A locally known artist…that is Dirk van Dien and that is the reason why he received a retrospective exhibition at the Stedelijk Museum “het Prinsehhof” in Delft. Living and working for most of his life in the city of Delft it was the perfect choice for this exhibition.
Yes…the city depicted by Vermeer and hometown of Jan Schoonhoven, he never became as famous as the two mentioned. But his art is pleasing, colorful and lately inspiured by aboriginal art. It is noit the kind o f artist i would collect, but i know of a lot of people who like this kind of art , because it is easy and pleasing to the eye and still complex enough to be fascinated by it. I recent ly bought the 1999 Prinsenhof catalogue which was published in a small edition of only 5oo copies and i believe it is the only one on the market at this moment. So when you are an admirer do not hesitate to buy this great catalogue because it is special for more reasons than one.
Ever since i added to my personal collection of Stedelijk Museum catalogues the Willem Sandberg designed exhibition catalogue for the Campigli / 1950 exhibition at the Stedelijk Museum i became an admirer of this italian artist. Combining abstract element with figurative painting he developed a style of his own which is time less and authentic and very typical for Italian art.
His paintings have a sense of friendliness and “Joie de vivre” nd are still rooted in classic Italian art. This artist is a true Italian master painter, but also made some beautiful and highly collectible lithographs and etchings. If you look into Campigli his exhibition history you will notice that somehow people has lost interest in this great Italian artist, possibly considered “old fashioned” since one of his last major exhibitions was held in 2000 ( catalogue available at www.ftn-books.com). Still i am a fan and consider him one of the founders of great Italian Modern Art in the 20th century.
John Lefebre will of course always be remembered for the gallery owner he was from 1960-1986 introducing many European COBRA artists, but he was a very gifted photographer and because of this he decided to photograph the artist he presented in his gallery. The result.. hundreds of great artist portraits which were at one time presented together with the works of art by the gallery artists in the exhibition ” DOUBLE EXPOSURE”. Decades later a great book was published containing many of these photographs. Both publications are now available at www.ftn-books.com
After a long career in the movie business and service in the Office of War Information during World War II, Mr. Lefebre opened the Lefebre Gallery in 1960. At a time when European art was widely regarded as of small account, he persisted in showing the European artists to whom he was wholeheartedly committed.
The artists in question included Hans Hartung, Pierre Alechinsky, Asger Jorn, Carl-Henning Pedersen, Horst Antes, Pol Bury, Julius Bissier, Klaus Fussmann, Raoul Ubac, Tom Phillips, Henri Michaux and Serge Poliakoff.
”Over a quarter of a century, John Lefebre chose to further the distinguished yet generally neglected and commercially difficult work of European postwar artists,” Thomas Messer, director of the Guggenheim Museum, said yesterday. ”He did so with total devotion, meticulous attention and, ultimately, rewarding success.” a great series of portraits can be found here: https://www.albrightknox.org/person/john-lefebre
Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America’s favourite cartoon characters, such as Felix the Cat, Pink Panther and Woody Woodpecker.
This is how the Wikipedia listing starts , but there is so much more to Cutrone as artists. He belonged to the first wave of New York graffiti artists in the New York region it is there he met with Kenny Scharf and Keith Haring and he even made it at one time as Andy Warhol’s assistant at the Factor. trone’s paintings are colourful, lively, and less challenging than those of his contemporaries. A frequent use of comic figures makes his art accessible and appreciated for almost any age. The first generation of street artist in the US were recognized as being important and Frans Haks from the Groninger Museum invited them for an exhibition in the Netherlands in the early 80’s. the result ….a growing popularity and appreciation for this generation of street artist and as a result gallery presentation in the first half of the Eighties, after these years these artists became less popular, but interest starts to be picking up. I have seen some great auction results recently and I expect a growing interest for the decades to come.
This time i focus on the Frank Stella exhibition from 1970, which was at that time a first for the Stedelijk Museum. A great poster and catalogue designed by Wim Crouwel completed the exhibition, The cover of the catalogue was embossed and this made it very special.
