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100 Meesterwerken by Willem Sandberg

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This is arguably one of the best Willem Sandberg publications of all time. An impressive cover, the use of multiple kinds of paper, the best art works from the Paris Modern Art Museum and an unbeatable price, because these are still available, but become more rare every year. I managed to collect 4 copies of this excellent 1952 catalogue of which 2 are now for sale at a special price of USD 35.00.

Please inquire at wvdelshout@ziggo.nl for a direct sale at this price.

OLYMPUS DIGITAL CAMERA

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NUL/Zero and Al Held exhibition

This can not be coincidence…. On the left there is the NUL exhibition catalogue for the Peeters, Armando, Schoonhoven exhibition and on the right there is the Al Held catalogue from 1966 , designed by Wim Crouwel for the Held exhibition at the Stedelijk Museum Amsterdam. The white fond and the strong circle part on the back must have impressed Crouwel, since he used almost exactly the same layout as the ZERO/NUL catalogue which was published 2 years earlier for the Haags Gemeentemuseum exhibition.

http://www.ftn-books.com has both catalogues available and of course the special stitched multiple by Henk Peeters which was published shortly before his death.

echt peeters aa

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Marlo Broekmans (1953)

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I always have had an admiration for the photographs of Marlo Broekmans and sold her publications in the bookstore of the Haags Gemeentemuseum from the early 80’s. She is a master of lights and shadows and plays with them to enhance her models and subjects . This quality make her photographs stand out and make them recognizable at the same time.

The black and white photographs of her nudes are of a classic beauty and some of these were purchased by the Stedelijk Museum for their photography collection. In many of the photographs from the collection of the Stedelijk Museum, Marlo Broekmans is her own model , which gives these photographs an extra “:personal” layer and make them self reflecting documents.

marlo broekmans

 

 

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Lawrence Weiner at Konrad Fischer, 1989

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Readers of this blog know of my admiration for Lawrence Weiner and this is the reason i want to share this very special invitation that i recently added to my inventory. It is the invitation for the Weiner exhibition from 1989 at Konrad Fischer . The invitation by the artist is a piece of art by itself. Making this a true collectable multiple by the artist.

WEINER HYDRO A

weiner hydro b

weiner hydro c

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Luciano Fabro at Christian Stein, 1988

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Christian Stein was the preferred location for Fabro to present his latest works on a regular basis.

Fabro was born in Turin, so this was a natural choice , and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.

Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax;[3] the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.[4]

He died on 22 June 2007 in Milan following a heart attack.

The Stein location presented some wonderful works and together with these exhibitions some great art related material was produced. Here is the invitation for the 1988 exhibition which is now for sale at http://www.ftn-books.com. A fold out card with prints on both sides.

fabro stein a

fabro stein b

 

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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One week….Lefebre gallery….day 5

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

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from top to bottom /left to right:

Ortvad , 1979( Not Lefebre , but included in the collection)

Emil Schumacher, 1968

Georges Noel, 1964

Sonderborg , 1965

Victor Four, Victor IV, 1966

Etienne Martin, 1965

Henri Michaux, 1975

Corneille, 1962

Norbert Krikke, 1968

Anton Heyboer, 1967

The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to ftnbooksandart@gmail.com and i will quote you your best preview price.

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Pierre Paulin ( 1927-2009 )

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Pierre Paulin , French and a master of the organic shaped modern classics he designed over the decades. The Orange Slice is such a beautiful appelaking small chair . Still produced by Artifort and high on our personal wish list. But there are so many more designs by Paulin that have the status of Modern classics.

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Pierre Paulin  made a considerable impression with a contemporary shell fauteuil, at an international furniture show organised by Kho Liang le. Shortly after the show, he became a freelance designer for Artifort. This marked the beginning of a long and fruitful collaboration. What makes his designs so distinctive is their striking sculptural shape, which earned Paulin many prizes worldwide. His work remains timeless and progressive even today. This is not form for form’s sake but applied design. With comfort as the constant starting-point. Artifort still includes many of Paulin’s designs dating from the nineteen-sixties and seventies in its permanent collection. His work can be admired in museums throughout the world. Apart from furniture, he also designed interiors for the French presidents Pompidou and Mitterrand in the Elysée Palace in Paris. Pierre Paulin died on 13 June 2009 in a hospital in Montpellier (France). The French president Sarkozy honored him as “the man who made design an art”. In November 2009, Paulin was posthumously awarded the distinction of “Royal Designer for Industry” (RDI).

http://www.ftn-books.com has a very nice publication on Pierre Paulin available.

