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Geoffrey Dashwood (1947)

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I had never seen a sculpture by Geoffrey Dashwood before until i saw in an art magazine one of the super birds by Dashwood. At least 4 times as big as a human being and oh so impressive. I must say the sculptures remind me of the ones made in the Netherlands around the 20’s in last century. Specially the bird sculptures by Mendes da Costa have the same way of simplifying as Dashwood does.

But i can understand the attraction of these beautiful sculptures. They are likable and at the same time they have a true artistic quality. By no means these are cheap, affordable sculptures. Since the book that www.ftn-books.com has for sale includes the price list from the Sladmore gallery in 2005. Price range between 5000 and 50.000 ( monumental owl) British Pounds. But certrainly do not hesitate to visit a n exhibition when it is held nearby.

 

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Here is the biography from the Dashwood official site

Geoffrey Dashwood was born in Hampshire, England in 1947. At the age of fifteen he won a scholarship to study fine art at Southampton College of Art, but left after a brief period, preferring to study directly from nature.

He worked in varied occupations to support himself and experimented in various art mediums and techniques in his spare time. His last employment was with the Forestry Commission where he was engaged as a keeper in the New Forest. He also became the unofficial artist in residence for his employers. Dashwood left the Forestry Commission in his mid-twenties to pursue a freelance career in art and he soon received commissions for illustrations and design work, whilst concurrently drawing and painting independently.

In the 1980s Dashwood discovered a gift and a passion for sculpture. His earliest works were small, highly realistic studies in the mainstream of traditional English wildlife art and comparable in style to the famous 19th century French Animalier School of Sculpture. Although these early works brought him commercial success, he became increasingly dissatisfied with the constraints of realism and the lack of personal expression the genre afforded him.

Dashwood started to experiment with larger life-size and monumental works and began to eliminate all superfluous details, creating boldly modeled pieces. He refined his sculptures to attain smooth, tactile, pure forms, further enhanced in bronze by the application of coloured and multi-coloured patinas. In these sculptures he combined his own aesthetic ideals, establishing a distinctive style which is now internationally recognised as being quintessentially Dashwood. His affinity for and empathy with birds and his unique ability to express these emotions to others through his sculpture is undisputed. Dashwood’s work is exhibited and collected worldwide.

 

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Franco Pinna (1925-1978)

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Without knowing who the photographer was i have encountered , many, many photographs by Pinna in the time i read the PARIS MATCH. Studying french i had to read the language, which meant that i bought weekly the Paris Match. Pinna’s photographs are easily recognizable and have a signature of their own.

He was born in La Maddalena, on July 29, 1925. In 1952 he moved to Rome and, after a brief experience as a cinedocumentary operator, constituted the cooperative Fotografi Associati together with Plinio De Martiis, Caio Mario Garrubba, Nicola Sansone, Pablo Volta, which was dissolved in 1954 due to economic difficulties. He followed the anthropologist Ernesto De Martino during several research expeditions in southern Italy (Lucania, 1952, 1956, 1959, Salento 1959), obtaining documents of great artistic and cultural value. In 1959 he published his first book, entitled La Sila, which was followed by Sardegna una civiltà di pietra (Sardinia, a stone civilization) (1961). Meanwhile, his photos appear in the magazines Life, Stern, Sunday Times, Vogue, Paris Match, Epoca, L’espresso, Panorama. From 1965 Pinna became the trusted photographer of Federico Fellini and made scene photos of his films Giulietta degli spiriti, 1965, up to Fellini’s Casanova in 1976; he also publishes some photo books (I ClownsFellini’s Film) inspired by his films. He died suddenly in Rome on April 2, 1978.

www.ftn-books.compinna has a nice italian publication on Pinna available.

 

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Kriki / Christian Vallee (1965)

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Punk, Underground/Metro, music, resistance, grafiti, painting, street art.-

All these words are related to the artist Kriki who made a name for himself in the Paris art scene in the mid Eighties.

In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew. Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.

In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”. www.ftn-books.com has one rare Kriki publication available.kriki

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De voorstelling begint op straat!

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This has been one of the highlights from the past year. A book i did not know was published but a true treasure trove. The book dates back from 2001 and shows the history of 10 years of “Stage” posters. These are done by the very best of dutch (poster) designers. To name a few Anthon Beeke, Jan Bons, Joost Swarte, Lex Reitsma, Marten Jongema. A beautiful published book. BIS published these posters on a larger sized format. Giving these the best possible size in a still reasonably sized book . The book contains the very best of 10 years of posters starting in 1991 and ending in 2001. This book is now in my personal book case and i am glad to give this a place in my personal collection until it sells…..i love it!