I even had at one time the official invitation ( now sold). A great set and a future collectable classic. available at www.ftn-books.com
Many of you know that http://www.ftn-books.com has one of the largest inventories with Stedelijk Museum oublications. Publications from as early as the Twenties from last century. The last eight weeks i made an effort to include the many publications i have in stock but did not add to my inventory until now. I have include over 1000 Stedelijk Museum publications which makes my inventory one of the largest “searchable” collections of available Stedelijk Museum Amsterdam publications. Over 900 different itesm are now available at http://www.ftn-books..com
visit http://www.ftn-books.com and search for “stedelijk” to discover many of the beautiful publications from this iconic museum.
Jewish born Martin Monnickendam never became known in the Netherlands until two decades ago (1999) the Joods Historisch Museum devoted a retropective exhibition to the artist. He painted every day life and some great interiors of Synagoges in the years just after WWI but with these only reached local fame within the Jewish community. It was not until the DE BERGENSE SCHOOL grew in popularity that the name Monnickendam surfaced again together with Kees Maks. Both artists were fond of depicting daily life of the “well to do” . Making paintings of people in theatres, circus and restaurants. These paintings reflect how the dutch spend their days and free time in the early decades of the 20th century. He died in 1945 of pneumonia leaving an oeuvre that deserves to be re discovered.
An artist who i did not know, but because of the excellent catalogue published by the Hein Elferink gallery in 2006 i learned to know and discover ( http://www.luchoekx.be). Luc Hoekx. A long career and some great places he exhibited at passing by without being noticed by me. Entirely my fault of course, but his exhibitions in the Netherlands were scarce . In retrospect i could only discover two. One in Helmond and the other in Staphorst. Not the worldly places one visits to find some great art. But now , because of the Elferink catalogue, i discovered an artist who’s art i like and that made me sent him a message to inquire after 2 works that were on his site.
So let ‘s wait and hope that these are reasonable priced, if not……no problem it takes some years but eventually something will come to the market and who knows it will be mine after the final bid.
The following excerpt comes from Wikipedia, because in a few sentences it explains what Leiteritz works stands for and means for art in general, but…..
I have made a small study of Leiteritz and her works and when you look at these you can see that her works are a link between the Bauhaus of Kandinsky and the hard edge paintings of Kelly. In between somme 40 Years but her works bridge this period perfectly. Somewhere between the Bauhaus Kandinsky and the hard Edge Kelly from the Seventies you must place Leiteritz, because she transformed herself into an artist who embraced abstraction and made rythm part of her paintings . Her works are definetely inspired by rythm and music.
Margaret Leiteritz (1907–1976) was a German painter who studied at the Bauhaus in Dessau from 1928 to 1931.
In the 1960s and early 1970s, Leiteritz produced ‘painted diagrams’, which drew heavily from the scientific articles and books in her care as she was a professional librarian before becoming a painter.
Many of her works were strongly influenced by chemical engineering, and especially the field’s graphs which depicted physical properties of substances. Leiteritz’s paintings typically reworked a mundane graph using large expanses of colour and a bold abstract theme, changing it into a dynamic painting. Other works are reminiscent of Bunsen burner flame or DNA gel.
There are not many Polish artists who have made a name for themselves in the western art world. But since a few decades some Polish artists emerge in the established museums in western Europe and Malczewski is one of them. He was presented in a retropective exhibition at the Drents Museum in 2003 and for me it was the first time i heard of this Polish artis and saw some of his better works. He is considered to be a symbolist painter and he certainly is, but in my opnion he more is a realistic artist who paints and draws every day life and people from his surroundings but frames them in a symbolistic way.
There is hardly any symbolism in the foreground of his art and the people he depicts, but look at his paintings and you will discover that there is symbolism and symbolistic elements, everywhere and even at some moments complete symbolic scenes in the background. This is how good art has to be and this is certainly true for Malczewski’s art. To discover this Polish artist the Drents Museum catalogue is a perfect starting point.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20