Some combinations are hard to beat and this one is surely a classic. Wim Crouwel was not yet promoted to the position of designer of the catalogues of the Stedelijk Museum Amsterdam and had just left the van Abbemuseum with his designs. In the in between period he did some free lance works and one of these was the catalogue he designed for the H.N.Werkman exhibition of 1964 in the Groninger Museum and this catalogue became the standard for all his future designs. He chose a slim sized catalogue, but within the book he used some of the papers which he had used in the van Abbemuseum catalogues and would use again for the Stedelijk Museum catalogues. Making it simple but still complex.
On the cover a bold and typical Werkman print which emphasized the graphic quality of the catalogue. The back…. a typical red with clear black and white lettering. This is in my opinion one of the very best graphic designs ever made in the Netherlands and i am proud to still have a copy for sale of this beautiful and splendid Wim Crouwel catalogue.
There different artists, 3 different backgrounds, 3 different era’s, but somehow their works have a resemblance with each other. The source is with all three an old photographs, which is worked over in a way the scene becomes surreal.
Above are some of the examples i found in my inventory of www.ftn-books.com , which has pubications of all three artists available.
From left to right: Ossip, Julie Winter and right Chezhin.
Chronologically and artistically there is for me no doubt who is the most original of these three……by far it is my friend OSSIP, who’s art is still developing . His “sculptures”are literally on the move nowadays.
Last weeks i presented the GEDRUKT IN JAPAN catalogue from the Stedelijk Museum as one of the best from the sixties by Wim Crouwel.
Now there is another one which is far less known, extremely rare and a typical Wim Crouwel design. Year of publications is 1977. A publication year in which Wim Crouwel was part of the Total Design agency and worked ao. together with Daphne Duyvelshof. The catalogue was commissioned by an institution that wanted to present contemporary Hungarian art in The Netherlands. From the names presented only a few have become popular in Modern Art. Among them Dora Maurer who had her exhibitions all over Europe since, but most of them stayed rather obscure names in art.
The catalogue however has become important because of the design. A very nice “construction ” of horizantal and vertical letter. The colors used are from the Hungarian national flag, making it immediately clear what the subject is about. The catalogue and Maurer print areavailable at www.ftn-books.com
Just a short story how i found the Triptych by Guillaume Le Roy. I have been impressed by the graphic art of Guillaume Le Roy for over 15 years now. Since i began visiting specialized book auctions, i found that his works were offered on some occasions. In the beginnig i was not interested in buying them , but some 10 years ago i bought my first ” lot” which included 4 large prints ( ca. 120 x 80 cm). I began to admire his techniques and his compositions were fascinating to look at.
This was the beginning of a small collection of works by Le Roy. His black and /white ( now some are for sale at ftn art ) prints showed within the limit of the use of only black and white so many detail and shades that come alive as soon as you put them on a wall. So far the earliest of history on Le Roy and me as a collector.
2 years ago , at the november sale of which i could not visit the viewing days, my interest was raised in the catalogue when i saw a description of an item that looked to be an early print by Guillaume Le Roy. The description was not that clear but i recognized his graphic signature. I placed a written bid and i won the item…… picked it up at the auctionhouse and discovered it was a genuine Guillaume Le Roy . …. a Triptych.
Two folding panels covered on both sides with etchings and in the middle another 2 etchings. In total 6 etchings and another discovery….it was signed, numbered and dated. very hard to discover the signature, but it was there , together with the other edition information ( see the photograph with the item).
One problem, i do not have the place to present it properly, so decided to put it up for sale and now it is available for the true admirer who values and cherishes Le Roy works too.
A few days ago it was a shock for me to learn that gallery Nouvelles Images will close its doors permanently. This gallery has been a long time institution in the dutch art world and one of the galleries that gave direction to the dutch art world. Ton Berends and later on Erik Bos were visionary gallery owners that meant a lot to the young artists and because of their influence opened doors to museums and foreign galleries. Beside that they were great art dealers who presented and represented many artists for the very first time in the Netherlands and on art shows.
I visited the gallery dozens of times and i always enjoyed the spacious rooms. My personal favorites were of course Dirkx, van Hemert, Geurts and Willem Hussem who’s heirs they have represented for more than 30 years now. Nouvelles Images will not exist any more in the near future. So take a look at a great art institution in The Hague while you can. The gallery will close on the 1st of October 2018.
Sinds de oprichting in 1960 is NOUVELLES IMAGES (NI) een beeldbepalende en invloedrijke galerie in Nederland; eerst onder de visionaire leiding van initiator Ton Berends en vanaf 1989 onder de bevlogen aanpak van zijn opvolger Erik Bos.
Erik Bos is in december 2016 overleden en liet zijn nalatenschap ten goede komen aan de beeldende kunsten, in het bijzonder de fotografie via het Erik Bos Fonds, een fonds op naam van het Gemeentemuseum Den Haag. De galerie voortzetten was voor alle betrokkenen een grote wens.
