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Will Ferwerda (1942-2019)

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Just recently, onthe 12th of March Will ferwerda died at the age of 77. Known for his free expressionism and activist for his entire life he was one of the most colorful artists in the dutch art scene. He was locally a well known artist and many in Gorkum and Dordrecht had at some time met him.( A bit the same as Gerard Fieret in den Haag), but his art deserves so much better. It has some mysticism in it i can not explain, but when you look at he limited editions by Ferwerda ( available at www.ftn-books.com) , these images intrigue and show that Ferwerda was not an amateur , but a true and original artist.

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Oxenaar…the year 1985…the artists : David Nash and Sjoerd Buisman

It is in 1985 that David Nash and Sjoerd Buisman are both invited by Rudi Oxenaar to make a contribution to the 50 years anniversary of the Nationaal Park de Hoge Veluwe.

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On the occasion of the 50th anniversary of the Hoge Veluwe National Park, the ‘Steyn-park’, designed by Henry van de Velde, is restored, ‘both in terms of the afforestation and foliage and the paving’. Furthermore, the artists David Nash and Sjoerd Buisman are invited to realize two projects each in the grounds of the Hoge Veluwe. These Growing sculptures are subsequently acquired by Oxenaar.

buisman nash

I witnissed at one time one of these growing sculptures by Sjoerd Buisman. He realized a project at the pondds of the Gemeentemuseum , by splanting sticks into the grounds of the water. Over time these sprouted into bushes along the shores of the ponds. Since i could witness the progression and growing of this sculpture it fascinated me more over time. The total length of the project was about 3 month. Ther book on the project is available at www.ftn-books.com

 

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Jan van Munster (1939)

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Jan van Munster stands for me personally as the artist who experimenst with Neon and Pyrographics and using these to create Minimal objects and sculptures. I noticed his works for the first time when a work of him was presented at the Gemeentemuseum Den Haag. It weas a neon sculpture and made in an edition of a few copies and for sale at the museum shop. Unfortunately i did not have the insight at that time to buy it, but the memory remains, because it was the first van Munster i had seen. This is not the easiest of art to admire, but once you follow his career and search back throught the decades that he has made his art, you conclude that he always stayed true to his origins. One of the characteristics that keep reappearing is that he uses frequently two elements on his covers of the catalogues that are published with his works.

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First…many of his covers are embossed and second. ….in many cases there is a special Pyrographic made/burnt into the cover of his catalogues, making these original, one of a kind works of art at a more than reasonable price. www.ftn-books.com has some nice van Munster titles available.

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Piet Dirkx weekly

A publication Piet did for Vermeulen Hollandia BV in 1992dirkx hollandia

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Michael Kirkham (1971)

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Michael Kirkham is one of the younger British artists that implressed me immediately when i saw his first paintings at the Gemeentemuseum Den Haag.

Often highly regarded for their uncompromising nature, Michael Kirkham’s paintings give a delicate insight into the dark corners of human existence. Painted mostly from the mind, mixing fantasy and reality, Kirkham depicts his subjects in uncomfortable or awkward positions, (half) undressed, engaging in acts of sexual nature, being in love, daydreaming, or showing their genitals. While doing so, the characters in Kirkham’s paintings often appear distant, as if disconnected or sunken into the emptiness of their subconsciousness. In addition to the apathetic character of his subjects, most of Kirkham’s paintings appear covered in an apt layer of misery and ambiguity.

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As much as these scenes of the despicable bring about a sense of discomfort or voyeurism to the spectator, they are equally intriguing and touching as they display a deep sense of empathy for all aspects of the human condition. This is Kirkham’s power: rather than depicting scenes that exist only in Kirkham’s own artistic universe, his works show those parts of life that, no matter our attempts to disregard or overlook them, are a core part of contemporary life. They show us the alienated or estranged individuals who are no match for the complexities of the world they themselves have helped to build.

