This week i am making up for an incomplete blog . I just noticed that to make the story on last weeks blog complete i had to add the photographs of the inner sides of both objects which were on show in the Piet Dirkx exhibition at the van Abbemuseum in 1985. Pier had indicated on the inside of both boxes in what way both had to be combined and showed. So to make the story complete here are both insides.
It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.
The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.
Another young bBritish artist who emerged in the early Nineties in a wave of young British artists. Others from her generation rose to fame in the same years. Among them Gary Hume and Damien Hirst. They had one thing in common. All were added to the Tate collection at a very young age and collected by Saatchi. Personally i am not a great admirer of her works. For the same reasons i am not a great admirer of Hirst his works, but sometimes you have to look twice and try to discover the meaning of her(in many cases) masculine constructions to confront and dissect their nature.
Her pieces represent a fantastical world and playfully employs unrealistic ideals to unearth obscene paradoxes created by those very constructions. These works are constructed and well thought over and perhaps that is the quality i do not like about them.
www.ftn-books.com has some Sarah Lucas titles available
At auction I was lucky to find and buy a “lot” with some more Alechinsly rare books and among them there was one one publication of which i did not know it existed. It was the Alwechinsky catalogue for his Caracas exhibition from 1989. A catalogue published in only 1000 copies and spectacular because i am convinced that is a hard to find collectable Alechinsky publication. The full title is LITOS PERPETRA PIERRE ALECHINSKY and the exhibition was held at the Museo de Bellas Artesde Caracas. There is only one copy available and the first who orderes it at www.ftn-books.com and uses the discount code Caracas will receive a 15% discount on this specific item.
Is it luck or did it had to be this way?,….. because a few months ago if finally could purchase for the FTN collection an important and i think beautiful and intriguing sculpture by Arjanne van der Spek. It must have been some 25 years or more ago that i think Gerrit Jan de Rook introduced me to Arjanne van der Spek. It was during the exhibition she had at the Gemeentemuseum and was joining Frank van Hemert in their joint presentation. A just starting, promising sculptor, who had finished her education and studies at the Ateliers 63 just half a decade earlier. She had her first solo exhibition at the Tanya Rumpff gallery who had started her gallery a few months earlier. I went to the gallery to see the other drawings and sculptures other than the ones i had seen and admired at the Gemeentemuseum and i really fell for her sculptures. As i explained to her a few weeks ago …they were intriguing and completely different than the sculptures i had seen before. The use of wood, steel, ceramic and tissues all in one sculpture were new to me. Unfortunately i could not afford a sculpture, but time changes everything and a few weeks ago i was able to buy KNAP KNAP KNA from the former Klein Breteler collection, who had the work acquired from gallery de Vries in Haarlem. The work was not sold during auction, but i was able to buy it in the aftersale. I informed Arjanne that i had bought the KNAP KNAP KNAP and she was delighted to hear it found a new home. She thought it to be one of her best works and is still very fond of it so i offered it on loan when ever she wanted to use it in an exhibition:
a mixed media object (ceramic, wood, paint, brass) in two parts, 70x100x40 cm
Provenance: Acquired from Galerie Rob de Vries, Haarlem
It is a large work which makes it not that easy to place although outside placement under a roof is an option.
I added this work last week to the FTN art section and for those interested in buying please inquire at email@example.com
It took a few meetings and some fine tuning but now , after a month of preparations, the page with Josephine Sloet paintings is now “live” at ftn-blog.com/josephine-sloet/
These paintings that are presented are all for sale and come from different periods from her career. One of my personal favorites is the TIME MOVING painting. It is a large, bold work of art and not for the faint of hearted, because it stands out and dominates its surroundings and beside that you can not avoid it since it is a very large work of art. It measures an impressive 206 x 206 cm.
A beautiful and impressive painting by Josephine Sloet. For more inquiries on this and other paintings by Josephine Sloet offered by FTN-art, please inquire at firstname.lastname@example.org
The following video is made by Josephine Sloet:
He is for certain one of the greatest Pop Art artists if ever there was one. One from the first generation of Pop Art artists who rose to fame in the early 60’s and who even had some great exhibitions in the years to follow at the Stedelijk Museum and the Boymans van Beuningen museum in the Netherlands in the 60’s and 70’s. Both museum have since some great paintings in their collections , (left Stedelijk / right Boymans van Beuningen)
but the Stedelijk Museum stands out for me , because beside multiple art works in their collection they published one of the first simple orange/red catalogues designed by Wim Crouwel. This one devoted specially to the drawings of Jim Dine and available at www.ftn-books.com and this is Wim Crouwel classic
But of course there are other Jim DIne titles also available at www.ftn-books.com
The first time i took notice of the works by Mark Wallinger was when i learned that this artist was presented at the Tate modern and that Saatchi took an interestb in the artist. The second occasion was when i actually owned a true signed Mark Wallinger. Nothing very special because it was a Christmas Momart edition but still an original work of art signed by the artist himself.
From that time on i occasionally encountered works by him, but never in the Netherlands, because to my knowledge non of the larger museums have works by Wallinger in their collections. Still there must be an interest for this artist because when you compare the black and white eighties paintings by Armando there are quite some similarities to be found in use of color and composition
Nevertheless for more books and publications on WALLINGER and the late ARMANDO please visit www.ftn-books.com
It was i think our third visit to the Josef Albers Museum in Bottrop when we encountered the works by James Bishop… and…they blew me away!
Large scaled paintings, extremely delicate colors combined in compositions which were part constructivist and familiar and other ways totally different because of the scale, composition and impact.
I tried to find more on James Bishop , but beside the excellent gallery exhibitions at David Zwirner it is hard to find more on Bishop. Here is a short list of exhibitions in which he was presented.
- 1963: Galerie Lucien Durand, Paris, France
- 1966: Fischbach Gallery, New York, New York
- 1993: Kunstmuseum Winterthur, Switzerland
- 2008: Staatliche Graphische Sammlung, Munich, Germany
- 2014: David Zwirner, New York, New York
This is an artist who grows on you. An artist who is one of a kind. For me he has the same qualities as many better known artists from his genaration, but is not the household name in modern art he should be. Try to see some of his works when you the chance , because this is an artist well worth discovering. www.ftn-books.com has a signed exhibition poster from this artist available.
On this Christmas eve some thoughts by Josef Albers :
Wenn ich male
sehe und denke ich zunächst – Farbe
Und zumeist Farbe als Bewegung
Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt
Sondern als Farbe in dauernder innerer Bewegung
Nicht nur in Interaktion und Interdependenz
verbunden wie unverbunden
Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen
Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe
When I paint
I think and see
first and most – color
but color as motion
Color not only accompanying
form of lateral extension
and after being moved
But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light
Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within
The card below was the original Josef Albers Christmas card from 1952
Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books