The first time i took notice of the works by Mark Wallinger was when i learned that this artist was presented at the Tate modern and that Saatchi took an interestb in the artist. The second occasion was when i actually owned a true signed Mark Wallinger. Nothing very special because it was a Christmas Momart edition but still an original work of art signed by the artist himself.
From that time on i occasionally encountered works by him, but never in the Netherlands, because to my knowledge non of the larger museums have works by Wallinger in their collections. Still there must be an interest for this artist because when you compare the black and white eighties paintings by Armando there are quite some similarities to be found in use of color and composition
Nevertheless for more books and publications on WALLINGER and the late ARMANDO please visit www.ftn-books.com
Yesterday morning the family of Co Westerik announced the death of this great dutch painter. His works are present in practically every large dutch museum and some admiring collectors ( the late Frits Becht ao) managed to buy more than average numbers of paintings from him and that is quite an accomplishment since his production was low…..extremely LOW. In many a year he managed to complete only as few as 3 paintings, making his work a rare work to add to a collection. It was different with his prints and drawings, because here his production was “normal”. One quality all his works have in common……it is the extreme detail and craftsmanship that make his works of high quality and stand out from the rest. At the time i worked at the Gemeentemuseum i met the artist on several occasions, but i only remember that i spoke to his representatives concerning catalogue and postcard productions. Even on these occasion he was highly (rightfully) concerned about the result. But in the end he had the publication as he had visualized it. The costs did not matter to him….the result did. ww.ftn-books.com has many titles available on Co Westerik.
People following this blog know of my admiration for the artist Gerard Verdijk.
Verdijk is becoming increasingly recognized as one of the most avant-garde and influential artists from the last century in the Netherlands, but now his name spreads slowly across the border . During his lifetime his works were collected all over the world and because Verdijk had admirers and collectors everywhere his works can be found in the most unlikely places. Because of his exhibitions in the Netherlands, France, Italy, Germany and even the US his audience grew slowly but constantly and after he had a large retrospective in Dordrecht 2 years ago it is now time for the largest publication ever on Verdijk.
The Mountain of Einstein will be published in an edition of only 500 copies by the end of 2018. It will be a hardcover edition; size : 30 x 30 cm., pages: 396 .
Price ; 99.00 euro
This book will not be available at www.ftn-books.com, but can be ordered with:
Josephine Sloet, Les Places, St. Quentin, 24200 Marcillac, France
In case you are looking for other publications on Gerard Verdijk please have a look at www.ftn-books.com
If there is one ceramist who has had an international career and exhibited all over the world it must be Betty Woodman. On several occasions she exhibited her works in the Netherlands in Museums and Galleries and i remember her exhibition from 1996 in the Stedelijk Museum Amsterdam. With this exhibition an excellent catalogue was published, which is available at www.ftn-books.com
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The reason why she had such an interesting and world wide career must be found in the accessibility of her art. Bright, primary colors and abundant shapes of her ceramics make her work stand out and are very appealing for many and because of this many museums and collectors around the globe added her works to their collections. Betty Woodman ceramics can be found in ao.:
Mullican is possibly more known and appreciated in Europe than in the US. Born in Santa Monica / California in 1951 he had part of his artistic education in the Netherlands and it was here and in Belgium that he received his first exhibitions. Flip Bool, curator at the Gemeentemuseum Den Haag in the mid eighties acquired a large Matt Mullican for the collection of the Gemeentemuseum and this, together with a beautiful and impressive Donald Judd garden sculpture were 2 of the acquisitions i admired very much at that time and over the years both have proven to be important and valuable additions to the collections of the Gemeentemuseum Den Haag.
His work is concerned with systems of knowledge, meaning, language, and signification. Mullican also works with the relationship between perception and reality, between the ability to see something and the ability to represent it.
Mullican work is still very appealing to me. But unfortunately executed on a scale that is hard for a private collector to add this to their collections. It is executed at a scale that needs space, museum space or a large office hall space and therefore for me only to be admired at a distance. Only one publication on Mullican is available at www.ftn-books.com. But it is an important one in a limited edition by Imschoot.
Most people know Breytenbach as a South African poet, but less know him as a painter. Because of the language, dutch and South African are related to each other, Breytenbach had a large following of admirers over here and galeries in the past decades invited him, not only recite his poems , but also to exhibit his works of art. This is the reason why www.ftn-books.com, has some nice publications. Not many , but worth wile to check them out.
It took us two months to finally visit the recently opened museum Voorlinden. Why so long….because we agreed to visit this together with friends and have dinner afterwards. The visit was postponed because of other obligations a few weeks earlier, but finally yesterday 11/11 the visit was there. It was late in the afternoon and still quite busy. Both parkings were more than half filled with cars and people were walking the park. We were early and walked around the museum building and saw the plants and garden layout by Piet Oudolf and both of us imagined how this must look like when early summer has arrived. A colorful “painting” of plants which can be admired from within the building, because one of the qualities of the architecture is that the “outside” is brought into the building by huge windows which show the garden by Oudolf as a work of art on its own.
What about the collection and the special exhibition? The museum feels more like an experience than a thoroughly prepared exhibition which teaches the visitor some aspects of art. Every museum room is such an experience. The Mueck and the Serra are excellent examples of this approach. You can compare yourself with the giant figures by Mueck and the Serra is one of the very best and impressive”mazes” he ever has made. It is like a smalle MATTER OF TIME ( see earlier post) Even the special exhibition with the works by Ellsworth Kelly feels like an experience. These works are extremely large and because of their sheer size you can only look at them thoroughly when you take your distance from them. Still it is almost unbelievable to see so many impressive and beautiful Kelly paintings in one exhibition and it will be a very long time before these will be brought together again.
It was a nice visit. The building is impressive and the architecture is almost as good as the Beyeler Museum in Basel. The Landscape is a highlight, the collection is worth visiting, The Kelly’s are a dream, but i am very curious about the future. This is at the moment one of the very best museums in the Netherlands, situated in arguably the best location and surroundings. Wim Pijbes the former director of the Rijksmuseum made the transfer to this museum, but resigned within 3 months. So this makes me curious what the next exhibitions will be without the guidance of Pijbes. Joop van Caldenborgh , the initiator of the museum , has a very large modern art collection, but it would be nice to not only show the established names, but to show the “young” in Modern art in relation to this establishment. I am hoping for exhibitions on Sol LeWitt and Anish Kapoor ( both in the Caldic collection), but also for lesser names like Ossip and Broszat . This is a quality museum and one of the very best museums in Europe supported by the Caldic collection…one of the most important private collections in the world
Conclusion: A Must visit …and do not skip this one when you come to the Netherlands.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20