Cindy Sherman (1954). . the perfect selfie

 

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It wasn’t to difficult to find a good portrait of Cindy Sherman on Google, because every picture by Cindy Sherman features …Cindy Sherman. So before the craze of the selfie photography , Sherman already made “perfect” selfies, every time staged in a different setting.

She has become world famous with these photographs and had in the Netherlands on several occasions exhibitions, including the retrospective in the Boymans van Beuningen, which catalogue is available at www.ftn-books.com

One exception is that at one time in her career she wasn’t present in het photographs. In 1992 Sherman embarked on a series of photographs now referred to as “Sex Pictures.” For the first time, Sherman is entirely absent from these photographs. Instead, she again uses dolls and prosthetic body parts, this time posed in highly sexual poses. Prosthetic genitalia – both male and female – are used often and photographed in extreme close-up. Photographed exclusively in color, these photographs are meant to shock. Sherman continued to work on these photographs for some time and continued to experiment with the use of dolls and other replacements for what had previously been herself.

 

When i looked closely at these photographs i found a great resemblance with the POUPEE photographs by Hans Bellmer. I might be wrong, but because of this resemblance i find this series much less interesting than the photographs with Sherman in them.

 

 

Otto Egberts… SCHAAMSTREKEN vol. 4

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Here is the fourth and final volume within the series Schaamstreken by Otto Egberts. And again totally different. Shadows of animal figures are combined with geometrical compositions making it completely different from the other volumes. Beautifully executed small paintings on Danish and German maps this time. Because of the thick paper used for these maps these paintings feel like real paintings , bound again in goat leather. This series has been a joy to photograph and in my opinion one of the best artist books series by a contemporary artist. Let me know what you think about it.

measures : 39,5 x 10,9 cm.

contains : 28 pages plus goat leather cover

contains : 11 “paintingss” on old geographical maps spread over 2 pages and 2 paintings on  a singular page

signed and dated, 2000 by Otto Egberts at the end page in pencil.

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Otto Egberts … SCHAAMSTREKEN vol. 3

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Here is the third volume within the series Schaamstreken by Otto Egberts. For me the most spectacular art book ever! It has a Bacon like quality…poetic, raw, explicit. Beautifully executed small paintings on German and Swedish old maps. Because of the thick paper used for these maps these paintings feel like real paintings , bound in goat leather. The scenes are personal and explicit, but above all …theye never loose their artistic quality, making this for me the ultimate artist book. enjoy the pages of this volume no. 3 and look closely at the photo which i took from the very first page. The scene explicit, but it has a dream like quality.  Next week the last volume within this series which is again totally different.

measures : 39,5 x 10,9 cm.

contains : 30 pages plus goat leather cover

contains : 11 “paintingss” on old geographical maps spread over 2 pages and 2 paintings on  a singular page

signed and dated, 2000 by Otto Egberts at the end page in pencil.

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Otto Egberts .. SCHAAMSTREKEN vol. 2

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Here is the second volume within the series Schaamstreken by Otto Egberts. At first glance this looks the least spectacular, but study it closely and you see that each page is worked over. Erased inks, sandpapered surfaces, folds and stamped “vervallen” (dilapidated). These were original maps too and i found some names which make it look like these come from the German Dutch Wadden region.

measures : 39,5 x 10,9 cm.

contains : 38 pages plus goat leather cover

contains : 32 “drawings” on old geographical maps

signed and dated, 2000 by Otto Egberts at the end page in pencil

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Saul Steinberg (1914-1999)

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What have the Maeght foundation , Museum Boymans van Beuningen and the Stedelijk Museum in common? They all three organized exhibitions with Saul Steinberg. This is what i thought of before i started to look at information on the internet and found the foundation of Saul Steinberg  / saulsteinbergfoundation.org. This site starts with giving an overview on his life , but soon you discover that this is one of the great sites on art on the internet totally dedicated to Saul Steinberg. Try it and if interested in the artist you soon will loose yourself completely and spent a long time on this site discovering why Saul Steinberg was important. Here is the short intro from the Steinberg foundation on the artist and please do not forget that www.ftn-books.com has some nice publications available.

Famed worldwide for giving graphic definition to the postwar age, Saul Steinberg (1914-1999) had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades, he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums.

Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art, however, resists conventional critical categories. “I don’t quite belong to the art, cartoon or magazine world, so the art world doesn’t quite know where to place me,” he said. 1 He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.

 

Hans Sonnenberg (1928-2017)

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Yesterday il learned that one of the icons in the dutch gallery scene has died. Hans Sonnenberg founded Delta gallery in Rotterdam, which opened its doors on 8 January 1962 and it was the first gallery in Rotterdam that concentrated exclusively on contemporary art. The role that Hans Sonnenberg played as gallery owner and collector in the Rotterdam art world cannot be overestimated. He succeeded time and again in bringing international developments to the harbour city. In addition, he was aware of the importance of a platform for Rotterdam artists. Sonnenberg has run Delta for an uninterrupted period of fifty years. In his opinion, the gallery owner should ideally be closely connected with the gallery. “The gallery and the gallery owner are one. They call me Mister Delta, but Delta is Hans Sonnenberg”, says the gallery owner in a recent publication.
www.ftn-books.com has some nice gallery Delta publications available.

Paul van Eerden (1954)

Best way to start a blog on van Eerden is this very informative video .

It explains what he sees and how he works. The result….highly original drawings and for this he has become for me personally one of the great contemporary artists in the Netherlands . Good and Slow observations are the fundaments for his drawings, which take a long time to finish with highly detailed parts which look simple but take a long time to execute and finish. The publications do justice to his drawings because they maybe even take longer to finish and some of them are available at www.ftn-books.com