Two totally different painters with a complete different background. Both rose to fame in the Interbellum and booth were very much inspired by music and the rhythm of it.
In a time that exhibitions were developed around a theme. btw. the Spiritual in Art was such an exhibition, one of the most iconic exhibitions of the Eighties was presented in Germany. its name VOM KLANG DER BILDER. An exhibition in which the relation between music , sounds and rhythm and the influence they had on paintings was tried to be explained. It is for certain that music has been of influence to artists and both Klee and Kupka were the artist who made paintings in relation to music . Kupka is perhaps the artist who has been influenced by Music the most, but certainly Paul Klee has become known for his music inspired paintings and drawings.
Klee perceived a clear visual connection to the structural articulations found in music. Focusing on polyphony and counterpoint, Klee produced his watercolor Fugue in Red in 1921.
This early attempt to achieve a synthesis between music and art exposes a number of floating forms, either figurative or as abstract derivations. Overlapping shapes float over a two-dimensional surface, with the temporal aspect graphically represented by a gradual shift in color. Moving from the dark background to maximum transparency, the visualized counterpoint combines in a cosmic harmony that reaches towards a new sense of spirituality. Although essentially structural in approach, this painting embodies Klee’s believe in “harmony, autonomy, and universality in humankind.” As a musician and a painter, Klee essentially created a harmonious arrangement that echoes a universal order. www.ftn-books.com has on both artists several publications available.
Martial Raysse, 82 years of age and still going strong, but his works have definitely changed. They have become Mythological inspired and stand far from the Pop Art he made in the sixties when his works and art became known together with other beginning artists.
In October 1960 he founded together with Yves Klein, Arman, Spoerri, Tinguely and Villegle de artist group NOUVEAUX REALISTES . They tried to approach reality in a new and avant garde way and were seen as the french equivalent of the Pop Art mouvement. Martial Raysse worked like Warhol with silkscreens contrasting colors and added Neon to his paintings, making them instantly recognizable and appealing.
Another aspect of his art was that his paintings were not flat, but had in many cases a 3D addition. A rope, box or the mentioned neon gives the painting literally several layers. His 60’s adn early Seventies are among the best Pop Art paintings produced and fetch extremely high prices at auction. recently one of his paintings fetched a staggering 4 Million.
At a more affordable level the excellent Stedelijk Museum catalogue designed by Wim Crouwel is available at www.ftn-books.com . It has a special Raysse designed cover and even the use of colors ( out and inside ) is typical Raysse. Available at www.ftn-books.com
An artist i never heard of before , but since the exhibition of Alice Aycock in the Gemeentemuseum Den Haag i know of him and his art and later of course i found out that there was an excellent exhibition at the Stedelijk Museum in 1974, which catalogue is available at www.ftn-books.com
Why is that?…Oppenheim was married to Alice Aycock and many of the exhibition venues presented both these artist shortly after each other
And what about Dennis Oppenheim? For me Oppenheim stands for conceptual and performance art. His “earthworks” have become famous and on the cover of the stedelijk Museum catalogue one is depicted. BTW. the Stedelijk catalogue was designed by Wim Crouwel and he made it, because of the use of a beautiful impressive photograph of one of the earthworks, stand out from the rest.
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If i compare both artist , I definitely have more interest in the large sculptures by Alice Aycock, but Oppenheim is important too and time will tell which of them will be the most important one…. my guess it will be the wife …Alice Aycock.
Here is the first few lines of the text i found on Wikipedia. Berside i noticeed the high age of the artist i also noticed that the color Blue was present in his works during his entire career.
Jacques Monory, June 25, 1924 (age 94) Cachan, France Nationality French Education École nationale supérieure des arts appliqués et des métiers d’art Known for Painter, filmmaker Movement Narrative Figuration Spouse(s) Paule Monory Website www.jacquesmonory.com Jacques Monory (25 June 1924) is a French painter and filmmaker whose work, highly influenced by photography and cinema, is an allegory of the contemporary world with a focus on the violence of everyday reality. His canvases evoke a heavy atmosphere, pulling subject matter from modern civilization through the lens of his signature monochrome color blue.
If you look at the catalogue which was published for his Stedelijk Museum exhibition in 1972, You will notice 2 things. First there is the excellent design by Wim Crouwel, but secondly the use of Blue for the cover and the photographic scene on the front. A lesser known catalogue , but certainly an excellent designed Crouwel one and available at www.ftn-books.com. Monory is still not very well known, but i am convinced of his importance and will look forward to more exhibitions of this fascinating artist.
This morning i learned that one of the greatest of all dutch graphic designers, Anton Beeke, died in an Amsterdam hospital, yesterday on the 25th of September. Born in 1940 he soon became part of Fluxus and Provo and was one of the famous names in the AMSTERDAM art world in the sixties. He even became later a contributing partner of Total Design, the agency which was founded by Wim Crouwel ao. I mention this because where Total design was one of the first agencies to apply the computer in designing, Beeke stayed true to his own method, the typical way of composing an image with “camera, scissors and glue”.
