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Hildo Krop (1884-1970)

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Hildo Krop is truly the one and only city sculptor of the city of AMsterdam. When you see an ornament at a building or a statue on a square there is a fair chance that it was done by Hildo Krop. Krop was active in the period that Amsteram had its biggest growth .

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It was in preparation of the Olympic games of 1928 and many new buildings and parks were built in those days and if one wanted to make them more beautiful with a sclpture or statue, Hildo Krop was the artist of choice for many new projects in those days.

This was recognized by the Stedelijk Museum who devoted an exhibition to Krop in 1964 and had Wim Crouwel design the catalogue with the exhibition. Since that year there has been a growth of interest in Hildo Krop as an artist which resulted in a Museum devoted to Hildo Krop….location Amsterdam and on the internet at : http://hildokrop.nl

The Wim Crouwel publication is available at www.ftn-books.com

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Marinus Boezem (1934)

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Marinus Boezem (1934) belongs, together with Jan Dibbets and Ger van Elk, among the most important representatives of the Conceptual Art and Arte Povera movement in The Netherlands. In the 1960s, Boezem discovered that he could use elusive elements such as air, weather, wind and light as visual materials and made a name with radical, immaterial works that were far ahead of their time. Boezem was one of the initiators of the ground-breaking exhibition ‘Op Losse Schroeven: Situaties en Cryptostructuren’ (1969) at the Stedelijk Museum Amsterdam and took part in the equally influential exhibition ‘When Attitudes Become Form’ at the Kunsthalle Bern in the same year.

In 1969 he created one of his most famous works of art, ‘Signing the Sky Above The Port of Amsterdam With an Aeroplane, 1969’: exactly as stated in its title, an aircraft’s condensation trails were used to spell out Boezem’s surname in the sky, the ephemeral wording disappearing almost as soon as it was created. In 1971 he made an artwork for television that was broadcast under the auspices of Gerry Shum’s legendary Fernseh Gallery. Furthermore, Boezem created numerous works in public space and land art. The Green Cathedral is a beautiful example: 174 Italian poplar trees are planted to reproduce the floor plan and measurements of the Cathedral at Reims, in a flat polder near Almere, the Netherlands.

In an oeuvre spanning more than sixty years, Marinus Boezem has created a body of work that stands quite independently in contemporary art. His works are part of many important museum collections, including the Museum of Modern Art, New York; Stedelijk Museum Amsterdam; Museum Boijmans van Beuningen, Rotterdam; Gemeentemuseum Den Haag; Museum Kröller-Muller, Otterloo; Museum Voorlinden, Wassenaar; and many more public art collections.

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Jean Gorin (1899-1981)

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It took me almost 20 years to first see an actual work by Jean Gorin. I knoe if his great catalogue which was designed by Wim Crouwel for the 1967 Gorin exhibition. But at that time i was far too young to appreciate art in general, but since i took an interest in art, i took an interest in constructivist art and certainly Gorin is one of the great artists when you look and take in consider the reliefs produced by the other artist from his generation.

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He was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs. His art developed along the same line as the art of Cesar Domela developed , resulting in complex reliefs that are now collected and appreciated worldwide. His appeal is still growing and personally i think his art is far better than the works Cesar Domela produced in the same period of his life.

I have to devote some special text on this publication, since the Crouwel designed catalogue is very special. It has the typical 60’s Crouwel dimensions, but what makes this one special is the embossed /relief printed cober, making this one, one of the very special Stedelijk Museum 60’s catalogues. Other titles are available too at www.ftn-books.com

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Etienne Martin (1913-1995)

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Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.

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A large work which is intended to be worn by the artist.

What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at www.ftn-books.com

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Claes Oldenburg (1929)

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Claes Oldenburg and Coosje van Bruggen. They are a couple and the reason i mention this is that without Coosje van Bruggen , Oldenburg would never have become the great artist he now is. van Bruggen has written all monographs on Oldenburg and is mentioned in every publication. van Bruggen was his second wife, but undoubtedly the one who had the greatest influence on him and his works. It was about 15 years ago that i for the first time encountered in real life some other work by Oldenburg than the screw from the Boymans van Beuningen collection.

We visited the Guggenheim in Bilbao and there they were ( nowadays the space is occupied by the MATTER OF TIME by Serra) Immense sculptures made out of polyester and painted in bright colors in a Gehry surroundings. The ensemble of both reminded me of a Disneyland setting, but these sculptures were so impressive that i, for the first time, realized the importance of Oldenburg as a sculptor. It is still a rare occasion that i encounter a large Oldenburg but since the Bilbao sculptures i am looking with different eyes to all Oldenburg sculptures including the very familiar SCREW at the Boymans van Beuningen museum. www.ftn-books.com has some nice Oldenburg publications available including the Crouwel designed Stedelijk Museum catalogue from 1977 and the Crouwel designed poster for this exhibition.

