Hubert Kiecol (1950)

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Without Rudi Fuchs , i would never have known who Hubert Kiecol was. Never met him and his art was not that interesting at first glance, but now 25 years later  i appreciate Kiecol. I appreciate Kiecol for the multiples he has made and the playful scenes he creates with his objects. They remind me of one of my other favorite artists …Piet Dirkx, who uses the same “language” in his paintings. I decided to devote this blog to Kiecol after i discovered yesterday ( once again) that probably without knowing, artists develop the same kind of works. See the resemblance between Thomas Schutte and Hubert Kiecol.

and Kiecol and Piet Dirkx. Maybe this is a little bit more far fetched , but in my opinion there are similarities between these two works.

If you know of other similarities between artist works  let me know .

There are Kiecol publication available at www.ftn-books.com

Armando (1929) . …and the Armando Museum/ MOA museum

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At one time in the last decade there was a true Armando Museum in AMERSFOORT, but since a fire destroyed the museum in 2007 the largest part of the Armando collection had to be relocated and found a place in the MOA museum / Museum Oud Amelisweerd.

http://www.moa.nl/nl/Collections/Armando

and of course this great short documentary in the series HOLLANDSE MEESTERS which is an excellent portrait of thsi dutch master.

This site contains over 2100 works by Armando , which makes it the most important public place on the internet to view the works by Armando (Herman Dirk van Dodeweerd). You can spent some great time over there, but what it lacks is the story and the essential timeline on the works by Armando. No problem , because www.ftn-books.com has some great titles on Armando available at http://www.ftn-books.com to read and see whyArmando is such a great artist.

 

Marcel Duchamp (1887-1968) ….L.H.O.O.Q.

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I did not know, but Marcel Duchamp’ s drawn moustache and beard on the Mona Lisa has a title;

L.H.O.O.Q.

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The poster with the drawn moustache and beard was recently sold at auction and i noticed the typical and absurd title Duchamp had given it. You can pronounce it as Look but it can also be the abbreviation of the french words  ” Elle a chaud au cul”…translation she is horny. Humor by Duchamp , who works are filled with this kind of “jokes”. Duchamps titles are available at http://www.ftn-books.com

Lynn Chadwick (1914-2003) and Den Haag

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I know the Haags Gemeentemuseum has no sculpture by Lynn Chadwick, but what i did not know  is that there is a sculpture of a sitting couple on the Circusplein by Chadwick and when i read more about Chadwick i noticed that the gallery Nieuwenhuizen Segaar /had an exhibition in 1988 ( catalogue available at www.ftn-books.com) . So during a 40 year period there was a regular contact between the dutch art scene and Lynn Chadwick.

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Chadwick was an English artist known for his innovative bronze and steel sculptures of abstracted and expressive figures and animals. Chadwick’s method is considered unique in his choice not to sketch his sculpture beforehand, preferring instead to improvise and weld metal without a specific plan in place. He was born on November 24, 1914 in the London suburb of Barnes and studied as an apprentice architect under Roger Thomas, who would encourage him towards sculpture. Chadwick’s earliest sculptures were fragile mobiles constructed with balsa wood, copper, and brass, not unlike those of Alexander Calder. In 1950, he had his first major exhibition of his mobiles at Gimpel Fils gallery, which led to significant critical attention. The artist was then chosen to represent Britain at the 1956 Venice Biennale and was awarded its International Sculpture Prize, becoming its then-youngest recipient. He debuted his first steel sculpture, Two Winged Figures, for an outdoor show in 1962, and his works from this period are noted from their combination of abstract detail and natural forms. He was named a Commander of the Order of the British Empire in 1964 and a Commandeur des Arts et des Lettres in 1993. He died on April 25, 2003 in Gloucestershire, England.

 

I love the works by Victor Pasmore (1908-1998)

 

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Victor Pasmore (1908 – 1998) was born in Chelsham, Surrey, the son of a well-known physician and mental specialist and an amateur painter. He was educated at Harrow School where he first became seriously interested in painting. Following the sudden death of his father he had to abandon his studies at the Central School of Arts and Crafts where he had studied under A. S. Hartrick, an artist who had worked in France and who knew van Gogh. Pasmore, who had expected to go Oxford and then on to The Slade School of Art, now had to find employment as a clerk in the Public Health Department in London instead, a job he held until 1937.

During this time he joined the London Artists’ Association and had his first solo exhibition at their Cooling Galleries on Bond Street in 1933. In 1937 Pasmore left the Public Health Department and formed an independent art school with fellow artists Claude Rogers, Graham Bell and William Coldstream in Fitzroy Street. The school’s first show in 1938 coincided with its move to 316 Euston Road which led to the art critic Raymond Mortimer to identify them as the Euston Road Group. Pasmore himself moved to a studio at 8 Fitzroy Street, formerly occupied by Sickert and Whistler, and spent his time teaching and painting.

Pasmore abandoned visual representation and developed a purely abstract style in 1947. His work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. He held his first abstract solo exhibition at the Redfern Gallery, London, in 1948. Herbert Read, an important art critic of the time, described Pasmore’s new style as ‘The most revolutionary event in post-war British art’. In the summer of 1950 he visited St Ives where he became associated with Ben Nicholson and Barbara Hepworth and joined the Penwyth Society, the local exhibiting group. www.ftn-books.com has some nice Pasmore titles available.

Jean Lurçat et “La Creation du Monde” ( 1949)

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Jean Lurcat, is not forgotten by those who are interested in the art of the 40’s and 50’s from last century. A contemporary and ground breaking artist who’s works can be considered among the best that french art has produces in those decades.  When i have to describe his art it would be something in between a Picasso and Matisse style, but totally Lurcat and original. Sandberg recognized his importance and made an exhibition with his works in 1959 in the Stedelijk Museum.

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My interest was awakened last year , because i had the opportunity to buy possibly the most important book published with Lurcat lithographs. Published in an edition of only 99 copies, signed by the artist and numbered in print ( This is no. 20). The book LA CREATION DU MONDE, was published by Les Exemplaires with a story by Andre de Richaud and contains in total 56 original lithographs by Jean Lurcat. The book was printed by Mourlot/ Paris who was the leading printer for original lithographs in those days . Because of their qualities they were commissioned by the Galerie Maeght for their art publications too. The book is one of the highlights in my inventory and would grace many art book collection, but as always pictures tell a better story than words. Therefore i give you an impression of this magnificent publication which is now for sale together with the Sandberg designed catalogue at www.ftn-books.com

Keith Haring (1958-1990)… a special bookmark

 

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Quote from the Keith Haring Journals, Penguin 1997, page 221

” I began mural and immediately attract a crowd. By the time i finish, to applause, there are 50-60 people watching. The sun is really hot and i wear sunblock and a hat. The audience is incredible ”

haring bookmark a

This container mural was put of for sale in last auction season and found in the after sale an appreciative buyer. But to attract more visitors for the auction a bookmark/invite  was published of this exceptional piece of art and it is available at www.ftn-books.com.

Below you will find the text as published in the auction catalogue and it is well worth reading.

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