Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.
But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10% on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.
Founding member of the art project group ART & LANGUAGE and a very gifted artist in his own right too. He began to teach art at the Coventry School of Artwhile producing conceptual works, sometimes in collaboration with Michael Baldwin. In 1968 they, together with Harold Hurrell and David Bainbridge who also taught at Coventry. formed Art & Language. The group including Atkinson existed until 1974, when Atkinson left the group.
Atkinson is not the easiest artist to fall for. His subjects are war, disease and religion, making his paintings hard to admire. Still the use of color is in many cases bright and uplifting. Atkinson is an artists artist and had his exhibitions in the Netherlands at galleries and the van Abbemuseum in 1984.
Jan Gregoor, became “famous” in the Netherlands for his crayon works, but for me it is not his art that makes the artist attractive. It is typical for the decades he lived and worked in, but what struck me most about Gregoor was the EXCELLENT exhibition poster that was made by the van Abbemuseum for an exhibition on the artist and designed by Cornet. It has the simplicity of the greatest of 60’s designs and for me personally i think this is absolutely one of the most splendid of all van Abbemuseum posters ( available at www.ftn-books.com).
I just told that i am not that fond of Gregoor, but still he has made some excellent prints., which are worthwile to search for.
RemyZaugg was a Swiss painter, primarily known as a conceptual artist. He played an important role as both a critic and observer of contemporary culture, especially with regards to the perception of space and architecture.
This is how the biography of Zaugg on Widewalls starts, but there is of course much more to be told about Zaugg. Zaugg will be one of the great Swiss artists and because of the interest the dutch curators had and still have in Swiss artists ( there are many swiss artists in dutch public collections ) these artists are presented frequently in the Netherlands. Look at the history of the Gemeentemuseum ( Hodler, Gerstner, Lohse ) Stedelijk Museum ( Tinguely, Raetz and Lohse ) and the van Abbemuseum ( Lohse and Zaugg).
They all have a history with Swiss artists. The last one , the van Abbemuseum had a special exhibition on Remy Zaugg. and with this one of the first typically “RUDI FUCHS” catalogues was published. Hardly any illustrations, but functional text in a functional sober design…personally i love these catalogues and some of them are available at www.ftn-books.com. I will highlight two of them in this blog. Both are rare and typically for the van ~Abbemuseum books published in the eighties. The catalogues by Zaugg and Ian Wilson are well worth collecting.
I have stolen this title from the German Lufthansa magazine. They did an article on Sonnier . the article included an interview, a video and some photographs. For those who do not know anything about Keith Sonnier I judge this as one of the best short introductions to THE LIGHT MASTER. The article, including a short video, can be found here:
There is a work by Piet Dirkx that has been with me as long as i know it existed. I first have seen this long multi colored wax painting in Piet’s studio. Later i noticed the same work being a part of BIOTOOP and after our purchase it was one of our favorite works by Piet on our Sijzenlaan location and now, it is still “going strong” as our entrance work of art. The painting has been a part of our lives for nearly 30 years now. Long live ” MUSIQUE ORIGINALE ”
This week i am making up for an incomplete blog . I just noticed that to make the story on last weeks blog complete i had to add the photographs of the inner sides of both objects which were on show in the Piet Dirkx exhibition at the van Abbemuseum in 1985. Pier had indicated on the inside of both boxes in what way both had to be combined and showed. So to make the story complete here are both insides.
One of the two recent editions was an object by Piet Dirkx which figured in the van Abbemuseum exhibition of 1985. With tnis exhibition a small catalogue in an edition of 500 copies was publihed. This catalogue is available at www.ftn-books.com
Barry Flanagan, a protege of Rudi Fuchs, presented this artist at different venues on several occasions. The van Abbemuseum and the Stedelijk Museum among them. This way creating a platform for this artist who, after the exhibitions in dutch museums , could count on a loyal following of admirers. He began his career as a minimalist working in folded cloth, but later became Britain’s best-known and most controversial modernist, internationally renowned for his colossal bronze figures of leaping hares.
That said i personally am impressed with his small scale art. His drawings, linocuts and lithographs are like dreamlike landscapes with an abstract twist and bright colors, making these far more intimate. For us in the Netherlands it is still hard to find the nice publications published on this artist, because the edition size was on all occasions “small”. Less than 1000 copies were produced of his catalogue of which most part was over the years destroyed. His following may be loyal and admiring, but it is too small too sell a complete edition of his art catalogues. www.ftn-books.com has some Flanagan titles available.
It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.
The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20