Posted on Leave a comment

Burgoyne Diller (1906-1965)

Schermafbeelding 2020-09-22 om 09.24.27

A pioneer of American modernism, Burgoyne Diller devoted his career to the exploration of geometric abstraction in paintings, drawings, collages, and sculptures.

For Diller, abstraction was the ideal realm of harmony, stability and order in which every form and spatial interval could be controlled and measured. His style began with forms of modernism, including cubism, Kandinsky’s abstraction, constructivism, and other European models.He simplified his palette to the bold colors and black and white of neoplasticism and reduced his visual vocabulary to squares and rectangles.” “Diller developed a highly personal language based on three major compositional themes. These themes, which he labeled “First,” “Second,” and “Third,” explored the picture plane in relation to forms in movement and forms in constant opposition. By 1934 Diller had likely become the earliest American exponent of Mondrian’s type of geometrical abstraction. In the early 1940s, he began creating wall-mounted wood constructions, and during the 1950s and 1960s his sculptures developed into the large-scale, free-standing, formica works for which he is well known.”

The Sullivan Goss Art Gallery notes the following about Diller’s style: “Composed predominantly of squares and rectangles and accented with primary colors against a solid white background, Diller’s mature abstract paintings are the result of his explorations of pure color and form. Diller’s austere work recalls the stinging isolation of the lives of all Americans of the Depression era, and possibly his own. However, the well-planned geometric nature of his paintings reveals his desire for a reconstructed world prevailing over the seemingly hopeless situation in the United States during the Depression

Above is the excellent text on Diller and his style of painting found on Wikipedia

http://www.ftn-books.com has some excellent and scarce Diller publications available

Posted on Leave a comment

Joan Soler (1963)

Schermafbeelding 2020-11-17 om 15.20.34

Born in Mallorca in 1963, Soler was unknown to me until we visited the FUNDACIO PILAR i JOAN MIRO some decade ago and we encountered within this museum teh paintings by Soler. We learned that some time before they had held an exhibition to show the relation between Soler and Piet Mondrian whose works i know very well from my time at the gemeentemsueum Den Haag. I took an interest in this artis and liked the way he uses color with his absytract compositions. Both use geometric forms and lines , but the differnce there is a stronger sense of 3D.

Solor builds his paintings with layer upon layer, realizing this a way a 3D image. Fascinating to see. The catalogue in which Soler travels the road Mondrian took is available at www.ftn-books.com.

soler mondrian

Posted on Leave a comment

Nico Dijkshoorn ( continued )

dijkshoorn kunst

Another personal observation by Nico Dijkshoorn . This time the Composition number 10 by Piet Mondriaandijkshoorn mondriaan

The book and other Piet Mondriaan publications are available at www.ftn-books.com

COMPOSITION 10 in Black and White

As you can see

mondriaan

used

in this period of his life

little color

because

he just did not feel

like using it

Posted on Leave a comment

Friedrich Vordemberge-Gildewart (1899-1962)

Schermafbeelding 2019-08-13 om 13.28.51

Beside the spectacular constructivist paintings Friedrich Vordemberg-Gildewart made, there is another aspect in his art life what made him special and important. FVG was the first artist who made abstract paintings throughout his entire career. At first glance his work is related to Mondriaan, de Stijl and Malewich, but look at it more careful and you notice that there is mus more space within the paintings. A way of painting which makes the painting seem less crowded. It is the way i like a painting to intrigue

OLYMPUS DIGITAL CAMERA

Friedrich Vordemberge-Gildewart was born in Osnabrück, Germany and studied architecture, interior design and sculpture at Hanover School of Art and the Technical College, Hanover. In 1924 he formed the abstract art group Gruppe K in Hanover with Hans Nitzschke and joined Der Sturm in Berlin. After meeting Theo van Doesburg, Kurt Schwitters and Hans Arp, he became a member of De Stijl in 1925. Together with Kurt Schwitters and Carl Buchheister he formed the ‘Abstrakten Hannover’ group in 1927. He was a member of a number of other artistic groups including: the Cercle et Carré, 1930, Paris and was a founding member of Abstraction-Création (1931), also in Paris. In 1937, in Munich, the Nazi regime exposed his works in the infamous Degenerate Art exhibition. Most of his works were confiscated and he was forced to leave Germany for the Netherlands.

there is a very special Bottrop publication from 1980 available at http://www.ftn-books.com, which contains 3 silkscreen prints by FVG.

