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Jan Hendriks (1946)

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The first artists that i thought of when i first saw the works by Jan Hendriks was Klaus Staudt, but also in a distance you can experience some of the influences that Jan Schoonhoven had on art. Stil the works by Hendriks are not to be missed and must be valued on their own appearance and qualities. I like his works very much and noticed on a site when i did somne research on Hendriks that prices are still within reach of most people. The reason of writing this blog is that i recently acquired a small catalogue which shows a totally different aspect of his works.

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Almir Mavignier (1925-2018)

The HOCHSCHUKLE FÜR GESTALTUNG has become over the years a legendary institution and one of its many well-known students was the Brazilian born Almir Mavignier. He attended the school in 1953 and has become part of art history since.

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Friend of Max Bill, witnessing the very early beginnings of the ZERO movement and later becoming one of the most appreciated Poster designers from the 3 decades to follow. He himself was working as a constructivist/minimal artist and that meant he was interested in all artists who were working along the guidelines of the movements. Because of this interest and the resulting friendships, he had a chance to design the posters for many of the artists he met. To name a few….Calderara, Arp, Morellet and Soto….and all of these artists I personally admire very much. This makes the book I now can offer on http://www.ftn-books.com very special for me personally too. A great publication of the Gewerbe Museum Hamburg in cooperation with the German Poster Museum. Great poster designs by Mavignier. btw. …. the site on Mavignier is well worth visiting and can be found here: https://www.mavignier.com

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the Stedelijk Museum Bulletins

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Art & Project was not the only art gallery who published a regular bulletin in the Netherlands. In 3 consecutive decades, the Stedelijk Museum Amsterdam published their Bulletin series on a regular basis. Their Bulletins were more informative and less a small piece of art. I thought they were less interesting, but now some 15 years later I have become to appreciate these Bulletin publications. Great design, very informative and always “up to date”. Over the decades some very important and highly collectable Bulletins have been published. The series consists over 400 bulletin publications among which are some true classics which are available at ww.ftn-books.com. My thought about the Bulletin series has changed over the years and I think these publications are from an art point of view important. They show the exhibitions which were held over the years and include some of the best art ever. For me the following Bulletins can not be missed in any serious art book collection: Ben, Memphis, Keith Haring on the Velum, Donald Judd, Sol LeWitt on his drawings. This is to name just a few……..

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Over 200 different Art & Project items in store

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It has been almost a decade to collect as many as the 210 different Art & Project items that i currently have for sale. It started when i bought a “lot” of museum catalogues at auction and among theme were some Bulletins by this worldwide known and respected dutch gallery. Not the most famous ones , but still a nice selection with Richard Long and Hamish Fulton. I got focussed on these publications and found some rare ones at reasonable prices in a time that nobody was interested. But the big breakthrough came when i finally was lucky enough to encounter 2 nice collections. One at a local book dealer who wanted a fair price for a selection of 30 Bulletins and the second time was at auction where a lot was not sold and i decided to buy it in the aftersale of the auction house.This last one added over 80 different Art & Project items to my collection and inventory. Just have a look at http://www.ftn-books.com and search for “art & project” and you will be pleasantly surprised with the large selection that i was able to collect for FTN books.

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the 500 first Stedelijk Museum publications…A very important list

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Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com

Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:

sm lijst 1 tm 500

 

 

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Marie Hanlon (1948)

 

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Sometimes you must consider yourself very lucky. I have been writing on art and artists for almost 5 years now and during this period I have written blogs on many known and lesser-known artists. In the meantime selecting with these blogs those publications that are available through FTN-Books. In this way promoting the art, books and publications I am selling.

It must have been a month ago that I received an email by an artist I did not know. She introduced herself, spoke of the great selection of books I am selling and wanted very much to introduce her works. Her name …MARIE HANLON…. and she asked if I would like to take a look at her site….and so I did.

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I am always intrigued by artists who I do not know, so I searched for her on the internet and found that she makes the kind of art I am fond of. It is a mix between minimal, constructivist, hard edge and even surrealistic art at some times. We wrote and agreed that it would be nice to make her works known with the help of the ftn-books.com site and ftn blogs and now I am proud to announce that her publications are available at http://www.ftn-books.com and that she made an artist selection of 4 drawings that are exclusively available through FTN ART at special introductory prices.