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Jim Dine (1935)

He is for certain one of the greatest Pop Art artists if ever there was one. One from the first generation of Pop Art artists who rose to fame in the early 60’s and who even had some great exhibitions in the years to follow at the Stedelijk Museum and the Boymans van Beuningen museum in the Netherlands in the 60’s and 70’s. Both museum have since some great paintings in their collections , (left Stedelijk / right Boymans van Beuningen)

but the Stedelijk Museum stands out for me , because beside multiple art works in their collection they published one of the first simple orange/red catalogues designed by Wim Crouwel. This one devoted specially to the drawings of Jim Dine and available at www.ftn-books.com and this is Wim Crouwel classic

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But of course there are other Jim DIne titles also available at www.ftn-books.com

 

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Hans Hartung (1904-1989)

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One of the exhibitions i thought to be one of the very best during the time i was working at the Gemeentemuseum Den Haag, was one curated by Franz Kaiser on the abstract artist Hans Hartung . Just one word describes the exhibition….impressive.

It showed that the art Hartung created was not just random, but a well thought over creation of abstract art in which a small sketch was turned into a large painting.

Here is the text on the exhibition:

Hans Hartung (b. Dresden, 1904) was regarded as one of the founding fathers of French Lyric Abstractionism, the European counterpart of American Abstract Expressionism: a term in which the word Expressionism refers to an extremely physical and spontaneous manner of painting. The members of the movement wanted, as it were, to work out their emotions on the canvas without any form of symbolism.

Hartung’s paintings displayed a plain ground covered with rough and apparently spontaneous brushwork, with all the paint spatters and brush marks that go with that way of painting. After his death, therefore, people were astounded when the study of unfinished pictures revealed that his paintings had not in fact been created in a wild and spontaneous way, but by carefully filling in predetermined outlines based in every detail, right down to the smallest flecks of paint, on sketches prepared in advance. This exhibition, which the Gemeentemuseum is holding to mark the hundredth anniversary of Hartung’s birth, reveals an artist who would better be described as a conceptual artist, were it not for the fact that conceptual art did not exist as a movement when he produced his works. In this first Dutch retrospective of Hans Hartung’s work, early drawings are presented next to the equivalent paintings, and early versions alongside later versions. The similarities in terms of motif are astonishing.

More about Hans Hartung: www.fondationhartungbergman.fr

There are some nice publications on Hartung available at www.ftn-books.com

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Edgar Fernhout (1912-1974)

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Edgar Fernhout comes from an interesting background. His grandfather was Jan Toorop and his mother Charley Toorop. This meant he was raised among artists and writers. An inspiring surroundings in which art took centre stage. He specially moved to Bergen after the divorce of his mother , where his grandfather has built the house/studio de VLERKEN specially for the family of his daughter to raise her children and create her own works of art. The interesting part of Fernhout for me personally was his transition from realism into abstract art. Fernhout being one of the first in the Netherland together with M0ndrian to discover abstract art as a genre.

the other aspect i like of his history is that when he received his first large museum presentation in the Netherlands at the van Abbemuseum , the catalogue with exhibition was designed by Wim Crouwel. This being one of the first publications he made for a large museum in the Netherlands. This catalogue is of course available at www.ftn-books.com

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Carel Blazer (1911-1980)

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A great dutch photographer who is known for his Fifties and Sixties photography , but also for his active part in the resistance during WWII.

Some interesting periods during the life of Blazer made him a true international photographer.

After been educated at the Kunstgewerbeschule in Zurich, he soon after travelled Spain to photograph the Civil war. After that period he travelled Italy and visited Rome to photograph this city which photographs were published in a book by Contact. Later there were travels to Asia and Sicily. On both occasions series of photographs were taken and published.

Willem Sandberg took an interest in these photographs and presented a selection at an exhibition at the Stedelijk Museum which catalogue is available at www.ftnbooks.com

There are many titles which have these breathtaking Blazer photographs in them, so beside the ones that i have in my shop please locate 50’s and 60’s books at bookmarkets and look into the colofon to discover if photographs by Blazer are included.

 
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Bob Bonies (1937)

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For me the only true “Hard edge” artist in the Netherlands is Bob Bonies, however Michiel Morel refers to the art of Bob Bonies as a rearrangement of FORMS AND COLORS.

I read his excellent article and it is unfortunate that it is only available in dutch, but for those who understand the language here is the link :

Bonies: Ordening van vorm en kleur (periode  1964 – 1968) (3)

As you can read in the article . Bonies stayed true to his art of rearranging , shifting and placing forms and colors in a new context and one of the earliest silkscreen that was published in a larger edition was the one he made for the Stedelijk Museum catalogue VORMEN VAN DE KLEUR

in which his contribution stands out together with the one Ellsworth Kelly made for the same publication. This Wim Crouwel designed publication is available at www.ftn-books.com

left Bonies and right Kelly

I have a lifetime admiration for Bob Bonies. He was one of the first artists i personally met at the Gemeentemuseum and a few years ago i bought a small collection of his publications from another bookdealer who had bought them from a Bonies collector and within one of the publications i found the birth card of his son Jiri. Even this card shows the quality of his works. The card is for sale too together with many other Bonies publications.