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Peter Struycken ..a leporello of 212 inches

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It is certainly the longest of all leporello items i have in my inventory and perhaps it is one of the longest ever published.

Splash was published on the occasion of the Sikkens price which was presented to Peter Struycken in 1974. On this price winning occasions, Sikkens provides for the funds to have a special publication published on the artist and Struycken made/designed this special Leporello. The leporello is available at www.ftn-books.com

Artist/ Author:  Peter Struycken

Title : Splash / Plons 1972 / 1974

Publisher: Sikkens, 1974

Number of pages:  96 pages plus cover + leperello of 212 inches  !!!!

Text / Language:  dutch and englsih

Measurements: 8.2 x 8.2  inches

Condition: nm+ for the leperello and nm for the sleeve

extra information on this item:
Rare , important and collectible . This Sikkens publication is one of the most important Struycken  publications. a true artist book and highly recommended

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Josephine Sloet site pages are now “live”

 

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It took a few meetings and some fine tuning but now , after a month of preparations, the page with Josephine Sloet paintings is now “live” at ftn-blog.com/josephine-sloet/

These paintings that are presented are all for sale and come from different periods from her career. One of my personal favorites is the TIME MOVING painting. It is a large, bold work of art and not for the faint of hearted, because it stands out and dominates its surroundings and beside that you can not avoid it since it is a very large work of art.  It measures an impressive 206 x 206 cm.

sloet time moving

A beautiful and impressive painting by Josephine Sloet. For more inquiries on this and other paintings by Josephine Sloet offered by FTN-art, please inquire at wvdelshout@ziggo.nl

The following video is made by Josephine Sloet:

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Sara Blokland (1969)

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Willem van Zoetendaal made me look more careful at the photographs by Sara Blokland. It was at the time he  was invited by Hans Locher to curate the Fotokabinetten exhibitions at the Gemeentemuseum Den Haag. It was at that time that i began to realizxe and see that photography was a very interesting and highly personal search for the inner soul of the photographed. The persons depicted in the photograph were not ordinary models but their appearance reflected their inner soul. Koos Breukel was one of them and surely Sara Blokland was the other with whom i experienced this.

Sara Blokland (1969 NL) is a visual artist, independant researcher and curator of photography. She lives and works in Amsterdam. She studied at the Rietveld Academy (BA in photography) and graduated at the Sandberg Institute (MFA photography and video) in the Netherlands and a MA in Film and Photographic Studies from the Leiden University.

As a visual artist she is predominately working with photography. Her work reflects on the complicated role of this medium in relation to the histories of individuals, the concept of ‘family’ and culture heritage. Blokland’s films and photographic works have a strong focus on the portrait and landscape as part of identity and memory.   Internationally her work has been exhibited in venues such as Kumho Museum (Seoul, Korea) and Gallery Lmak-projects (New York) the Stedelijk Museum Amsterdam, the Museum of Modern Art (Arnhem, Netherlands) and Gemeentemuseum The Hague (Netherlands). Her work is part of several private and public collections, such as the ABN-AMRO Collection, the Rabobank Collection, Museum of Fine Arts in Houston and Gemeentemuseum The Hague. She was also the photographer and editor of the book Van Waarde [Of Value] (2008) and the photographer of the publication The Surinam Police Band (2009).

Since 2009, she is the co-founder and co-director of UNFIXED Projects. The organization aims to create platforms for dialogue about photography, contemporary art and theory with a strong focus on cultural identity. In 2010 UNFIXED projects organized in cooperation with the Center for Contemporary Art Dordrecht in the Netherlands, the UNFIXED exhibition, artist-residency , workshop and symposium. Sara co-edited the publication: UNFIXED – photography and post colonial perspectives in contemporary art, which was co-published by Jap Sam Book in Spring 2012.

www.ftn-books.com has a very nice Sara Blokland publication available which was published by Willem van Zoetendaal.

blokland fam

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Douwe Jan Bakker (1943-1997)

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( no portrait found)

The first time i heard of Douwe Jan Bakker  was the time Hans Locher mentioned Bakker to have an exhibition in the Gemeentemuseum. I did not know the artist at that time but soon would learn that he was and is one of the leading conceptual artists. The iedea behind the work is more important than the execution of it. Because another exhibition was cancelled. The Gemeentemuseum organized, before their renovation closure, the Retrospektive exhibition which was long time due. Douwe Jan Bakker did not have many of these exhibitions but this one was  a necessary one and fortunately just in time because soon after, Douwe Jan Bakker died ( 1997). There are not many publications on Douwe Jan Bakker published, but www.ftn-books.com has two important ones for sale. The first is from the Gemeentemuseum (1996) and the second one from the Centraal Museum (1977). Artistically and from a art historian point of view important publications.

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Gerard Verdijk.. the Mountain of Einstein

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People following this blog know of my admiration for the artist Gerard Verdijk.

Verdijk is becoming increasingly recognized as one of the most avant-garde and influential artists from the last century in the Netherlands, but now his name spreads slowly across the border . During his lifetime his works were collected all over the world and because Verdijk had admirers and collectors everywhere his works can be found in the most unlikely places. Because of his exhibitions in the Netherlands, France, Italy, Germany and even the US his audience grew slowly but constantly and after he had a large retrospective in Dordrecht 2 years ago it is now time for the largest publication ever on Verdijk.

