Not much information to be found on Günter Wintgens, but still he has had quite a few exhibitions all over Europe according to his biography and now is selling on Saatchi art.
Picture planes in Günter Wintgens’s work Pictorial motifs with diaphanous planes form a central aspect of Günter Wintgens’s work. Their optical transparency, intuiting or understanding the partially concealed planes, plays with visitors’ curiosity. It allows them to recognize several pictorial planes at once. Hence, they perceive the amount of time that has passed from one stage of the creative process to the next, and are able to guess, to a certain extent, the history behind the creation of this picture. For the fragmented motifs, made up of countless, particle-like brushstrokes across a mono- or polychromatic ground, the passage of time is also an important aspect. Although it also applies to the process of creating the painting, it is mainly true of the element of instability—the apparent motion evoked by the painting’s shimmering texture, and often reinforced by its format, the tondo. Also important is the aspect of communicating information. Each bit is legible by itself, but because the individual planes of information are assembled and layered on top of each other, visitors are offered a new, conceptual projection surface. Yet another aspect is clearly of a spiritual nature: the constantly recurring question about the real essence of things. Behind a veil both delicate and tear-resistant, the answer to this question stoutly resists comprehension.
Another young bBritish artist who emerged in the early Nineties in a wave of young British artists. Others from her generation rose to fame in the same years. Among them Gary Hume and Damien Hirst. They had one thing in common. All were added to the Tate collection at a very young age and collected by Saatchi. Personally i am not a great admirer of her works. For the same reasons i am not a great admirer of Hirst his works, but sometimes you have to look twice and try to discover the meaning of her(in many cases) masculine constructions to confront and dissect their nature.
Her pieces represent a fantastical world and playfully employs unrealistic ideals to unearth obscene paradoxes created by those very constructions. These works are constructed and well thought over and perhaps that is the quality i do not like about them.
The first time i took notice of the works by Mark Wallinger was when i learned that this artist was presented at the Tate modern and that Saatchi took an interestb in the artist. The second occasion was when i actually owned a true signed Mark Wallinger. Nothing very special because it was a Christmas Momart edition but still an original work of art signed by the artist himself.
From that time on i occasionally encountered works by him, but never in the Netherlands, because to my knowledge non of the larger museums have works by Wallinger in their collections. Still there must be an interest for this artist because when you compare the black and white eighties paintings by Armando there are quite some similarities to be found in use of color and composition
Nevertheless for more books and publications on WALLINGER and the late ARMANDO please visit www.ftn-books.com
This morning i was surprised to see an annual report on online Art dealing by Saatchi. According to Saatchi there is a tremendous growth in on online art business, but you have to be careful which artists to pick to make a sound investment. I must say…..works by some of these artists really look good and prices are still on the verge of affordable ( $ 1000-$5000) . But what struck me most is that Saatchi is creating a market for artist who THEY represent. This is only a very small percentage of artists in the world who are creating their works but, do not have the representation nor the time and money to wait before a sale is realized.
My advise to build a small collection, is to find the artist(s) you really like, visit his or her studio, start building a relation as a collector with the artist and follow him/her over the years and when you have some money to spare buy directly from the artist and support them in every other way you can, by introducing them to friends/ collectors and keeping contact to follow him/her. This way you are helping the artist to build a following of supporters and you will support them with your appreciation and your purchase(s) over the years. This is much nicer than to make an online purchase and have the work send to your home address in a “beautiful “crate and not having seen where it comes from. To appreciate a work in the best way, is to see where it was created and to meet the person that created it. It makes the picture complete and the art you look at has not become a piece of decoration but a true work of art that you chose by yourself by having a choice from many other works that were created over a much longer period than the new ” last years models” which are presented by online galleries.
This is the way i have been collecting all of my life. For those who want to know which artists belong to the core of our collection. Here are the pics. Look at them and when you want to have more info do not hesitate to contact me at www.ftn-books.com or
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20