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Adriaan Rees (1957)

One of the most astonishing and surprising books i came across during my search for art books in the last year is certainly this Adriaan Rees book. Published in english and chinese. Containing cut outs, double pages , velvet cover this is a true artist book. Central theme within the book is the sculpture SCREAMING IN A BUCKET . Adriaan Rees is an exceptional sculptor in many ways.  Here is the text he wrote on himself and published it on his site.

EXPLORING WANDERER

Adriaan Rees (1957, Amsterdam) lives and works in China and Amsterdam. Rees is famous for his large-scale projects and assignments for public space. He makes sculptures and installations in many materials such as ceramics, bronze, glass, textiles, plaster and stone. He also works with photography and video.

When he works with clay, traces of his hands and the use of extreme power can easily be seen at the surface. He is approaching his sculptures almost as a landscape or a human body, sometimes in a sensual, sometimes in a brutal way. He is an artist who is not predictable, someone who always surprises with new ideas and approaches, a cosmopolitan artist.

Exploring wanderer, 2015

From 2000 Rees increasingly travelled to Asia, specifically to Japan, Korea and China. He is intensely affected by these cultures and settled in Jingdezhen, China where he works in his own studio among the thousands of craftsmen locally.

Tradition and innovation, humor and seriousness, monumentality and intimacy, vulnerable and tough, traditional and contemporary, religion and war, fantasy and reality. All this you can find in his sculptures: it is a dialogue between cultural traditions like Europe and Asia.

His work can be found in collections around the world, in museums, private collections and in public space. Rees teaches in The Netherlands, Germany, Finland, USA, Japan and China and frequently gives lectures about his own work, art and art in public space.

He also works as an art advisor and curator. Since 2008 he is the initiator and project leader for the Exchange project 400 years Delft – Jingdezhen. This project brings artists, designers, archaeologists and museums from both cities together. Famous are the Blue Revolution shows in museums in Delft (NL) and Jingdezhen and Donguan (CHN). The shows attracted more than 40.000 visitors in Delft, more than 80.000 in Jingdezhen and more than 200.000 in Donguan.

Rees was the curator of these shows.

The Adriaan Rees book is now available at www.ftn-books.com

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Klaar van der Lippe (1961)

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I knew the name and person of Klaar van der Lippe, because of her presence in a dutch survival television series, but it was not until 4 years ago that i came across a publication on van der Lippe published with in the series on new dutch sculptors ( also Baerveldt). The book shows in an excellent way why her works is important. In an almost casual way she alters her surroundings. Rearranging, replacing almost everything within sight , creating a new space and sculpting it into something very “Klaar van der Lippe”. The book which is now for sale at www.ftn-books.com shows some of these projects .

klaar van der lippe.jpg

 

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Erik Oldenhof (1951)

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One of the reasons why i started this blog is to introduce artists and their works to a larger audience and here is one of these artists. Erik Oldenhof has had a lng time careeer now and his abstract art leans towords Zero and more abstract painting. However his technique reminds me of Jakob Gasteiger who molds his paint after he has applied it to the canvas. This is what Oldenhof must also do when i look at his paintings. There is a growing interest in his works, but still they can be bought at fairly reasonable prices at galleries and art loan institutions and whenever you find a painting by Oldenhof put up for auction they can be outright cheap. Still this stands in no relation with the artistic values. Oldenhof his paintings have a personality of their own and will not bore for a long time to come.

www.ftn-books.com has a nice Erik Oldenhof publication available

oldenhof

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Black Friday at FTN books

Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours  of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:

                                                               B2019F

 

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Carel Visser…the 1975 van Abbemuseum catalogue

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This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975

visser abbe aa

and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.

Visser abbe bb

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Leo Divendal (1947)

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Leo Divendal…… Photographer, publisher, gallery owner, writer, musician, artist book maker, bookseller and antiquarian.

Why this blog on Leo Divendal, first of ll it is rare that so many talents have come together within one person and…..then there is of course the connection with the Gemeentemuseum where Divendal curated some 20 years ago, together with Willem van Zoetendaal some exhibitions in the Fotokabinetten.

