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Aat Veldhoen (1934-2018)

Perhaps he wasn’t the greatest dutch artist that ever lived, but still Veldhoen deserves his place in art history . He was the artist who almost “commercially” destroyed himself, by making his prints available for ALL and in someway inventing the multiple for the masses.

He drew his subjects directly on the plate and made rotaprints from these plates. Used cheap papers and sold these prints, which were not signed nor numbered from a cart run by Robert Jasper Grootveld for the extremely small amount of 3 dutch guilders. It meant that with so many works by Veldhoen on the market, his paintings and drawings were not valued as they should be.

Aat Veldhoen was a well known and colorful figure in the dutch art scene and had a 20 year relationship with Hedy d’Ancona, the former minister of Culture from the Netherlands.

 

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Oliver Boberg ( 1965 )

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The first time i was confronted with the work by Oliver Boberg was when he had  a large Retrospective exhibition. This was in 2004 at the Fotomuseum and i was very much impressed. Specially the large scale photographs had a feel of desolation and now i have bought for FTN Art two of his greatest photographs at a much smaller scale but still these are originals and very well worth collecting. The book i had on Boberg was sold years and years ago, but this is even better for the true admirer. The photographs are both from a very small edition of 20, numbered and signed and in pristine condition. Framed in a quite expensive frame and come from a collector from the US.

Memorial by Oliver Boberg , 2002,  edition 20, number 14/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 35 x 25 cm. , condition is MINT

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“Erdgeschoss” by Oliver Boberg , 2001, edition 20, number 13/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 38 x 15 cm. , condition is MINT

boberg erdgeschoss a

Please visit the FTN art section on this page for more information

Oliver Boberg was born in Herten, Germany, in 1965. He studied art history at the University of Würzburg, Germany, from 1985–86, before transferring to the Art Academy Nürnberg to study painting from 1986–93. Since 1997 Boberg has garnered attention for his photographs of what appear to be bleak, uninhabited architectural sites but are in fact models constructed by the artist in his studio. The sense of neglect that haunts these scenes contradicts the painstaking meticulousness applied to their fabrication. In Boberg’s work from the late nineties, the elegant formalism of his compositions contrasts with the subject matter—color-drained stairwells, roof decks, and building facades painted to dissemble age and dilapidation. Works such as Park (1998) and Playground (2000) offer barren sites of disrepair despite their sunny titles. Boberg created his first films for the series Night Sites (2002–03). In these films, the artist utilizes familiar Hollywood devices—fluorescent blue lighting that typically permeates suspenseful night scenes and eerie settings like an abandoned alley or fog-coated forest—to promise a drama that never unfolds. In 2003, with his Building Shell series, Boberg returned to his characteristic photography of elaborate models, this time recreating multistory edifices in the midst of the construction process. In 2004 the artist began to work for the first time with black-and-white photography for his Pagesseries. In Pages and Walls (2007), Boberg revisited his photographic investigation of highly constructed, formalist sites of inattention. Inattention gives way to tragic neglect in his series Slums, begun in 2008, which focuses on the derelict makeshift dwellings composed of serrated tin and other urban debris. For this series, the artist juxtaposed his photographs with computer-generated drawings.

Solo exhibitions of Boberg’s work have been organized by the Museum of Contemporary Photography in Chicago (2001), Musée de l’Elysée in Lausanne (2002), Kunstverein Hannover (2003), and Duolun Museum of Modern Art in Shanghai (2005). His work has also been included in major group exhibitions such as Experiment at the San Francisco Museum of Modern Art (2000), Moving Pictures at the Solomon R. Guggenheim Museum in New York and the Guggenheim Museum Bilbao (2003), and Artist’s Choice: Herzog & De Meuron, Perception Restrained at the Museum of Modern Art in New York (2006). Boberg has been recognized with the Bayerischer Staatsförderpreis für junge Künstler, Fotografie (1997) and Förderpreis für bildende Kunst der Stadt Nürnberg (2005), among other awards. Boberg lives and works in Fürth, Germany.

 

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Tineke Griffioen retires on 12/1/2018

tineke sepia

Finally, after 43 years of being one of the most loyal and dependent employees of the Gemeentemuseum  Den Haag, Tineke Griffioen decided to retire from her jobs at the museum. From Prentenkabinet to DTP she made not only a career within the museum, but was also very much involved into the well being of her colleagues. The museum will miss this very friendly and dependent employee who had an expertise in prints and drawings. The set depicted in this blog comes from a Siep van den Berg sketch book he made in France in 1990 and shows that the following pages from the book were not accidentally filled in, but that each drawing developed into a very nice Constructivist composition. This very set was presented to Tineke for being the colleague that she has always been to me….Thank you and have a great retirement!

tineke berg

PS. Other sets are available at www.ftn-books.com , Please inquire

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Giovanni Nicolai ( continued )

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This is to announce that FTN Art will represent Giovanni Nicolai with his art work.

From now on a selection of his art will be available in the FTN Art section of these pages. Feel free to contact me if you want more information. The start will be  a series of affordable sketches at euro 150,–. Executed in different techniques with Crayon , pencil and paint on paper. If you desire information on his paintings please sent me a mail and i will propose you  a selection of paintings currently available.

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Ans Wortel (1929-1996)

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When i started to collect art ( editions) i must have been 16 years of age and one of the first lithographs i acquired was one by Ans Wortel. A feminist artist who found her inspiration nearby. A feminine, mother, child approach to her subjects made her work very accessible and understandable to many. This together with the strong graphic quality these works were very appealing and at that time i bought 2 lithographs for my starting collection.