It is in this commentary on the contemporary that any sense of melancholy, irony, or even voyeurism so often related to the Kirkham’s paintings disappears. The power and beauty of his work are inseparable from the discomfort it brings about when it confronts the viewer with the bleakness of humanity. Therefore, any form of sadness, irony, voyeurism, or discomfort felt in Kirkham’s paintings can only be a sign of confrontation, recognition or even emotion of the spectator, pointing out to us what essentially makes us human throughout the complexities of today.

Michael Kirkham (Blackpool, UK, 1971) lives and works in Berlin, Germany. He completed his education at the Glasgow School of Art and De Ateliers, Amsterdam. His work has been exhibited, among many other locations, at Gemeentemuseum, The Hague (NL), Centraal Museum, Utrecht (NL), and Kunstpalast, Düsseldorf (DE), and is part of collections such as the Gemeentemuseum, The Hague (NL), Museum Boijmans van Beuningen, Rotterdam (NL), Centraal Museum, Utrecht (NL), Sammlung Ritter Sport, Stuttgart (DE), Collection Olbricht (DE), Sollection SØR Rusche, De Nederlandsche Bank, Amsterdam (NL), and of private collections in The Netherlands, Germany and the United States, among others.

ftn-art has the limited edition of THE STORY OF THE GLOVE. a controversial “comic” in prints available. Please inquire.

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Piet Dirkx weekly

Published as an artist book, this is probably one of the most important Piet Dirkx publications. Ine Veenstra did the interview.dirkx veenstra

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Charlotte Posenenske (1930-1985)

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The works of Charlotte Posenenske (Wiesbaden, 1930-Frankfurt am Main, 1985) consist of series in an unlimited edition. According to a number 0f rules, they can be made and repeated – also by others – and combined with each other. With her radical and ‘democratic’ ideas about material, production and authorship, Charlotte Posenenske influenced and shaped conceptual and minimalist art of the sixties.

Minimalist series

Charlotte Posenenske began as a painter, but she felt limited by the flat surface and soon moved on to creating spatial works. The forms of Series B (1967) are hung as reliefs on the wall, but also placed as objects in the spatial environment. This is followed in 1968 by Series D and Series DW, whose format and shape are reminiscent of ventilation shafts.

Participation

Although Charlotte Posenenske did not consider herself to be a political artist, she had a clear and strong vision of societal relations, which in her view had to be rational, concrete, accessible and democratic. With her work she wanted to set a standard for this: the materials which she used like cardboard and steel are cheap, the works are sold for a fixed low price and the assembly and installation of her modular systems can be done by ‘everyone’: buyers, exhibition makers, and even the public. Posenenske’s social engagement is also expressed through the installations she created in public spaces, such as airports, train stations, conference rooms and on the street.

Contemporary artists and Posenenske

Disappointed in the social scope of art, Charlotte Posenenske left the art world in 1968 to study sociology. Her work and views remain however points of reference for younger generations of artists. The text above comes from the Museum Kroller Muller site. This Museum has a retrospective exhibition on Posenenske until the 15th of September

www.ftn-books.com has some nice publications in which Posenenske made some contributins. Since there is a longtime connection between the Netherlands  and the artist it happens that some of the most important publications have been published in the Netherlands. Specially the former Art & Project has presented her works on several occasions.

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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

weiner sm a

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Piet Dirkx weekly

the fourth of the rare Dirkx publications.

Invitation for the Fons Welters exhibition in 1991

dirkx welters

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Frank van Hemert publications

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Because i have a long time admiration for the works by Frank van Hemert , i started to collect his publications and since 2007 i even could buy a painting and some drawings by the artist. In the meantime i visited many bookmarkets and whenever i find a book by van Hemert , i can not resist it and I buy it. I am almost complete now for my own library, but i have bought so many of his titles that i have now several double or triple in my lown ibrary. These i have now put up for sale, so please take a look at www.ftn-books.com to find some very nice van Hemert titles available.