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Josephine Sloet (continued)

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Yesterday i visited the studio of Josephine Sloet to talk about the last couple of months and the future. She has had a very productive period while staying in France during last summer and i took the opportunity to photograph 2 of the completed 9 paintings and beside the already finished series of paintings, she told me that she has plans to make a series of smaller drawings in the coming months. I will make another appointment in the near future to photograph the other paintings made during last summer, but the 2 i have already photographed will be presented in the next couple of weeks. here is the first one:

title: Meeting of Leaves

size: 101 x 81 cm.

technique: acrylic on canvas

 

sloet leaves 2019 a

an impressive painting in a handy size.

for more information inquire at wvdelshout@ziggo.nl

 

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Cesar Manrique (1919-1992)

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Because i encountered a nice publication on this obscure painter , i decided to write a blog on the artist. The main part of this text comes fromT the Cesar Manrique devoted site. They did an excellent job in making more information available on Manrique

César Manrique Cabrera was born on April 24,1919 in Puerto Naos, Arrecife (Lanzarote), the son of Francisca y Gumersindo. His father was a food merchant and his grandfather a notary public. César preceded his twin sister Amparo by just a few minutes. He had another sister and brother all of whom are alive today. Don Gumersindo came from Fuerteventura of good family background and emigrated to Lanzarote.

The Manriques constituted a typical middle class family, without financial burdens. In 1934, his father bought a lot in Caleta de Famara and built a house next to the ocean. This house left a visible impression that lasted his lifetime, he remembered with joy:” My greatest happiness is to recall a happy childhood,five month summer vacationsin the Caleta and the Famara beach, with its eight kilometers of clean and fine sand framed by cliffs of more than four hundred meters high that reflected on the beach like in a mirror. That image has been engraved in my soul as something of extraordinary beauty that I will never forget in all of my life.”

He participated as a volunteer in the Spanish Civil War on Franco’s side. His experience of the war was atrocious and he refused to talk about it. In the summer of 1939, once the war was over, César returned to Arrecife. He returned still wearing his military uniform. After greeting his mother and siblings, he went up on the flat roof, took off his clothes, agrily stepped over them, sprayed them with petroleun and burned them.

At the end of the Spanish Civil War, he entered the La Laguna University to study Technical Architecture, which he would abandon after two years. In 1945 he travels to Madrid and enters with a scholarship, to the Academia de Bellas Artes de San Fernando, where he would graduate as Art Professor and painter.

In the Fall of 1964, following the advise of his cousin Manuel Manrique, a New York Psychoanalyst and writer, Cesar traveled to that city where he stayed until the summer of 1966. He was the guest of Waldo Diaz-Balart, a Cuban painter, who lived in the Lower East Side, at the time, a neighborhood of artists, journalists, writers, and bohemians. Later he was able to obtain through his cousin Manuel’s friendship with the Director of the Institute of International Education, which was sponsored by Nelson Rockefeller. a generous grant which allowed him to rent his own studio and produce a number of paintings which he exhibited with success in the prestigious New York gallery “Catherine Viviano” .
While in New York, he would write his friend Pepe Dámaso “(…) more than ever I feel true nostalgia for the real meaning of things. For the pureness of the people. For the bareness of my landscape, and for my friends (…) My last conclusion is that MAN in N.Y. is like a rat. Man was not created for this artificiality. There is an imperative need to go back to the soil. Feel it, smell it. That’s what I feel.” He began to feel nostalgia for Lanzarote.

” When I returned from New York, I came with the intention of turning my native island into one of the more beautiful places in the planet, due to the endless possibilities that Lanzarote had to offer. ” .

And this is the present reality: It is impossible to imagine Lanzarote as it stands today without César Manrique. He was a painter, sculptor, architect, ecologist, monument preserver, construction advisor, planner of urban developments, outliner of landscapes and gardens.

Those who knew Manrique only superficially ignored the load of puritanism that ruled his conduct. Manrique was really a frugal man, he didn’t drink, didn’t smoke and didn’t allow others to smoke next to him, he regularly went to bed very early and got up at dawn, and began work in his studio very early.

