Once again a dutch artist. Aernout Mik…. Not that well known in the Netherlands but one look at his biography shows that his fame is truly international. Exhibitions and Video installations all over the world of which the exhibition at MOMA is perhaps his ultimate achievement until this date (catalogue available at http://www.ftn-books.com). His video installations leave you with a sense of unease.
Look at this video in which Aernout Mik ao. explains the setting of his exhibition at the Stedelijk Museum Amsterdam
Mik is an artist who can not be explained. You have to look at his videos for yourself and wonder afterwards what the effect of the video has been. another exasmple is this SPEAKING IN TONGUES;
Known for his furniture and his presence in the collection of Moma and his architectural tutorials it is almost forgotten that he made some very nicely designed books of which the one he made for the Kwadraat series in 1961 is one of the nicest ones. The cover is spectacular with a cut out pattern and behind it a pale yellow/gold colored title page. These books are wel worth collecting and can still be picked up at reasonable prices. but my guess is they will not be much longer available since the edition size was small and word spreads that these are the ones to focus on within the Kwadraat series.
Mark Tobey is a great artist and well ahead of his time with his abstract painting. His works look to be coincidental, but these abstract paintings and drawings are far from accidentally. It is a bit like the painting by Hans Hartung. The sketches he makes are the starting point for the paintings. Tobey has influenced Jackson Pollock with his paintings, but never has become the household name that Pollock became after his death. Still his paintings are impressive and there are always parts to discover and admire. It is a way of modern painting, greatly influenced by Chinese calligraphy, that never grows old fashioned. It fascinates from beginning to end. Finding Tobey paintings in Europe is a hard job. There are some of them to be found in the Beyeler and Kunstmuseum Basel since he moved to Switzerland in the Sixties with his companion. But his paintings are rare, i am not completely sure, but according to my information, but even the Stedelijk Museum has no works by Tobey in its collection. They had an exhibition with Tobey in 1966, which catalogue was designed by Wim Crouwel and is one of the best Crouwel designed in the Sixties for the Stedelijk Museum (available at www.ftn-books.com), but that is all i could find. Still Tobey is well worth checking out, since he is the natural link between Jackson Pollock and the newest generation of Abstract painters.
This set of tables i first encountered at the Josef Albers Museum in Bottrop where two types of these set were sold. One with colored perspex and one set with original italian fabricated glass. I had to had this and i ordered one set direectly from the manufacturer. These are so impressive and 100% like the original set which was originally designed at the Bauhasu by Josef Albers and thnis reedition from 2010 is one of the best small furniture items ever produced. I checked and this set is still available, but not as cheap as it originally was in 2010, but choose this set and you will have the pleasure of looking at one of the greatest functional Bauhaus designs ever made. Klein und More sells the original authorised set in Europe and the Moma stora sells a set in their store for the US. Josef Albers is one of the artist of whom ww.ftn-books.com sells many items
One of the greats in Abstract Modern Painting died at the age of 88 on the 8th of February 2019. White was his “color” and he painted on every material with his “white”. Impressed by the Rothko paintings at the Metropolitan Museum of Art where he was working as a museum guard, he started to paint himself and finding in the process the strength of “white” when used as the only color in his paintings. This approach made him famous within a period of 5 years. After these initial years he had had his first gallery exhibitions and soon after his his first major exhibition at the Guggenheim museum. Rymans paintings are highly recognizable abstract paintings and can be seen as the link between abstract expressionism and minimalism ( btw. Sol LeWitt also started his career as a museum guard). We are lucky to have al large collection of his paintings iin the Netherlands since the Stedelijk Museum started collecting his paintings from the very first years of his career. The result an impressive 11 paintings from all periods of his artistic life. Robert Ryman publications are available at www.ftn-books.com
One of the greatest sculptors from last century for me is Isamu Noguchi. The reason is simple i have been living for half of my life with designs of Noguchi around me. I have sold lamps and stools by the artist and in our own home a stool is ever present in our interior. The sculptures are different . In many cases executed on a scale to large to place inside and nowadays far too expensive for almost all. But sometimes you can exprience the quality of Noguchi as a sculptor in a simple publication. This is the case with the Pace Wildenstein publications which has al the qualities you are looking for in a Noguchi work. enjoy the photo’s. Publication is available at www.ftn-books.com
Here is the text on the artist from THE ART STORY
Isamu Noguchi, a major American and Japanese sculptor and designer, spent over six decades creating abstract works – largely in stone – based on both organic and geometric forms. Greatly inspired by traditional Japanese art, as well as by the biomorphic style of some Surrealist art, Noguchi became internationally known both for his artwork and his publicly accessible furniture and architecture. His ultimate objective, to create and enhance public spaces through sculpture, provided his career with a distinct direction and established him as a critical figure in the worlds of post-war art, architecture and design.
