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Donald Judd…2 mint publications

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It looks like Donald Judd publications are getting more rare every month. Since his tragic death in 1994 no more “original” exhibition publications have been published. Of course there are some retrospective ones on the market, but the original ones during his lifetime are harder and harder to find. is therefore proud to have 2 of these rare publications available in pristine condition. First there is the  van Abbemuseum catalogue from 1987. The book served as a catalogue for 4 venues of which the van Abbemuseum was the most impiortant one because the exhibition was curated by Rudi Fuchs. Secondly there is the Donald Judd / Prints and Works in ecitions published by Schellmann , which even is shrink wrapped. This is rare opportunity to acquire these rare and highly collectable Judd publications for your collection.


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Rudolf Mumprecht (1918)

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Why a blog on Mumprecht…. first reason is this artist is too long a forgotten artists. He rose to some fame in the 60’s while he was showing his works at gallery Berggruen/Paris, but was forgotten again . The second reason is that this artist reached the age of 100 years on the 1st of January 2018. It made me take up the Berggruen catalogue again and examine it carefully and noticed that this special catalogue is filled with 14(!) original “pochoirs” prints making it an outstanding and highly collectable artist catalogue. Mumprecht deserves better.

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His works are great and typical for the 50’s and 60’s and being one of the original Berggruen “stable” artists his works will probably also become much more expensive in the decades to come. The Berggruen catalogue is now available at



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Sonia Delaunay (1885-1979) and the pochoir print.

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If ever there was one artist who raised the bar of the art of the small /pochoir print to tremendous proportions it is Sonia Delaunay. Delaunay had her peak during the Art-Deco period and it shows. Here is just a selection of Delaunay prints found on Google .

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Her use of colors, patterns is typical for Delaunay and her art has proven to be timeless and typical Avant Garde for the time she was most productive. The same as Mondrian, she used primary colors, but in a much more free way of making her  compositions. Where her husband Robert Delaunay was influenced by cubism and made colorful cubist interpretations of reality, Sonia stayed true to her abstract compositions with just one side step into the world of fashion for which she made colorful costume  and fashion designs.

For me the first pochoir print i ever saw was the cover of the Stedelijk Museum catalogue for the Sonia Delaunay exhibition in 1958. Willem Sandberg did the design of the catalogue, but what makes this catalogue so special is of course the original pochoir print by Sonia Delaunay on the cover.

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This publication is available at

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A very special M.C. ESCHER book by the Fung Ping Shan Museum from 1994.


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It was 5 years ago that i discovered an Escher title that i never had encountered before.

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This can be explained easily, because the publications was initiated by the Fung Ping Shan museum, which is now not only a museum but also a University and Art gallery in Hong Kong. Publication by this museum are rare and it is even more exceptional to encounter one of their publications in Europe. This is one of the smaller museums in the world and i do not know how they managed to get an Escher exhibition, but i suspect it was bought from Cordon Art. Cordon Art is the sole owner of the reproduction rights of the works by M.C Escher and probably has still the largest collection of original works by the artist. It was 1994 that this book was published and what strikes me most is that the reproduction and print quality is the best that was possible in those days. The book outshines other Escher publications from that era and is possibly the best that was published on the artist in the nineties. Escher is always present in the inventory of , but this one is rare and probably a one time offer .

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Robert Mangold ….SEVEN MAXIMS (1996)

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This is one of the highlights in my inventory. Not because it is expensive, but i think this is outright beautiful and has everything what a great art limited edition should be. Slipcase, loose sheets. prints spread over double pages , best possible print quality, very limited edition, signed and numbered. This is really superb and needs to be presented in this blog on SEVEN MAXIMS by Mangold.

