The second day for the extra focus on the classics within the inventory of www.ftn-books.com
This time it is Picasso. Although i personally am not a great fan of Picasso, there are so many others that admire this Spanish artist and for them …take notice that this is the last day that the discount code is valid. Not only the many publicatons on Picasso are sold with a discount of 10%, but all publications and specials within the inventory go with a discount.
use : CLASSIC10 at your checkout and receive the discount.
This blog is how i experience books and art and what i read about them and this is certainly an article i want to share with you. The guardian did an excellent article on Basquiat and his Fahion style/ A style which looks random , but was a well thought out way of dressing… Hooray for the Guardian. Here is the article and do not forget that www.ftn-books.com has some nice titles on Jean-Michel Basquiat.
There’s an image of Jean-Michel Basquiat on the cover of the New York Times magazine from 1985. The photo is by Lizzie Himmel; the headline New Art, New Money. The artist, wearing a dark Giorgio Armani suit, white shirt and tie, leans back in a chair, one bare foot on the floor, the other up on a chair. The combination of the suit and the bare feet is typical of the way Basquiat defined his own image; always with an unconventional bent.
I’ve obsessed over his style when standing in front of Hollywood Africans, a 1983 work from a series where the images relate to stereotypes of African Americans in the entertainment business. It is a banger of a painting and will form part of Basquiat: Boom for Real, a retrospective opening at the Barbican in London this month.
I have a longstanding interest in the way artists dress, from Picasso to Hockney, Georgia O’Keeffe to Robert Rauschenberg, and I think their wardrobes exert as powerful an influence on mainstream fashion as those of any rock or Hollywood stars. These artists carved out instantly recognisable uniforms: clothes that symbolise the same singular point of view as their greatest works, usually with the sense of complete ease that is the holy grail of true style.
Basquiat’s wardrobe was distinctive, whether he was in mismatched blazer and trousers with striped shirt and clashing tie, or patterned shirt with a leather jacket pushed off his shoulders. He was perhaps most recognisable in his paint-splattered Armani suits. “I loved the fact that he chose to wear Armani. And loved even more that he painted in my suits,” Giorgio Armani says. “I design clothes to be worn, for people to live in, and he certainly did!”
In many ways, this bricolage approach to clothing is akin to the way he created his art. “His work was a mysterious combination of elements – text and colour, historical reference, abstraction and figurative techniques,” Armani says. “In his life, he also mashed up creative activities – he was a graffiti artist, a musician, an actor, a maker of great artworks. This eclecticism made him a mysterious and unconventional man. That mix made him stand out.”
“He was an incredibly stylish artist,” says Barbican curator Eleanor Nairne. “He was very playful about the performative aspects of identity.” He was also aware of the “renewed fixation on celebrity” that coincided with the art boom of the 80s, particularly in New York. He famously appeared in Blondie’s Rapture video, dated Madonna and befriended Andy Warhol.
Cathleen McGuigan, who wrote that 1985 New York Times feature, recounts Basquiat at the hip Manhattan hangout Mr Chow’s, drinking kir royal and chatting to Keith Haring while Warhol dined with Nick Rhodes of Duran Duran nearby. “He attracted the attention of Warhol and Bowie, so was endorsed by those who had already achieved that rare style-icon status,” Armani says. “And he had a very unique look – he had hair as distinctive as Warhol’s and wore suits in a way as stylish and relaxed as Bowie.”
Basquiat went on to model in a 1987 Comme des Garçons show wearing a pale blue suit, black buckle sandals, white shirt and white bow tie. Robert Johnston, style director at British GQ, describes Basquiat’s style as “a work of art in itself” and adds: “While meaning no disrespect to his talent, it is hard to imagine he would have taken New York so much by storm if he’d looked more like Francis Bacon.”
Basquiat’s influence on menswear is still felt today. While other icons have referenced his style – Kanye West sported a T-shirt bearing his portrait, Frank Ocean namechecked him in lyrics by Jay-Z, who dressed as him for a Halloween party – there is a more direct effect on fashion. There have been collaborations, via his estate, with the likes of Reebok and Supreme. There’s a photo of Basquiat wearing an Adidas T-shirt with a pinstripe suit which is a template for how the younger generation approach the idea of tailoring. At the S/S 18 shows in Milan, wonky ties with suiting at Marni made me jot down “Basquiat” in my notebook. And with the Barbican show his influence will spread. “The way Basquiat mixed classic tailoring with a downtown nonchalance fits the mood in menswear,” says Jason Hughes, fashion editor of Wallpaper*. “A refined suit worn with an unironed shirt, skewwhiff tie and beaten-up sneakers. The fact that he painted in those suits feels slightly anarchic and nonconformist. I want to wear a suit like that.”
This article appears in the autumn/winter 2017 edition of The Fashion, the Guardian and the Observer’s biannual fashion supplement
These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.
The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!
PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.
