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Stedelijk Museum ….an eight week job

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Many of you know that http://www.ftn-books.com has one of the largest inventories with Stedelijk Museum oublications. Publications from as early as the Twenties from last century. The last eight weeks i made an effort to include the many publications i have in stock but did not add to my inventory until now. I have include over 1000 Stedelijk Museum publications which makes my inventory one of the largest “searchable” collections of available Stedelijk Museum Amsterdam publications. Over 900 different itesm are now available at http://www.ftn-books..com

visit http://www.ftn-books.com and search for “stedelijk” to discover many of the beautiful publications from this iconic museum.

 

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Daniel Spoerri ( 1971 poster)

Just leaving the path of Crouwel /Sandberg designed posters for this Daniel Spoerri designed extraordinary poster for his 1971 exhibition at the Stedelijk Museum. In the early Seventies the Stedelijk Museum commissioned some of the exhibiting artist to design their own publicity posters . Tinguely was one of them and so was Daniel Spoerri, who made one of the very best Seventies posters ever. Just for your self…..

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Together with the exhibition, 2 publications were published , both designed by Wim Crouwel. All three items are now availablel at www.ftn-books.com

 

 

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Piet van Wijngaerdt (1873-1964)

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A dutch painter who is hardly known, but not without reason he was presented and is present in the collection of the Stedelijk Museum Amsterdam. Wijngaerdt was a painter who was strongly rooted in realistic art bvut during his career he tried to free himself from this constraint by introducing brighter colors and sketching and filling in the surface of the canvas with abstract element.

These paintings are therefore all a search for abstraction and make these worthwhile to study and collect. Wijngaerdt is considered to be the founding member of the Bergense School.

the above publications are available at www.ftn-books.com

 

 

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Posters by Willem Sandberg and Wim Crouwel…part 4

This week it is the set Wim Crouwel designed for the 1964 Arman exhibition. It was the first Arman show at the Stedelijk Museum and there would be some more to follow, since Willem Sanderg was a fan of Arman and his sculptures.

Both designs are executed in a blazing red color with a transformed and crushed lettering like the sculptures by ARMAN. An absolute beautiful design by Wim Crouwel.

 

but study them closely….. they look the same , but they are not…. there is a differnce in the lettering of the ARMAN name. Botht are available at www.ftn-books.com

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Mark Manders (1968)

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Just to illustrate the work by Mark Manders here follows a text he wrote in 1994.

The Absence of Mark Manders

Under a table you have the possibility to test your own absence. The realization that life is taking its course, even without you, is an intense human experience; it shows the finiteness of personality. Mark Manders has inhabited his self-portrait since 1986. This building can expand or shrink at any moment. In this building all words created by mankind are on hand. The building arises, like words, out of interaction with life and things.

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The thoughts that surround him in his building are, materialized or not, always important and never gratuitous. ‘When years ago I went for a walk, I would walk through streets where sometimes a clothespeg would be lying, or, when I entered a place, there would be a table with, for instance, a telephone and an empty vase, briefly I would find myself in a world that I hadn’t determined myself. I decided to build a building next to that world, or rather, in that world. A building which was dominated by a changing arrest, where and through which I would be confronted continuously with my choice, the choice of Mark Manders.’ Mark Manders considers the world surrounding his building as an evolved organism that has been constructed from so-called semi-truths. These fall as some loose atom-truths in a kind of ‘encyclopaedia basement’, a space of about four by five metres, around which he constructs his building. Herewith, Mark Manders places his self-portrait as a building actually between two world views: the world as constructed from atom-like semi-truths and the one in which these truths are accepted as facts. Often, we are not afraid in our materialized projection, the world itself has been confided to us. I remember how we determined our first priority roads and that diviners (reading the future in liver) indicated the place of the city. Walking through my building, I get confronted everywhere with deep arrest, it is terrific, the things over here surmount my momentaneous thinking and are familiar to me, I never get bored.

Mark Manders, 1994

www.ftn-books.com has some nice Mark Manders publications available

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Posters by Willem Sandberg and Wim Crouwel…part 3

In this blog it is time to show the combination of the 1973 Tinguely poster and the Wim Crouwel designed catalogue which he designed for this 1973 exhibition.

