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Vic Gentils (1919-1997)

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Another of those more obscure Belgian artists is definitely Vic Gentils. Studied in Antwerp and became known through participating in the Kassel and Venice Biennales in the mid Sixties, but soon after people lost interest in his art was only known in Belgium. Not many museums have work by Gentils, but if you encounter work in a museum it is probably a “painting” from the series of ANTI-PEINTURE. a series of non paintings which is pure abstract and can be categorized as Informal.

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Following years of search and doubt during which Vic Gentils assimilates expressionism and the ubiquitous Picasso and Klee, in 1955 he turns to abstract painting. And when that too seems inadequate, Gentils starts making his famous assemblages. These are indeed abstract compositions, from wood scraps – usually frames from doors or windows – that he combines with appropriated picture frames, thus also referring to the painting as ‘window on the world’. In this sense *Anti-peinture I* (1960) is not really an adieu to painting but rather an evocation of painting’s own shortcomings. Gentils makes art-historical art. With cast-off decorations once sold to nostalgic parochial folk, he forges a new patrimony. In the white modern spaces so desirous of being timeless, his assemblages function like alienating interventions, objects that underscore the historical nature of each object, each space. And perhaps the opting for dark tones was his way to escape from the shadow of expressionism, by ironic reference to that somber style sometimes drown in asphalt.

 

Possibly there will be a time that the works by Gentils will be reevaluated and appreciated but for now the only thing to do is to study the older publications on Gentils of which some are available at www.ftn-books.com

 

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Piet Dirkx weekly ….4

And now for something completely different….certainly not. The 4th weekly is devoted to another part of Biotoop. It is the trusted companion wile at the dinner table at my sisters home. The Piet Dirkx hanging and looking over the table, is chosen because of the blend it makes in colors with its surroundings. Whenever you put a vase with flowers below it, it appears that all the colors of the flowers are present within the wax painting. The size is a medium size of aprox 118 x 100 cm. (collection Thijs & Jochem Bakker / Lucas van den Elshout)

FA025

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Josephine Sloet site pages are now “live”

 

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It took a few meetings and some fine tuning but now , after a month of preparations, the page with Josephine Sloet paintings is now “live” at ftn-blog.com/josephine-sloet/

These paintings that are presented are all for sale and come from different periods from her career. One of my personal favorites is the TIME MOVING painting. It is a large, bold work of art and not for the faint of hearted, because it stands out and dominates its surroundings and beside that you can not avoid it since it is a very large work of art.  It measures an impressive 206 x 206 cm.

sloet time moving

A beautiful and impressive painting by Josephine Sloet. For more inquiries on this and other paintings by Josephine Sloet offered by FTN-art, please inquire at wvdelshout@ziggo.nl

The following video is made by Josephine Sloet:

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Gerard Garouste (1946)

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Garouste is now one of the grand “old”  mater painters in France, but that has not always been the case. From the mid Seventies until the early 80’s he was one of the angry young French wild painters who rose  to fame with (extremely) large paintings of which many were brought together in the Bordeaux CAPC museum in 1987.

Since his star rose in France and abroad and now he has the stature of one of the great 20th century painters…and deservedly so, because his paintings are one of a kind and you will not lightly forget a Garouste painting once you have seen one. Unfortunately these are far too large for any private collection and i am personally not the greatest fan of his smaller works. The best you can do is buy one of the great catalogues which is publiched in one of the last 3 decades and emerge in the world Garouste has created with his impressive paintings.

The CAPC catalogue is available at www.ftn-books.com

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Kiki Lamers (1964)

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Try to find a photo portrait of Kiki Lamers on the internet and you will have a hard time finding one. I do not know if this is the result of the anonymity the artist wants for herself or that she wants that her art is judged on itself and that the creator of the art is of no importance. Her portraits are one of a kind and perhaps her child portraits are best known of them all.

There was a time that her paintings, because of oscenity, were removed from a show in France and she had to go on trial to defend herself and her art. The court in France even sentenced her after her appeal to pay a fine of 5000 euro, but did not dare to sentence her with prison time. Personally i think that the artist is one of the persons that is free to express him/her self in a way he/she choses to do and when you look at the delicate portraits of the young/boys and girls Kiki Lamers has made over time you must admire them. These are far from obscene. www.ftn-books.com has some Kiki Lamers titles available.

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Piet Dirkx weekly ….2

The second weekly on Piet Dirkx i devoted to part of the Biotoop project presentation at the Gemeentemuseum Den Haag. This extremely large painting  (aprox size  280 x 110 cm.) is executed in wax and shows Piet Dirkx his development in the mid Nineties. Layer and layer of wax over eachother. Spectacular colors, nice composition makes this one of the highlights from the Nineties. ( Collection Thijs & Jochem Bakker /Lucas van den Elshout)FA001

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Gerard Verdijk selection available at FTN-art

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About a week ago i announced the cooperation with Josephine Sloet and at that same day we met and had our first ever meeting, we thought it an excellent idea to devote a separate section of FTN-blog to Gerard Verdijk of whom a selection of works will be presented that will be for sale through FTN-art / FTN-blog.  We will be making a first selection when we meet again at the beginning of January, so expect some Verdijk works by the end of February . The selection of paintings and/or drawings which will become available will be presented after the site of Josephine Sloet has gone “live” and all works presented will be for sale .  For any inquiries please refer to wvdelshout@ziggo.nl

A great announcemet to end this year filled with art and art publications and i am really looking forward to continue and offer you more art and artist publications in the year to come.

Have a wonderful and healthy 2019

sloet atelier e

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Piet Dirkx daily … Christmas edition

On the 1st of September 2016 i started the “Piet Dirkx daily” with the publishing of a Piet Dirkx cigarbox on each day since. There were over 850 cigarboxes that were once part of the installation Biotoop at the Gemeentemuseum Den Haag. This publication of the collection of cigarboxes has come to an end. That does not mean that the Piet Dirkx daily will not continue. Yes…. it continues ….however the frequency will be different. Every week on Saturday or Sunday a new “classic” Piet Dirkx item will be published, but this time it will be mostly very colorful larger and extreme large items. Drawings, paintings and special publications all other parts of my/our collection will eventually be published.

So it is certainly still not the time to stop, but the name will change and be different of course. the “Piet Dirkx daily” will become the “Piet Dirkx weekly”. Starting this weekend when a new chapter in the Piet Dirkx publications will start. I did not plan it, but there was some real symbolism in this last Piet Dirkx cigarbox no. 855 published .

For all those who are not familiar with the dutch language…on the last box Piet stated …De trein staat stil and positief leven, which means the “train has stopped” and “live positively”. The last few words are maybe the most important to us all. Translated they mean:

Live positively

and on a personal note….Merry Xmas to you all.

The BIOTOOP / Biotope catalogue of the Piet Dirkx exhibition at the Gemeentemuseum Den Haag is available at www.ftn-books.com

 

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Jean Paul Riopelle (1923-2002)

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Two names spring to mind when you look at the works by Jean Paul Riopelle  ( Canada , 1923) and read about his life. He lived near Giverny ( the place where Monet had his studio and gardens) and he used a technique much the same as Jackson Pollock did. Dripping paint on a horizontal canvas. The result ….. colorful and abstract compositions which have the colors of a Monet painting and the abstract construction of a Pollock one.

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Riopelle’s style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres.

The presence of long filaments of paint in his painting from 1948 through the early 1950s has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas (positioned vertically).

For me Riopelle is a fascinating artist and because of the beautiful publications Maeght made with this artist it is not entirely out of reach financially. A very nice Riopelle publications can be obtained for less than euro 100,– at www.ftn-books.com