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Jopie Huisman (1922-2000)

 

Schermafbeelding 2019-08-23 om 14.31.45There was a time that i travelled all over the Netherlands and Germany to get inspiration for the perfect museumshop. Rudi Fuchs wanted a Walter König like bookstore within the walls of the Gemeentemuseum and i personally wanted to see and experience what the best solution could be. I was impressed with the Cologne/ Museum Ludwig and we made an interpretation of that store within the Gemeentemuseum. Many ideas that are now applied to the store were developed within those days and some have even disappeared already. One of the best ideas was to make the store visible from within the museum rooms which was realized now some 14 years ago and the result  i think  is that it is one of the best ideas for this particular store . On one of these travels i found myself in the middle of nowhere at the Jopies Huisman museum in Workum/Friesland. It felt like i travelled to South Africa. No easy connections , but the result was a visit to a highly original museum , totally devoted to Jopie Huisman, a self taught painter . beautiful realistic works of ordinay daily life objects which he found in his direct surroundings.

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Jopie gave the people honour he felt they deserved. His paintings, whether they are about people or about their belongings, are a homage to the simple Frisian rural farm life, the landscape and the culture. The portraits are monuments to simple things.

Jopie’s artwork does not only possess the recognition and acknowledgement of poverty but also a lot of humour. The humour between people who, driven by circumstance, have to rely on one another. For Jopie, humour was the grease and glue of his life. In the stories he wrote, humour is also clearly present. When you read them, you are actually reading behind the scenes of his paintings.

Jopie’s eye for the absurd, for human proportions and relationships can be found in many of his written or painted caricatures. Recognition was and is above all, a comfort to many visitors as we can see by their reactions.

Jopie was fascinated by daily life which he drank in with great gusto and, as he remarked himself, ‘threw down on canvas’. He poured his soul into his art with great doggedness, perseverance and tenacity. He understood the art of rubbing shoulders with people from all different walks of life like no other.What makes Jopie Huisman so unique is the fact that he was able to illustrate his philosophy of life with so much vigour and with so much feeling and energy. His works are a combination of philosophy, aesthetics and phenomenal art. His message of compassion is universal and timeless.

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This book is now available at www.ftn-books.com

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de Tilburgse School, Delta Lloyd 2002

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Another short blog on one of the most important art collectives in the Netherlands. The importance of the “De Tilburgse School” school is growing more and more by the year. Marc Mulders , Paul van Dongen, Guido Geelen, Reinoud van Vught and Ronald Zuurmond are recognized as being of great importance to dutch modern art. Some years ago i wrote another blog on DE TILBURGSE SCHOOL , explaining their art was rooted within religion, but more and more they are liberating themselves from religious themes. The catalogue which was published by Delta Lloyd on the occasion of the 2002 exhibition shows this in an excellent way. The catalogue is not that thick. Only 28 pages , but it is a beautifully designed book by Maarten Meevis, printed by the quality printers of Lecturis, Making this a highly collectable and important exhibition catalogue.

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Art & Project final season 1998

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People following this blog know that i have acquired a large collection with Bulletins and invitations of the Art & Project gallery. Geert van Beijeren and Adriaan van Ravesteijn have published in nearly 30 years numerous publications. Bulletins, Catalogues, invitations, multiples and letters. Here is the final announcement of all their activities. In dutch they announce the ending of their gallery activities by the end of August 1998. This final announcement is now for sale at www.ftn-books.com

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Giovanni Tommasi Ferroni (1967)

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I have never met the painter, but i have followed his career from the time he had his first exhibition at Steltman gallery / Amsterdam. It was a blend of realism and the fantastic what appealed to met at that time. Fassoni and Parkes were 2 other painters attached to the gallery who made paintings somewhat in the same way. Fantasy combined with a fabulous technique produced some of the nicest paintings in the early Eighties. Ferroni was one of the artists at the gallery, but what his paintings made special was the scenes he created within his paintings . Scenes that reminded me of the the chaotic scenes fellini created within his movies. Here is the text that comes from the Steltman site on Ferroni:

Giovanni Tommasi Ferroni was born in Rome in 1967.
When he started painting in his father’s studio as a child, he carried on the tradition of a family of artists that goes back many generations. By working in the studio of his father Riccardo Tommasi Ferroni he was educated in much the same way his ancestors were during the baroque tradition / period.

