A few years ago i wrote a blog on the work of art i was able to buy , but did not. The story is as follows. At that time the Gemeentemuseum was printing its publications with the very best printers in the Netherlands. Among them was of course Lecturis and my contact with Lecturis was the late Jan Jongepier. Jan , knowing my interest in art , offered me at one time a series of original works of art. All were for sale through Lecturis. Lecturis had at one time accepted works of art as (partial) payment for the publications they were printing for the artists. These publications were made outside the official editions for the dutch museums or accepted as part of the financing of the editions. They build a nice collection this way, but did not know what to do with it, hence the offer, which was made to me. In retrospect i can tell that these prices were outright cheap, but at that time i could not finance any of the works offered.
Still i always remember Jan and his art collection from Lecturis. Specially now that i have added the Rückriem catalogue which must have been the origin of the Ruckriem work in the Lecturis collection. It is now available at http://www.ftn-books.com
This is arguably one of the best Willem Sandberg publications of all time. An impressive cover, the use of multiple kinds of paper, the best art works from the Paris Modern Art Museum and an unbeatable price, because these are still available, but become more rare every year. I managed to collect 4 copies of this excellent 1952 catalogue of which 2 are now for sale at a special price of USD 35.00.
Please inquire at email@example.com for a direct sale at this price.
A recent auction of famous movie poster by Sotheby’s inspired me to have another look at the 70’s Crouwel designed catalogue which was made for the Cuban poster exhibition at the Stedelijk Museum. In 1971 the Stedelijk Museum had the foresight of organizing a Cuban poster exhibition. They recognized the outstanding quality of these posters. Political images were presented in colorful and powerful posters, but the auction shows a different side of these Cuban posters. Their interpretation of famous classic western movies. The Cuban designs were “classic” films with a twist. These posters were used to advertise famous titles in Cuba. Their strong designs and vibrant colours recall Havana in its heyday. The Cuban poster catalogue from 1971 is available at www.ftn-books.com
Henri Cartier-Bresson, known for his photographs and member of the Magnum agency will always be remembered for his fantastic photographs he has made during his life,
but what i did not know and discovered recently is that he also was a very talented artist. Last week i purchased a book on his drawings. An artistic quality of this artist i was not aware of, but leafing through the book i found that his drawings have an almost impressionist quality.
These drawings were made in the last 3 decades of his life but show that he has the same approach to a drawing as with his photographs. Perhaps his photographs were the origin of the drawing….i do not know, but abstraction and mouvement within the same drawing show that his mind worked the same with making a drawing and taking a photograph. The book; Henri Cartier-Bresson / Zeichnungen is now available at www.ftn-books.com
Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; August 22, 1908 – August 3, 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. His work has influenced many photographers.
Henri Cartier-Bresson was born in Chanteloup-en-Brie, Seine-et-Marne, France, the oldest of five children. His father was a wealthy textile manufacturer, whose Cartier-Bresson thread was a staple of French sewing kits. His mother’s family were cotton merchants and landowners from Normandy, where Henri spent part of his childhood. The Cartier-Bresson family lived in a bourgeois neighborhood in Paris, Rue de Lisbonne, near Place de l’Europe and Parc Monceau. His parents supported him financially so Henri could pursue photography more freely than his contemporaries. Henri also sketched.
This can not be coincidence…. On the left there is the NUL exhibition catalogue for the Peeters, Armando, Schoonhoven exhibition and on the right there is the Al Held catalogue from 1966 , designed by Wim Crouwel for the Held exhibition at the Stedelijk Museum Amsterdam. The white fond and the strong circle part on the back must have impressed Crouwel, since he used almost exactly the same layout as the ZERO/NUL catalogue which was published 2 years earlier for the Haags Gemeentemuseum exhibition.
http://www.ftn-books.com has both catalogues available and of course the special stitched multiple by Henk Peeters which was published shortly before his death.
Part of the inside of both publications is the same. Covers are the same , but here comes the difference. Backcovers are different and there are less pages in the Steendrukkerij de Jong catalogue. It is clear that Steendrukkerij de Jong used the same design by Wim Crouwel he made for the van Abbemuseum for this iconic Sixties catalogue. But where the van Abbemuseum is scarce, The Steendrukkerij de Jong publication is nowhere to be found anymore. This is probably because it was a simple “handout” publication for the exhibition at the printers. My guess is only a few hundred were printed and this is one of the only surviving ones. The publication is now available at www.ftn-books.com
As a confidant of Klimt and Schiele and later Secession member, the painter Hans Böhler was closely involved the Austrian avant-garde art of the first half of the 20th century. In his lifetime his oeuvre was presented in several exhibitions. Numerous retrospectives after his death additionally testified to Böhler’s art historical weight – nowadays his works are highly popular amongst experienced collectors, but where he was presented as a new find for collectors by the Marlborough gallery in the mid Sixties, his name is now established and his circle of admirers is growing rapidly. His “nudes” are spectacular and so are his costume pieces which are a combination of the Austrian avant garde and impressionism. A painter to be followed by the serious collector.
Sometimes you must consider yourself very lucky. I have been writing on art and artists for almost 5 years now and during this period I have written blogs on many known and lesser-known artists. In the meantime selecting with these blogs those publications that are available through FTN-Books. In this way promoting the art, books and publications I am selling.
It must have been a month ago that I received an email by an artist I did not know. She introduced herself, spoke of the great selection of books I am selling and wanted very much to introduce her works. Her name …MARIE HANLON…. and she asked if I would like to take a look at her site….and so I did.
I am always intrigued by artists who I do not know, so I searched for her on the internet and found that she makes the kind of art I am fond of. It is a mix between minimal, constructivist, hard edge and even surrealistic art at some times. We wrote and agreed that it would be nice to make her works known with the help of the ftn-books.com site and ftn blogs and now I am proud to announce that her publications are available at http://www.ftn-books.com and that she made an artist selection of 4 drawings that are exclusively available through FTN ART at special introductory prices.
In future blogs, new material will be proposed to my readers, but in the meantime here is a short biography on Marie and the link to her site so you can find out yourself why I was fascinated by her work. https://www.mariehanlon.com/
Marie was born in Kilkenny and studied History of European Painting and English at University College Dublin, at the National College of Art & Design/Dublin and has worked as a professional artist since 1990.
Known mainly as an abstract artist of finely made small and medium-sized works, Marie’s output in recent years encompasses a broader range of media. Through her collaboration with contemporary composers, she has developed new work, especially in video and installation.
I did not know Josephine Rutten, but found a very nice and excellent designed publication on her, which was published in 1995 by de Jong/ van Mourik . An edition of only 500 copies of which not many must have found their way to collectors and bookstores, because this is the first i encountered in 15 years. Rutten has found a language of her own and if there is one artist her works remind me of, it is Dubuffet. The use of colors and in some of them vague human shapes in her paintings made me think of this artist. Still the “art language” of Rutten is one of her own and i can truly recommend this nice publication on this artist.
There is no country in Europe that is so patriotic in its covers as Belgium. Many of the publications used for fairs and Biennales use the national colors of Belgium and the series of Europalia publications is inspired by the national colors of the country which is the guest country of Belgium museums, but still there is always a hint of the national colors to be found . I tried to find equivalents for France and the Netherlands, but apart from an occasional catalogue you can count the publication on the fingers of one hand.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20