Sometimes you know a book exists, never seen it, but from stories heard and publications read there is only one conclusion…it must be out there…somewhere.
Cervo Pendulum by Pieter Laurens Mol is such a publication. I learned the book was printed by Rosbeek. At the times i visited this printer in the late Nineties i had never seen a copy. All the times i visited book fairs, markets etc….no copy found. But now finally after over 24 years i have a copy at www.ftn-books.com available.
This book is rare, that is for certain, but it is also important. It is one of those little artists books which is worth collecting. Printed by Rosbeek and published on the occasion of the opening of the new medical faculty building of the University of Utrecht. Edition is said to be 250 copies only and of these few will have survived. Text is in dutch and in english, which makes this important book accessible to english collectors too. An absolute “must have” for the Pieter Laurens Mol collector and it is not very likely that it will show up again in the coming years.
For the 3rd blog on (almost) forgotten artists, here is a blog on Kurt Ryslavy. Born in Graz Austria, Ryslavy has made some great works, but realized that art could not support him financially by itself. So he had to rethink his installations and make a more practical and financially more sound approach to his art. He wanted to make a living from his art and combined this into importing Austrian wines and combining them with critical texts and making installations out of them in museums and galleries.
This resulted in some highly peculiar works of art, but as an importer of Austrian Wines in Belgium he now is financially independent and can make his art the way he likes. The MAK in Vienna devoted some years ago an exhibition to him.
KURT RYSLAVY, COLLECTOR, WINE MERCHANT, SUNDAY PAINTER.
A Conceptual-Sculptural Intervention
WED, 06.04.2011–SUN, 01.05.2011
In this project, selected objects from the MAK collection are to be arranged by Kurt Ryslavy. He will do so as collector, as a wine dealer and as an artist, thus giving rise to a complex sort of intentionality and, what’s more, making space for a wine bar which once served as an installation in an exhibition by Harald Szeemann. Since art itself has become nothing more than a market, it will also suffer the market’s fate. By exorcizing and/or banalizing mystifi cation, Ryslavy prevents the capitalist control of societal creativity—a control which purpose is, of course, to mystify. The value of Ryslavy’s art lies not in its aesthetic standards of quality, but rather in its complex refl ection on the division of labor, subjectivity and immaterial work. (Peter Weibel) It is conceivable that the artist, who refers to himself as a “Sunday painter,” will mount a performance with the participation of winemakers.
The sixties were the years of my teens. And with these years belong some dutch fan music magazines . There was Muziek Express and Tuney Tunes for the young fans, For the somewhat older teens there was HITWEEK( Which later became Aloha)
and then there was finally TIQ…. a a magazine focussing on art, music, fashion, photography and ….”sex” making this a true Dutch Pop Art magazine .It was a groundbreaking magazine , years ahead of its time. Published as a glossy magazine , but with a contents that was solely focussing on the teens and twens from the sixties.
Unfortunately it was not popular and only 14 of these magazines were published in 1966 and 1967. It disappeared much to soon from the market ,leaving the youth only Hitweek, but in France it was totally different. Of course there were BD’s ( Bandes Dessinees/ Comics) with Pilote as the leading magazine. But is focusses on the very youthful , this was recognized by L.D. publisher who wanted something different and then there suddenly was PLEXUS. No glamour photography but artful photographs by renowned photographers. Paintings by Labisse and Leonor Fini . Painters and artists who did not look away from nudity. Nudity, erotic art, erotic cartoons and short stories were the main ingredienst. Focussing with this contents on a youthful audience. In France this was the equivalent for the TIQ magazine in the Netherlands. A pop Art magazine with only 40 volumes in its publication years. Both nostalgic collectables of which there are now 3 volumes available at www.ftn-books.com
People who follow this blog , know of my love for Ben Vautier. Not only because he is one of the most original and consistent artists from the last 100 years, but also because there is always some humor just around the corner. Unfortunately I have missed the most important Vautier exhibition from the last 10 years. It was held at the Tinguely Museum in Basel :
Ben Vautier. Is everything art?
21.10.2015 – 22.01.2016
Ben Vautier has been on the scene since the late 1950s as an artist, performer, organizer, linguistic inventor, and re-thinker of art. He is one of the pioneers of the Fluxus movement in Europe and, as a comrade-in-arms of the École de Nice, a close friend of artists such as Arman, Yves Klein, Martial Raysse, and others. He is known for his text images, which, using brief, pithy phrases, equally question and challenge life and art. Ben Vautier has the first comprehensive retrospective in Switzerland dedicated to him at the Museum Tinguely. Alongside an overview of the first 20 years of his creativity, Ben sets up in Basel more than 30 rooms as he comments on various social, artistic, and political topics and takes a stance. In total, the show exhibits far in excess of 400 works by the artist, who is still very active to this day.
Still what remains is one of the best and certainly one of the most beautiful books on Vautier’s art. It has a simple brown cover, but is filled with iconic Ben “paintings” from hs first 20 years as an artist and published as only the Suisse can publish art /museum catalogues. The print is exceptionally good, the lay out superb and the contents…..well all BEN, making this one of the most collectable books i recently offered on www.ftn-books.com
Gudmundsson has a loyal following in the Netherland. That must be because he has been present in multiple group exhibitions and solo exhibitions in both museums and art galleries. The Stedelijk Museum presented this artist on several occasions and the catalogues’/ artist books published with these are in high demand. The “Circles” book for instance has been sdold out with me for over 5 years and i have not found another copy at a reasonable price. The same with ” Situations” sold out and nowhere to be found anymore.