 

In future blogs, new material will be proposed to my readers, but in the meantime here is a short biography on Marie and the link to her site so you can find out yourself why I was fascinated by her work. https://www.mariehanlon.com/

and for information on the books and art by Marie Hanlon please contact me at ftnbooksandart@gmail.com

Marie was born in Kilkenny and studied History of European Painting and English at University College Dublin, at the National College of Art & Design/Dublin and has worked as a professional artist since 1990.

Known mainly as an abstract artist of finely made small and medium-sized works, Marie’s output in recent years encompasses a broader range of media. Through her collaboration with contemporary composers, she has developed new work, especially in video and installation.

 

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New Business Card FTN books & Art

visitekaartje ftn

Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.

Wilfried van den Elshout / FTN books

Veursestraatweg 106c

2265CG Leidschendam,  the Netherlands

www.ftn-books.com

www.ftn-blog.com

new email : wilfriedvandenelshout@gmail.com

new email : ftnbooksandart@gmail.com

 

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Helmut Dirnaichner (1942)

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Abstract and Konkret. These elements define the works of Helmut Dirnaichner.

A life filled with abstract art of the highest quality, but the people that have heard of Dirnaichner are not too many. His name is hardly known among art lovers, but his works deserve to be known better. I personally make the comparison with the Belgium Marte Wery, who , during her life was only known by a few art lovers outside Belgium, but nowadays her importance is growing and she is recognized as one of the greatest from the last 50 years.

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Dirnaichner will have possibly the same status in the future. His art is original , colorful and Contemporary, making these works fashionable even if they are 30 years of age.

www.ftn-books.com has a scarce Dirnaichner publication available.

Dirnaichner

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the Stuyvesant Foundation

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I have a weakness for the Stuyvesant Foundatio. The foundation was founded by Alexander Orlow of Turmac company who had the brilliant idea to bring great art works among his factory workers by placing the art in the middle of the production. This meant that many large sized works were purchased over a period of 30 years. Zero, Cobra en abstract expressionism being the most important among these works.  For most of the collection they had one thing in common. Their size was large and larger, since the works had to be seen by the people who worked a fair distance from them.

The following article appeared in the Telegraph a few days before the first auction was being held. In total there were 3 auctions. Personally i thought the first was exceptional, the second very good and the third was filled with the leftovers. I was lucky to buy one of the best Gerard Verdijk paintings ever in the 2nd auction at AAG. My luck….it is too large for many, so no bids were placed after the initial price set by the auctioneer.

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The cream of one of Europe’s most highly regarded corporate art collections is to be dispersed by Sotheby’s next week in spite of efforts by civil authorities and art experts to preserve it and turn it into a museum. Known as the Peter Stuyvesant collection, it originated in the late 1950’s when Alexander Orlow, managing director of Turmac Tobacco, which made the popular Peter Stuyvesant brand of cigarettes in its factory in Zevenaar, Holland, decided his workforce needed something to cheer them up. “However complicated the operations of a machine may look, it soon becomes monotonous to a factory worker,” he said.

His solution was to buy art – preferably big, colourful abstract paintings – and in 1960 commissioned 13 artists from different European countries to make works on the theme of “joie de vivre” to hang in the factory’s production halls. The experiment was so popular that in the following year he invited William Sandberg, formerly the director of Amsterdam’s Stedelijk Museum, to expand the collection. Over the next 50 years, the collection grew under the supervision of a series of former Dutch museum directors.

However, in 2000, Turmac was swallowed up by the British American Tobacco Company (BAT), and the art collection renamed the BAT Artventure collection. But there was not to be much in the way of artistic venture in store. In June of 2006 it was announced that the Zevenaar factory would close with the loss of 570 jobs, so that European production could be concentrated in Germany and Poland. That left over 1,400 works in the art collection valued at some 23 million pounds looking for a new home.

