Polish art and typography

While leafing through my documents, I noticed some very nice and interesting publications from and on Polish art and typography. These are a combination of Russian and western art and typography, making them stand out and being typical for Poland. It is the same with Japanese typography.

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A style of typography of its own , but with influences from western typography and design. But back to Poland. This very unique way of design was recognized by Willem Sandberg, who organized an exhibition on Polish posters. Whenever i visit a  book) market i always pick them up , because of their appearance and some are worth collecting and selling. Take a look at www.ftn-books.com

to find some of these very nice publications.

Willem De Kooning(1904-1997) is a dutchman

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For many people in the US , Willem de Kooning is an American painter , however ….for us dutch, de Kooning is a dutchman. Born in Rotterdam and educated at the Rotterdam evening academy and working for the METZ department store as an interior decorator until he decided to go to the US in 1926. He went as a stowaway and would become the abstract expressionist painter we admire. He met artists from and became part of the Abstract expressionist mouvement. Meeting with Pollock, Still, Rothko and Newman made him aware of his qualities as an abstract painter developing a style of his own and building an important oeuvre from there on. He never lost touch with his homecountry the Netherlands and this resulted in a large and very important collection of De Kooning paintings in the Stedelijk Museum. Edy de Wilde was the director who made this happen and it is the luck of the visitors of the Stedelijk that in one spot they can discover and admire so many excellent De Kooning paintings.

and for some nice publications on De Kooning visit www.ftn-books.com

William N. Copley / CPLY (1919-1996)

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I always believed that Copley was as much appreciated in the US as he was appreciated in the Netherlands and Germany, But the reality must have been different since i read a short article on his life. His sixties works were not appreciated and understood in the US. People thought his work was pornographic, but in Europe there was a different understanding about these works . Here they were thought to be erotic and because of this different approach to these great works, they were presented in a solo exhibition within the Stedelijk Museum Amsterdam in 1966. Accompanied by a great Wim Crouwel catalogue, which is available at www.ftn-books.com.

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This appreciation of his art in the Netherlands, must have resulted in the admiration for dutch artist from the sixties and seventies by his daughter Claire who had an influential gallery in the early seventies in which she presented Ader, Dibbets and van Elk who all have become well known outside the Netherlands

If you look at these paintings now you can only ask yourself why these are being found to be pornographic…..These are great “erotic” Pop Art paintings.

 

CPLY X-Rated

Copley’s works in the 1970s focused on his own understating of differences and challenges between men and women in romantic and sexual relationships. His works were now erotic, even pornographic. In 1974 he exhibited these new works at what was then the New York Cultural Center in Columbus Circle, New York in a show titled “CPLY X-Rated.” These pieces were a sudden change from his previous romantic whimsical periods. The American public had difficulty with the material, for which Copley expressed, “Americans… don’t know the difference between eroticism and pornography. Because eroticism has always existed in art. And pornography has never necessarily been in art. Copley’s experienced greater feedback in Europe, where the work was then well received. In conjunction with the New York Cultural Center Show there was a special “CPLY X-Rated Poster and Catalog.

The Claire S. Copley Gallery was a Los Angeles gallery on La Cienega Boulevard that existed from 1973-1977. Together with the galleries of Eugenia Butler, Rolf Nelson, Nick Wilder, and Riko Mizuno, the Claire Copley Gallery played an important role in the Los Angeles art scene of the 1960s and 1970sThe gallery provided a venue for emerging American and European minimalist and Conceptual artists, among them Bas Jan Ader, Terry Allen, Michael Asher, Daniel Buren, Jan Dibbets, Ger Van Elk, On Kawara, Joseph Kosuth, avid Lamelas, William Leavitt, Allan McCollum, and Allen Ruppersberg. ( part of the above information was found on Wikipedia)

Antonio Saura (1930-1998)

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When you mix Jackson Pollock with Jean Dubuffet with a topping of a little bit Picasso you get Antonio Saura. Abstraction at his best, because within the composition one always can recognize something realistic. A face , a body , some houses they are all there if you find the rest to study these great paintings. This is not simple, easy art, but it needs to be savored in a slow way. Because the fist impression is chaos, one tends to walk away from it, but just give it a minute or two and the paintings opens up to you.