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Gudmundssons works fascinate. These are symbiosis of IN SITU and performance. Making this a true conceptual artis whose works have been spread all over the world.
Gudmundsson studied in the Netherlands at ao Ateliers 63 and after that study settled in the Netherlands and launched his career in the 1960s as a member of the legendary Icelandic SÚM group. His public sculptures can now be found widely, including in Rotterdam, Groningen and Den Haag in the Netherlands. He later became a teacher at the AKI in Enschede. He is now living in China, the artist prides himself of having been a foreigner for the past 50 years and i am curious to learn how this does influence his works. www.ftn-books.com has still some nice Gudmundsson titles available.
A key figure in the Antwerp art scene and also very well known in the dutch art scene because he is an advisor to the Rijksakademie Amsterdam.
But besides his presence in the art scenes of both the Low Countries, he has become world famous because of his approach to painting. Tordoir considers painting as an act and with this he has had performances in France, the UK, USA , Austria and many more countries, thus introducing his very personal approach to the art of painting to a new art scene each tine he had a performance or an exhibition outside Belgium or the Netherlands.
It is hard to find a reasonable priced work by Tordoir, but about 10 years ago i got lucky and bought a tetralogy at a local auction. It is a work typical for the works Tordoir produced during the eighties on which he combined several smaller ” paintings into a unique work of art. This work consists of 4 framed works of abstract figures forming together a unique Narcisse Tordoir. This work is now for sale at FTN art together with the books www.ftn-books.com has on Narcisse Tordoir.
His career spans now a period of nearly 60 years and he has always been a frontrunner in the world of art. Perhaps yu can compare him with Damien Hirts, but do not forget that there is a difference of time between them of 3 decades. Haacke never reached the stature of a Damien Hirst, but when his works emerged and were introduced into the art scene… literally every large and important Modern Art museum in the world wanted a piece of the action. Haacke was “hot”. Moma , Tate and Museum Ludwig all started to collect Hans Haacke at a large scale.
In 1978 Haacke was asked for a one man show at the van Abbemuseum / Eindhoven ( catalogue available at www.ftn-books.com) and with this show, the Netherlands started to know Hans Haacke as an artist. Nowadays his art is less prominent present in the collections of these large museums, but i am convinced this will change in the not so far away future, because i think Haacke is important for the art of Seventies and Eighties. A forerunner for the art made by the well respected British artist like Hirst and Tracey Emin. Haacke deserves a place among them. His contribution to art is a valuable one and deserves to be recognized as such.
Yesterday, Polish born artist Mark Prent contacted me about the Stedelijk Museum catalogue i have for sale on his exhibition in 1978. A never had studied the catalogue in detail before. But is a “dark’ catalogue which reflects the work of Prent in an excellent way. His works are “dark”
have a look at www.markprent.com and see for yourself what i mean
Mark Prent works consist of life-moulded mixed media, polyester resin and fiberglass casts of human models in sometimes disturbing poses and juxpositions. Mark Prent has consistently maintained throughout the years, that his sculptures and installations do not carry intentional messages. Despite the powerfully grotesque imagery that he has employed, interpretation is left to the viewer. Prent developed his own unique technique of layering to give a heightened realism to his figures; thus giving rise to the label “Extended Realism”. When he later became concerned about the toxicity of polyester resin, he began to experiment with other materials, developing innovative techniques for recreating that trademark quality of virulent realism. This venture into new materials led him in many new directions in his own work and ultimately, to become a technical resource for other artists as well.
Having followed his education in the US and exhibitions in Amsterdam , Berlin and Montreal his works are known all over the world, but because of their “Dark” nature never have become popular.
In 2005 Prent began a new series of video-taped performance pieces in collaboration with videographer/son Jesse Real Prent. In this series, Prent’s own body becomes a living, interacting component of his nightmarish scenarios. He continues to produce new sculptures in his Vermont studio. www.ftn-books.com has the Stedelijk Museum Mark Prent catalogue available.
1 year ago i acquired for my inventory two spectacular multiples. These are not cheap, but since last auctions results of both these artists i am even more convinced that these are not overpriced and will be a great addition to any book collection. These two multiples were published in the seventies by Edizioni Flaviana within their series of Zero artist. Here are the links two both blogs i published on these rare multiples.
Being one of the first to have participated as a Zero artist Dancing together with Jan Schoonhoven (in the nude)
and after that building an oeuvre on just one pattern…the Polka dot.
i love these artist that stay true to their belief. Kusama is not the only one. Leblanc, Peeters and Schoonhoven ,all from this generation , stayed true to their art ” inventions” developing it into something very perosmnal , recognizable and in many cases a beautiful and impressive work of art.
Kusama participated in the first ZERO/Nul exhibition in the Stedelijk Museum, but beside that she had her Retrospektives held all over the world including the Tate Modern where a large rRetrospektive was held in 2012. Now she has turned into a grand old lady of Contemporary Art and perhaps together with Louise Bourgeois and Georgia O’Keefe she has given a feminine touch to Modern Art. www.ftn-books.com holds some excellent Kusama titles in its inventory.