Born in Germany, but living near Rotterdam for almost his entire life, Bieling has somehow not become the great and well known artist he was expected to become. His art is a very personal kind of art. With influences of cubists and realism he composes paintings that are only part abstract , but for the most part one can recognize the scene.
left Bieling and right Boers
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I have always been fascinated by Bieling, not that i want to own a Bieling for my collection , but more in a way that i think that Bieling stands for typical Forties art in the Netherlands in the past century. He is a kind of link between the “old” realistic” way of painting and the emerging art of abstraction. In the same way i am fascinated by Willy Boers, who is a far better artist and of who i think he was important in developing abstract art in the Netherlands. www.ftn-books.com has on both mentioned artists books available.
Willy Boers, Dutch art ” insiders ” will know the name and the works he stands for. But for those less familiar with the artist Willy Boers here is a short biography. Willy Boers developed his art from realistic scenes into abstract, even hard edge art over a period of some 40 years. He stood at the cradle of the first dutch modern abstract expressionist paintings. Probably influenced by Miro and Picasso he developed his art into something very typical and recognizable as a Willy Boers painting.
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When i first read the catalogue EEN NIEUWE SYNTHESE ( available at www.ftn-books.com) , there were 2 artist which immediately caught my eye. There was of course Willem Hussem and ….Willy Boers.
Boers was far less familiar, because i already had seen some Hussem paintings at gallery Nouvelles Images, but it was not until 10 years ago that i finally had a chance to admire some paintings by Boers “live” . It was at the gallery of Henk Klasema who had bought the remainder of the Boers studio and was selling these Willy Boers paintings. Because he had all periods available i could discover his development into hard edge abstract art, but was mostly convinced of the art he made in the period between 1949 and 1955.
Now is finally the time that Willy Boers is being recognized for the great dutch artist he was . A true pioneer in dutch Modern Art and sometimes his works come now available at auction. Keep this in mind… Boers is still affordable, but it will not last 10 years before his art will be picked up by many more art dealers and collectors, making it far less affordable than these works are right now.
There are some nice Boers publications available at http://www.ftn-books.com including the which was made for his Stedelijk Museum exhibition.
Personally i consider, like Jurrie Poot, ( he wrote a short article on Baumeister in the Stedelijk Museum Bulletin) a constructivist. But a constructivist who became more free with every painting finally resulting in a style which was a cross between Malevich, Miro and in the Netherlands …Willy Boers.
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Born at Stuttgart, where in 1911 he enrolled at the Art Academy as a pupil of Adolf Hölzel. Trip to Paris in 1912 where he discovered the work of ToulouseLautrec and Gauguin. Another trip to Paris in 1914 with Oskar Schlemmer; this time he became an enthusiastic admirer of Cézanne. From 1919 date his first Mauerbilder (wall pictures). A third stay in Paris in 1924, where he came into contact with Ozenfant, Le Corbusier, Fernand Léger and, some years later, the Abstraction-Creation group ( 1932). He taught at the Fine Arts School in Frankfort from 1928 to 1933, when he was dismissed by the Nazis and condemned as a “degenerate painter.” Thereafter he lived a retired life in Stuttgart and worked on in solitude until the end of the war; earned his living during this period by working in a printing plant. Appointed to a professorship at the Stuttgart Academy of Fine Arts in 1946. In 1947 he published a book, Das Unbekannte in der Kunst, written four years earlier. His work has been represented in most of the major post-war exhibitions in Europe, and also at the exhibition of German Art of the Twentieth Century, held in 1957 at the Museum of Modern Art, New York. Baumeister retrospectives organized at Documenta ll ( Kassel, 1959) and at the 1960 Venice Biennale.
But what struck me most were the similarities between a painting from another dutch painter …Willy Boers. A painting i know very well, title “Quintessens” and from a much earlier date. A painting which is one of the key works in dutch Modern Art and one which is depicted in the book. DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND
This Willy Boers painting was made in 1947 and finished in 1948. There are 11 years apart in both works. The Boers painting is strongly influenced by Miro and Picasso, but is it possible that Bram van Velde has seen the Willy Boers painting?
This morning i was surprised to see an annual report on online Art dealing by Saatchi. According to Saatchi there is a tremendous growth in on online art business, but you have to be careful which artists to pick to make a sound investment. I must say…..works by some of these artists really look good and prices are still on the verge of affordable ( $ 1000-$5000) . But what struck me most is that Saatchi is creating a market for artist who THEY represent. This is only a very small percentage of artists in the world who are creating their works but, do not have the representation nor the time and money to wait before a sale is realized.
My advise to build a small collection, is to find the artist(s) you really like, visit his or her studio, start building a relation as a collector with the artist and follow him/her over the years and when you have some money to spare buy directly from the artist and support them in every other way you can, by introducing them to friends/ collectors and keeping contact to follow him/her. This way you are helping the artist to build a following of supporters and you will support them with your appreciation and your purchase(s) over the years. This is much nicer than to make an online purchase and have the work send to your home address in a “beautiful “crate and not having seen where it comes from. To appreciate a work in the best way, is to see where it was created and to meet the person that created it. It makes the picture complete and the art you look at has not become a piece of decoration but a true work of art that you chose by yourself by having a choice from many other works that were created over a much longer period than the new ” last years models” which are presented by online galleries.
This is the way i have been collecting all of my life. For those who want to know which artists belong to the core of our collection. Here are the pics. Look at them and when you want to have more info do not hesitate to contact me at www.ftn-books.com or
Personally i am not a great fan of Picasso. I understand his importance for Modern Art, but somehow he never appealed to me very much. One exception . In 1937 Picasso painted GUERNICA. The first time i saw this extremely large painting was in 1977 when i visited New York with my father. It was breathtaking!
So much to see in this painting. I shows the city of Guernica while it was bombarded by the Condor legion of the Luftwaffe. Pure panic and chaos on every painted part of the painting. This is a painting you must see in reality, because the sheer size is breathtaking already. It was one memory i brought home with me.
About 12 years ago the Gemeentemuseum Den Haag had the studies for Guernica in a special show and even on these much smaller studies you can see the struggle of the painter and the power of the subject.
A few years ago we went to the Reina Sofia Museum in Madrid and saw this masterpiece again. The same experience…still breathtaking.
When you look at this painting you can see that it has influenced many painters. . For one, there is a dutch painter ” Willy Boers” who borrowed the theme with the horse and made his own version of chaos and despair. The painting is called “La Quintessence” dated 1947/1948, 10 years after Guernicia was painted and is depicted in DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND. Can you spot the similarities too?
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20