The Mountain of Einstein will be published in an edition of only 500 copies by the end of 2018. It will be a hardcover edition; size : 30 x 30 cm., pages: 396 .

Price ; 99.00 euro

This book will not be available at www.ftn-books.com, but can be ordered with:

Josephine Sloet, Les Places, St. Quentin, 24200 Marcillac, France

josephinesloet@gmail.com

info@gerardverdijk.org

In case you are looking for other publications on Gerard Verdijk please have a look at www.ftn-books.com

 

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The collection by Salco Tromp Meesters and the JCJ Vanderheyden (1928-2012)

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Like  last weeks auction of the Klein Breteler collection, Salco Tromp Meesters decided that he had to sell his collection because he could not find a proper location for the 770 works to be preserved and shown. At one time there was the Congresgebouw in Den Haag who exhibited the collection, but this location ended when a valuable Schoonhoven painting was stolen from the building. The 770 works were practically all sold during auction in 1990 and one of them was a beautiful J.Cj. Vanderheyden. An early “pop art” like painting which i tried to acquire for my own collection, but was far from successful because the end price went way to high. What i remember about the painting is there were several mirrors fixed to the canvas and one of the painted object was a Citroen 2VC. I looked for the painting on Google but still can not find it. I every much would like to know its whereabouts, because for me this is one of the most iconic JCJ. van der Heyden paintings ever. Of course www.ftn-books.com has the most important JCJ. van der Heyden catalogues from the last 40 years available.

 

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New Frank van Hemert added to the collection

Yesterday i became the winner at auction of a small painting by Frank van Hemert. Followers of the blog know of my admiration for this artist and this small paintimng fits perfectly between the drawings i have in our collection from the same series . The painting “Initiatie” was painted in 1992, measures 50 x 41 cm and has the typical van Hemert touch. Green and red Paint is “worked’ into a composition as a background for a grid of orange stripes.

For those that want to know more about this painter who has stayed true to his approach to art and has presented his works all over the world , here is a link to a nice ( english subtitled ) video in which van Hemert presents and explains his work.

 

and of course www.ftn-books.com has some nice titles on van Hemert available

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Anton Heyboer ( exhibition in Gemeentemuseum Den Haag) and Jean-Michel Basquiat

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Yesterday i participated in an auction in which around 15 lots by Anton Heyboer were offered. Some of them were sold but most of them were “unsold” /held up and prices stayed all below their estimates. During the auction the auctioneer urged her audience to go to the Anton Heyboer exhibition in the Gemeentemuseum and since after my lunch i had a spare half hour, i stopped at the museum and visited the Heyboer exhibition. The museum has a long history with Heyboer , because in his early years as a curator for the Museum , Hans Locher organized exhibitions on Heyboer and visited him frequently in his studio in Den Ilp, resulting in purchases and the start of a brilliant Heyboer collection. Later on Heyboer’s works became less and less important . This is the time when he started as a more commercial artist  and sold his works across the street in Den Ilp, in a gallery run by his 5th wife.

But yesterday when i visited the exhibition in the Gemeentemuseum Den Haag ( Heyboer is on show until the 4th of February 2018) i was overwhelmed by the quality of its works from the sixties and seventies. I knew the etchings from the collection quite well, but the paintings were an eyeopener for me and i compared them immediately with the experience i had when i saw similar kind of paintings by Jean-Michel Basquiat in the Beyeler Museum some years ago.

There are many similarities between these two artists and their paintings and when you realize that most of these were made 20 to 25 years before Basquiat made his works you can only admire the Heyboer’s even more. I like this Heyboer exhibition very much and for me it is one of the best the Gemeentemuseum organized in the last 5 years.

and of course there are some nice Heyboer publications available at www.ftn-books.com

 

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Constant (1920-2005)

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Another Cobra artist that i have met personally ( but only for a very brief conversation about his catalogues) was Constant ( Nieuwenhuijs ). From the 3 Cobra artist that i have met personally i liked him the best, because besides his Cobra period , he developed himself into a multi talented artist. His New Babylon constructions have proven to be a vision on the future and become more and more important in art history. Even his watercolors that he made at the end of his career are to be admired. Great technique and composition make these belonging to his best works from his career. Constant has always kept a special relation with the Gemeentemuseum Den Haag and because of this special relation with the museum and his former director ( Hans Locher) the museum has the most important collection from all periods out of his career. Cobra, New Babylon , paintings and drawings all are present and will prove to be important in the coming centuries.

http://www.arttube.nl/videos/constant-new-babylon

Constant will probably be one of the most important dutch artists to remember and admire for his complete oeuvre.www.ftn-books.com has some nice classic and collectable publications on Constant ( Nieuwenhuijs).

and yes….www.ftn-books.com is one of the few booksellers who can offer you the famous Constant New Babylon book by Wigley

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Sculpture 10 days… Day 5 ..Carel Visser ( 1928-2015)

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One sculptor you must mention in these sculpture 10 days is Carel Visser. 2 years ago Visser died, but his works remain and are present in every important dutch museum collection. His works are in many cases ” assemblages of found material, but during the last 3 decade of his life he made statues from Corten steel and these are the works that can be found frequently in many places in the Netherlands . His sculptures from window screens are less suitable to be presented in the streets ,

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but these are in the museums and can be seen there. It is time for a large retrospective on his works, because beside his sculpture there is also his print making in which he excelled. For many publications on Carel Visser please visit www.ftn-books.com