He died at the age of 73 in a tragic car accident, on the 25 of September 1992, next to the Fundacion, near Arrecife. The irony of fate had it that he would encounter death in a car accident, as he loathed the massive amount of vehicles

www.ftn-books.com has the best publication on Cesar Manrique now available.

 

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Piet Dirkx weekly

A rare invitation card was made for the reception at B.I.C. Carpets in 2000

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New OSSIP from 1978 for FTN-art

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Recently i acquired a highly important early Ossip (Snoek) work for my collection. The work is titled Cirkel 1 from 1978 and consists of multiple layers of papers ( including musical notes in the corners) and it shows the very early beginnings of his search for the ultimate work by Ossip. It has everything. Composition, technique, mouvement, color and this typical use of multiple layers of paper, making this an important and valuable Ossip. Cirkel 1 is now for sale at the art section of this blog.

ossip vroeg snede

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John Baldessari dies at the age of 88

A curious thing happened. This morning i received in my mailbox an article by “Mutual Art”.  I could really understnad why it is important for some to know the development “money wise” of an artist, but it would have been so much more graceful to have remembered Baldessari for the excellent conceptual artist he was:

In Numbers: John Baldessari

The art world lost one of its most beloved characters last week, when John Baldessari passed away on January 2nd at the age of 88. Baldessari can be described in a great many ways— versatile, funny, iconoclastic, influential, pioneering— and his artistic career, which stretched over some six decades, saw some unforgettable moments, such as his Cremation Project (1970), in which he burnt all the paintings he made between 1953 and 1966, subsequently baking the ashes into cookies.

But beneath his humorous surface— he himself said that humor was not his aim— lay great depth and strength of character. It is doubtful whether conceptual art and photography would enjoy their same status as modes of art today without Baldessari. He endured much criticism in the beginning of his career, when abstract art still reigned supreme, but he embraced that criticism to push Conceptualism even further. Time and progress were on his side, however, and questions he posed about meaning and authorship ring as true today, as they did in the ’60s. His death is greatly mourned by the entirety of the art world. 

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

 

instead, read the article which was

published a few days ago in the New York Times, much better and certainly more graceful to remember this great artist.

www.ftn-books.com has some very importnat Baldessari publications available

 

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Piet Dirkx weekly

Postcard published by the Haags Gemeentemuseum ‘ THE HOUSE OF THE PAINTER “, 1986/87

dirkx kaart stellage

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Piet Dirkx weekly

A rare publication from an edition of only 750 copies , my guess is that not many of this edition will have survived. Publication ERRARE made together withRené Bogaerts made for lokaal 01 in Breda in 1987

dirkx errare

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David Tremlett at Coazollo ( continued)

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Last April/May we visited the region around Castiglione Tinella again and this time the weather was better to make some very nice photographs of the David Tremlett painted church at Coazollo. The difference this time sunny with some beautiful clouds and i remembered to make this time a nice panorama shot. Here are the photographs of this visit.

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IMG_20190507_153803

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An important Antonio Calderara portfolio

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Recently i acquired for my inventory one of the most important of all Calderara portfolio’s published just a few years before his death. It is the Tempo Spazio Luce portfolio published by the recently closed Galerie Nouvelles Images in 1975. The edition size, only 40 copies. 18 serigraphs….all signed with initials and numbered. Condition mint. I consider this period as Calderara’s best. The prints are as delicate as most of his prints from this period and these are not the small prints that are offered elsewhere but the large printed sheets that are 50 x 50 cm.

A beautiful and impressive set held togethjer in a special box, which is now 44 years and a rare offer for the Calderara fan. Box is Near Mint+, but all prints are in pristine /mint condition.

calderara ni c

calderara ni b

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Albert Van Der Weide ( 1949 )

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A good way to start the New Year.

ALLE MACHT AAN DE KUNST

A happy and healthy 2020

 The art item ” ALLE MACHT AAN DE KUNST ” ( all power to art ) is available at www.ftn-books.com

weide macht