Posted on Leave a comment

2x Borek Sipek and 2x Erwin Olaf

sipek olaf aa

Why another blog on Erwin Olaf? This one is on the occasion of the addition of the book BOREK SIPEK / Glas Design Architectuur in which a series of photographs by Erwin Olaf with works by Sipek is published . Almost the exact series was used before. The series was made on location with gypsies holding glas and design by Sipek and photographed by Erwin Olaf for the Stedelijk Museum exhibition and publication which was designed by Irma Boom ( Book on the left/private collection). The addition to my inventory is the book published by the Drents Museum, which contains 8 color photographs by Erwin Olaf together with the Anton Corbijn cover. This makes the book a true collectors item since these photo’s are among the best Olaf ever made.

sipek olaf cc

When you study both series ( Stedelijk Museum and Drents museum), at first you think the photographs are the same , but study them closely and you will notice some subtil differences. I conclude that Erwin Olaf must have made shortly after each other two series. One in Black and white, the other in color.

sipek olaf bb

Using 2 cameras this must have been technically possible. Just look at the position of the hand of the gypsy boy. The book published for the Drents Museum is now for sale at www.ftn-books.com

 

Posted on Leave a comment

Ru van Rossem (1924-2007)

Schermafbeelding 2019-12-14 om 11.50.59

I started to take in interest in the art of Ru van Rossem the time i acquired a large collection of small signed and dated etchings by the artist. Among them, small etchings, lithographs, art libris and new years wishes. They had some elements in common. The human figure was important as well as horses and religion.

These three elements define the works by van Rossem. Perhaps it is not your kind of art, but study these prints and you will discover that van Rossem was an etcher “pur sang”. and that the art of etching held no secrets for him.

www.ftn-books.com

has recently acquired the most important monograph on van Rossen which is now available

 

Posted on Leave a comment

Joachim Grommek (1957)

Schermafbeelding 2019-12-12 om 14.24.11

Joachim Grommek, Master of Arts of Free Art/ Film at HBK Braunschweig (Professor: Malte Sartorius), Germany, in 1982 has mainly shown in German and European institutions and galleries since 1987, among them important solo shows like “Malerei 300” at the Städtische Galerie Wolfsburg, Wolfsburg, Germany in 2011. His geometric-abstract, illusionary work in perfection lays varies the topic of authentic image and copy like the ancient Trompe-l’œils, always asking for a second look. Grommek’s work though is reflecting art history and prominent artists like Kasimir Malewitsch, Piet Mondrian, Blinky Palermo or Robert Ryman.

grommek voor wordpress

This is how the Taubert gallery describes the works by Joachim Grommek. They have a nice selection in stock. This blog on Grommek is written on the occasion of the purchase for FTN-art of a beautiful impressive diamond shaped work : STAR IV, 2006 (Black Diamond). You really have to study his works from very close up. It appears these are not tapes nor raw chipped wood material, but literally everything….lines , wood, tapes …is painted. Materials used, acrylic paint, lack, wood , special paints…the result a fascinating work of art that impresses with its composition, but in the meantime is a technical painters masterpiece.

The works by Grommek can be found in numerous German museums and ao. the Centraal Museum / Utrecht

here is the text from the book TILT:

Grommek’s pictures have an extraordinarily immediate visual presence, despite their comparatively small size. Whereas they seem rigorously minimalistic in terms of both areal composition and chromatic clarity, there is still something provisional and unfinished about them. More like tantalising intermediates, they seem to imply that the artist has not yet decided which area should be superimposed on which. Patches of bald fibreboard are visible in places, as are strips of adhesive tape.

But nothing is what it seems in these works. Although Grommek does indeed use standard industrially laminated fibreboard as a ground, the grey-brown speckled areas that the viewer takes for unpainted fibreboard turn out to be no less painted albeit with deceptive verisimi|itude -than all the other areas. Even the brightly coloured transparent »adhesive tape« turns out to be lacquer which, perfectly applied layer upon layer, creates the illusion of overlapping strips of plastic tape. An abstract, »unrepresentational« picture by Grommek, therefore, is actually the result of a highly representational style of painting, with what it represents being its own materiality.

Once the temptation to tear off the strips of non-exlstent adhesive tape has been resisted, the viewer can step back a few paces and in doing so go back to the beginning and to the play of shapes and colours. The tension remains, just as the contradictions between the reality seen, painted and represented remain unresolved.
Posted on Leave a comment

Josephine Sloet ( continued )

Schermafbeelding 2020-01-15 om 16.34.11

As promissed a few eeks ago , i want to share another painting which Josephine Sloet has made during her last stay in France. An arguably even more intriguing painting the teh MEETING OF LEAVES that i showed a few weeks ago.

sloet greens a

title : green happy, rain falling, time passing

size: 80 x 65 cm.

technique : acrylic on canvas

year: 2019

This painting is now for sale. for more information inquire at wvdelshout@ziggo.nl

Posted on Leave a comment

Hamish Fulton special

Schermafbeelding 2019-12-03 om 17.26.55

It has been 2 months ago that i acquired a collection of invitations from the Nineties and among them there were several Hamish Fulton ones. I remember Hamish as being one of the friendliest artists i have met at the Gemeentemuseum. He was willing to sign 20 copies of the book which we published by us.

