At the time Anzinger had an exhibition at the Gemeentemuseum Den Haag ( curated by Franz Kaiser i was not very interested in this kind of art, but sone 25 year ahead in time thingds change and now i find his work at least….INTERESTING and INTRIGUING.
Perhaps that is because i have learned to appreciate this kind of art. His paintings remind me of some of the ones Bacon has made and in the Netherlands John van ‘t Slot approached his subjects in the way Anzinger does. (Van ‘t Slot and Anzinger are from the same generation) and still they are rooted in the Austrian way of painting.
If you try to find some information on Anzinger you will have a hard time finding it. There is some put on line by his gallery MAX WEBER, but even this information is not very elaborate. An interesting artist, but hard to keep track of his works, because outside Germany and Austria his work is rarely seen.
www.ftn-books has one important publication on Anzinger available
Hildo Krop is truly the one and only city sculptor of the city of AMsterdam. When you see an ornament at a building or a statue on a square there is a fair chance that it was done by Hildo Krop. Krop was active in the period that Amsteram had its biggest growth .
It was in preparation of the Olympic games of 1928 and many new buildings and parks were built in those days and if one wanted to make them more beautiful with a sclpture or statue, Hildo Krop was the artist of choice for many new projects in those days.
This was recognized by the Stedelijk Museum who devoted an exhibition to Krop in 1964 and had Wim Crouwel design the catalogue with the exhibition. Since that year there has been a growth of interest in Hildo Krop as an artist which resulted in a Museum devoted to Hildo Krop….location Amsterdam and on the internet at : http://hildokrop.nl
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The Wim Crouwel publication is available at www.ftn-books.com
I have had questions in the past….what is your personal interest in books?…. and…..you must have a very nice collection after so many years of being a bookseller. These questions and remarks can be answered simply. I have a large inventory of about 10.000 books that are for sale including some very nice and hard to find titles, but every book in my personal bookcase has a small story attached to it. There are books of exhibitions being held at the Gemeentemuseum while i was a publisher/bookseller at that museum and some were given to me by artists i collect.
About half of the books in my personal bookcase are very small publications related to the artists in our art collection and the remainder is about the artists i like very much and admire. I can say that none of them is very valuable, but for me these books are valuable and important, because they belong to the publication history of the artists i admire. Curious?….just “zoom in” on the picture and discover that of many of these titles i have multiple copies available at www.ftn-books.com. So make this your personal interactive blog and find/discover the titles at www.ftn-books.com
Try to find a good biography on Joel Fisher and you will have a hard time finding one. The best i can come up with a a list of exhibitions:
Stefan Stux Gallery New York, NY
Stefan Stux Gallery New York, NY
Farideh Cadot New York, NY & Paris, FRANCE
4 Americans–Aspects of Current Sculpture, The Brooklyn Museum Brooklyn, NY
Gallery Shimada Yamaguchi, JAPAN
Structure to Resemblance: Eight Sculptors, Albright-Knox Gallery Buffalo, NY
An International Survey of Contemporary Painting and Sculpture, Museum of Modern Art New York, NY
Kuntsmuseum Luzern Luzern, SWITZERLAND
Stedelijk Museum Amsterdam, THE NETHERLANDS
Stadtisches Museum Monchengladbach
Seven, Penthouse Gallery, Museum of Modern Art New York, NY
Documenta V, Kassel, Germany
Victoria and Albert Museum London, ENGLAND
Study these and you will notice 2 important things. First these are all class A venues and this shows the importance that Joel Fisher was and still is. His art is not accessible at all, which makes his art not well kmnown among art lovers. The ” trigger” for me , was that it was one of the first classic Stedelijk Musuem publications that i bought for my collection. (Available at www.ftn-books.com), another aspect is that Joel Fisher designs his own catalogues . Small books that look like true artist books and have their style , design and size in common, Beautiful little books that are worth collecting.
He is an important dutch Typographer, but is not that known outside the Netherlands, but because Treebus has witnessed the transsition from lead printing into the digital age of printing it is nice to see how this process has taken effect in the designs of Treebus. Treebus has made numerous designs in those 32 years he was sdesigning papers, letters and forms for the STAATSDRUKKERIJ /Uitgeverij.
Treebus is one of those people that has influenced 3 genarations of designers, because his designs used by many over a period of 40 years
www.ftn-books.com has an excellent monographic book on Treebus available.
Two aspects of her art life spring to mind. First and foremost a great Art Deco painter and one of the frist female artists being recognized by the greater public as a great artist and secondly …she depicted the “beau monde” in the Interbellum. The period between WWI and WWII.
Although she was born in Poloand she spent her working life in France and the United States. She is best known for her polished Art Deco portraits of aristocrats and the wealthy, and for her highly stylized paintings of nudes.
Born in Warsaw, Lempicka briefly moved to Saint Petersburg where she married a prominent Polish lawyer, then travelled to Paris. She studied painting with Maurice Denis and André Lhote. Her style was a blend of late, refined cubism and the neoclassical style, particularly inspired by the work of Jean-Dominique Ingres. She was an active participant in the artistic and social life of Paris between the Wars. In 1928 she became the mistress of Baron Raoul Kuffner, a wealthy art collector from the former Austro-Hungarian Empire. After the death of his wife in 1933, the Baron married Lempicka in 1934, and thereafter she became known in the press as “The Baroness with a Brush”.
Following the outbreak of World War II in 1939, she and her husband moved to the United States and she painted celebrity portraits, as well as still lifes and, in the 1960s, some abstract paintings. Her work was out of fashion after World War II, but made a comeback in the late 1960s, with the rediscovery of Art Deco. She moved to Mexico in 1974, where she died in 1980. At her request, her ashes were scattered over the Popocatépetl volcano. www.ftn-books.com has one nice publication on Lempicka
First i must say that writing a blog on Steinberg, can not do justice to the excellent site , which the Steinberg foundation has constructed on the life, times and art of Saul Steinberg. You can visit the site at : http://saulsteinbergfoundation.org
But some personal notes on the artist. Saul Steinberg is a very well known artist in Europe. He had his exhibitions at the Maeght galleries in the Sixties and Seventies and both the Stedelijk Museum and the Boymans van Beuningen museum in the Netherlands organized exhibitions on the artist. In the beginning i always had considered Steinberg to be an illustrator and not the artist he later became to me. Later i realized to look at his art in a way that his drawings were meant to be seen. A citation from his site makes this clear :
Saul Steinberg defined drawing as “a way of reasoning on paper,” and he remained committed to the act of drawing. Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life. Sometimes with affection, sometimes with irony, but always with virtuoso mastery, Saul Steinberg peeled back the carefully wrought masks of 20th-century civilization.
This is an artist to be discovered by a far larger audience. At this moment i think he is the lesser of both Steinberg’s i recently wrote a blog on, but perhaps time will prove me wrong and i will think of his art just the way around in a few years. www.ftn-books.com has some nice and rare Saul Steinberg publications available.
Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.
A large work which is intended to be worn by the artist.
What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at www.ftn-books.com
It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.
The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.
Another heart by Piet Dirkx is this Heart on Wood executed in wax. Originally part of the Biotoop presentation this has recently become part of my personal collection. The heart is a bright yellow in a brownish /red wax underground. If you look carefully you can distinguish rectangles in the red background. Wax Heart on wood , aprox size 55 x 40 cm.(collection W. van den Elshout).
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20