Sinds vorig jaar maart werkten wij, de nieuwe directeur Marie Jeanne de Rooij en rechterhand Sander Creman, voortvarend aan de continuering van de galerie voortbouwend op de geschiedenis en reputatie van NOUVELLES IMAGES met een zichtbare focus op de gewenste vernieuwing.
Helaas is door de aanhoudend ongewisse kunstmarkt en de complexe overdracht van de galerie door de direct betrokkenen met pijn in het hart besloten de galerie met ingang van 1 oktober 2018 te sluiten.
NOUVELLES IMAGES dankt alle kunstenaars voor hun kunstenaarschap en vriendschap, en alle kunstliefhebbers die de kunst en de kunstenaars door de jaren heen met hun aankopen gesteund hebben.
NOUVELLES IMAGES organiseert van zaterdag 1 september t/m zondag9 september een laatste verkooptentoonstelling met werken uit de collectie NI waarvan de opbrengst aangewend zal worden om de galerie goed af te sluiten voor de kunstenaars van de galerie en voor de direct betrokkenen. Meer informatie over deze tentoonstelling wordt op korte termijn bekend gemaakt.
Stockmans worked for Koninklijke Mosa in Maastricht as an industrial designer for a great part of his artistic life, but since 1989 he is a free lance designer and became very well known for his extremely fragile ceramics and his cooperation with the great culinary chefs of Europe.
If you look at the eyes of Stockmans you discover where he found his favorite color beside the white of his ceramics. He frequently uses the color of pale blue on the edge of his egg shell ceramics. windlights , coffee cups and small vases have in many cases a blue edge. The edge together with the use of the fragile material is the signature of Piet Stockmans. Nice to know is that his products are fully handmade, all unique because all are made and finished by hand and still affordable. A true ceramic artist on whom www.ftn-books.com has some nice publications available.
Yesterday morning there was an article in the Volkskrant about the way art in museums by colored people and minorities must be described . The reason why the dutch museums are also looking for a desirable idiom is that also in dutch history there is a part of their history which is very doubtful. The catalogue which is in the title is the example which was given in the article ( available at www.ftn-books.com ). The exhibition was in those days, (which is very recent history) announced by the journalists and museum as “primitive art by natives inspired by western civilization a way of announcement as if we in Western Europe were civilized and others not.” A complete wrong way of describing the art from these artists. On the positive side…Sandberg was the one who thought these artists deserved a museum platform in the Stedelijk Museum as early as 1957. which was the place for these artists where they could, for the first time, present and show their art , side by side with Malevich and Mondrian. I can really understand why some words and expressions can not be used any longer, however …where a museum decides to remove an object from an exhibited collection and with this action denying some of the history from a country, should not be done…. in my opinion a better way would be to keep it within the collection and add an explanation why the museum thinks different nowadays about an object . This way explaining and not judging. Let the public judge for itself if the object is still beautiful or not.
Readers following the “Piet Dirkx daily” know of my admiration for Piet’s his work.
We now have had over 600 cigarboxes and another 300 works to come. Among them cigarboxes, large paintings on wood and works on paper. Within the last category you will find the special of today. Piet made in 2005 some drawings/ gouaches to be sold in the shop of the Gemeentemuseum Den Haag and yes….i bought 3 of them and because i can only hang 2 from those three, i decided to sell the one that is still in one of my drawers.
It is certainly not the least out of those three and because if had first pick from the set which was to be sold i chose what i think were the best. Here it is …..A drawing like a series of open books and buildings, with a typical Piet Dirks mouth drawn in pencil upon them. Colorful, detailed and executed on perfectly square paper . It is the ideal Piet Dirkx composition upon a limited surface. (29,8 x 29,8 cm.)
It was years ago that i bought a poetry book by Gerard Pedtrus Fieret and found 2 drawings from 1982 by him within. The drawings are rapid sketches as he now and then made for friends. These 2 sketches were done for Jopie. I do not know who Jopie is , but in both is a woman depicted so i think Jopie was a female friend of Fieret. Both these drawings are now for sale at ftn art. In the near future i will publish some “Bierviltjes”and letters i have in my collection. These drawings and letters were written to a friend of mine and are an important piece of Fieret history. But now the 2 drawings by Fieret.
I first heard of Janusz Haka when i received an invitation in 1980 by the Jurka gallery in Amsterdam. They held an exhibition with the polish artist Janusz Haka. Since the list of his exhibitions is a very very long one and because of his subjects his art was appreciated in many places all over the world. I would say that his art has influences of Walasse Ting and Leroy Neiman, but Haka is as original as the ones just mentioned. His style is recognizable and his paintings have in most cases an erotic element but never offend. His paintings are appreciated by both men and women and because of the many colorful elements these are joyful accessible paintings. FTN art is now selling one of these majestic large oils on paper. It is the one which was modelled after “l’origine du monde” by Manet.
janusz haka sunny flowers
A beautiful original oil painting , signed and dated 1980 in pencil and a great early Janusz Haka to collect.