You can find the publication over here:

and to give an impression here are the pictures

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Anton Heyboer ( exhibition in Gemeentemuseum Den Haag) and Jean-Michel Basquiat

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Yesterday i participated in an auction in which around 15 lots by Anton Heyboer were offered. Some of them were sold but most of them were “unsold” /held up and prices stayed all below their estimates. During the auction the auctioneer urged her audience to go to the Anton Heyboer exhibition in the Gemeentemuseum and since after my lunch i had a spare half hour, i stopped at the museum and visited the Heyboer exhibition. The museum has a long history with Heyboer , because in his early years as a curator for the Museum , Hans Locher organized exhibitions on Heyboer and visited him frequently in his studio in Den Ilp, resulting in purchases and the start of a brilliant Heyboer collection. Later on Heyboer’s works became less and less important . This is the time when he started as a more commercial artist  and sold his works across the street in Den Ilp, in a gallery run by his 5th wife.

But yesterday when i visited the exhibition in the Gemeentemuseum Den Haag ( Heyboer is on show until the 4th of February 2018) i was overwhelmed by the quality of its works from the sixties and seventies. I knew the etchings from the collection quite well, but the paintings were an eyeopener for me and i compared them immediately with the experience i had when i saw similar kind of paintings by Jean-Michel Basquiat in the Beyeler Museum some years ago.

There are many similarities between these two artists and their paintings and when you realize that most of these were made 20 to 25 years before Basquiat made his works you can only admire the Heyboer’s even more. I like this Heyboer exhibition very much and for me it is one of the best the Gemeentemuseum organized in the last 5 years.

and of course there are some nice Heyboer publications available at


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A very special WERKMAN publication (1964) by Wim Crouwel

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Because i get notified by Pinterest which items are shared and saved, i found out that this is one of the most appreciated photographs of all publications on

This publication was published on the occasion of the Werkman exhibition in Groningen in 1964 and one of the first designs that Wim Crouwel made for a dutch museum. In this same period he designed the publications for the van Abbemuseum which were followed from the early sixties on by the publications of the Stedelijk Museum. What makes this one special is the condition it is in  and the highly unusual appearance. The use of multi colored papers, its odd size and a cover chosen in relation with the Werkman print which is used as a cover. This publication is the top in dutch lay-out and design and must be considered as one of the very best publications of the sixties. Curious?………take a look at

and see for your self the many special qualities of this rare collectable Crouwel item.

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Co Westerik (1924)

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One of the last grand “old” masters of the dutch Art scene. Of course C ( Jacobus) Westerik has had his exhibitions abroad, but beside the Netherlands, germany and Belgium his name is not that well known. I met Westerik at the time he was making the portrait of Theo van Velzen. One of the former directors of the Haags Gemeentemuseum. The portrait was presented as a farewell present when van Velzen resigned to be hung in a gallery with portraits of other former directors. A small portrait which he managed to squeeze in and complete it in between 2 other paintings. His canvasses are not too big , but they are scarce because Westerik has a very small production yearly. I really do not know if he still is active as a painter, but at the time the van Velzen portrait was made , his production was 3 paintings a year. All were sold up front to collectors and museums. Among them Frits Becht (1930-2006) .He was the private collector with the largest Westerik collection .

He who was a personal friend for his entire life and followed his career through the years and bought many works. beside a painter Westerik was also known for his graphics in which he excelled. His production as a graphic artist was much much larger and there are almost a thousand different prints known by him. Westerik is a very important artist for dutch art and because i followed him over the years has many publications on Westerik available.

A short documentary on Westerik can be found at this address:

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Antoni Tapies (1923-2012)

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It must have been some 12 years ago that i first visited Barcelona and found myself amazed and surprised by this city full of Gaudi and other modernista marvels, but the best find for me was the discovery and first visit of the Fundacio Antoni Tapies.

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The building itself is already worth visiting and the inside is even more spectacular. An old facade houses a very modern museum inside which houses the works donated by Antoni and Theresa Tapies. I loved its collection and it proved to me that Tapies his art is timeless, very spanish and cosmopolitan at the same time. Tapies is possibly , next to Picasso and Dali , the most important spanish name in Modern Art. He often uses large canvasses and on them paints with “earth” colors impressive abstract compositions and uses  matter in them.

