As promissed another detail which shows the thick layers of wax paint Piet uses to make his compositions. This painting was discussed earlier in another blog on Piet and has been presented on 3 locations before it finally was part of our collection. Among the locations was the Biotoop project at the Haags Gemeentemuseum.
For me Giugiaro stands for car design. Specially the iconic Alfa Romeo GTV and Sprint are the cars i am thinking of when i think of Giugiaro, but others are reminded of other objects when they hear the name of Giugiaro, because he is one of the most influential Italian designers from our days. Coffee machimes, furniture, lamps etc. all by the hand or studio of Giugiaro have been produced in the last 50 years.
Giugiaro was named Car Designer of the Century in 1999 and inducted into the Automotive Hall of Fame in 2002 and this is the model i would like to share with you. After driving the original Austi Mini for a few years i changed to the even less reliable Alfa Romeo Sprint by Giugiaro. Less reliabel, but great fun to own and drive,
In addition to cars, Giugiaro designed camera bodies for Nikon, computer prototypes for Apple, Navigation promenade of Porto Santo Stefano, and developed a new pasta shape “Marille”, as well as office furniture for Okamura Corporation.
Giugiaro’s earliest cars, like the Alfa Romeo 105/115 Series Coupés, often featured tastefully arched and curving shapes, such as the De Tomaso Mangusta, Iso Grifo, and Maserati Ghibli. However, as the 1970s approached, Giugiaro’s designs became increasingly angular, culminating in the “folded paper” era of the 1970s. Straight-lined designs such as the BMW M1, Lotus Esprit S1, and Maserati Bora followed before a softer approach returned in the Maserati Merak, Lamborghini Calà, Maserati Spyder, and Ferrari GG50.
Giugiaro is widely known for the DeLorean DMC-12, featured prominently in the Hollywood blockbuster series Back to the Future. His most commercially successful design was the Volkswagen Golf Mk1.
There is a nice book on Giugiaro avaialble at www.ftn-books.com
He is an important dutch Typographer, but is not that known outside the Netherlands, but because Treebus has witnessed the transsition from lead printing into the digital age of printing it is nice to see how this process has taken effect in the designs of Treebus. Treebus has made numerous designs in those 32 years he was sdesigning papers, letters and forms for the STAATSDRUKKERIJ /Uitgeverij.
Treebus is one of those people that has influenced 3 genarations of designers, because his designs used by many over a period of 40 years
www.ftn-books.com has an excellent monographic book on Treebus available.
France has had its share of society painters and i f ever there was one who came after the flood of great names who build a career in making portraits of wealthy women, it must have been Domergue. He started his career in 1911 after he had finished his art studies at the École nationale supérieure des Beaux-Arts. Onwards he specialized in makeing portraits of Parisian women. Some people even say that this is how the French Pin Up was invented. His technique is something between impressionism and the style of Matisse.
His portraits are highly recognizable and the artistic appreciation and also the value of his works are starting to grow. This making him an artist for the future. The importance of Domergue is not only his figure studies , but also the works he has done as a fashion designer. The clothes he designed for Paul Poiret are considered as true classics. www.ftn-books.com has some nice vintage 60’s cataloges of the artist available.
Put them next too eachother and you see a resemblance in the directness and of course the use of black and white within them. But WILLEM is not only known for his Black / white drawings , but also for his political drawings and … some great illustrations. Among them… the illustrations he had done for FROM A -> Z by Rebecca Rass, published by Thomas Rapp in 1969 and available at www.ftn-books.com
Here is a part of the biography on WILLEM published by the Lambiek gallery:
Born and bred in de Veluwe, one of the most conservative regions of Holland, Willem has become one of the world’s most unpredictable and sardonic cartoonists. While studying Fine Arts between 1962 and 1967, it all started with some early comix and cartoons for magazines like De Legerkoerier (The Army Courier), and with Willem’s contributions to the legendary student magazine Propria Cures. There, he got in touch with Roel van Duyn, the editor of the paper for the hippie movement Provo.
Since Provo at that time didn’t have an illustrator, Willem started working for them right away. In 1966 he caused quite a stir by portraying the Dutch queen Juliana as a prostitute in one of his cartoons for the Provo publication God, Nederland & Oranje. What followed was a persecution for lese majesty and a fine of 200 guilders. Following the demise of the Provo movement, his work appeared in De Nieuwe Linie in 1967. He moved to Paris, France in the following year, where his first cartooning work were contributions to L’Enragé during the May 1968 student strikes in Paris.
