Posted on Leave a comment

Piet Dirkx weekly…. ZANNETTI

With this ZANNETTI name i found two items. The first was cheese flakes with the name of the producer Zannetti. The second is a brand name for exclusive watches. Bot have no resemblance at all with the art work Piet Dirkx presented with the name ” ZANNETTI”. it is a multi colored small beam with an egg hanging underneath it. . Long and lean , i found it very appealing when i bought it and since, it always has found a place in our homes. Here is ZANNETTI from 1994/1995

dirkx staaf ei

Posted on Leave a comment

the “Billy Rose sculpture garden” at the Israel Museum

I have never visted Jerusalem, but because of a recent acquisition for my inventory i want to share the experience of an actual visitor to the garden who truly enjoyed it. The catalogue of the sculpture garden is available at www.ftn-books.com

billy rose

It was a sunny Sunday morning, and I was strolling through a peaceful garden. This was the Billy Rose Art Garden, in the grounds of Jerusalem’s Israel Museum. The Museum has some impressive exhibits, including the Dead Sea Scrolls and extensive collections of art and archaeology. But the Scrolls would have to wait for another time: I was here for the sculpture.

Walking Through the Billy Rose Art Garden

I had the garden almost to myself. The sounds of birdsong and distant church bells competed for my attention. The paths were lined with fragrant plants. And there were sculptures everywhere, in perfect harmony with their surroundings.

Completed in 1965, the Billy Rose Art Garden was the work of Isamu Noguchi, an American sculptor. He followed the principles of Zen design, using a variety of different materials such as concrete, gravel and water, and featuring mostly native plants. The garden is set on a steep hillside, so that panoramic views of the city are incorporated into the landscape.

Sculptures Old and New

Some of the sculptures are by well known artists. As you enter the garden you are greeted by a statue of Adam by Auguste Rodin. Later on, a sculpture by Henry Moore poses against the city skyline. But others are more modern, often by contemporary Israeli sculptors. There is a giant stainless steel apple core, and the appropriately named “Turning the World Upside Down”, which reflects and inverts its surroundings.

The modern sculptures have not always been admired by everyone. It is said that Billy Rose, the American showman who founded and gave his name to the garden, commented that they should be “melted down for bullets”! Modern visitors might well disagree. For myself, I enjoyed the juxtaposition of old and new, and the pleasure of turning every corner to find something different.

Posted on Leave a comment

Etienne Martin (1913-1995)

Schermafbeelding 2018-12-17 om 17.33.16

Etienne Martin was one of the most colorful sculptors from France from the last 100 years. Ofcourse France has brought us great sculptors like Rodin and Camile Claudel, but in this long tradition, Martin must have a place in history too. His sculptures are a combinbation of abstract art and recognizable human body parts. The result …. a typical Etienne Martin sculpture of which his LE MANTEAU from 1962 is probably his most well known and famous sculpture.

Schermafbeelding 2018-12-17 om 17.38.39

A large work which is intended to be worn by the artist.

What made me realize that Etienne AMrtin is important is the catalogue i recently acquired. The catalogie was published by galerie Breteau and is from 1960. It has a classic kind of cahier stitching and in between the black and white pages foils with Etienne Martin sculpture designs are inserted. A typical and highly collectible Etienne Martin catalogue which is, beside the Sandberg designed Stedelijk Museum catalogue available at www.ftn-books.com

Posted on Leave a comment

Arjanne van der Spek (1958)

Schermafbeelding 2018-11-18 om 15.08.54

Is it luck or did it had to be this way?,….. because a few months ago if finally could purchase for the FTN collection an important and i think beautiful and intriguing sculpture by Arjanne van der Spek. It must have been some 25 years or more ago that i think Gerrit Jan de Rook introduced me to Arjanne van der Spek.  It was during the exhibition she had at the Gemeentemuseum and was joining Frank van Hemert in their joint presentation. A just starting, promising sculptor, who had finished her education and studies at the Ateliers 63 just half a decade earlier. She had her first solo exhibition at the Tanya Rumpff gallery who had started her gallery a few months earlier. I went to the gallery to see the other drawings and sculptures other than the ones i had seen and admired at the Gemeentemuseum and i really fell for her sculptures. As i explained to her a few weeks ago …they were intriguing and completely different than the sculptures i had seen before. The use of wood, steel, ceramic and tissues all in one sculpture were new to me. Unfortunately i could not afford a sculpture, but time changes everything  and a few weeks ago i was able to buy KNAP KNAP KNA from the former Klein Breteler collection, who had the work acquired from gallery de Vries in Haarlem. The work was not sold during auction, but i was able to buy it in the aftersale. I informed Arjanne that i had bought the KNAP KNAP KNAP and she was delighted to hear it found a new home. She thought it to be one of her best works and is still very fond of it so i offered it on loan when ever she wanted to use it in an exhibition:

‘Knap Knap Knap’ (2009)

a mixed media object (ceramic, wood, paint, brass) in two parts, 70x100x40 cm

Provenance: Acquired from Galerie Rob de Vries, Haarlem

It is a large work which makes it not that easy to place although outside placement under a roof is an option.

