Philip Corner, a native of New York in 1933 who currently resides in Italy, encompasses the roles of composer, performer, writer, and visual artist with over 50 years of experience in the world of New Music. His training includes studying composition under the tutelage of Henry Cowell and Otto Luening at Columbia University, as well as analysis and musical philosophy with Olivier Messiaen in Paris. His keen interest in theory led to a career in teaching at various schools and universities throughout the United States. Corner’s involvement in influential groups, including Fluxus, the Judson Dance Theater, Tone Roads Chamber Ensemble, Experimental Intermedia Foundation, Sounds Out of Silent Spaces, and the ensemble Gamelan Son of Lion, has shaped and influenced the New York avant-garde scene. With close ties to John Cage and the “New York School,” he actively participated in all of the avant-garde festivals in the city. His lifelong fascination with the union of mind and body has resulted in both contemplative and dynamic improvisations, often incorporating non-musical elements such as body and breath. However, Corner’s preference lies in the resonant sounds of gongs and other metallic instruments to achieve deep levels of concentration. A deep connection with the visual arts has given birth to a profound engagement with various forms of cross-over art, including performance art, happenings, events, mixed media, and intermedia. His musical scores transcend into pure graphic forms, while his verbal instructions take on a poetic quality.
www.ftn-books.com has the SOME SILENCES publication by Corner now available.