He subsequently became a regular contributor to Hara Kiri as well as its follow-up Charlie Hebdo. Willem’s beloved themes such as fat women, biological warfare, crabs, small children and police violence were all represented in the many political cartoons, illustrations, puzzles, comix and texts for the magazine. He also served as a promotor of Dutch comic abroad with his own publication Surprise. He was eventually editor-in-chief of Charlie Mensuel. He also appeared in Benoît Lamy’s documentary ‘Cartoon Circus’ (1972), a Belgian documentary about cartoons and comics, in which he was interviewed alongside Siné, Picha, Roland Topor, Cabu, Jean-Marc Reiser, François Cavanna, Professeur Choron, Gal, Georges Wolinski, Joke and Jules Feiffer.
Ever since the late seventies, Willem has been contributing controversial daily cartoons to the French left-wing daily Libération. All through these years his output has been prolific, resulting in a veritable mountain of book publications, which are almost without exception hard to find. Luckily, in 1998, the editor Jean-Pierre Faur published the anthology ‘Deadlines’, a beautiful overview of the works of one of the most internationally renowned Dutch graphic artists.
In 1970 only 2 years after the first exhibition with Minimal Art at the Haags Gemeentemuseum ( Curated by Enno Develing) , there was an initiative by 3 aspiring admirers who wanted to present their choice of Contemporary Art with a focus on Minimal Art. Organized by the Kunsthistorisch Instituut in 1970 a location was found with the Nebato Fabriek in Bergeijk. The Nebato metal construction company executed some of the works by LeWitt and Judd and in the meantime the artists stayed nearby with Martin and Mia Visser. The Visser’s collected during 3 decades one of the most famous of dutch Modern Art collections and focussed in those early years on Minimal Art . From the early beginning of 1966 they started collecting LeWitt and Judd. Building this way a world famous collection of Minimal Art. It all comes together in this exhibition at the Nebato factory in 1970. Participating artists were: van Amen, Balth, van benthumn, Graatsma, Gribling, Grosvenor, Judd, LeWit, Morris, van Munster, Naumann, Slothouber and Staakman. This catalogue is rare and one of the most important Minimal Art collectibles there is. publication is available at www.ftn-books.com
There is a nice article to be found on the internet in which the relation between Visser the collector and the (minimal )artists is explained.
Just because personally i think that Ossip is one of the most important contemporary artists in the Netherlands and because he has an exhibition currently at galerie Ramakers, i want to share the documentary that was broadcasted yesterday on dutch television. It shows Ossip (Snoeck) and his father Jan Snoeck at work in their studios. They both have a very personal and authentic approach to their art and the universe Ossip creates and has created with his “sculptures”
is one of a kind. here is the link and ….enjoy.
www.ftn-books.com has on both artists publications available
This is the subtitle for the Piet Dirkx/ Henk Visch exhibition at the gallery Ferdinand van Dieten-d’Eendt in 2008. A small gallery and now stopped, because of the changing art market, but this exhibition was a great one for this small gallery. The invitation is still one of the best Piet designed for one of his exhibitions.
Within 24 hours two great artists have died shortly after each other. Yesterday, Karl Lagerfeld died and this morning i learned that the architect of the Groninger Museum and the founder of the Studio Alchemia mouvement has died 24 hours before. I am a great fan of Mendini and in the Nineties i was glad to hear that he was chosen to be the architect of the Groninger Museum. Since i have visited the museum numerous times and i am always impressed with the wealth of details within this great Mendini building.
Allessandro Mendini, a greart multidisciplined artist , but above all a friendly, kind personality. 16th august 1931 – 18th February 2019
Some of Mendini’s publications are availabel at www.ftn-books.com
Karl Lagerfeld dies at the age of 85 today. Cat lover and fashion designer he mostly will be remembered for the fashion he designed in the years he designed Haute Couture and pret a Porter for Chanel. His muse Claudia Schiffer was feautured in many catalogues published in those years of which some are availabel at www.ftn-books.com
Beside fashion he had two other great loves.. first of all his cat Choupette and secondly photography, because beside his fashion designs he was a very accomplished and talented photograper too.