The overarching concept informing Noguchi’s work was his passionate, career-long desire to create art the public could use in a social space. He realized this goal in myriad ways: mass produced furniture and lamps; theatrical set designs; public projects such as gardens, playgrounds and fountains; and sculptural manipulations of the natural landscape.
Noguchi wanted to call attention to the dichotomies inherent in much of his work: he merged geometric and organic forms, found value in both positive and negative space, and created works that challenged the boundaries of design and art. He also integrated the materials and art forms of both his Japanese and American heritages into his innovative creations.
Noguchi was socially and artistically connected to Abstract Expressionism, as evident not only in his large-scale works evoking abstracted forms but also in his friendships with Arshile Gorky and Willem de Kooning. Yet, his sculpture retained a distinct sensibility in its use of natural materials and its distinct blend of Surrealist and Japanese influence.
Yesterday…. a blog on Marianne Brandt, today the subject is Bill Brandt. Not related in anyway and an age difference of some 50 years, but both working with photography. But where Marianne cut up photographs to make some excellent photomontages, Bill Brandt uses the angle of the lens to make some very impressive photographs. For me Brandt is together with Lucien Clergue one of the very best nude photographers from last century. He uses the angle of the lens to photograph parts of the body and with this technique his photos are like the sculptures of Maillol and Moore in which body parts are enhanced and polished into almost abstract sculptures.
This technique makes him quite unique among photographers and with this quality he stands out. Add the use of Black and White film and Bill Brandt becomes a very recognizable photographer. His nudes are among the very best photographs from the last century and it took me only a minute to find some of the examples that show in an excellent way that what i tried to explain in words. www.ftn-books.com has some Bill Brandt titles avaialble.
Just a little piece of technical information i picked up from an interview with Bertien van Manen who’s works are known, appreciated and collected worldwide. Even the MOMA in New York has a nice selection of her photographs from the early 90’s.
Mrs. van Manen informed her interviewer that she uses the most simple AUTOMATIC camera’s available. Speed, size and ease of use are a key ingredients to take a successful photograph.
This is nice to know, since for us ….simple amateur photographers it is now with all excellent phone camera’s available as easy to take photographs as it is for professional photographers. All you need is a keen eye for the right subject and composition. Bertien van Manen showed us the way and it is now up to us to create our own portfolio’s with ex excellent photographs. www.ftn-books.com has titles by van Men available.
His career spans now a period of nearly 60 years and he has always been a frontrunner in the world of art. Perhaps yu can compare him with Damien Hirts, but do not forget that there is a difference of time between them of 3 decades. Haacke never reached the stature of a Damien Hirst, but when his works emerged and were introduced into the art scene… literally every large and important Modern Art museum in the world wanted a piece of the action. Haacke was “hot”. Moma , Tate and Museum Ludwig all started to collect Hans Haacke at a large scale.
In 1978 Haacke was asked for a one man show at the van Abbemuseum / Eindhoven ( catalogue available at www.ftn-books.com) and with this show, the Netherlands started to know Hans Haacke as an artist. Nowadays his art is less prominent present in the collections of these large museums, but i am convinced this will change in the not so far away future, because i think Haacke is important for the art of Seventies and Eighties. A forerunner for the art made by the well respected British artist like Hirst and Tracey Emin. Haacke deserves a place among them. His contribution to art is a valuable one and deserves to be recognized as such.
The following text comes from the site of Moma.org.
The Moma delivers a great source on photography with this site and makes it possible to search their collection and compare photographs from it….it is outstanding and an example to many.
József Pécsi was a Hungarian photographer, innovator, and educator. Born in 1889 into a middle-class family in Budapest (then part of the Austro-Hungarian Empire), Pécsi was schooled in German and maintained lifelong ties with an international photography community. He studied photography at the Lehr- und Versuchsanstalt (Training and research institute) in Munich from 1909 to 1911, and began receiving international recognition soon after graduation. In 1911 he returned to Budapest and opened his own studio, where he also offered instruction to apprentices. In 1913 he established the photography department at the Budapest School of Industrial Drawing, for which he is credited as the founder of photography education in Hungary. He was dismissed from teaching in 1920 due to conflicts with the conservative political regime but maintained his own studio, which served as a gathering place for students, including Eva Besnyö and her friend György Kepes. In 1922 Pécsi was elected vice president of the Budapest Industrial Guild of Photographers and served as editor of the guild’s journal, Magyar fotográfia (Hungarian photography). In 1930 he published the influential book Photo und Publizität (Photography and publicity) to promote the blending of typography, design, and photography in avant-garde advertising, with contributions from Kepes and others. The publication marks his crossover from the Pictorialist style of his early work to the ascendant international modernism of the interwar period. The World War II years took their toll: he hid in Romania for a brief period; his studio and negatives were destroyed by a bomb in 1945; and, upon his return to Budapest, in 1946, financial hardship and an unfavorable regime forced him to take passport photographs to make ends meet. His passion for photography and innovative spirit were not lost, however; in 1952 he patented a combined duplex Pigment print process under the name PEJO.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20