Posted on Leave a comment

A recently discovered Mondrian

A few weeks ago i read an article by the  “de Speld”  ( it is an almost daily article on the backpages of the VOLKSKRANT paper), that a recently discovered Mondrian was presented to the Gemeentemuseum Den Haag to further complete its large Mondrian collection .

mondriaan smurf

Posted on Leave a comment

Piet Mondriaan….Molen bij Avond

Schermafbeelding 2019-07-31 om 14.18.10

Two days ago i was so lucky to have a camera ( phone) at hand. We were planning to have a little boat ride in the evening, but…..suddenly it started to rain and we decided not to go. However, 10 minutes later it stopped raining and while we were having a cup of coffee we decided it was still worth it to go to Vlietlanden for a 2 hour trip. We left at 18.45 hr. and were returning at aprox 20.10 when we passed this windmill just near our home. I asked for my telephone and took this photograph. 5 seconds sooner and it would not have had the effect it has now. 5 seconds later and we would have been blinded by the light of the sun. But with this result i am so pleased. I have not done anything with the photograph, because i think it is 100% ok, but 24 hrs later Google send me the same photograph which they had worked over with some filters and this is the result they produced ( second photograph).

molen bij avond

Schermafbeelding 2019-07-31 om 14.22.08

Schermafbeelding 2019-07-31 om 14.08.16

The moment i saw it it reminded me of the Mondrian. Molen bij Avond i know so well from the years i worked at the Gemeentemuseum. There is 100 years between them, but these pictures show that there is still a very scenic the Netherlands to be found near the largest cities of this country. I have many of Mondrian’s publications available at http://www.ftn-books.com

Posted on Leave a comment

Jean Hélion (1904-1987)

Schermafbeelding 2018-10-10 om 11.46.44

Try to find a good portrait of Jeran Helion and you will have a hard time finding one. There is one possible explanation and that is that Jean Hélion was a modest artist. I read a little on him and he lived for his art , developing his style into a recognizable style of his own. Helion is mostly known in France , but some of his paintings found a way acroos the French border and were presented in other museums too.

In 1921, Jean Hélion moved to Paris, working as an architect’s assistant and frequenting the Louvre. While visiting the museum, he encountered the works of Nicolas Poussin and determined to switch courses and become a painter. By the mid-1920s, Hélion had entered into a milieu of artists that included Otto Freundlich and Joaquín Torres-García. Quickly transitioning from Cubism to nonobjective abstraction, the artist adopted and implemented ideologies culled from artists such as Piet Mondrian and Max Ernst. In 1940, he joined the French resistance army, was subsequently captured, and lived as a prisoner of war for the next two years. Following his release, Hélion rejected pure abstraction in favor of more figurative elements, producing paintings which harkened back to Neoclassical compositions and the works of Fernand Léger. The artist died on October 27, 1987 in Paris, France. Today, his works are held in the collections of the Peggy Guggenheim Collection in Venice, the Tate Gallery in London, The Museum of Modern Art in New York, and the Centre Georges Pompidou in Paris, among others.

www.ftn-books.com has some Helion publications available

Posted on Leave a comment

Piet Mondriaan / Mondrian’s studio

Schermafbeelding 2018-02-10 om 12.08.14

The studio of Piet Mondrian were works of art of them selves. They acted like a true work “in situ” where every item had its proper place . Because of this, the studio itself became a work of art. This was recognized by many and one of the greatest photographers from last centur even made a series of photo from the Paris studio. The same with the NY studio which was photographed by Arnold Newman.

Kertesz and Newman , two great photographers who realized that Mondrian was a very special painter and made these photographs with one purpose….. so we could see the extraordinary qualities Mondrian had when he approached a painting or an object.

There is onegreat article on Artsy where the studio’s of Mondrian are described.

https://www.artsy.net/article/artsy-editorial-mondrian-turned-studios-giant-abstract-paintings

There are some excellent publications on Mondrian and his studios available at www.ftn-books.com including a paper model kit

OLYMPUS DIGITAL CAMERA

Posted on Leave a comment

Gerrit Benner (1897-1981)

Schermafbeelding 2018-02-10 om 11.40.00

One of my first blogs was devoted to the museum Belvedere where i encountered some wonderful paintings by Gerrit Benner. This blog is solely devoted to Benner because he deserves it. His paintings are among the first abstract paintings which still hold a link with realism in the Netherlands . These paintings are definitely inspired by nature. Skies, meadows and even an abstract cow can be determined in the compositions. Benner is a painter “pur sang” who’s works are rooted in the dutch tradition of abstract paintings. For instance Mondrian used these abstracted landscapes in his own painting from the early 20th century.

on the left a painting by Benner with Red cloud on the right Landscape with Red cloud by Piet Mondriaan

Benner is a great painter who deserves to be known outside the Netherlands and for those visiting the Netherlands. When you visit the Stedelijk, Gemeentemuseum, Belvedere and Museum Twente you surely will encounter a Benner painting in their permanent collections.

There are some very nice Benner publications available at www.ftn-books.com

Posted on Leave a comment

Jean Gorin (1899-1981) and Wim Crouwel

Schermafbeelding 2017-12-19 om 11.29.02

Jean Gorin , a typical 50’s /60’s artist has stayed a little obscure outside France, but this is undeserved. His art is influenced by Piet Mondrian and Constructivism , but has developed into an art typical of Jean Gorin.

Schermafbeelding 2017-12-19 om 11.40.27

This was recognized by Willem Sandberg who gave Gorin a solo presentation in the Stedelijk Museum Amsterdam in 1967. Here it is getting more interesting from my point of view, because together with this exhibition one of the very very best Wim Crouwel designed catalogues ever was published. The catalogue typically Crouwel sized was partly printed in black and the other part of the text on the cover executed in embossed printing. Together with the design of the catalogue itself it has become an exquisite artist book on Jean Gorin which is still available at www.ftn-books.com