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Piet Dirkx weekly

Double Distance . An exhibition in which Piet exhibited in 1991 in HET KRUITHUIS

piet doubletogether with 19 other artists.

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Pierre Weiss (1950)

 

An exhibition of which i remember a hellish ride to Gent to see the print proofs of the catalogue on Pierre Weiss.  One of the first exhibitions curated by Franz Kaiser and with a catalogue designed by Gracia Lebbink. The printers waited for my arrival, but extremely heavy rain showers delayed my arrival by some 2 hours. After finally arriving it was the lunch break at the printers and lunch is “holy” in Belgium. Everybody stops working and has lunch. So did i . I was invited by the printers to have lunch and with them it meant a very nice lunch indeed at one of the finest restaurants in Gent. a 3 course lunch was normal including 2 glasses of great wine and a coffee it made me forget the terrible ride i had to arrive in Gent. This was almost 30 year ago now. I have forgotten the catalogue on Weiss, but the ride is still a vivid memory.

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Piet Dirkx weekly

A cherished one…..this is one of a small homemade edition. Send as a Xmas gift.

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Pop Art exhibitions in the Netherlands

A few years ago one of the most recent in a long line of Pop Art and Pop Art related exhibitions was being held at the Gemeentemuseum Den Haag. But since the mid Sixties numerous exhibitions have been held on Pop Art and Pop Art related artists. There were exhibitions at the Stedelijk Museum, Museum Boymans van Beuningen, Groninger Museum, Nijmeegs Museum, Kunsthal and the Gemeentemuseum and every time they were a huge success. My guess is that because the art is recognizable and because Pop Art established itself as a true mouvement in Art History, it has become popular to the masses.

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Warhol, Lichtenstein and Wesselman are now household names and their works known by many. Perhaps it has even become to successful since images by these great artists are now part of Commercial activities and publicity campaigns which is a pity since these were not meant for being used this way. www.ftn-books.com has some nice duthc Pop Art publications available.

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Wim Crouwel (1928-2019)

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This morning i heard that one of the most influential designers from our time, Wim Crouwel, has died. The last years of his life he suffered Parkinson disease, but he was still going strong and must have looked forward to the retrospective of his works being opened later this  month at the Stedelijk Museum Amsterdam. What better way to commemorate this great artist than to show a selection of the many items designed by him. www.ftn-books.com

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And to finish one of my personal favorites. Wim Crouwel will be an example for many designers in the decades to comewerkman crouwel aa.

 

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Bruce Mclean (1944)

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This makes it easy. I like Mclean and his works resembel the ones i admire so much from the Italian 80’s painters. Cucchi, Chia and Clemente are all contemporaries of McLean and where their touch is light, Mclean paintinsg are more “heavy” still very accessible but unfortunately they have become far to expensive for a humble collector as i am. Hre is the Tate biography on Mclean.

Bruce McLean (born 1944) is a Scottish sculptor, performance artist and painter.

McLean was born in Glasgow and studied at Glasgow School of Art from 1961 to 1963, and at Saint Martin’s School of Art, London, from 1963 to 1966. At Saint Martin’s, McLean studied with Anthony Caro and Phillip King. In reaction to what he regarded as the academicism of his teachers he began making sculpture from rubbish.

McLean has produced paintings, ceramics, prints, work with film, theatre and books. McLean was Head of Graduate Painting at The Slade School of Fine Art London He has had one man exhibitions including Tate Gallery in London, The Modern Art Gallery in Vienna and Museum of Modern Art, Oxford.

In 1985, he won the John Moores Painting Prize.

Mclean lives and works in London. His son is the architect Will McLean.

www.ftn-books.com has added a nice special edition by Art & Project from 1981, The Bulletin 124 is beautiful with a special off set print on the inside

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Pat Andrea in the USA?

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I still have not found why there is such a raise in interest in Pat Andrea from the US.

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Last week i sold 2 of the best publications on this gifted dutch artist . Both to US collectors and galeries. They must know what they were doing , since these were not cheap publications, but the very best and rare books on Pat Andrea ever published. There was the Gemeentemuseum Catalogues with its main theme of Alice in Wonderland and ….The Schiedam catalogue of the 1994 retrospective on the artist. Arguably this is the better book of both, because paintings are depicted at a slightly bigger size and in many cases spread over 2 pages. Both highly collectable and better still….i have the Stedelijk Museum Schiedam catalogue available beside some other very nice and highly collectable Pat Andrea publications.

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Piet Dirkx weekly

The personal classic of all Piet Dirkx publications. Design by Gracia Lebbink. Biotoop is from 1995dirkx biotoop weekly

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Richard Schur (1971)

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Writing a blog on Art is not only pointing into the right direction of the greatest of artists, but it certainly is my intention to introduce some lesser known artists and explain why they appeal to me personally. The artist Richard Schur was not known to me until i noticed his paintings at an auction. I was impressed in the way he made his compositions. Constructivist ones, but not in a rigid way like Mondrian did, but putting planes and surfaces ( almost rectangular) beside and on top of each other. It was a new approach tome and had rarely seen done this before ….plus i thought his paintings are very appealing. I was lucky that i could buy two of his works at auction . One will be for sale in a year, but in the meantime i will have it on my wall and try to find out why i fell in love with it. The other i plan to make it a permanent part of my collection. Visit Richard Schur’s site to see more of his painting and “meet” the artist and his works . ( https://www.sound-of-color.com )

For me, Abstraction is a place of collective 

and personal memories, experiences and emotions.

I’m a poet, a composer and an Old Master’s son. 

As a contemporary artist, tradition is my ally 

and my enemy. I’m interested in the directness 

of Expressionism, the clarity of Hard Edge 

and the precision of the Renaissance painters.

 Through a long, systematic and intuitive process, 

then, I aim to reflect the meaning of every brushstroke 

within the whole: anything matters here.

As if you could hear the sound of color, Richard Schur creates visual experiences based on the transcendental qualities of color.  Born in Munich (1971), Richard Schur studied with Jerry Zeniuk at the Academy of Fine Arts Munich, and graduated as “Meisterschüler” in 2000. From 2002 to 2008 he teached painting as Assistant Professor at the  Academy of Fine Arts Munich. Recent solo exhibitions include The Sound of Color, Galerie der Moderne, Stefan Vogdt, Munich (2017), Meadows, Cross Mackenzie Gallery, Washington, DC (2016), Manhattan Stories, Galerie Postel, Hamburg (2015). While recent Group shows include Ganz Konkret, Galerie Klaus Braun, Stuttgart (2017), Wendezeiten, CCA  Andraxt Kunsthalle, Mallorca, Spain (2016), Break Ground, ART 3, Brooklyn, NY, USA (2016). His work can be found in public and private collections worldwide including Pinakothek der Moderne, Munich, Guangdong Museum of Art in China, CCA, Centro Cultural Andraxt, Spain, Agnes Gund Collection, New York, BMW Group Art Collection and Allianz Art Collection.

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Will Ferwerda (1942-2019)

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Just recently, onthe 12th of March Will ferwerda died at the age of 77. Known for his free expressionism and activist for his entire life he was one of the most colorful artists in the dutch art scene. He was locally a well known artist and many in Gorkum and Dordrecht had at some time met him.( A bit the same as Gerard Fieret in den Haag), but his art deserves so much better. It has some mysticism in it i can not explain, but when you look at he limited editions by Ferwerda ( available at www.ftn-books.com) , these images intrigue and show that Ferwerda was not an amateur , but a true and original artist.