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Gerald van der Kaap (1959)

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Of course I can tell you that since his breakthrough exhibition HOVER HOVER at the Stedelijk Museum ( catalogue available at http://www.ftn-books.com) the conceptual works by Gerald van der Kaap have been shown all over the world and that he received public acclaim for practically all his installations and projects. Everything he takes up turns into a work of art. Whether it is a book, museum catalogue, Video, record or print everything turns into something special. Best is to show you what I mean with presenting two links.

the first the Gerald van der Kaap site at : https://www.geraldvanderkaap.com/

and the second at the Hollandsche Meesters series which devoted one of his video to Gerald van der Kaap:

 

these 2 books are among others at this moment available:

 

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Theo Schepens (1961)

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A key element in the works by Theo Schepens is “balance”. A physical balance but also a spiritual balance between man and women. The result sculptures of male and female figurines interacting with each other taking poses in which they try to find and hold their balance. It all starts with the smallest and extremely speedy sketches he makes and then uses these as a starting point for his sculptures.

These sculptures have a rare quality. These do not take any effort to understand the meaning of the artist and the world he has created with them is highly recognizable. since his figurines have not changed for over 30 years. The males and females in his sculptures still look the same as 30 years ago, but what has remained is the timeless quality of his sculptures. This is he kind of art that children will interact with when they see it for the first time and remember it because of the shiny quality and the highly understandable action they are in. Kissing on horses, on a wire and even love making . all these actions come along . Schepens has created a “shiny” world in aluminium to love.

 

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Maddy Arkesteyn (1966-2012)

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A promising career was ended much too soon because of a deadly disease which ended her life in 2012. But Maddy Arkesteyn has left us some impressive works in public collections and an excellent catalogue which was published by Centrum Beeldendende Kunst in 1994. This catalogue shows that Arkesteyn needed space for her works. These are not intimate little paintings but large installations in which she uses all materials that are nearby or at hand. Educated in Maastricht at the Academie Voor Beeldende Kunst and finishing her educations at the Ateliers ’63 in 1989-1991.

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After de Boterhal an an exhibition in Ateliers Ville de Marseille. Only local exhibitions as theone in Dordrecht at Pictura.

Possibly the final interview she gave can be found at this address:

Interview July 2012

In this interview she tells what drives her to make the art she does.

www.ftn-books.com has the CBK title available.

 

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LIVINUS (van de Bundt) (1909-1979)

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Experimental photo painting and one of the first video artists in the world , Livinus made a name for himself in the mid Seventies with this kind of art and the Haags Gemeentemuseum was one of the first to show this kind of art by a dutch artist in the Netherlands.

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There is a reality that is “more real that what is visible”, in which thinking can only use the abstract formulas of physical science. In contemporary art this reality can be experienced with new methods. The light experiments of Van de Bundt have a special place in this; his light manipulations, (projections or so-called photo paintings) are non-material and provide a picture of a pure energetic world.

Since he received several prestigious art prizes of which the Sikkens price is the most renowned one. http://www.ftn-books.com has some nice LIVINUS publications available including one with some original film.

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Jet Nijkamp…Verdrongen Landschap

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The reason to write this blog is the book i recently purchased by Jet Nijkamp. Filled with nature drawings of wood, trunks and landscapes and enhanced with text by Tsead Bruinja. Thsi titel “Verdrongen Landschap” was published in a small edition and is now available at http://www.ftn-books.com.

verdrongen landschap a

An excellent title with drawings by Nijkamp , which remind me of the early drawings by Frank van Hemert influenced by Anselm Kiefer. but……visiting her site i noticed that she had published a complete series of Donald Trump dressed in Womans Clothing. A “funny” series of pastel drawings on international newspapers. It is not funny only , but it shows some criticism towards Donald Trump and his presidency. Trump takes poses like the great states man he think he is, however…..the drawings make fun of him and puts his presidency into perspective. The best one is the Obama meeting. Obama is the statesman and Trump the one with a dress on. I can not vote for any US president , but i wish i could and i  would not have any doubt who to vote for.

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Christopher Knowles (1959)

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Christopher Knowles (born 1959) is an American poet and painter. He was born in New York City on May 4, 1959, and has received a diagnosis of possible brain damage. He is often referred to as autistic. In 1976, his poetry was used by Robert Wilson for the avant-garde minimalist Philip Glass opera, Einstein on the Beach. Wilson describes his discovery of the then 13-year-old Knowles in the extended notes to the Tomato Records release of Einstein on the Beach

In early 1973 a man … gave me an audio tape … I was fascinated. The tape was entitled “Emily Likes the TV”. On it a young man’s voice spoke continuously creating repetitions and variations on phrases about Emily watching the TV. I began to realize that the words flowed to a patterned rhythm whose logic was self-supporting. It was a piece coded much like music. Like a cantata or fugue it worked with conjugations of thoughts repeated in variations…

The first time I heard about Knowles was when the Boymans van Beuningen museum presented an exhibition on the artists and the BEBERT publishers published one of the best books from the Eighties on this hardly known artist.

For this occasion Jannes Linders, a Rotterdam photographer made the press material. Knowles name did not grow , but the book and his great art remain and are available at http://www.ftn-books.com and so are the press ( original)  photographs .

knowles foto c

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the 500 first Stedelijk Museum publications…A very important list

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Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com

Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:

sm lijst 1 tm 500

 

 

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Lawrence Weiner at Konrad Fischer, 1989

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Readers of this blog know of my admiration for Lawrence Weiner and this is the reason i want to share this very special invitation that i recently added to my inventory. It is the invitation for the Weiner exhibition from 1989 at Konrad Fischer . The invitation by the artist is a piece of art by itself. Making this a true collectable multiple by the artist.

WEINER HYDRO A

weiner hydro b

weiner hydro c

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Luciano Fabro at Christian Stein, 1988

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Christian Stein was the preferred location for Fabro to present his latest works on a regular basis.

Fabro was born in Turin, so this was a natural choice , and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.

Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax;[3] the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.[4]

He died on 22 June 2007 in Milan following a heart attack.

The Stein location presented some wonderful works and together with these exhibitions some great art related material was produced. Here is the invitation for the 1988 exhibition which is now for sale at http://www.ftn-books.com. A fold out card with prints on both sides.

fabro stein a

fabro stein b

 

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.