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La grande foule, 1963, oil on canvas, 220 x 515 cm

It is a pity that there are so few of these fascinating Saura paintings in the Netherlands, but once you have a chance to visit the modern art museums in Spain they are easy to spot and to enjoy. www.ftn-books.com is fortunate to have a nice selection of books on Saura including the Stedelijk Museum catalogue by Wim Crouwel.

Alberto Giacometti (1901-1966) at Tate Modern

I just received by Blouin art info the announcement that a large Giacometti retrospective will be held at Tate Modern. read the Blouin article below:

Tate Modern, London presents a retrospective exhibition of works by Alberto Giacometti

Alberto Giacometti (1901-1966), celebrated sculptor, painter, and draughtsman, traced the shifting enthusiasms of European art before and after the Second World War in his remarkable career. As a Surrealist in the 1930s, he devised innovative sculptural forms, sometimes reminiscent of toys and games. As an Existentialist after the war, he led the way in creating a style that summed up the philosophy’s interests in perception, alienation, and anxiety. Although his output extends into painting and drawing, Giacometti is most famous for his sculpture. He is perhaps best remembered for his figurative works that helped make the motif of the suffering human figure a popular symbol of post-war trauma.

The exhibition reasserts Giacometti’s place alongside the likes of Matisse, Picasso, and Degas as one of the great painter-sculptors of the 20th century. Through unparalleled access to the extraordinary collection and archive of the Fondation Alberto et Annette Giacometti, Paris, this wide-ranging exhibition brings together over 250 works. It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti’s career across five decades.

The exhibition is on view through September 10, 2017 at Tate Modern, London, Bankside, London SE1 9TG, UK.

Alberto Giacometti publications are available at www.ftn-books.com

 

Jeff Wall (1946)…coincidence or staged?

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The scenes that Jeff Wall photographs look random and by chance, but reality is …..they are completely staged.

Since the 1980s, Wall  ( Born in Vancouver/Canada) has produced critically acclaimed work in the form of color transparencies backlit by fluorescent light strips and presented in lightboxes. He was one of the first artists to make photographs on a large scale. The standard lightbox was created for the primary purpose of outdoor advertising. In Wall’s work, this medium became a platform for his figurative tableaux, street scenes and interiors, landscapes and cityscapes. Wall explores themes such as the relationships between men and women and the boundary between metropolis and nature. He offers social commentary on violence and cultural miscommunication, and conjures seductive nightmarish fantasies and personal memories. These scenes provide the basis for photographic reconstructions of Wall’s experience. They derive their inherent suspense from a combination of extreme realism and sometimes elaborate artifice.

www.ftn-books.com has some important publications by Jeff Wall available.

 

 

Rene Daniels (1950)

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His first exhibition was in Dusseldorf in 1977, but he nver joined the NEUE WILDEN . A group of painters who were in vogue in those days. He felt himself more comfortable when compared with painters like Broodthaers and Picabia, who had an extra layer in their paintings.

His paintings look abstract, but when you study them in more detail you see that they are a complete abstract reproduction of reality. . Piccadilly/London, WTC New York and old houses in Gent can all be distinguished when you look long enough at the paintings.

The paintings look simple, but in reality they are very thought over and are complex and typical Daniels.

Rene Daniels has not had a long career …in 1987 he had a stroke and because of that had to finish his career at that moment as a painter. Since 2006 he paints again , but his style and approach to painting has changed, because of his motor skills are far less than before. But what he made in that very short period of nearly 10 years is of the highest quality and the museums that have work by Daniels should feel lucky to have it in their collections. You can find work(s) by Daniels in the collections of a.o. the van Abbemuseum, Gemeentemuseum Den Haag, Stedelijk Museum, Dordrechts Museum, Groninger Museum and Bonnefanten Museum

and of course www.ftn-books.com has some nice titles on the artist

( and search on the site to find more Rene Daniels contributions to group exhibitions in which he participated)