If you ask me…what is the rarest of all Stedelijk Museum catalogues?…the answer probably will be the 1971 THE PAINTINGS catalogue by Gilbert & George, which is published with no. 511. It is only an 8 page catalogue, measuring 8.3 x 5.9 inches, but this one is really a rare collectable artist book. I finally found one for my inventory and it is now for sale at www.ftn-books.com
It was 1962 when Ben Vautier joint the Fluxus mouvement and stayed true to its principles until he moved forward and started the Figuration Libre mouvement in 1981.
When you read what Wikipedia says about him , you will notice that they mention that he is a ZERO artist, but for me he is everything but …. No he foremost is a great and one of the first Fluxus artists, who has developed an art language which is typical Vautier. You will recognize his works among thousands, because on an even background his writing language and saying are unique and o so typical Vautier
Pictures tell a better story than words in this case. Take a look at a screenshot i made from Google.
Arguably the most important french arts magazine was Cimaise. First published in November 1952 . this “Revue”, published by the galerie Arnaud/ Jean Robert Arnaud stayed a major force in and was of great influence on the french art scene in the 50’s and 60’s. The magazine was published from 1952-2000 and from 2002-2009. Specially in the early years the magazine was published in a way, that now these volumes are considered the best and are searched after because of the special ( printed) covers . www.ftn-books.com is lucky to have some of the very first volumes from this impressive magazine . There are volumes from 1952,1953 and 1954 available.
Today is another milestone for me as a bookdealer in art books, because today i started on these pages ………FTN art
There will be irregular additions to this page, but all works depicted on these pages are for sale and guaranteed originals. The first original is a drawing/collage by Siep van den Berg who made this in 1979.
tekening/collage uit een serie constructivistische tekening/ Collage in blauw die Siep van den Berg heeft gemaakt op 16 augustus 1979 in Andelaroche ( Fr.) De tekening is eerst opgezet in balpen waarna er blauwe vlakken zijn bijgeplaatst ( of omgekeerd).
De tekening is gedateerd 16 9 79. Met notitie “Heleen Jarig Geweest” en signatuur in zwarte inkt …SvdB.
Kunstenaar : Siep van den Berg
titel: Heleen Jarig Geweest
techniek ; balpen en collage in blauw
afmetingen ; 27,7 x 20 cm.
gesigneerd : SvdB in zwarte inkt
gedateerd : 16 9 79
conditie : MINT-
Every five years, over the course of five months, British artist Marc Quinn siphons off five litres of his own blood and spills them into a translucent, refrigerated mould of his face. The result is an ever-emerging series of self-portraits into which the artist can legitimately claim to have poured more of himself than any artist that came before him. For some observers, Quinn’s ongoing series Self is nothing more than a gruesome and vampiric stunt. For others, the work embodies a poignant and daring contribution to the tradition of self-representation to which such great artists as Rembrandt, Van Gogh and Cindy Sherman have contributed – one that profoundly highlights the fragility of being.
This is from an interesting article on works of art that shocked the world, but Marc Quinn is much more than an artist that shocks….see for yourself with these books at www.ftn-books.com
I really do not know why it took me so long to appreciate the art of Dieter Roth, but the only reason i can come up with is that his books published by Hansjorg Mayer were such a long time considered “remainders” at the bookshop of the Haags Gemeentemuseum and it was impossible to find buyers for them. Since…. times have changed because the same books that could not be sold ( even at ridiculously low prices) are now the ones that are sought after by collectors and institutions all over the world and when you look at these closely they all have some qualities in common. The printing is executed by the best printers possible. The lay out and design are done in many cases by the artist which makes them more artist books than reference books and because of the series character the books itself are almost a work of art of their own.
My tip for the future is whenever you find such a book, buy it…even you think it is a little expensive these books will be important not only as a book but also as a work of art in the decades to come. www.ftn-books.com has some excellent and rare Dieter Roth items available.
There are not many Australian artist ( born in Brisbane) who have become known for their works outside Australia, but Tracey Moffatt is certainly one of them and build a reputation in the nineties as one of the most prommissing photographers. If you ask me to describe her works i would say it is a cross between Cindy Sherman and Erwin Olaf , possibly influenced by both but also original and a very gifted photographer/ video artist. I will show you some examples so you see what i mean.( left is Moffatt)
Still…. i like her works and therefore i have collected some books at www.ftn-books.com which are for sale.
OLYMPUS DIGITAL CAMERA
Here is an impression of the presentation she gave at the Venice Biennale 2017
It must have been over 10 years ago that me and Linda visited Brussel and went to the Koninklijk Paleis voor Schone Kunsten. In the bookstore i found 2 prints by Panamarenko which i bought both. These prints featured 35 inventions by Panamarenko and were signed and stamped in print by Panamarenko which made them beautiful works of art to frame and cherish. One was sold shortly after i put it up for sale on eBay /USA, but the other which was sold immediately after i had sold the first one and raised the price substantially, was lost in the process of archiving it. What happened with it….i do not know, but i could not deliver it , because it was lost and i could not find it anymore.
Last week, when i was looking for some Christmas decorations, i noticed a white tube and i immediately knew…. I found the lost PANAMARENKO/ Copyright print.