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Black Friday at FTN books

Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours  of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:

                                                               B2019F

 

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Allessandro Mendini (continued)

 

I wrote two earlier blogs on Mendini. One in 2016 and one in February this year to commemorate his accomplishments after his death at the age of 87.

Last week i found one of his earliest dutch publications. An important one, because it preceded the commission of designing the Groninger Museum. Probably the exhibition was held to introduce Mendini to the dutch people of Groningen and prepare them for the adventurous building Mendini would design for the Groninger Museum.

This publication is from 1988 , published together with Politi editore  and it is filled with the typical Mendini designs of which elements would be used outside and within the Groninger Museum.  I love this book, which is now for sale at www.ftn-books.com

mendini groningen

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A tribute to Cor Rosbeek ( 1944-2019 )

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Recently one of the driving forces in the dutch museum publications world died. I remember Cor Rosbeek as one of the most gifted of all printers in Europe. On those occasions that we met professionally he came up with practical solutions and had always in mind the quality of the finished product.

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He made the impossible possible with a printing press and found solutions for the product that were thought to be impossible to realize. One of his best publications was the Diary of Anne Frank for which he made the facsimile reprint. Cor Rosbeek was a printing genius and realized many beautiful publications with the greatest of practically all (dutch) designers. His series of Rosbeek publications is known all over the world. In these publications everything comes together….great design, typography, layout, choice of papers and subject make these publications a monument for Cor Rosbeek. Some of these highly collectable publications are available at www.ftn-books.com

 

 

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Erté / Romain de Tirtoff (1892-1990)

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It was at the time i was living in Paris, that i frequently walked the rue du Seine , it is the place where all the art galleries used to have their exhibitions. Among them there was one who was showing the most beautiful Erté drawings and gouaches. I wondered why a gallery in Paris had such a huge selection (they had a few hundred of these drawings in stock ) but later i realized that the reason probably was that many of the theaters in Paris commissioned Erté their costume designs for their plays and shows. If i had known at that time that Erte was going to be one of the most important Art Deco artists i should have borrowed some money and bought me some Erté’s .

Later i managed to buy 2 drawings at auction at a fair price and these are sold some 20 years ago, but the memory of these walks along the gallery window in the rue du Seine remains.  I should have kept these auction drawings too, but decided at that time to make some profit on them.

As it is …. there are only a few publications that rest me and all these are available at www.ftn-books.com

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Rembrandt van Rijn (1606-1669)

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The people who know my taste in art , know also that i am not the greatest fan of Rembrandt his painting.

Technically Rembrandt belonged to the avantgarde of his age, but emotionally he never hit the right spot with me. Still there is one exception for Rembrandt as an artist, ….i admire his etchings. And this is feeling is emphasized since i recently acquired a book totally devoted to his erotic etchings.

rembrandt ertoiques

A french publication from 1978 which is according to my knowledge complete. The etchings are depiceted 1:1 and show exactly why I consider Rembrandt a great etcher. The only diappoint is that pubication is not a facsimile one, but i can still highly recommend it. Other titles on Rembrandt available at www.ftn-books.com

 

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Pierre Weiss (1950)

 

An exhibition of which i remember a hellish ride to Gent to see the print proofs of the catalogue on Pierre Weiss.  One of the first exhibitions curated by Franz Kaiser and with a catalogue designed by Gracia Lebbink. The printers waited for my arrival, but extremely heavy rain showers delayed my arrival by some 2 hours. After finally arriving it was the lunch break at the printers and lunch is “holy” in Belgium. Everybody stops working and has lunch. So did i . I was invited by the printers to have lunch and with them it meant a very nice lunch indeed at one of the finest restaurants in Gent. a 3 course lunch was normal including 2 glasses of great wine and a coffee it made me forget the terrible ride i had to arrive in Gent. This was almost 30 year ago now. I have forgotten the catalogue on Weiss, but the ride is still a vivid memory.

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Hans-Willi Notthoff (1959)

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This is one of the artists who was included within the stack of German artists books i bought recently. What characterizes Notthoff works is the bright colors that are used in all his works. Making these joyful , colorful paintings which resemble a bit the Hard Edge paintings from the early Seventies. Of course not hard edge but more Pop Art like, but still colorful compositions. Far less complicated and intriguing than the paintings by Richard Schur , which i recently acquired, but still nice and colorful abstract paintings and worthwhile to check out if you can.

