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Marino Marini (1901-1980)

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When i think of Marino Marini, i think of the guided tour we had at one time on the estate of Joop van Caldenborgh. He collected the Caldic collection and recently was the founder of the museum Voorlinden near Wassenaar.

marini caldic

The Marini sculpture from the Caldic collection / Cavaliere (1952) is one of the first sculptures you will see when you enter the estate and it is placed on the corner of a “fragile” red brick wall and both the times i saw the sculpture i was scared it would fall, but beside that i was struck with the beauty of the sculpture. A typical Fifties work of art and important! because many great italian sculptures were made during the Fifties and Sixties, but only a few can be found in dutch public collections.

There was a raised interest in italian art during both these decades and the Stedelijk Museum, Boymans van Beuningen and Haags Gemeentemuseum, all presented the best from Italy in those years, but only a few of the presented works of art stayed in the Netherlands and became a part of the public collections of these museums.

Still some very nice publications were published to accompany the exhibitions and some are availabel at www.ftn-books.com

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Gilbert & George…the N…. Sh.. pictures

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Why abbreviations for this blog title. It is because of Facebook and Pinterest censorship. They do not allow to show some more explicit great modern art because of the subject. However i must ask your attention for this great catalogue for one of the most controversial exhibitions at the Stedelijk Museum Amsterdam.

gilbert naked shit ed

There is a life long friendship between Rudi Fuchs and Gilbert & George so it was the most natural venue for Gilbert & George to present this controversial series. Amsterdam, a liberal city had no problems with it . SO the show was held in 1996 and the catalogue published with it is one of the most collectable catalogues by this artists duo.

Rudi Fuchs wrote in his foreword:

Seeing these moving works for the first time, seeing their melancholy and sadness, I was reminded of paintings from long ago, for example Massaccio, of THE EXPULSION FROM PARADISE, Adam with his arm around Eve who was weeping, the two of them utterly lonely, going into the misery of human life. 

R.H.F.

This tells it all….controversial but beautiful and impressive

This catalogue is still available at www.ftn-books.com

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the 500 first Stedelijk Museum publications…A very important list

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Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com

Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:

sm lijst 1 tm 500

 

 

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Polariteit and Polarität, 1961 exhibition

No difference in name of the exhibition. Just a different spelling. One is for the 1961 Stedelijk Museum and the other for the 19761 Recklinghausen exhibition. Both are designed by Willem Sandberg, almost identical covers and the use of different sorts of paper is equal too. …….But there is a difference. The German catalogue contains 208 pages and the dutch only 140 pages. I am still wondering if the complete exhibition was at the Stedelijk Museum or that the Recklinghaus exhibition was much more complete. I prefer the german one and i wish i could have seen this one. It is such a great exhibition and must be counted as one of the greatest exhibitions from the second half of last century.

Both catalogues are now available at www.ftn-books.com

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100 Meesterwerken by Willem Sandberg

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This is arguably one of the best Willem Sandberg publications of all time. An impressive cover, the use of multiple kinds of paper, the best art works from the Paris Modern Art Museum and an unbeatable price, because these are still available, but become more rare every year. I managed to collect 4 copies of this excellent 1952 catalogue of which 2 are now for sale at a special price of USD 35.00.

Please inquire at wvdelshout@ziggo.nl for a direct sale at this price.

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Cuban posters

A recent auction of famous movie poster by Sotheby’s inspired me to have another look at the 70’s Crouwel designed catalogue which was made for the Cuban poster exhibition at the Stedelijk Museum. In 1971 the Stedelijk Museum had the foresight of organizing a Cuban poster exhibition. They recognized the outstanding quality of these posters. Political images were presented in colorful and powerful posters, but the auction shows a different side of these Cuban posters. Their interpretation of famous classic western movies. The Cuban designs were “classic” films with a twist. These posters were used to advertise famous titles in Cuba. Their strong designs and vibrant colours recall Havana in its heyday. The Cuban poster catalogue from 1971 is available at www.ftn-books.com

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NUL/Zero and Al Held exhibition