The poster is an original design by Jean Tingeuly, where as the catalogue, which was published for this exhibition, was designed by Wim Crouwel. It is just functional where the poster is full of life and design elements . I like both very much but these are worlds apart from each other. It is up to you which is the better graphic design.

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Both publications are available at www.ftn-books.com

 

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Dr. Erich Salomon ( 1886-1944)

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Erich Salomon (28 April 1886 – 7 July 1944) was a German-born news photographer known for his pictures in the diplomatic and legal professions and the innovative methods he used to acquire them.

Erich Salomon memorial Born in Berlin, Salomon studied law, engineering, and zoology up to World War I. After the war, he worked in the promotion department of the Ullstein publishing empire designing their billboard advertisements. He first picked up a camera in 1927, when he was 41, to document some legal disputes and soon after hid an Ermanox camera usable in dim light in his bowler hat. By cutting a hole in the hat for the lens, Salomon snapped a photo of a police killer on trial in a Berlin criminal court.

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Beginning in 1928, Salomon worked for Ullstein’s Berliner Illustrirte Zeitung as a photographer. With his multilingual ability and clever concealment, his reputation soared among the people of Europe. When the Kellogg-Briand Pact was signed in 1928, Salomon walked into the signing room and took the vacant seat of the Polish delegate, and took several photos. He is one of only two known persons to have photographed a session of the U.S. Supreme Court.[1]

After Adolf Hitler came to power in Germany, Salomon fled to the Netherlands with his wife and continued his photographic career in The Hague. Salomon declined an invitation from Life Magazine to move to the United States. He and his family were trapped in the Low Countries after Germany invaded in 1940. Salomon and his family were held in the Westerbork transit camp, then for almost five months in Theresienstadt concentration camp and were deported from there to the Theresienstadt Family Camp in May 1944. He died in Auschwitz on 7 July 1944.

The Dr. Erich Salomon Award is a lifetime achievement award for photojournalists given by the Deutsche Gesellschaft für Fotografie (other languages) (German society for photography). http://www.ftn-books.com has the Stedelijk Museum catalogue from 1981 available.

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Posters by Willem Sandberg and Wim Crouwel…part 1

Last month i was able to acquire a small collection of Stedelijk Museum posters by Willem Sandberg and Wim Crouwel and because of my large collection of Stedelijk Museum material and the historical importance of these publications, i have decided to devote some of the blogs to the relation between the posters and the catalogues published with the exhibitions listed on the poster.

To start…. this very nice Sandberg designed poster he made for the Hunziker /van der Gaag exhibition. January ? Feruary 1962.

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Both female artists and both belonging to the COBRA mouvement.

Books and poster are available at http://www.ftn-boooks.com

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Erwin Olaf and Eduard Manet… an analogy

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A few weeks ago i decided to sell my pristine copy of the Borek Sipek / Erwin Olaf catalogue they made together with Irma Boom for the STIJL VORMT FUNCTIE exhibition at the Stedelijk Museum in 1991. This is probably one of the catalogues i cherish the most, but since i have decided to sell part of my private library and only keep these books that are related to our personal collection it is now for sale. What struck me most were of course the photographs by Erwin Olaf. These are timeless and highly original in their approach of the subject…..except…. he must have been inspired by at least one painting of the impressionist period. The Eduard Manet / The bar at the Folies Bergere painting is certainly a source of inspiration for the photo het took in the early Nineties. The book is now for sale at www.ftn-books.com

 

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Aernout Mik (1962)

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Once again a dutch artist. Aernout Mik…. Not that well known in the Netherlands but one look at his biography shows that his fame is truly international. Exhibitions and Video installations all over the world of which the exhibition at MOMA is perhaps his ultimate achievement until this date  (catalogue available at http://www.ftn-books.com). His video installations leave you with a sense of unease.

Look at this video in which Aernout Mik ao. explains the setting of his exhibition at the Stedelijk Museum Amsterdam

Mik is an artist who can not be explained. You have to look at his videos for yourself and wonder afterwards what the effect of the video has been. another exasmple is this SPEAKING IN TONGUES;

the MOMA Aernout Mik catalogue is available at http://www.ftn-books.com

aernout mik