Hans-Willi Notthoff

1959 in Mönchengladbach geboren
1980–1989 Studium an der Kunstakademie Düsseldorf
1989 Meisterschüler
1993 Villa Romana-Preis, einjähriger Aufenthalt in Florenz
1994–1999 Lehrauftrag für Malerei und Zeichnen an der Kunstakademie Düsseldorf
1995–1997 Lehrauftrag für Grundlagen der Gestaltung und Freihandzeichnen an der Universität/GH Essen
seit 2007 Dozent für Malerei und Freihandzeichen im Lernort Studio, Düsseldorf
Lebt und arbeitet in Düsseldorf

this is the publication available at www.ftn-books.com

nothoff

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Outsider Art of atelier de Herenplaats

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By chance i found a publication by atelier de Herenplaats. An artist studio for the mentally deficient and i was really surprised to find some great art within this publiucation. This Art Brut/Outsider Art is matured and must be considered as true art. The spontanious compositions delight and i have read on the site of de Herenplaats that many of their artist have had their ( international) presentations in galeries and museums.

de Herenplaats site can be found on this address: www.herenplaats.nl

and www.ftn-books.com has the Herenplaats publication now for sale in its shop.

visjes

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Ad Dekkers , Tekeningen 1971/9174

 

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This is the title of one of the most important artists books in dutch art.  Yes, of course tghis is my personal opinion, but look at it and you will undoubtedly agrre with me.

The publication was neglegted for over 3 decades, but now that the art of Dekkers is discovered again, the interest in his publications rises too. ……and, this is one of the nicest and best of his publications . Just some details. designed by Baer Cornet, printed by one of the best in the business, Rosbeek, who were up to the extreme printing qualities of the drawings that had to be reproduced in this 1977 publication. Oblong shaped, cahier stitching and a very small print run makes this a highly desirable and collectable artist book and available at www.ftn-books.com

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Graham Sutherland (1903-1980)

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When i looked for information on Sutherland I found this excellent article on the WIDEWALLS site.

One of the leading British artists of the 20th century, Graham Sutherland was widely known for his prints and paintings. Despite some other names coming to mind before him when talking about the art history, such as David HockneyFrancis Bacon, or Lucian Freud, there was a time when Sutherland ruled undisputed. From mid-1930’s, when he established his identity as a modern painter, to the 1950s, when his influence began to wane, there was a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting.[1] He was even commissioned to paint a portrait of Winston Churchill, in what turned out to be one of the most famous cases of the subject disliking the artwork, which eventually led to its destruction.

Sutherland’s artistic career included several significant changes in direction. After specializing in engraving and etching, he began achieving fame as a printmaker. His early pastoral prints display the influence of the English Romantic Samuel Palmer, whereby prefiguring Sutherland’s later involvement within the Neo-Romantic movement in Britain. However, the famous 1929 Wall Street Crash bankrupted many of his collectors, thus forcing Sutherland to turn to other sources of income. He worked as an illustrator until he visited Pembrokeshire, becoming completely captivated by it, and subsequently, turning to painting as a primary medium for his expression. The artist continued to draw inspiration from Pembrokeshire countryside and its enthralling anthropomorphic natural forms for the rest of his life.[2] When working on landscapes, Sutherland’s working method included seizing on a detail such as a dead tree, boulder, thorn bush, everything that according to the artist, required a separate existence. He would sketch this on the spot, and later a studio painting would evolve. Sutherland wasn’t the first to do so – many landscape artists before him had done pretty much the same, but his studio hand moved considerable further from what his outdoor eye had seen. Neo-romantic at the core, his work inspired others such as Paul NashJohn Craxton, and John Piper. Over time, Sutherland began to reveal himself as a vivid colorist with an original sense of harmonies. He somewhat banished the dark and heavy tones which he had used earlier, though preserving the sharp black and white oppositions and using acid pinks and mauves, orange and light blue, emerald, chrome yellow, and scarlet.

www.ftn-books.com has some nice Graham Sutherland titles available