In these matter paintings , the materials used are no longer simple media used to express an idea; they are the idea itself. That process produces a complete identification between material and form, between concept and language. Those works become opaque surfaces, walls on which the artist writes his graffiti and attaches the forms of objects or people. His identification with the work through his surname (in Catalan Tàpies means “walls”) expresses a more profound desire to break with Western dualism and blend with the material in a continuous formlessness.
Over the post-war years there was a general interest among artists on both sides of the Atlantic in material. Awareness of the atomic bomb and the new scientific discoveries aroused a strong curiosity in science, the new ideas about space-time and substance, while inventions such as the electronic microscope provided a new view of nature.
At the same time, Tàpies had developed an interest in Eastern philosophy, because of its emphasis on material, the identity between man and nature and its denial of the dualism of our society.

There are some excellent Tapies publications available at

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James Rosenquist (1933-2017)


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Sad news this morning, one of the greatest Pop Art artists, James Rosenquist, died at the age of 83 of March 31, 2017.

Rosenquist was one of the last living great Pop Art artists and a contemporary of Warhol Lichtenstein,and Wesselman. He was the lesser known of these 4 names, but what made him special and stand out from them was the use of extremely large canvasses. But also his prints were larger than normal. He holds the record for the largest print in the world measuring 35 x 7 feet!

Rosenquist works are present in all major collections of Contemporary art in the world. A large part of his inventory was destroyed during a fire in 2009 in which all his works present in the studio were destroyed.  Rosenquist will be remembered as one of the great Pop Art artist. has some nice catalogues on him.

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the prints of Frank Stella (1936)

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Two reasons to devote a blog to Frank Stella. First there is an acquisition by the Gemeentemuseum Den Haag which i do not understand. For me it is a “stand alone” work of art with no relation with other works within the collection and at the time i saw it , i recognized it as a Stella, but was not very impressed by it. I would have thought the Stedelijk Museum Amsterdam would have bought a work by Stella, because it fits in….but at the Gemeentemuseum it looks to be “a stranger at our midst”. Still Frank Stella is a great print maker and one of the reasons for this blog is to point out a very fine publication the Stedelijk Museum has published in 1970. The design was done by Wim Crouwel, but the best is there is a highly original “blind print” used as cover for this great catalogue.

It is one of the most spectacular catalogues from the 70’s with its embossed cover. A special artist cover which relates to one of the first “shaped canvases” use of multiple papers and ink colors. Typical Crouwel design. Book measures 10.8 x 8.2 inches, contains 78 pages plus cover. text in dutch and english.

Frank Stella is an important artist, has made some great works of art, but especially his minimal early works are for me among his best, including this great 1970 catalogue.

The Wim Crouwel / Stella catalogue from 1970 and other Frank Stella publications are available at


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Julie de Graag (1877-1924), Two masterpieces

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Anna Julia de Graag was born in Gorinchem and followed her art education at the Koninklijke Academie voor Beeldende Kunsten with Aarts and Bremmer. This H.P. Bremmer would later become the most important art advisor for mrs. Kroller Muller and was from the beginning of her career the personwho guided her into the world of art. Julie de Graag had a very personal way of depicting everyday subjects. Stylized, thick outlines, nature brought back to its essence. Julie de Graag was first and foremost a graphic artist. Her skills were superb and this resulted in great , beautiful small works of art. Her woodcuts i consider to be the very best and most beautiful i know of.

For me it started with a very small , but delicate exhibition in the Gemeentemuseum some 15 years ago and since i have been looking for these true masterpieces. There are not many of them , because Julie de Graag , had a small oeuvre and not many of these remain,because there had been a fire in her studio in which many of these works were lost. Furthermore she had to stop working in the early 20’s because she fell physically and mentally ill . and because of this illness and her weakening she committed suicide at the age of 46 . A sad life with beautiful exquisite art as a result.

It has been a while, but i am fortunate to have found another 2 excellent examples of her art and skills and both are for sale at For Julie de Graag these are large woodcuts ( approx. 23 x 19 cm) and best of all both are signed in the block and in pencil and in excellent condition.