Since i have followed his career and exhibitions and now i have added 4 special invitations to the collection of http://www.ftn-books.com which are now for sale. The ones i like most are the Graeme Murray gallery and Marian Goodman gallery ( signed and dedicated for Rudi) ones  and there is of course the time/indoor/outdoor with japanese text. This is the one i can not find any information on so if you know who organized this one let me know. Your help would be appreciated.

Posted on Leave a comment

Arie van Geest …naar Beckmann, 1999

Schermafbeelding 2019-12-02 om 15.51.21

Recently i had the chance to acquire another Arie van Geest watercolor for the FTN art collection. The moment i saw it i was impressed and decided to make a bid. The watercolor is from the 17th of August of 1999 and fits perfect between the painting and another drawing i have in my inventory by Arie van Geest. I have grown fond of his art over the years. His earliest more abstract , fantasy like drawings are wonderful and his later paintings keep impressing and this drawing is one of the nicest i have seen by his hand. Both other drawings i have purchased i will keep for a later blog , but in case you are interested in purchasing do not hesitate to contact me at wvdelshout@ziggo.nl

Title of this drawing/watercolor is ” NAAR BECKMANN #, size paper 30 x 22 inches / ca. 75 x 55 cm.

geest beckmanna

Posted on Leave a comment

Pierre Faure (1972)

Schermafbeelding 2019-08-11 om 14.14.15

Because i have always had an interest in Japan, i noticed this book on Japan at a local secondhand bookstore. Still sealed the one i have for sale now, but the one i leafed through was already open so i had a quick look. I noticed that these were real life photographs, not one of them was staged and they reflected a Japan that i very much would like to see and experience at one time. For now i have to content myself with the book ( available at http://www.ftn-books.com) until it is sold

Pierre Faure was born in 1972 in Nice and lives in Paris. He studied economics. He produces at first a work in which abstraction and organic evocations occupy a central place (series Rhizomes, Plis, Palimpsests); series which question the look of the spectator and play with the notions of scales and perspective. He also approaches the social question by realizing a work of dumping within a community Roma of Ile-de-France (2011-2012). In 2013 he is interested in the life of people in big precariousness welcomed in emergency reception center and tries to seize in this everyday life the figures of a wounded humanity. In parallel in these works he pursues since 2010 a series on the urban trees, questioning the place of the vegetable in urban zones.
pierre faure
Posted on Leave a comment

Ger Dekkers (1929-2020)

Schermafbeelding 2020-01-24 om 16.01.41

This morning i read in our newspaper that the artist/photograph Ger Dekkers died on the 20th of January. Dekkers will always be known for his series of landscapes that he combined into an abstract almost constructivist composition. Dekkers was the artist who needed a landscape for his art. www,ftn-books.com has several books on Dekkers available.

Schermafbeelding 2020-01-24 om 15.56.51

Posted on Leave a comment

Josephine Sloet (continued)

Schermafbeelding 2020-01-15 om 16.20.11

Yesterday i visited the studio of Josephine Sloet to talk about the last couple of months and the future. She has had a very productive period while staying in France during last summer and i took the opportunity to photograph 2 of the completed 9 paintings and beside the already finished series of paintings, she told me that she has plans to make a series of smaller drawings in the coming months. I will make another appointment in the near future to photograph the other paintings made during last summer, but the 2 i have already photographed will be presented in the next couple of weeks. here is the first one:

title: Meeting of Leaves

size: 101 x 81 cm.

technique: acrylic on canvas

 

sloet leaves 2019 a

an impressive painting in a handy size.

for more information inquire at wvdelshout@ziggo.nl

 

Posted on Leave a comment

New OSSIP from 1978 for FTN-art

Schermafbeelding 2019-10-07 om 16.28.57

Recently i acquired a highly important early Ossip (Snoek) work for my collection. The work is titled Cirkel 1 from 1978 and consists of multiple layers of papers ( including musical notes in the corners) and it shows the very early beginnings of his search for the ultimate work by Ossip. It has everything. Composition, technique, mouvement, color and this typical use of multiple layers of paper, making this an important and valuable Ossip. Cirkel 1 is now for sale at the art section of this blog.

ossip vroeg snede