I added this work last week to the FTN art section and for those interested in buying please inquire at wvdelshout@ziggo.nl

Posted on Leave a comment

Gerard Verdijk selection available at FTN-art

Schermafbeelding 2018-12-21 om 16.26.31

About a week ago i announced the cooperation with Josephine Sloet and at that same day we met and had our first ever meeting, we thought it an excellent idea to devote a separate section of FTN-blog to Gerard Verdijk of whom a selection of works will be presented that will be for sale through FTN-art / FTN-blog.  We will be making a first selection when we meet again at the beginning of January, so expect some Verdijk works by the end of February . The selection of paintings and/or drawings which will become available will be presented after the site of Josephine Sloet has gone “live” and all works presented will be for sale .  For any inquiries please refer to wvdelshout@ziggo.nl

A great announcemet to end this year filled with art and art publications and i am really looking forward to continue and offer you more art and artist publications in the year to come.

Have a wonderful and healthy 2019

sloet atelier e

Posted on Leave a comment

Guido Geelen (1961)

Schermafbeelding 2018-09-30 om 11.10.27

Another artist born in the early sixties who i admire is Guido Geelen. Geelen was first introduced to me when we sold the RABO limited art editions some 20 years ago. In the series of Rabo art made available at affordable prices were works a.o. by Dolron, Diederix and ….Guido Geelen. There was a series of dutch tulips cast in bronze of which every “tulip” was different because the cast was used only once. Making this a unique piece of art. I remember we had about 10 tulips lined up to make our final choice and this work still graces our home.

It is a timeless and very powerful work born from a technique whic is classic and was used multiple times after we had bought our Tulip. The Noordbarabants Museum has several “flowers” created in this way by Geelen, but for us our TULIP is still the most beautiful. www.ftn-books.com has some Geelen publications available.

Posted on Leave a comment

Josef Albers and his Christmas card from 1952

Schermafbeelding 2018-09-25 om 17.23.28

On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

Schermafbeelding 2018-09-25 om 17.27.03

Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

Posted on Leave a comment

William Turnbull (1922-2012)

Schermafbeelding 2018-08-20 om 13.55.06

In some ways the stone sculptures of William Turn bull remind of the ones i saw last year by the late Joost Barbiers. Rough pieces of stone, worked over in a way that a different object is created and which blends with its surroundings.

( above right is by Barbiers)

But where Turnbull developed his art into a colorful and sometimes joyful abstract modern art. Barbiers stayed sombre and kept working over the rough pieces of stone. Both i appreciate but in the longterm i would like to have an original Barbiers only for the outside and place it in the garden and let it blend with nature, whereas an original Turnbull would be admired and cherished inside the house and becoming an important part of the collection of Modern Art.

In 1952, he was included in the Young Sculptors exhibition at the Institute of Contemporary Arts (ICA) which had become the focal point for new art in London. Turnbull, along with Paolozzi ( a colleague and fellow art student)and Richard Hamilton and others, became a member of the Independent Group, a splinter group within the ICA which became an important forum for discussion and debate. The Independent Group has been cited as a progenitor of Pop Art, but soon after Turnbull was far from being another British Pop Art artist, going his own way and developing an art and style of his own.

Unknowingly Turnbull must have had a great influence on another dutch painter. Willem Hussem must have been inspired by Turnbull’s paintings since some of his compositions use the same patterns and colors.

and Willem HussemSchermafbeelding 2018-08-20 om 14.19.18

There are some nice early William Turnbull publications available at www.ftn-books.com

Posted on Leave a comment

Henri Laurens (1885-1954)

Schermafbeelding 2018-08-27 om 13.42.52

A long time i thought Laurens was not that important for Modern Art, but since i have seen his exhibition at the Museum Beelden aan Zee  ( catalogue available at www.ftn-books.com), I changed my ideas about his work. At first i thought him to be heavily inspired by Picasso, but in this show i discovered he really has a personal approach to art and a “signature” of his own.

left Picasso and right Laurens

He was a French sculptor best known for his Cubist collages, sculptures of nudes, and busts. The curving forms and simplified features of his oeuvre are reminiscent of ancient greek sculptures, though he also drew influence from his friendships with contemporary artists Georges Braque, Amedeo Modigiliani, Juan Gris, and Pablo Picasso. Born on February 18, 1885 in Paris, France, Laurens first worked as a stonemason before taking drawings classes and developing a strong interest in the works of Auguste Rodin. From 1914–1915 and extending until after the First World War, Laurens experimented with still lives and various new media, using wood and iron and eventually graduating to terracotta and bronze. He then went on to participate in the Venice Biennales of 1948 and 1950, and had a retrospective at the Musée National d’Art Moderne in Paris in 1951.

Posted on Leave a comment

Jean Bilquin (1938)

Schermafbeelding 2018-08-26 om 12.12.27

I do not know what to say. Is Henk Visch the dutch equivalent of Jean Bilquin or is it the other way around? Certain is that both artists are inspired by the same objects and surroundings.

Another influence must have been the sculptures by Brancusi because a returning object is the portrait sculpture Brancusi has made in several versions.

But there is much more to discover in the works by Jean Bilquin. When you leaf through the catalogue which was published on the occasion of the Kunsthal exhibition ( 2008 ). You really feel that you are discovering an artist. An artist who is inspired by nature and people. Both subjects combining in a very personal kind of art on larger sized canvasses. This is the kind of work which always attracts me and which i want to discover further after i have visited the exhibition. The catalogue ( available at www.ftn-boooks.com) shows exactly why these works have a rare quality. The catalogue has several fold out pages which make the scale of these large paintings somewhat visible.