His images are strong and stood out and drew immediate attention to the subject. One of his best known designs was the alphabet composed with nude woman.
It was a meant and searched for reaction on the New Alphabet by Crouwel. There are several Beeke publications available at www.ftn-books.com
Before Wim Crouwel became the main designer for all publications published by the Stedelijk Museum Amsterdam in in the 60’s, 70’s and early Eighties (TD). There was a short 4 years that he made some beautiful publications for the van Abbemuseum Eindhoven. In these you can recognize the early Wim Crouwel. Size, use of multiple ( colored) papers, typography and layout are all typical for the early Wim Crouwel. www.ftn-books.com is fortunate to have a nice selection of these early WimCrouwel designed publications. Pictures tell a better story than words can . In this case , this certainly true. So here are some nice van Abbemuseum publications by Wim Crouwel.
According to my information the first large scale Pop Art exhibitions in the Netherlands took place in 1964. With it was the famous Wim Crouwel designed catalogue published with the upper right corner “folded”.
A spectacular cover and an example for many other designers to follow this and being inspired by this cover for the years to come. Since, other exhibition followed of which many publications are available at www.ftn-books.com. One other has certainly to be mentioned because it followed in the year after the Stedelijk Museum exhibition took place. In this case POP ART was combined with the French/Belgium wave which followed in the steps of Pop Art, Le NOUVEAU REALISME.
This way the United States Pop Art mouvement was combined with the European Pop Art artist like Martial Raysse.
Since other Pop Art exhibitions took place all over Europe, but the Netherlands and Belgium stayed interested in this fascinating art. I remember recent exhibitions in Schiedam, Nijmegen, Kunsthal Rotterdam, Brussels and the Gemeentemuseum Den Haag all being successful, making Pop Art an established art form…Pop Art is here to stay.
Some combinations are hard to beat and this one is surely a classic. Wim Crouwel was not yet promoted to the position of designer of the catalogues of the Stedelijk Museum Amsterdam and had just left the van Abbemuseum with his designs. In the in between period he did some free lance works and one of these was the catalogue he designed for the H.N.Werkman exhibition of 1964 in the Groninger Museum and this catalogue became the standard for all his future designs. He chose a slim sized catalogue, but within the book he used some of the papers which he had used in the van Abbemuseum catalogues and would use again for the Stedelijk Museum catalogues. Making it simple but still complex.
On the cover a bold and typical Werkman print which emphasized the graphic quality of the catalogue. The back…. a typical red with clear black and white lettering. This is in my opinion one of the very best graphic designs ever made in the Netherlands and i am proud to still have a copy for sale of this beautiful and splendid Wim Crouwel catalogue.
Ferdi was the wife of dutch Pop Art painter and sculptor Shinkichi Tajiri and was married to him until her tragic death in 1969. If i look at her work now, the first other artist i think about is Niki de Saint Phalle. I really do not know if they have known each other but it is possible when you look at the time frame, they possibly knew and inspired each other. Ferdi, educated by Ossip Zadkine, used large pieces of cloth and textiles to assemble her figures female form inspired figures for which she has become very well known in the Netherlands. Recently, I think it was 2012 , the Rijksmuseum acquired WOMB TOMB with the help of the heirs of her estate
Her husband Shinkichi Tajiri is nowadays a recognized and settled name and specially known for his large Pop Art sculptures. Ferdi is far less known. Her works appear sometimes at auction but that is it for this moment. It is time that some dutch museum shows new interest in her because her works fascinate and deserve to be known abroad too. The stedelijk Museum published a very nice catalogue with her works which was designed by Wim Crouwel and some 15 years ago another important book was published in which her works were shown together with toise from her husband. Both are available at www.ftn-books.com
Wim Crouwel is a regular name appearing in my blog. This is not only because i have many titles available at www.ftn-books.com, but mainly because i consider Wim Crouwel the most important graphic designer from last century. There are some that are important too and i think of Gerstner and Sandberg, but Wim Crouwel is in my opnion the absolute best. Wim Crouwel made some 200+ designs between 1960 and 1980 for the Stedelijk Museum, Among them posters, catalogues an folders and many have become iconic for graphic design in the Sixties. There was of course the VORMGEVERS catalogue which is in high demand and extremely hard to find, but the one i would like to discuss now is the GEDRUKT IN JAPAN catalogue, which has become rare and expensive too. It is of great graphici quality and although it is only 20 pages, for me it is the summit in design from the sixties. A simple but highly effective lay out. The use of Magenta on the front . The SM logo and underneath a very very fine line with below it one of the logo’s for the Osaka Art Festival . Published in 1967 with no. 407……it is perfection on the 20 pages.