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the brilliant “Jong Amerika Schildert” catalogue from 1958

The year is 1958, …the curator Willem Sandberg. The exhibition JONG AMERIKA SCHILDERT, organized by the Stedelijk Museum together with the Museum Of Modern Art,

This is arguably Sandberg his most important exhibition, because this was for the years to come the foundation under all Stedelijk Museum Exhibitions. The artists list now reads like an all time greatest list with many of them record breaking artists. Not only in auction results, but certainly with the total number of exhibition visitors. Just some of the now very famous names who were not that well known in those days. Pollock, Newman, Rothko, de Kooning and Kline are now among the most appreciated artists ever and all were in this one exhibition. Willem Sandberg wrote history with this exhibition and what makes the catalogue even more worth wile is not only the typical Sandberg design but the special art  by Pollock and Gottlieb which is used for the cover. This catalogue is available at www.ftn-books.com

amerika schildert cc

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Graham Sutherland (1903-1980)

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When i looked for information on Sutherland I found this excellent article on the WIDEWALLS site.

One of the leading British artists of the 20th century, Graham Sutherland was widely known for his prints and paintings. Despite some other names coming to mind before him when talking about the art history, such as David HockneyFrancis Bacon, or Lucian Freud, there was a time when Sutherland ruled undisputed. From mid-1930’s, when he established his identity as a modern painter, to the 1950s, when his influence began to wane, there was a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting.[1] He was even commissioned to paint a portrait of Winston Churchill, in what turned out to be one of the most famous cases of the subject disliking the artwork, which eventually led to its destruction.

Sutherland’s artistic career included several significant changes in direction. After specializing in engraving and etching, he began achieving fame as a printmaker. His early pastoral prints display the influence of the English Romantic Samuel Palmer, whereby prefiguring Sutherland’s later involvement within the Neo-Romantic movement in Britain. However, the famous 1929 Wall Street Crash bankrupted many of his collectors, thus forcing Sutherland to turn to other sources of income. He worked as an illustrator until he visited Pembrokeshire, becoming completely captivated by it, and subsequently, turning to painting as a primary medium for his expression. The artist continued to draw inspiration from Pembrokeshire countryside and its enthralling anthropomorphic natural forms for the rest of his life.[2] When working on landscapes, Sutherland’s working method included seizing on a detail such as a dead tree, boulder, thorn bush, everything that according to the artist, required a separate existence. He would sketch this on the spot, and later a studio painting would evolve. Sutherland wasn’t the first to do so – many landscape artists before him had done pretty much the same, but his studio hand moved considerable further from what his outdoor eye had seen. Neo-romantic at the core, his work inspired others such as Paul NashJohn Craxton, and John Piper. Over time, Sutherland began to reveal himself as a vivid colorist with an original sense of harmonies. He somewhat banished the dark and heavy tones which he had used earlier, though preserving the sharp black and white oppositions and using acid pinks and mauves, orange and light blue, emerald, chrome yellow, and scarlet.

www.ftn-books.com has some nice Graham Sutherland titles available

 

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Stuart Davis(1894-1964)

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Not many Europeans are familiar with the works by Stuart Davis. Davis is for the Americans the equivalent of what matisse is for the Europeans. Of course Matisse is far more known than Davis ever will become, but study his works closely and you can similarities between the appraoch of the composition and the elements within the composition. Sandberg was an admirer so was Gielijn Escher

left Davis/ right Gielijn Escher

 

Rudi Fuchs wrote an excellent text on Stuart Davis in the Stedelijk Museum Bulletin from 1998 . The publication is available at www.ftn-books.com. It explains why Davis works are lesser known , but for me the conclusion was …please give me more. These works are fascinating and a joy to look at.

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The article below comes from Wikipedia:

Stuart Davis, (born December 7, 1894, PhiladelphiaPennsylvania, U.S.—died June 24, 1964, New York, New York), American abstract artist whose idiosyncratic Cubist paintings of urban landscapes presaged the use of commercial art and advertising by Pop artists of the 1960s.

Davis grew up in an artistic environment. His father was a graphic artist and art editor of a Philadelphia newspaper, where he worked with William J. Glackens, George Luks, John Sloan, and Everett Shinn, all later famous as members of the Ashcan school of American painting. His parents encouraged his interest in art, and at age 16 he quit high school to study painting in New York City under Robert Henri, leader of the group known as The Eight (later absorbed into the Ashcan school), whose teaching emphasized the importance of taking subject matter from urban life.

By 1913 Davis was competent enough to show five watercolours in the Armory Show. This was the first large exhibit in the United States of avant-garde European art, and the event marked a turning point in his career. Over the next few years he strove to achieve the compositional order, nonimitative colour, and shallow picture space characteristic of the new European painting. He began to experiment with collage (a recently invented technique of making compositions from bits of paper and objects glued to a surface) and sometimes varied the usual process by making paintings of his collages, as in Lucky Strike (1921), finally arriving at a completely nonillusionistic style, which culminated in his Egg Beater series of 1927–30.

In 1928 Davis traveled to France, where he spent a year painting relatively realistic street scenes in Paris. Back in the United States during the Great Depression of the 1930s, he developed a new style based on the rhythmic contrast between geometric areas of flat colour and objects clearly defined in linear perspective. During these years, Davis was an outspoken opponent of fascism and, in 1938, became the national chairman of the American Artists’ Congress.

After the mid-1940s, Davis produced many of his most important works, such as The Mellow Pad(1945–51) and Little Giant Still Life (1950). These meticulously planned and executed paintings possess a wit and gaiety in contrast to Abstract Expressionism, the then-dominant style of art. Davis was inspired by taxis, storefronts, and neon signs. The dissonant colours and lively, repetitive rhythms in his work can be seen as visual analogs to jazz music, which he loved.

