For us in Europe this is a lesser known artist/sculptor. But it appears that Etrog had his exhibitions at the Marlborough gallery and Galerie d’Eendt in the mid Seventies.
In 2000, a Toronto newspaper dubbed artist Sorel Etrog the “Grand Old Man of Canadian Sculpture.” It was an apt description, after a career spanning five decades including the installation of outdoor sculptures across Toronto, Canada and beyond. Yet Etrog was much more – a painter, draughtsman, film maker and not least, a literary man. He was keen to collaborate with the great thinkers of his generation, including playwrights Samuel Beckett and Eugene Ionesco, Toronto media guru Marshall McLuhan and composer John Cage.
Etrog was born into a Jewish family in Romania in 1933. After a childhood spent in flight from the Nazis and Soviets, he immigrated with his family to Israel in 1950 where he began to study art and exhibit. In 1958 he won a scholarship to the Brooklyn Museum of Art School and moved to New York City. There, he had a chance encounter with Toronto collector and AGO patron Sam Zacks, who invited him to Canada.
Etrog permanently settled in Toronto in 1963. Recognition came quickly with museum purchases, international exhibitions such as the Venice Biennale (1966), and a commission to design the Canadian Film Award statue, now known as the Genie (1968). Etrog resided in our city until his death in early 2014.
Because of the purchase of a catalogue collection of the galleria del Cavallino i discovered over 2 dozens of Italian artists that i did not know of. One of the discoveries is the sculptor/goldsmith Franco Canilla. I learned …. agreat nam in the Sixties but nowadaus forgotten. Stil a great way to start to learn about these almost forgotten names in Italian art. The series of Galleria del Cavallino catalogues is now available at www.ftn-books.com
Italian sculptor and painter Franco Cannilla was also a talented jewelry maker. Although he was recognized internationally for his art, Cannilla’s jewels were a more intimate expression of his practice. These pieces were oftentimes produced in small or limited quantities and are regarded as true expressions of his art—small sculptures that were intended to be worn, or as Alexander Calder described, “living works of art.” Best known for his unique and ornate jewelry designs, often in gold, Cannilla first exhibited his jewelry in Milan in 1949. His career was prolific, and also featured many successful collaborations with other Italian designers.
Another “petit maitre” i had never heard of, but because of a catalogue find i noticed this artist. Not very well known, but his works are now emerging in the art market. Recent sales at art dealers and auction mean that this artist is getting more and more appreciated by a larger public.
I noticed this painter because of a publication from 1970 by the Boymans van Beuningen where a retrospective was held. Influenced by Campendonck and Flemish artists, but in the end a style of his own. A nice catalogue and now available at www.ftn-books.com
The year 1982, the exhibition …l’Air du Temps….location Galerie d’Art Contemporain Nice….the artists… Alberola, Blanchard, Blais, Boisrond, Castellas, Combas, Denis, di-Rosa, En avant comme avant, Favier, Gainon, Giard, Laget, Lanneau and Rousse.
All artists were member of the FIGURATION LIBRE group and have gained world fame in the decades after this exhibition. What makes this catalogue special is that it is the only copy currently available on the market and from an art historical point of view. It presents these artists for the first time together in one of the major museums for modern art. Beside that a text is written by Ben Vautier ( Fluxus) who was and is an admirer of the Figuration Libre. This i the only copy i have available and it is very special , since the condition is excellent and it is dedicated to Riekje Swart who was the first to present these Figuration Libre artists in the Netherlands.
Jürgen Klaukeis a German artist. Beginning in the 1960s, he used his own body as a subject of his photographs. He also experimented with minimalism and surrealism. The ZKM in Karlsruhe exhibits his work. Since 1968 he lives and works in Cologne.
Klauke was born in Kliding near Cochem, about 70 kilometers southwest of Koblenz, in what became the postwar West German state of Rhineland-Palatinate. He studied graphic arts at the Kölner Werkschulen from 1964 to 1970; toward the end of his studies he began focusing on photography as a medium of artistic expression.
From 1994 to 2008 Klauke was professor of photography at the Kunsthochschule für Medien (Academy of Media Arts), in Cologne.
In January–February 2016 Klauke had his first solo gallery exhibition in New York City; the show, Jürgen Klauke, Transformer: Photoworks from the 1970s, at Koenig & Clinton, included photographic series completed between 1970 and 1976, primarily featuring costumed and androgynous images of the artist.
It was hard for me to find some information, because i have some titles available by the artist, but i never have actually seen his works. In all those years of following art and artists , i could not remember to have seen anything by Klauke. This itself makes it special have found and selected the Klauke books for my inventory. I kept them and now i am offering these books on www.ftn-books.com
Another few weeks and the new depot for the Boymans van Beuningen collection will be open for the public. Now are the weeks of moving and placing the many objects from the collection of the Boymans van Beuningen museum and an openingof the new building is foreseen on the 25th of September next. This building promisses to be something very special and i predict it will have the same appeal as the Guggernheim Museum in Bilbao. Inside , outside and the direct surroundings are all functional for visitors and citizens of Rotterdam alike. It will be an iconic building for Rotterrdam and the Netherlands and i can not wait to visist the building and see its collections by myself. To follow the progress of the opening of the building follow this site; https://www.boijmans.nl/depot
The importance of Ama Kaag for dutch art is not that great. She deserves to be remembered for her sculptures and Photo journalism, but for me she stands for a “groupie” like admiration for Armando. A few months ago i bought a large colection of Armando signed and dedicated books all signed for Ama Kaag and it appeared that Ama Kaag travelled Europe and the Netehrlands to follow Armando and his eattended his exhibitions all over Europe. Armando signing these and commented that Ama Kaag was always present at the opening. This collection is now for sqale at www.ftn-books.com
Without a doubt. There is only one publication that deserves that ULTIMATE title. It is PICABIA by Ronny van de Velde who made this special box available in an edition of 1000 copies and a secondary edition, with the special pochoir print of Satie, in an edition of 200. This box which is now for sale comes from the edition of 200 and contains the “pochoir” print of Erik Satie. This box was the second of a series of special publications by Ronny van de Velde . The first being the CHESSBOARD box by Marcel Duchamp. I once had two copies of it, but both are sold and now i am very happy to offer you this other great collectable item. Francis Picabia and DADA in optima forma. Only the size and weight says it all 47 x 32 x 6 cm. and a hefty 4.2 kg.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20