These were sold a long time ago because i found the works after many years to become less interesting. This was now some 30 years ago, but lately i rediscovered her works, because when you look at them again after not seeing them in a very long time , you discover them to be timeless and well worth collecting. There were other things to discover about Ans Wortel because at her peak she had some important exhibitions and became very popular as an artist in the Netherlands resulting in multiple exhibitions, among them at the Stedelijk Museum in Amsterdam which catalogue is available at www.ftn-books.com

In the 1970s, the paintings and prints of Ans Wortel (1929–1996) were hailed by critics and purchased by major museums. Her work, imbued with intensely feminine themes, was very much in demand. The artist became a well-known Netherlander, whose non-conformist lifestyle spoke to everyone’s imagination. In the village of Bergen, where she lived for 20 years, her villa Kranenburgh is now museum Kranenburgh.

Tough women

Where her fellow artists sought innovation in abstraction, Ans Wortel remained faithful to figuration, developing a distinctive visual language and palette. Her paintings feature tough and robust women, with large hands and eyes, surrounded by surreal landscapes.

Liberated

In 1968 the mayor of Bergen offered her villa Kranenburgh. Many were the parties in her building – more numerous were the stories about her eccentric lifestyle. Her free-spirited life is reflected in the countless drawings and paintings that filled Kranenburgh. When, after twenty years, she had to leave the villa, she protests vehemently, but in vain.

 

 

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Joris Geurts (1958)

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Just a little younger than myself, but this is an artist who grows on you. I had the opportunity to follow his works for a long time now. In the early stages of his career at gallery Art & Project and later on at Slewe gallery ( from 1995).

In the beginning his compositions did not attract me at all, but from the mid Nineties on his works develop into something very special. He creates with his composition a universe and builds it with lines, squares, oval shapes and circles making them highly recognizable and personal paintings.

Slewe gallery represents Joris Geurts now for over 2 decades and in this time they commissioned Irma Boom to make a Geurts catalogue which has become one of my favorite Irma Boom catalogues of all time.

The catalogue is a typical Boom designed book , but it is not the catalogue which draws your attention, but the paintings depicted within. This period was a highly productive period for Joris Geurts and FTN-art is lucky to have acquired 2 paintings by Geurts from these important years ( POA). The Irma Boom designed catalogue is available at www.ftn-books.com

 

Here is the text from  the Slewe gallery pages

Joris Geurts, born in 1958 in Oss (NL), makes abstract paintings, drawings and prints.They are assiociatively built up, but transparantly layered and traceble. Small squares and dots float on deep blues and greens, giving associations with the kosmos or landscape.

After his study at the AKI in Enschede, Geurts started his career at Art & Project Gallery in Amsterdam in the early eighties. Since 1995 he showed regularly at Slewe Gallery. In 2001 he had a show at Noordbrabants Museum in ’s-Hertogenbosch, on which occasion a catalog had been published Purple Blue and Lemon Yellow, giving an overview of his work, with texts by Bert Jansen and Henk van Woerden. In addition to his painting practice he also works as a composer of music. His works have been collected by several important public collections, such as the Stedelijk Museum Amsterdam, Museum Boijmans van Beuningen, Rotterdam, Rijksmuseum Twenthe, Enschede and the corporate art collections of the AKZO Nobel, ABN AMRO, KPN, Bouwfonds and AEGON.

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A new OSSIP addition from 2003.

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Ossip / JONGEN, 2003

Just take a look and see that i added this beautiful hypnotizing Ossip to FTN collection about 2 months ago at www.ftn-blog.com. It comes from the the Vescom collection . A collection which was created over the last 3 decades and was sold at auction in Amsterdam. I was lucky to buy this “JONGEN” by Ossip together with 2 works by Joris Geurts ( in another blog later). This “Jongen” is one of the more “static” works . It has the same qualities as the works he presented in his exhibition at the Gemeentemuseum Den Haag . Most of the works i know of have moving parts but this late Nineties /early 2000 work was made when composition and image were the typical Ossip elements within a work of art. I know that there exists also a larger version of ” JONGEN” which is depicted in the Ossip monograph , but this version measures 112 x 89 cm. and is signed and dated Ossip, 23-11-2003 and now available at www.ftn.blog.com

at : https://ftn-blog.com/product/ossip-jongen-2003-112-x-89-cm-excellent-condition/

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Hendri van der Putten (1940) an artist book

 

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Last week i found at the local bookmarket a special artist book by Hendri van der Putten. The book was made for the exhibition of Hendri in the Apollohuis in 1988.The artist book consists of 16 pages of which 5 are silkscreened with lines across the pages and on the edges…. a very delicate yellow. an exquisite book which is now available at www.ftn-books.com

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putten d

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Beppe Kessler (1952), Jewelry and Paintings

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Beppe Kessler is one of those artists who grows on you. Educated on the Rietveld Academy , she soon found her way into the Gallery circuit with frequent exhibitions all over the Netherlands in the Eighties. What makes her work special is the use of materials which are not commonly used for jewelry. For example she uses nylon tissues and balsa wood within her jewelry. This really makes her jewelry stand out from other designers, ………but there is more to Beppe Kessler. She is also a painter and this is where my interest originated . If you look at her paintings you might think you are looking to a child of a Constructivist father and an organic hairy mother.

These paintings are exceptional. Their sizes differ, but even in the smallest of paintings you can see the personal “signature’ of Beppe Kessler. The book that www.ftn-books.com has in its inventory is from a special edition of 500, signed and numbered but what makes it really special is the cover. All 500 covers are different and this one is one with 4 pins sticking out, making it a true Kessler painting.