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Charles and Ray Eames (9)

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This design duo is another that formed from a teacher-student relationship. Following up this cliché with yet another, their affair began while Charles was still married, leading him to leave his wife for Ray. It’s a good thing they did meet, though, as without these two the world wouldn’t have the famous LCW chair – a piece of furniture that Time Magazine proclaimed as the chair of the century. We also have the Eames to thank for the DSW chair and the Eames Lounge. The couple is recognised as the most influential architectural and furniture designers of the 20th century, working as the ultimate team until Charles’ death.

http://www.ftn-books has a nice selection of Vitra / Eames publications

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Cuban posters

A recent auction of famous movie poster by Sotheby’s inspired me to have another look at the 70’s Crouwel designed catalogue which was made for the Cuban poster exhibition at the Stedelijk Museum. In 1971 the Stedelijk Museum had the foresight of organizing a Cuban poster exhibition. They recognized the outstanding quality of these posters. Political images were presented in colorful and powerful posters, but the auction shows a different side of these Cuban posters. Their interpretation of famous classic western movies. The Cuban designs were “classic” films with a twist. These posters were used to advertise famous titles in Cuba. Their strong designs and vibrant colours recall Havana in its heyday. The Cuban poster catalogue from 1971 is available at www.ftn-books.com

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UTZ…George Sluizer movie and Meissen porcelain

Utz is a 1992 dramatic film directed by George Sluizer, produced by John Goldschmidt and starring Brenda Fricker, Peter Riegert and Armin Mueller-Stahl. Mueller-Stahl won the Silver Bear for Best Actor at the 42nd Berlin International Film Festival.[1]

The film is based on the 1988 novel Utz by Bruce Chatwin, who also co-wrote the screenplay.

The most iconic scenen in this movie is Armin Mueller Stahl destroying his beautiful collection of Meissen porcelain. Yesterday we were in Vienna to chose our new dog and visited the Dorotheum. Not only an auction house but more a very large department store where one can buy and sell all kinds of collectibles. Among these items for sale were some examples of Meissen from the 19th and 18th century. ( ca. euro 15.000). I never realized these pieces were so valuable, but seeing them you can see where many Contemporary artists get there inspiration from. http://www.dorotheum.com

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There are not many but still some 10 titles to be found on porcelain in the inventory of www.ftn-books.com so please take a look.

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Jan Fabre and BIC art

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Fabre’s fame began when he was making 100% blue drawings with a BIC ballpoint pen ( 1980). It was the early eighties , but before that he shook the art scene with making drawings with his own blood ( 1978) .Since he made stage designs for plays and dance, movies and many more drawings and objects and of course sculptures….extremely large sculptures. Jan Fabre is considered one of the greatest living artist in Europe.

A short introduction to one of the greatest Belgian artist from this time. For me Fabre and Panamarenko will be remembered as the great Belgian artist from the last part of the 20th century. Both imaginative in their own way and both highly original with an own signature.

There is a huge list of all his activities during the last 3 decades, but the best way to get an impression of Jan Fabre is to read what Wikipedia says about him and visit his site afterwards

site: www.janfabre.be

There is a large selection of Fabre titles available at www.ftn-books.com

Wikipedia text:

Fabre is famous for his Bic-art (ballpoint drawings). In 1990, he covered an entire building with ballpoint drawings.

He explores the relationships between drawing and sculpture. He also makes sculptures in bronze (among them The man who measures the clouds and Searching for Utopia) and with beetles.

His decoration of the ceiling of the Royal Palace in Brussels Heaven of Delight (made out of one million six hundred thousand jewel-scarab wing cases) is widely praised. In 2004 he erected Totem, a giant bug stuck on a 70-foot steel needle, on the Ladeuzeplein in Leuven.

In 2008, Jan Fabre’s The Angel of Metamorphosis exhibition was held at the Louvre Museum.

On 26 October 2012, several media reported how during a shoot in the Antwerp town hall for a forthcoming film on Fabre, living cats were thrown repeatedly several meters spinning into the air, after which they made a hard landing on the steps of the entrance hall. Animal welfare executive chairman Luc Bungeneers said he was having a meeting with his party chairman when he heard howling cats. “To my horror, we found cats were being assaulted in the name of art”, Bungeneers said. “It went on for several hours.” The filming was eventually aborted after protests from the crew’s own technicians. Later that day, Fabre claimed all cats were still in good health and it was a conspiracy of the political party NVA.[1][2][3][4] Mr. Fabre has received 20,000 emails slamming his act. He has also been attacked seven times by men carrying clubs whilst out jogging in the park and been forced to sleep in a different location every night. Antwerp’s deputy mayor for animal wellbeing and the animal rights organisation Global Action in the Interest of Animals also launched complaints about Mr Fabre’s controversial act.

On February 2016, Jan Fabre was appointed by the Greek Ministry of Culture as the Creative Director of the annual Athens – Epidaurus Festival.[5] He resigned less than two months later, on the 2nd of April 2016, after a huge controversy over his plan to turn Greece’s major arts festival into “a tribute to Belgium” and devote eight of the festival’s ten productions to those from his homeland.[6]

In September 2016 Fabre made an attempt to not break cyclist Eddy Merckx‘s 1972 hour record at the Tête d’Or Velodrome in Lyon. Fabre completed a total of 23 km in an hour, compared to Merckx’s record of over 49 km. The attempt was commentated on by Merckx, fellow cyclist Raymond Poulidor, and veteran cycling commentator Daniel Mangeas[7] and was performed as the opening of his “Stigmata” retrospective exhibition organised by the Musée d’art contemporain de Lyon.[8] Fabre described the attempt as “how to remain a dwarf in the land of giants”.[9]