This can not be coincidence…. On the left there is the NUL exhibition catalogue for the Peeters, Armando, Schoonhoven exhibition and on the right there is the Al Held catalogue from 1966 , designed by Wim Crouwel for the Held exhibition at the Stedelijk Museum Amsterdam. The white fond and the strong circle part on the back must have impressed Crouwel, since he used almost exactly the same layout as the ZERO/NUL catalogue which was published 2 years earlier for the Haags Gemeentemuseum exhibition.

http://www.ftn-books.com has both catalogues available and of course the special stitched multiple by Henk Peeters which was published shortly before his death.

echt peeters aa

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Marlo Broekmans (1953)

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I always have had an admiration for the photographs of Marlo Broekmans and sold her publications in the bookstore of the Haags Gemeentemuseum from the early 80’s. She is a master of lights and shadows and plays with them to enhance her models and subjects . This quality make her photographs stand out and make them recognizable at the same time.

The black and white photographs of her nudes are of a classic beauty and some of these were purchased by the Stedelijk Museum for their photography collection. In many of the photographs from the collection of the Stedelijk Museum, Marlo Broekmans is her own model , which gives these photographs an extra “:personal” layer and make them self reflecting documents.

marlo broekmans

 

 

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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Aat Veldhoen (1934-2018)

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Art collecting is full of surprises. I started collecting books and art some 50 years ago and in this time I encountered some amazing works of art. I bought only a few and “forgot” to buy many, but I always had an open mind for great techniques. Aat Veldhoen was such an artist. He was arguably the first dutch artist who made his art available for the common people. Selling rotaprints by Jasper Grootveld these “erotic” prints were not appreciated and thought to be pornographic.

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These erotic prints can be considered the same as the Japanese Shunga prints, but with less colour and possible more realistic. Still the technique is stupendous. Lifelike figures making love, not hiding themselves and enjoying each other. Veldhoen became famous for these prints and drawings and during his life eventually was admired for them. Now culminating in a great solo exhibition at Museum Kranenburgh ( https://www.kranenburgh.nl/english/exhibitions-and-activities/aat-veldhoen-art-of-life). Unfortunately coles at this moment because of the Covid-19 virus, but hopefully open again later in June. Seeing these great drawings I have a feeling to compare these with Lucian Freud his works. the human figure in all its glory, not hiding anything.

Why this blog on Veldhoen now. …….Yesterday I met with a client who wanted very much to by the Jan Cremer i had in my collection for over 30 years. We made a deal and I sold him the Cremer. Today he came to fetch it and brought a beautiful drawing by Veldhoen of his former wife KABUL. I was very much impressed with this drawing and I could buy it from the Cremer buyer. So now this drawing is mine and I am still impressed by it. There are not many drawings by Veldhoen. A great many of them were destroyed and cut, but this remains and was in its former private collection for over 30 years. It was bought directly from Veldhoen and his a fitting ” Heijdenrijk” frame which enhance s the drawing. A classic ‘nude pose” of by Kabul makes this a typical Aat Veldhoen drawing.

veldhoen kabul a

Aat Veldhoen (1934 – 2018) lived for and surrounded himself with his art. He worked in his teeming house and studio on Amsterdam’s Wittenburgergracht. The creative urge that underscored his versatile oeuvre, including drawings, etchings, paintings, photos, ceramics and sculptures, remained unwavering to the end.

Desire, love, sex, illness, old age, death

After studying drawing, Veldhoen set about documenting desire, love, sex, illness, old age and death, all with uncompromising zeal and compassion. This exhibition includes work Veldhoen made after suffering a partial paralysis at the age of 69, as well as Polaroids from the Rijksmuseum collection which have never been shown before.

Veldhoen’s exceptional and enduring curiosity for everything human resulted in an intimate, lifelong study of those around him. We see this in Veldhoen’s countless portraits of himself and his family, friends and artists.

Life and art

The works in Aat Veldhoen – Art of Life show remarkable connections with the work of those he knew and encountered. His life and art were inextricably intertwined. The result is a personal and tender view of human existence. Since Veldhoen often portrayed himself, the viewer is no longer the only voyeur.

for more information on the drawing please inquire at ftnbooksandart@gmail.com