Jan de Ruiter, the mayor of Zevenaar, supported by Martijn Sanders, chairman of the Advisory Committee on the Future of the Stedelijk Museum, looked for a way to buy the collection and keep it locally, possibly as a wing of the museum. But “BAT did not really want to make a deal,” said de Ruiter. It went to Sotheby’s instead.

Sotheby’s has a good track record in handling corporate art collections. Back in 1989 it handled the disposal of the British Rail Pension Fund collection and the $93 million (£62.5 million) Reader’s Digest collection. Since then we’ve seen a series of high profile sales for IBM, the 7-Eleven photo collection, the HSBC collection of 19th century pictures, not to mention a certain £65 million sculpture by Giacometti from the German Commerzbank last month.

The company clearly sets some store by advising corporations on the acquisition and disposal of art, setting up a department just to deal with that in New York 20 years ago, and another in London last year. Saul Ingram, who runs the London department, says most companies sell to buy new work or channel profits into broader cultural activities. The Stuyesant/BAT collection is different because it was site specific, and without the factory and its workers, its purpose has gone.

Its value, though, is still substantial. The 163 works to be sold by Sotheby’s Amsterdam next week are estimated to fetch between £3.6 million and £4.6 million, with further sales planned in the future. Avant garde European groups from the 50s and 60s such as CoBrA, the abstract expressionist group based around Copenhagen, Brussels and Amsterdam, and Zero, the Dusseldorf based group who worked with experimental materials such as fire, nails and papier mache, are to the fore.

The Zero artists, Gunther Uecker and Jan Schoonhoven, who starred at Sotheby’s recent Lenz collection sale last month, are expected to do exceptionally well. A rarity is Lily ou Tony (1965), one of Nicki de St Phalle’s first Nana sculptures that celebrate womanhood. Though fragile, made of tissue and wire mesh, it carries a £180,000 to £270,000 estimate. The most significant example of British art is a 1958 Alan Davie painting that has been undervalued at £27,000 to £36,000.

In addition to the stylish brand name Stuyvesant gave to the world of smoking, it also achieved brand recognition in the art world, especially in Britain, where, during the sixties, the Stuyvesant Foundation sponsored the Whitechapel Gallery’s trendsetting The New Generation exhibition, which included David Hockney and Bridget Riley, and also the talent spotting Young Contemporaries, much of which was immortalised in the Tate Gallery’s Recent British Art show of 1967. The separate collection of British art that was formed by the Stuyvesant Foundation between 1964 and 1967 was eventually sold in the late 1980s and established what were then huge prices for Davie, Riley, and others of that generation. The last sale, held at Bonhams in 1989, was a complete sell out. Next week will see how well the Stuyvesant brand has survived.

http://www.ftn-books.com has nearly all  dutch publications on the Stuyvesant collection available.

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Alberto Burri (1915-1995)

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A blog on Burri since i acquired a very MIce 1961 catalogue by Galerie de France on Burri. Numbered 495 from an edition of only 1600 copies and in excellent condition.

Burri i have known for his MATTER paintings. A bit created like the ones Jaap Wagemaker made in the Netherlands. But there is so much mofre . His “paintings” are like three dimensional sculptures and make in some way a bridge to the zero art from a decade later.

He remained a reserved artist, ceaselessly working and creating, initially in a small studio in Via Margutta but frequently moving out. As a matter of fact, Milton Gendel – an American journalist who visited Burri’s studio in 1954 –, later reported: “The studio is thick-walled, whitewashed, neat and ascetic; his work is ‘blood and flesh,’ reddened torn fabric that seems to parallel the staunching of wounds that Burri experienced in wartime.”

Burri’s first solo figurative artworks exhibition took place on 10 July 1947 at the gallery-cum-bookshop La Margherita, in Rome, presented by the poets Leonardo Sinisgalli and Libero De Libero. However, Burri’s artistic production flowed definitively into abstract forms before the end of the same year, the use of small format tempera resulting from the influence of such artists as Jean Dubuffet and Joan Miró, whose studio was visited by Burri during a trip to Paris in the winter of 1948.

In the sixties Burri has had several exhibitions all over Europe and one, in 1961, was at the galerie de France. Who made a beautiful catalogue for it.