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NUL/Zero and Al Held exhibition

This can not be coincidence…. On the left there is the NUL exhibition catalogue for the Peeters, Armando, Schoonhoven exhibition and on the right there is the Al Held catalogue from 1966 , designed by Wim Crouwel for the Held exhibition at the Stedelijk Museum Amsterdam. The white fond and the strong circle part on the back must have impressed Crouwel, since he used almost exactly the same layout as the ZERO/NUL catalogue which was published 2 years earlier for the Haags Gemeentemuseum exhibition.

http://www.ftn-books.com has both catalogues available and of course the special stitched multiple by Henk Peeters which was published shortly before his death.

echt peeters aa

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Marie Hanlon (1948)

 

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Sometimes you must consider yourself very lucky. I have been writing on art and artists for almost 5 years now and during this period I have written blogs on many known and lesser-known artists. In the meantime selecting with these blogs those publications that are available through FTN-Books. In this way promoting the art, books and publications I am selling.

It must have been a month ago that I received an email by an artist I did not know. She introduced herself, spoke of the great selection of books I am selling and wanted very much to introduce her works. Her name …MARIE HANLON…. and she asked if I would like to take a look at her site….and so I did.

hanlon books b

I am always intrigued by artists who I do not know, so I searched for her on the internet and found that she makes the kind of art I am fond of. It is a mix between minimal, constructivist, hard edge and even surrealistic art at some times. We wrote and agreed that it would be nice to make her works known with the help of the ftn-books.com site and ftn blogs and now I am proud to announce that her publications are available at http://www.ftn-books.com and that she made an artist selection of 4 drawings that are exclusively available through FTN ART at special introductory prices.

 

In future blogs, new material will be proposed to my readers, but in the meantime here is a short biography on Marie and the link to her site so you can find out yourself why I was fascinated by her work. https://www.mariehanlon.com/

and for information on the books and art by Marie Hanlon please contact me at ftnbooksandart@gmail.com

Marie was born in Kilkenny and studied History of European Painting and English at University College Dublin, at the National College of Art & Design/Dublin and has worked as a professional artist since 1990.

Known mainly as an abstract artist of finely made small and medium-sized works, Marie’s output in recent years encompasses a broader range of media. Through her collaboration with contemporary composers, she has developed new work, especially in video and installation.

 

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Belgium Covers

There is no country in Europe that is so patriotic in its covers as Belgium. Many of the publications used for fairs and Biennales use the national colors of Belgium and the series of Europalia publications is inspired by the national colors of the country which is the guest country of Belgium museums, but still there is always a hint of the national colors to be found . I tried to find equivalents for France and the Netherlands, but apart from an occasional catalogue you can count the publication on the fingers of one hand.

Here are some examples which are now available at http://www.ftn-books

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Jo van Katwijk (1953)

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For me personally i find that Jo van Katwijk/ Joke van Katwijk  has had  a fascinating career. I noticed her works some 15 years ago and started to visit her gallery exhibitions. Because I admired her Heliogravures i began to study her other photographs and found that they too had a quality i admired in black and white photography.

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Beside her heliogravures i very much liked her nudes and still lives and recently i finally found the book i was looking for for a long time . The book is the KWAK & VAN DALEN & RONDAY publication which was published  on the occasion of the Grafiekprijs they initiated. It is a shared publication with POL TAVERNE, but for me the interesting part is the van Katwijk part which has some of her best Heliogravures published. This second copy that i now have( beside my personal copy ) is in great condition and now available at www.ftn-books.com

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Artsy.net list and Zilia Sanchez (1926)

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If you are interested in art by young artists here is a list you can look it and compare it with your own findings. According to Artsy these are the young emerging and established artists of 2019.

https://www.artsy.net/series/artsy-vanguard-2019

There is one favorite in the chapter

THE ARTISTS FINALLY RECEIVING THE ACCLAIM THEY DESERVE

Zilia Sanchez ise my personal favorites and her work is represented by galerie Lelong

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Piet Dirkx weekly

Only two Piet Dirkx weekly’s to go. But 2 very special ones.

This one was made for the 2003 New Years wish. A drawing in watercolor and signed by Piet .

“La Creation” is a beautiful smal artwork . measuring 14,8 x 10, 4 cm.

dirkx creation

dirkx nieuwjaar 2003 b

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Oey Tjeng Sit (1917-1987)

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I thought i had, but i just discovered that i had not written a blog on Oey Tjeng Sit before and there is now every reason to write a blog on this self taught artist, because i recently added a wonderful multiple to the collection of http://www.ftn-books.com. It is the Loerakker multiple on the occasion of the presentation of the monograph on the artist.

Amsterdam based pharmacist-artist Oey Tjeng Sit (1917-1987) invited visitors of an art fair to throw paper balls toward tin cans, decided to set fire to cages filled with balls of newspapers, or to fill warehouses with the same second hand paper material. He liked to add bizar titles to his works such as ‘Bicycling against the wind one might forget the invention of the wheel’, ‘An artist who is fashionable is a victim of good taste’ or ‘The only thing I know is that I trust blindly a feeling that promises me secrets.’
Oey Tjeng Sit, whose name means Yellow Clear Solid was born in Purwokerto (Java) at the foot of the Klud Volcano, that erupted just at the time of Oey’s birth. Born in the Year of the Dragon he found himself released of the duty to take care of his parents; that is why – after visiting high school in Bandung – he traveled to the Netherlands in 1938 in order to study pharmacy. Twenty years later he opened Apotheek Oey (Oey Pharmacy) at the Prinsengracht opposite the Anne Frank House. He took away the pills and potions out of the window display and started a small art gallery there. One of his nicknames was a ‘Dragon Man with a Dada Passion’ who showed the art work of colleagues and friends which gave him another epitheton: ‘the nestor of Amsterdam window art’. Oey’s work as an autodidact is characterized by a wide artistic range of disciplines: after a period of surrealistic drawings and paintings he started making wood and linoleum cuts, collages, assemblages and editing books through his own editorial ‘The Finger Press’.
In his collages, often together with Chinese ink and brush, as well as in his installations he used frequently news papers, of which he wanted to extend their short life, tied as they are to daily actuality. The newspaper was a source for many questions for Oey ‘Can we measure the weight of printed news?’ and ‘What contains more wood than newspaper letters?’ ‘If there is an order, then is it a temporary one.’

Oeys oeuvre – light-hearted, playful with a subtle feeling for the hidden esthetic quality of daily life – can be a long lasting confirmation of these words.

Beside the multiple i have more collectable books by the artist in my inventory

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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Piet Dirkx weekly

ERGENS KLOPT ER HIER IETS NIET .

This is another new years wish for 2010 by Piet Dirkxdirkx ergens

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Paul Citroen (1896-1983)

 

Schermafbeelding 2020-02-28 om 14.30.03At one time , many years ago, i was living in Wassenaar. Me and my ex wife had a small apartment in a newly build apartment building and just around the corner there was a “classic” dutch house. I learned that Paul Citroen , the dutch Bauhaus artist lived there. I know the drawings by Citroen, because i had seen them at Pulchri Studio, but what i learned many years later was that he was influenced by Bauhaus and was one of the great collage artists. I

t was an aspect of his work that i had never known before but was very appealing to me. It was the extra layer i was looking for in his art. Where his drawinsg and photographs were very personal and recognizable, his collages were inspired by his fellow artists at the Bauhaus. Since i i always remember Paul Citroen when i pass his old house and remember the great art he stands for.

I recently added an intriguing book from 1957 in which drawings and photographs by and on Paul Citroen are depicted.

citroen by citroen