It was years ago that i bought a poetry book by Gerard Pedtrus Fieret and found 2 drawings from 1982 by him within. The drawings are rapid sketches as he now and then made for friends. These 2 sketches were done for Jopie. I do not know who Jopie is , but in both is a woman depicted so i think Jopie was a female friend of Fieret. Both these drawings are now for sale at ftn art. In the near future i will publish some “Bierviltjes”and letters i have in my collection. These drawings and letters were written to a friend of mine and are an important piece of Fieret history. But now the 2 drawings by Fieret.
Without realizing i have collected a beautiful small collection with works by Arie van Geest. Born in Maasland he stayed in the region and had several studios in Rotterdam. The friendship with Pat Andrea shows in his early works which were a little surreal, but in the mid eighties he changed in the approach of his painting. His works became abstract with realistic elements and that is the time i met Arie and bought my first drawing. Together with Mariette Josephus Jitta, as the curator in charge, he made the Tableau Mourant exhibition in which 98 watercolors were shown. This series was later bought by the van Gogh Museum. For the exhibition in the Gemeentemuseum 2 editions were made. One “ordinary edition” designed by Paul Stoute and the other a linnen bound one, with a drawing/watercolor by van Geest.
The style changed dramatically and personally i prefer this “new” Arie van Geest above his more realistic style. He stayed loyal to this new found abstract style for almost 20 years and changed again to a more a realistic way of painting in 2002. All three periods are important, but when you look at the museums that bought Arie van Geest ( Gemeentemuseum, Stedelijk Museum, Boymans van Beuningen ) , They all made their acquisitions in the abstract period, except for the Athens Museum which made purchases from his most recent period. Arie van Geest was represented by Delta Gallery. He now has frequent shows with Livingstone gallery. I have decided to sell part of my Arie van Geest works, so please have a look at FTN art and for the book related material visit www.ftn-books.com
NO doubt in my mind. For me Jean Cocteau was a painter/photographer. Surely he was a multitalented artist, but in his drawings he shines. Personal, bold and typical Cocteau styled. These drawings are timeless and have at one time been published by Taschen in highly affordable, but beautiful executed publication.
But beside this great introduction to his ( erotic) drawings there are many other publications worth collecting on this artist. www.ftn-books.com has some of them available, but it is well worth to search for these small but excellent publications on book markets and at garage sales. Cocteau was a great and original artist.
During the time i filled my Piet Dirkx daily in the last 2 years, i frequently looked into the publications that i have on and by Piet Dirkx and each time it struck me that these were all quite special. Covers out of the ordinary, special binding and one even one resembling the famous Moleskine notebooks that Piet uses for his notes and drawings nowadays.
Some of these are still available at www.ftn-books.com. Not all are listed… so inquire for the ones in store, but if not in the inventory of www.ftn-books.com keep looking and searching for them , they really are still out there to be picked up.
Here is my 3rd input to my FTN blogs on Giovanni Nicolai. We developed a very more than friendly contact and this time we helped each other. Giovanni paid with some of his drawings part part of his invoice with 3 new drawings to our collection. 3 beautiful drawings were added. I learned to appreciate his drawings and paintings over the last year. Since he expressed his interest in his fellow artist Massimo Rao (1950-1996), who we both admire, i traced his works and found them interesting, original and classic all at the same time with a very personal approach to drawing. His classic men’s heads look to be rooted in the 17th century, but they are not , these drawings are classic drawing of modern perhaps a little androgyn men. If you are interested please let me know and i will gladly supply you with the information i have on this contemporary young italian artist… and now the 3 new drawings.
The Oval shape is the less common shape among constructivist, but is was at one time used by some great names in art. Piet Mondriaan used it and also Roy Lichtenstein was a fan and used the shape in his Mirror paintings. Put them beside each other and you will notice similarities between the two. Not only the shape , but also how the space is filled with the composition. I noticed this because a few weeks ago i went to an auction viewing and found the drawings by Henk de Looper for auction. All oval shaped and they really fascinated me.
Here is some information on this forgotten artist who deserves better and is represented by gallery PHOEBUS in Rotterdam.
It was about 20 year ago i first saw work by Juul Kraijer. Kraijer was presented with a small exhibition in the Gemeentemuseum and as soon as i saw her works i was convinced of the quality of her art. Many years later, i Think it was the UNSEEN fair 2014 i encountered her photographs and had the same feeling about them.
They created an unease within me, but at the same time they were fascinating. I discovered for this blog that Kraijer has a very loyal and active following on Pinterest, but maybe the best way to discover her works is by visiting her site http://www.juulkraijer.com on which she gives a.o. an extensive text on her Hydra series of drawings. The HYDRA book is available at www.ftn-books.com
In 2002 Raymond Pettibon made the opening exhibition for the GEM museum. The exhibition was curated by Roel Arkesteijn. Pettibon worked day and night to include over 600 drawings and designs, but he finished in time to make it a memorable exhibition. After the opening he had time to make and finish 3 comic books, which were printed ( copied ) and stapled “in house” by Chantal Sieuw. These 3 titles are since their publication date highly sought after and collectable Pettibon books , because the edition was only 100 copies for each title these are rare editions to any art collection.
The edition is numbered xx/100
The Brush Life blog is the third and final in the series on Pettibon’s GEM publications and because of its autobiographical character it is by far the most important one and has become rare and expensive. For more information please contact me . POA.
Artist / Author : Raymond Pettibon
Title : Brush Life
publisher : GEM, 2002
Number of pages : 28
Text language : English
Measurements: 8.7 x 5.6 inches
Highly recommended and collectable publication published on the occasion of the 2002 Pettibon opening exhibition of the GEM museum. Edition of only 100 copies. all numbered in red ink.
What have the Maeght foundation , Museum Boymans van Beuningen and the Stedelijk Museum in common? They all three organized exhibitions with Saul Steinberg. This is what i thought of before i started to look at information on the internet and found the foundation of Saul Steinberg / saulsteinbergfoundation.org. This site starts with giving an overview on his life , but soon you discover that this is one of the great sites on art on the internet totally dedicated to Saul Steinberg. Try it and if interested in the artist you soon will loose yourself completely and spent a long time on this site discovering why Saul Steinberg was important. Here is the short intro from the Steinberg foundation on the artist and please do not forget that www.ftn-books.com has some nice publications available.
Famed worldwide for giving graphic definition to the postwar age, Saul Steinberg (1914-1999) had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades, he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums.
Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art, however, resists conventional critical categories. “I don’t quite belong to the art, cartoon or magazine world, so the art world doesn’t quite know where to place me,” he said. 1 He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.
“Sometimes, though not always, old meanings invade the new forms and hold on with a tenacity that cannot be broken. At other times the forms are innocently open to any of the uses we might make of them.”
Joel Fisher is the master of making little works of art that mock with the abstract figuration. He was not that frequently invited to have an exhibition in the Netherlands , but i know of 2 occasions that there was one. The first in 1978 in the Stedelijk Museum Amsterdam, which catalogue is available at www.ftn-books.com
and secondly a far more obscure exhibition in gallery Art Affairs in 1993. Both were rare occasions to see his works, but what i remember most is the pure simplicity of his drawings.
With a few lines he shows that he is almost perfect in his composition, which is a true quality. I like it very much when with so little effort such a nice result is created. These are not random lines, but carefully created compositions. It is the quality i like so much in an artist. and for me Fisher operates with his art in the same category as Miro and Ouborg.