Giovanni later studied Literature as well and specialized in Art History at the University of Rome. Both are still a source of great inspiration in his paintings today. His paintings create a beautiful fantasy world that is inhabited by all kinds of mytho-logical, historical and contemporary creatures. While Tommasi’s style and choice of subjects is influenced by the style of his ancestors, contemporary icons intrigue him as well. The resulting synthesis of classical style and subjects and contemporary analytical perspective is sometimes slightly ironic but always fantastic and delirious.

 

www.ftn-books.com / ftn-art has a beautiful etching by Ferroni for sale. a UNIQUE ( edition of 1 ) which is handcolored by the artist / please inquire at wvdelshout@ziggo.nl

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Jo Niemeyer (1946)

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For many of us Jo Niemeyer is not the most common name in constructivist art. However Niemeyer has a loyal following of admirers in Germany and Finland. ( the 1984 Helsinki book is available at www.ftn-books.com).

Working with the primary colors that Piet Mondriaan used too in his STIJL period the compositions look at first glance not that original, but study them closely and you will notice a much more complex composition  with mouvement on the works by Niemeyer. making these stand out on their own. Here is the text i found on Wikipedia on the artist.

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Jo Niemeyer was born in 1946 in the German village Alf. He comes from a long-time artist family. His mother was a textile designer and worked in Saabrücken at the former State School for Art and Crafts, where she was in charge of a handloom weaving factory. His father began to paint at a relatively young age, in abstract and concrete art. Unfortunately, his paintings were considered to be degenerate and most of his works were destroyed or lost during WWII.

After three years of studying photography and graphic art, Niemeyer executed his first geometrical painting in 1966. He travelled in several countries, including the United States and Canada, and in Scandinavia where he was particularly fascinated by nature. In 1967, he pursued his training in industrial design at the Finnish Institute for Art “Atheneum”. He decided in 1970 to quit his job as professional photographer to become a full-time independent artist.

In Finland, he met artist colleagues Lars-Gunnar Nordstrom and Matti Kujasalo, the former director of the Finnish Academy of Art in Helsinki. In the 80s, Kujasalo asked Niemeyer to lecture about different print techniques in the graphic art department. During this time, Niemeyer built up his knowledge of Finnish architecture. It was also in Helsinki in the late 60s that Niemeyer met his wife, Tuula Partanen. in 1972 she founded Edition Partanen which specialised in silkscreen prints and publication of graphic and art portfolios. The studio was established in South Germany with a showroom in Zurich, Switzerland. Edition Partanen collaborated with artists such as Rupprecht Geiger, Matti Kujasalo, Ilya Bolotowsky and Niemeyer himself.

Niemeyer began to elaborate his big scale project “20 steps around the world” which would be installed in 1997 in the City of Ropinsalmi in Finland. In this project, he explained, the earth replaced the canvas. According to him, earth is the carrier of his artistic work being integrated into the creative process only by minimal changes. In the context of this work an arbitrarily defined route around the earth is divided systematically and exactly into 20 segments which develop to a dynamic, logarithmic progression according to the ‘Golden Section’. The 20 steps are visualized by using an installation of 20 stainless-steel elements around the globe, precisely located on continents. The location of the points is achieved by using a computer and satellite navigation.

Over the years, Niemeyer has held successful one-man and group shows in Scandinavia, Italy, Switzerland, Israel, USA, England, Japan, Argentina, and Finland. His murals in public buildings can be found in countries all around the world including Switzerland and Germany, and in Scandinavia. Featured in numerous international publications and films, his works are in public and private collections and museums including in Japan, Germany, Canada, the Netherlands, Finland, Germany and Austria. Today, Jo Niemeyer works and lives in Germany, France and Finland.

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Ans Hey (1932-2010)

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A typical career of a dutch artist. an artist who has had her share of admirers during her life but who never has reached true “stardom” in the dutch art scene.

This is changing rapidly. Since a few years her works are offered at auction. Affordable auctions which prove that her works are better than average since the auction results pass their estimates by a fair percentage. Ans Hey is foremost a sculptor who loved to work with stone. She sculpted and modelled and polished her stones sculptures until the result reached a level of perfection. Het inspiration was nature and the human body, making these sculptures understandable for practically all/ www.ftn-books.com has a nice etching by Ans Hey and of course the very best publication which was acquired recently at a local book market.