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Otto Treumann (1919-2001)

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Treumann is certainly one of the greatest designers from last century and has designed some of the most iconic images in the Netherlands from the last 50 years, but he has been specially important for the designs of the Joods Historisch Museum and the Jewish community.

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Born in Bavaria in a German Jewish Liberal family in 1935 he came as an immigrant to Amsterdam fleeding Nazi Germany. He followed his education at the “NIEUWE KUNSTSCHOOL” in Amsterdam he educated their students according to the Bauhaus principles. During the occupation in WWII, Treumann became part of the resistance and forged ID’s and food stamps. After the war his posters for the Jaarbeurs in Utrecht became very famous . He also made some striking designs for AKU, which are now sought after and collected. In 1948 he received the H.N. Werkman price.

Treumann made designs for the Stedelijk Museum, the Anne Frank foundation and the Gasunie. His designs can still be found at reasonable prices and some of these pubications are available at http://www.ftn-books.com

 

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Aat Veldhoen (1934-2018)

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Art collecting is full of surprises. I started collecting books and art some 50 years ago and in this time I encountered some amazing works of art. I bought only a few and “forgot” to buy many, but I always had an open mind for great techniques. Aat Veldhoen was such an artist. He was arguably the first dutch artist who made his art available for the common people. Selling rotaprints by Jasper Grootveld these “erotic” prints were not appreciated and thought to be pornographic.

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These erotic prints can be considered the same as the Japanese Shunga prints, but with less colour and possible more realistic. Still the technique is stupendous. Lifelike figures making love, not hiding themselves and enjoying each other. Veldhoen became famous for these prints and drawings and during his life eventually was admired for them. Now culminating in a great solo exhibition at Museum Kranenburgh ( https://www.kranenburgh.nl/english/exhibitions-and-activities/aat-veldhoen-art-of-life). Unfortunately coles at this moment because of the Covid-19 virus, but hopefully open again later in June. Seeing these great drawings I have a feeling to compare these with Lucian Freud his works. the human figure in all its glory, not hiding anything.

Why this blog on Veldhoen now. …….Yesterday I met with a client who wanted very much to by the Jan Cremer i had in my collection for over 30 years. We made a deal and I sold him the Cremer. Today he came to fetch it and brought a beautiful drawing by Veldhoen of his former wife KABUL. I was very much impressed with this drawing and I could buy it from the Cremer buyer. So now this drawing is mine and I am still impressed by it. There are not many drawings by Veldhoen. A great many of them were destroyed and cut, but this remains and was in its former private collection for over 30 years. It was bought directly from Veldhoen and his a fitting ” Heijdenrijk” frame which enhance s the drawing. A classic ‘nude pose” of by Kabul makes this a typical Aat Veldhoen drawing.

veldhoen kabul a

Aat Veldhoen (1934 – 2018) lived for and surrounded himself with his art. He worked in his teeming house and studio on Amsterdam’s Wittenburgergracht. The creative urge that underscored his versatile oeuvre, including drawings, etchings, paintings, photos, ceramics and sculptures, remained unwavering to the end.

Desire, love, sex, illness, old age, death

After studying drawing, Veldhoen set about documenting desire, love, sex, illness, old age and death, all with uncompromising zeal and compassion. This exhibition includes work Veldhoen made after suffering a partial paralysis at the age of 69, as well as Polaroids from the Rijksmuseum collection which have never been shown before.

Veldhoen’s exceptional and enduring curiosity for everything human resulted in an intimate, lifelong study of those around him. We see this in Veldhoen’s countless portraits of himself and his family, friends and artists.

Life and art

The works in Aat Veldhoen – Art of Life show remarkable connections with the work of those he knew and encountered. His life and art were inextricably intertwined. The result is a personal and tender view of human existence. Since Veldhoen often portrayed himself, the viewer is no longer the only voyeur.

for more information on the drawing please inquire at ftnbooksandart@gmail.com