuering van de galerie voortbouwend op de geschiedenis en reputatie van NOUVELLES IMAGES met een zichtbare focus op de gewenste vernieuwing.

Helaas is door de aanhoudend ongewisse kunstmarkt en de complexe overdracht van de galerie door de direct betrokkenen met pijn in het hart besloten de galerie met ingang van
1 oktober 2018 te sluiten.

NOUVELLES IMAGES dankt alle kunstenaars voor hun kunstenaarschap en vriendschap, en alle kunstliefhebbers die de kunst en de kunstenaars door de jaren heen met hun aankopen gesteund hebben.

NOUVELLES IMAGES organiseert van zaterdag 1 september t/m zondag 9 september een laatste verkooptentoonstelling met werken uit de collectie NI waarvan de opbrengst aangewend zal worden om de galerie goed af te sluiten voor de kunstenaars van de galerie en voor de direct betrokkenen. Meer informatie over deze tentoonstelling wordt op korte termijn bekend gemaakt.

Marie Jeanne de Rooij & Sander Creman

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Piet Dirkx….and now for something completely….special.

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Readers following the “Piet Dirkx daily” know of my admiration for Piet’s his work.

We now have had over 600 cigarboxes and another 300 works to come. Among them cigarboxes, large paintings on wood and works on paper. Within the last category you will find the special of today. Piet made in 2005 some drawings/ gouaches to be sold in the shop of the Gemeentemuseum Den Haag and yes….i bought 3 of them and because i can only hang 2 from those three, i decided to sell the one that is still in one of my drawers.

Piet Dirkx, compositie, 2005
Piet Dirkx, compositie, 2005

It is certainly not the least out of those three and because if had first pick from the set which was to be sold i chose what i think were the best. Here it is …..A drawing like a series of open books and buildings, with a typical Piet Dirks mouth drawn in pencil upon them. Colorful, detailed and executed on perfectly square paper . It is the ideal Piet Dirkx composition upon a limited surface. (29,8 x 29,8 cm.)

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Herman de Vries/ Random Shapes cat. 578

 

This is one of those catalogues that has become famous. When i started collecting Stedelijk Museum catalogues some 20 years ago. The first “lot” i bought contained 2 of these and my first thought was….who in the world is interested in these catalogues, but his has changed over the years. 2 reasons….

1st. Herman de Vries has become one of the most important artists since he first presented his works in the Stedelijk Museum.

2nd. What i did not realize at that time, but which is realized by many nowadays is that these catalogues were not a catalogue at all, but true multiples that were published on the occasion af an exhibition. Among them, Soto, Hamilton, Paolozzi, Arp, Calder and…. certainly this RANDOM SHAPES by Herman de Vries.

It was published with no 578 and contained a white cover which contained a see through envelope containing the Random shapes by de Vries a6 page folder with explanation in dutch made it complete.

The Random Shapes has become iconic for the Stedelijk Museum catalogues and finally after a long time i managed to find me another copy which is available at www.ftn-books.com

 

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Gerard Petrus Fieret / 2 drawings

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It was years ago that i bought a poetry book by Gerard Pedtrus Fieret and found 2 drawings from 1982 by him within. The drawings are rapid sketches as he now and then made for friends. These 2 sketches were done for Jopie. I do not know who Jopie is , but in both is a woman depicted so i think Jopie was a female friend of Fieret. Both these drawings are now for sale at ftn art. In the near future i will publish some  “Bierviltjes”and letters i have in my collection. These drawings and letters were written to a friend of mine and are an important piece of Fieret history. But now the 2 drawings by Fieret.

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Janusz Haka (1951)

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I first heard of Janusz Haka when i received an invitation in 1980 by the Jurka gallery in Amsterdam. They held an exhibition with the polish artist Janusz Haka. Since the list of his exhibitions is a very very long one and because of his subjects his art was appreciated in many places all over the world. I would say that his art has influences of Walasse Ting and Leroy Neiman, but Haka is as original as the ones just mentioned. His style is recognizable and his paintings have in most cases an erotic element but never offend. His paintings are appreciated by both men and women and because of the many colorful elements these are joyful accessible paintings. FTN art is now selling one of these majestic large oils on paper. It is the one which was modelled after “l’origine du monde” by Manet.

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A beautiful original oil painting , signed and dated 1980 in pencil and a great early Janusz Haka to collect.

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Arie van Geest (1948)

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Without realizing i have collected a beautiful small collection with works by Arie van Geest. Born in Maasland he stayed in the region and had several studios in Rotterdam. The friendship with Pat Andrea shows in his early works which were a little surreal, but in the mid eighties he changed in the approach of his painting. His works became abstract with realistic elements and that is the time i met Arie and bought my first drawing. Together with Mariette Josephus Jitta, as the curator in charge, he made the Tableau Mourant exhibition in which 98 watercolors were shown. This series was later bought by the van Gogh Museum. For the exhibition in the Gemeentemuseum 2 editions were made. One “ordinary edition” designed by Paul Stoute and the other a linnen bound one, with a drawing/watercolor by van Geest.

The style changed dramatically and personally i prefer this “new” Arie van Geest above his more realistic style. He stayed loyal to this new found abstract style for almost 20 years and changed again to a more a realistic way of painting in 2002. All three periods are important, but when you look at the museums that bought Arie van Geest ( Gemeentemuseum, Stedelijk Museum, Boymans van Beuningen ) , They all made their acquisitions in the abstract period, except for the Athens Museum which made purchases from his most recent period. Arie van Geest was represented by Delta Gallery. He now has frequent shows with Livingstone gallery.  I have decided to sell part of my Arie van Geest works, so please have a look at FTN art and for the book related material visit www.ftn-books.com