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An important Tajiri/Crouwel book

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It was in the earliest years of his career that Wim Crouwel was invited to design the catalogues of the van Abbemuseum and in these years several iconic publications were published that were designed by Crouwel. I have encountered over the years many of them and have a nice selection for sale at www.ftn-books.com, but until last month i never had seen the Tajiri catalogue from 1961. It was one of the earliest of Tajiri his catalogues for a major museum, but Wim Crouwel must have felt the same about the catalogue as Tajiri did. Both must have the iedea that is was important for them personally. The typography on the cover is outstanding and the photograph by Cas Oorthuys even enhances it. This is a thin 12 page catalogue with a special 4 page inlay ( with photographs of sculptures), but every page shows the quality of Wim Crouwel his design in combination with the works by Tajiri.

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Frank Mandersloot (1960)

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Frank Mandersloot is still one of the great sculptors in the Netherlands . Piules of furniture, draperies seemingly random placed, but always making curious and interacting with the space in which it is placed.

Educated in Den Bosch he nowadays is a valued teacher at the Rietveld Academy. For me the Frank Mandersloot catalogue is one of the best the Museum Boymans van Beuningen has published in the Nineties. Designed by 8vo from London it is a highlight among their publications. The catalogue is available at www.ftn-books.com

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Sérgio Camargo (1930-1990)

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Camargo was an almost forgotten sculptor until there was a sudden raise of interest in Brazilian art in the Nineties. This meant that his works were considered to be important for the development in Modern Art and sculpture in Brasil. When you look at the studio pictures in the books that is for sale at http://www.ftn-books.com, you will soon conclude that Camargo was inspired by Brancusi and Chillida, but still there is so much of his own .

Where Brancusi was inspired by nature, Camargo is much more inspired by the minimal forms. It has been over 20 years now that the last show took place in Europe. Time again to present Camargo again and put his works into context with European and minimal sculptors.

The Nineties catalogue is available at www.ftn-books.com

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Adriaan Rees (1957)

One of the most astonishing and surprising books i came across during my search for art books in the last year is certainly this Adriaan Rees book. Published in english and chinese. Containing cut outs, double pages , velvet cover this is a true artist book. Central theme within the book is the sculpture SCREAMING IN A BUCKET . Adriaan Rees is an exceptional sculptor in many ways.  Here is the text he wrote on himself and published it on his site.

EXPLORING WANDERER

Adriaan Rees (1957, Amsterdam) lives and works in China and Amsterdam. Rees is famous for his large-scale projects and assignments for public space. He makes sculptures and installations in many materials such as ceramics, bronze, glass, textiles, plaster and stone. He also works with photography and video.

When he works with clay, traces of his hands and the use of extreme power can easily be seen at the surface. He is approaching his sculptures almost as a landscape or a human body, sometimes in a sensual, sometimes in a brutal way. He is an artist who is not predictable, someone who always surprises with new ideas and approaches, a cosmopolitan artist.

Exploring wanderer, 2015

From 2000 Rees increasingly travelled to Asia, specifically to Japan, Korea and China. He is intensely affected by these cultures and settled in Jingdezhen, China where he works in his own studio among the thousands of craftsmen locally.

Tradition and innovation, humor and seriousness, monumentality and intimacy, vulnerable and tough, traditional and contemporary, religion and war, fantasy and reality. All this you can find in his sculptures: it is a dialogue between cultural traditions like Europe and Asia.

His work can be found in collections around the world, in museums, private collections and in public space. Rees teaches in The Netherlands, Germany, Finland, USA, Japan and China and frequently gives lectures about his own work, art and art in public space.

He also works as an art advisor and curator. Since 2008 he is the initiator and project leader for the Exchange project 400 years Delft – Jingdezhen. This project brings artists, designers, archaeologists and museums from both cities together. Famous are the Blue Revolution shows in museums in Delft (NL) and Jingdezhen and Donguan (CHN). The shows attracted more than 40.000 visitors in Delft, more than 80.000 in Jingdezhen and more than 200.000 in Donguan.

Rees was the curator of these shows.

The Adriaan Rees book is now available at www.ftn-books.com

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Wilhelm Lehmbruck (1881-1919)

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A sculptor, not that very well known outside Germany, but a sculptor who nevertheless has its own museum. The Wilhelm Lehmbruck museum in Duisburg has a nice collection, but the Lehmbruck name is kept alive by practically all large museums in Germany.

Personally i do not know the fascination , because in my opinion Lehmbruck has not freed himself of making classical sculptures. He did not make the full transition into modern sculpture as for instance Giacometti did. Perhaps this is explained from the short life he had and he did not have the time to develop himself completely. If you look at that way, Lehmbruck took the first steps into modern sculpture but never had the time to complete his ideas on modern sculpture. http://www.ftn-books.com has some nice Lehmbruck publications available.

 

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Black Friday at FTN books

Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours  of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:

                                                               B2019F

 

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Carel Visser…the 1975 van Abbemuseum catalogue

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This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975

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and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at http://www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.

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Fritz Wotruba (1907-1975)

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A truly visionary artist Fritz Wotruba was. He is almost forgotten, but deserves to be recognized as one of the great European artists who shaped modern art and combined this with great architectural designs. Wotruba is like a cubist sculptor, but his shapes consist of parts put together and seen from nearby it seems as they have no relation with each other. But from further away figures emerge.

His sculptures are magnificent, but when you once have seen his architecture you are completely sold .

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This is the discipline in which he excels and is a one of a kind artist. Fritz Wotruba has had several exhibitions in the Netherland in the 50’s and the 60’s, but is after these events almost forgotten. Instead in Austria he is still one of the greatest Modern Artists. Catalogues of these events are available at www.ftn-books.com

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Ans Hey (1932-2010)

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A typical career of a dutch artist. an artist who has had her share of admirers during her life but who never has reached true “stardom” in the dutch art scene.

This is changing rapidly. Since a few years her works are offered at auction. Affordable auctions which prove that her works are better than average since the auction results pass their estimates by a fair percentage. Ans Hey is foremost a sculptor who loved to work with stone. She sculpted and modelled and polished her stones sculptures until the result reached a level of perfection. Het inspiration was nature and the human body, making these sculptures understandable for practically all/ http://www.ftn-books.com has a nice etching by Ans Hey and of course the very best publication which was acquired recently at a local book market.

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Anish Kapoor (1954)

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It was about 3 months ago that we visited DE PONT in Tilburg. Our friends from the US wanted to visit the Bauhaus Textile exhibition and Linda and I decided to make the visit to DE PONT. An important museum and it struck us both that their collection is of the greatest quality. This is quite an accomplishment for such a small museum. So the Pont is worth visiting and what strikes you immediately at the entrance is a bend mirror like sculpture that reflects the sky. It is majestic in its  appearance and of course the reflection is alway different so the sculpture present itself in a different way constantly.

A visit to remember since this is an excellent museum with ao. this Anish Kapoor, who is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures that are both adventures in form and feats of engineering, Kapoor manoeuvres between vastly different scales, across numerous series of work. Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination. Kapoor’s geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years – kinetic and self-generating – ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world – Indian, Egyptian, Greek and Roman – and with modern times. www.ftn-books.com has some nice Kapoor titles available