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Hap Grieshaber (1909-1981)

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Hap Grieshaber is one of the great graphik artist from the 20th Century.

Personally i consider Hap Grieshaber, H.N.Werkman and Josua Reichert to be the top in graphic artists from the 20th century. Reichert is the best, but Grieshaber and Werkman are close in second spot.

Grieshaber is a typical 50’s /60’s artist. The first time i encountered his works i had a strong asscociation with the Catholic bid prints, inserted and collected in bibles by young people in the early 60’s.

But there is so much more to be discovered in his works than simple figures. The combination of abstract patterns in the background of slhouetted figures are typical Greishaber and make the composition to appear totally abstract. Willem Sandberg was a Grieshaber admirer and together they made one of the most iconic of all Sandberg / Stedelijk Museum catalogues

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This and other Grieshaber publications are available at www.ftn-books.com

Grieshaber was honoured with numerous prizes and retrospective exhibitions. He exhibited works at the documenta in 1959 and 1964. In honor of his 70th birthday in 1979, large retrospectives were shown in various museums in both parts of Germany. The last prize that Grieshaber was awarded in 1980 was the art prize of the town of Konstanz. Grieshaber died in 1981 in Eningen unter Achalm aged 72 years.

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Julio Gonzalez (1876-1942)

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This blog was long due, because i personally think he is one of the all time greatest sculptors. The first time i noticed his works was some 30 years ago, ehren i first bought the Willem Sandberg designed publication that was publihed on the occasion of the 1955 Stedelijk Museum Amsterdam exhibition. This ia a classic by Willem Sandberg. A beautiful photo of Gonzalez in his studio on the cover  and with the use of the typical 2 kinds of paper within the catalogue. A brown rough paper for the text and the white paper for the photographs. these catalogues by Willem Sandberg are becomong more scarce by the year, so pick these up while you can.

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Back to Gonzalez who’s works can be characterized as a symbiosis between the surreal and abstract forms. These abstract sculptures or masks are fascinating to look at  and with the use of scrap metal you always wonder what parts were used to make the composition. Is it something fabricated?….. or is it the original part which is used? Either way, the result is striking, their sizes not too small and not too large, these sculptures are to be admired by all.

www.ftn-books.com has some nice Julio Gonzalez titles available

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BNO & GKf and Proost Prikkels 251

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The Beroepsorganistaie Nederlandse ontwerpers and the Beroepsvereniging van Fotografen GKF joint forces in a premium edition by the manufacturer of paper for printing purposes….Proost. Proost was known for its quality papers they delivered for printers in the Netherlands and abroad and every few month they published a Proost Prikkels edition to show in which way their papers could be used. The no. 251 is a very prestigious project since it contains fiches ( cards) on all the designers and  photgraphers that used their papers. There are 80 fiches in this cassette which itseld is a beautifully typically designed 60’s project . On the front of the card , names address and short biography of the designer and the back holds a picture of one of his most iconic designs.

On the cards famous names like Piet Zwart, Wim Crouwel, Willem Sandberg, Jurriaan Schrofer and Otto Treumann ao. This is the history of dutch design in a smalll box and available at www.ftn-books.com

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Etienne Martin (1913-1995)

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Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.

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A large work which is intended to be worn by the artist.

What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at www.ftn-books.com

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de Stijl catalogue ( 1951 ) by Willem Sandberg

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I have copies of this 1951 catalogue for sale at www.ftn-books.com for a very long time now and whenever i have a copy available it is rapidly sold, but the one i have at this moment is very special ( please inquire). It is the same book/catalogue from 1951 as the other ones i had, but it has some extra’s that none of the copies i had before had. It contains the original folder ( it is possibly designed by Willem Sandberg) in which the separate rooms in the Stedelijk are described and 2 pages of stencilled texts on de Stijl. I have never seen the folder before and it must be one of the extremely rare Stedelijk Museum collectibles. To my knowledge this makes this package the only complete publication package on the very Special de STIJL 1951 exhibition at the Stedelijk Museum Amsterdam.

stijl package a

stijl package b

stijl package c

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Gisela Andersch (1913-1987)

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Another rather obscure artist for us in the Netherlands was Gisela Andersch. An artsits presented by Willem Sandberg with a special exhibition in the Stedelijk Museum in 1961.

The catalogue for the exhibition was in one word….”SPECTACULAR”. It was not a catalogue but more a piece of art. The art being the cover and within  the stapled pages with the exhibition works. Cover was silkscreened upon the typical raw carton like paper Willem Sandberg was so fond of. Many people did not recognize the quality of this catalogue. But now that more and more collectors all over the world of Typography and catalogue design are appreciating the Stedelijk Museum catalogues, its importance is growing. This one is not collected for the artist, but for the combination of Sandberg excellent design together with the Andersch original art.

www.ftn-boooks.com has this Gisela Andersch catalogue available together with the van Abbemuseum one.

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Carel Blazer (1911-1980)

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A great dutch photographer who is known for his Fifties and Sixties photography , but also for his active part in the resistance during WWII.

Some interesting periods during the life of Blazer made him a true international photographer.

After been educated at the Kunstgewerbeschule in Zurich, he soon after travelled Spain to photograph the Civil war. After that period he travelled Italy and visited Rome to photograph this city which photographs were published in a book by Contact. Later there were travels to Asia and Sicily. On both occasions series of photographs were taken and published.

Willem Sandberg took an interest in these photographs and presented a selection at an exhibition at the Stedelijk Museum which catalogue is available at www.ftnbooks.com

There are many titles which have these breathtaking Blazer photographs in them, so beside the ones that i have in my shop please locate 50’s and 60’s books at bookmarkets and look into the colofon to discover if photographs by Blazer are included.