The second reason is that i bought a Divendal special publication recently. Het Glazen Oog is a Divendal special from 1991 which features some of the greatest dutch photographers from last century.

divendal

This and other publications are now available at www.ftn-boooks.com

divendal aa

But possibly the main reason is that i noticed that Divendal and i have the same approach to art and artists and that the both of us like the same artists and have an admiration for them. Here is the link to the Leo Divendal site ( https://www.leodivendal.nl/atelier/) in which you can discover all those nice publications which many of them are also available at www.ftn-books.com

 

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Art & Project final season 1998

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People following this blog know that i have acquired a large collection with Bulletins and invitations of the Art & Project gallery. Geert van Beijeren and Adriaan van Ravesteijn have published in nearly 30 years numerous publications. Bulletins, Catalogues, invitations, multiples and letters. Here is the final announcement of all their activities. In dutch they announce the ending of their gallery activities by the end of August 1998. This final announcement is now for sale at www.ftn-books.com

Laatste seizoen inv

 

 

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Jan Maaskant (1939)

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Jan Maaskant is a dutch sculptor who name rose in some way to fame when he was selected by Rudi Fuchs to contribute to the Documenta 7 in 1982. Influenced by Brancusi and Laurens his works to me feel more close to the Minimal Art of Sol LeWitt and Carl Andre. An excellent example of one of his Minimalistic sculptures can be found in the garden of the Gemeentemuseum Den Haag near the Schamhart pavillion / Fotomuseum.

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Maaskant has a long history with the Gemeentemuseum and because Hans Locher ( former director) was an admirer like Rudi Fuchs was, a publication was initialized. Jan Maaskant received an unplanned publication. An important book, published in a small edition. The book sold badly , but is now one of the hardest to find Gemeentemuseum publications. The book is available at www.ftn-books.com

 

 

 

Maaskant is als beeldhouwer autodidact. Hij werd aanvankelijk beïnvloed door beeldhouwers als Henri LaurensConstantin Brâncuşi en Julio González, maar vanuit het gesloten, compacte beeldhouwwerk ging hij naar de compositie van de open vorm, samengesteld uit zelfstandige elementen, waarbij een grote rol is weggelegd voor maat, afstand, richting en indeling.

Maaskant werd in 1982 door hoofdcurator Rudi Fuchs geselecteerd voor deelname aan documenta 7, maar viel uiteindelijk af. In 1985 werd hij docent beeldhouwen aan de Christelijke Academie voor Beeldende Kunsten in Kampen (thans de ArtEZ Art & Design Zwolle). Het werk van Maaskant is minimalistisch en wordt gerekend tot de geometrischabstracte kunst. In zijn werk probeert Maaskant architectuur en beeldhouwkunst te verenigen. Hij creëert zowel ruimtelijke structuren als tweedimensionale wandreliëfs, die op enige afstand voor de wand worden geplaatst om de zwaarte van de structuur terug te dringen.

Het werk van Maaskant bevindt zich in de collectie van onder andere het Museum Boijmans Van Beuningen in Rotterdam, het Gemeentemuseum Den Haag in Den Haag, het Van Abbemuseum in Eindhoven en het Kröller-Müller Museum in Otterlo.

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Wim Crouwel and DE VOLKSKRANT

 

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Wim Crouwel passed away some days ago and since, a great number of articles have been published on his life and accomplishments as a designer. His works will prove to be highly important for designers all over the world in the future and DE VOLKSKRANT ( one of the most important newspapers in the Netherlands) recognized that fact and devoted  a 2 page article on Crouwel in their Saturday paper. It is only on rare occasions that such a long and detailed article is published on just one person. Wim Crouwel and his works prove to be that important. The article can be found on the internet here (dutch)

https://www.volkskrant.nl/mensen/wim-crouwel-hoeder-van-het-functionele-ontwerp-en-een-onverzettelijke-rechtlegger~bf53fa62/

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William Leavitt (1941)

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William Leavitt was not known to me. I had seen his name in relation to the Art & Project bulletins, but never had seen works by him, so i had to turn to Wikipedia for some more information and this is what i found. Leavitt , a conceptual artist was not known like his contemporary friends like Baldessari and Kelly, but his work is well worth checking out, since some of his works are fascinating .

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William Leavitt (born 1941) is a conceptual artist known for paintings, photographs, installations, and performance works that examine “the vernacular culture of L.A. through the filter of the entertainment industry…drawing on ‘stock environments’ and designs of films as well as the literature of the place.” A critical figure in the West Coast conceptual art movement of the late 60s, Leavitt himself has managed to maintain a low profile. “Over the last 40 years, William Leavitt has made a name for himself as an influential artist while staying so far out of fame’s spotlight that his hard-to-categorize works have been all but invisible to the public,” wrote the LA Times. While his work is collected by high-profile artists such as John Baldessari and Mike Kelley (who donated Leavitt works to the Museum of Contemporary Art, Los Angeles), Leavitt himself has eschewed celebrity.

Leavitt received a BFA from Boulder Unviversity and a MFA from Claremont Graduate School. Since moving to Los Angeles in 1965 his work evolved, increasingly referencing themes endemic to the city such as the line between reality and fantasy and the nature of illusion.

Three of the Leavitt bulletins he made for Art & Project are available at www.ftn-books.com