A few years before the pandemic (2017-2018) the Gemeentemuseum Den Haag organized an exhibitionon Anton Heyboer. Since the Sixties there was a strong connection between the museum and Heyboer , because Hans Locher , the curator at that time, was a stron fan of the early Heyboer and his choice has proven to be impeccable. Beautiful early etchings and drawings are now part of the collection of the museum and the exhibition showed that Heyboer has been developing his art through the decades. Perhaps less appealing than his eraly years, but the works from the end of his career impressed me very much. The catalogue published with this exhibition is without a doubt the best book on Heyboer since 40 years and now availabel at http://www.ftn-books.com. Heyboer’s position in dutch art is now very well established and this exhibition and catalogue show why.
The art of Gerrit Veenhuizen takes decades to discover and the same time to grow on you.
I first discovered the work by Veenhuizen , when Hans Locher introduced the painter to us and organized an exhibition with the artist. A large book was published with the exhibition, knowing that it would not sell but because of the promotion by Locher a beautiful book was published. It still can be bought at reasonable prices, but more important it was my first introduction to the work by Veenhuizen and at first i was not such a fan. I think his worlds were too much a language already discovered by Heyboer.
But as said…. it takes decades to grow on you and now i finally see the quality of how his works were ahead of his time. Educated by Campendonck he developed soon a style of his own and stayed true to this style, creating a world with typical symbols and figures who populated his works. He is but could also have been achild of Heyboer and Klee.
http://www.ftn-books.com has some Veenhuizen publications available including the scarce galerie 20 catalogue from 1961.
Ton Boelhouwer makes no paintings, but still he paints. His objects in a room can not be looked at but must be experienced by entering them and walking along the multi colored objects. This way experiencing the room in a completely different way. His “paintings” can be walked in. The book i have for sale ( by Hans Janssen ) shows this in a splendid way. It is available at www.ftn-books.com
This approach of painting was a few years ago presented at the Bonnefanten Museum and the Gemeentemuseum where he presented his paintings. The Bonnefanten made a nice introduction with Boelhouwer showing sketches
This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975
and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at http://www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.
Jan Maaskant is a dutch sculptor who name rose in some way to fame when he was selected by Rudi Fuchs to contribute to the Documenta 7 in 1982. Influenced by Brancusi and Laurens his works to me feel more close to the Minimal Art of Sol LeWitt and Carl Andre. An excellent example of one of his Minimalistic sculptures can be found in the garden of the Gemeentemuseum Den Haag near the Schamhart pavillion / Fotomuseum.
Maaskant has a long history with the Gemeentemuseum and because Hans Locher ( former director) was an admirer like Rudi Fuchs was, a publication was initialized. Jan Maaskant received an unplanned publication. An important book, published in a small edition. The book sold badly , but is now one of the hardest to find Gemeentemuseum publications. The book is available at www.ftn-books.com
OLYMPUS DIGITAL CAMERA
Maaskant is als beeldhouwer autodidact. Hij werd aanvankelijk beïnvloed door beeldhouwers als Henri Laurens, Constantin Brâncuşi en Julio González, maar vanuit het gesloten, compacte beeldhouwwerk ging hij naar de compositie van de open vorm, samengesteld uit zelfstandige elementen, waarbij een grote rol is weggelegd voor maat, afstand, richting en indeling.
I think it was Hans Locher as a curator who brough the works by Mark Boyle for the first time to the Netherlands. I remember the exhibition was reviewed and it made me go to the Haags Gemeentemuseum. It was the time of music by the Soft Machine and shows with liquid slides to accompany the music. Upstairs in the rooms of the museum were the objects/ earth by Mark Boyle. Boyle made exact replcias of the soli and pavements he found interesting and hang them on the wall like paintings. I thought and think these objects are still fascinating and to my knowledge Boyle is still unique in his approach to art.
These so called earth studies were highly accurate painted casts that operate somewhere between painting and sculpture – involve the meticulous re-creation of randomly chosen areas of the Earth’s surface using resin and fibreglass (as well as real materials from the site) and have been exhibited internationally. Past shows have included the British Pavilion at the XXXIX Venice Biennale in 1978, Beyond Image – Boyle Family (Hayward Gallery, London) in 1986 and Boyle Family (Scottish National Gallery of Modern Art, Edinburgh) – a major retrospective held in 2003.
It is certainly the longest of all leporello items i have in my inventory and perhaps it is one of the longest ever published.
Splash was published on the occasion of the Sikkens price which was presented to Peter Struycken in 1974. On this price winning occasions, Sikkens provides for the funds to have a special publication published on the artist and Struycken made/designed this special Leporello. The leporello is available at www.ftn-books.com
Artist/ Author: Peter Struycken
Title : Splash / Plons 1972 / 1974
Publisher: Sikkens, 1974
Number of pages: 96 pages plus cover + leperello of 212 inches !!!!
Text / Language: dutch and englsih
Measurements: 8.2 x 8.2 inches
Condition: nm+ for the leperello and nm for the sleeve
extra information on this item:
Rare , important and collectible . This Sikkens publication is one of the most important Struycken publications. a true artist book and highly recommended
It took a few meetings and some fine tuning but now , after a month of preparations, the page with Josephine Sloet paintings is now “live” at ftn-blog.com/josephine-sloet/
These paintings that are presented are all for sale and come from different periods from her career. One of my personal favorites is the TIME MOVING painting. It is a large, bold work of art and not for the faint of hearted, because it stands out and dominates its surroundings and beside that you can not avoid it since it is a very large work of art. It measures an impressive 206 x 206 cm.
A beautiful and impressive painting by Josephine Sloet. For more inquiries on this and other paintings by Josephine Sloet offered by FTN-art, please inquire at firstname.lastname@example.org
Willem van Zoetendaal made me look more careful at the photographs by Sara Blokland. It was at the time he was invited by Hans Locher to curate the Fotokabinetten exhibitions at the Gemeentemuseum Den Haag. It was at that time that i began to realizxe and see that photography was a very interesting and highly personal search for the inner soul of the photographed. The persons depicted in the photograph were not ordinary models but their appearance reflected their inner soul. Koos Breukel was one of them and surely Sara Blokland was the other with whom i experienced this.
Sara Blokland (1969 NL) is a visual artist, independant researcher and curator of photography. She lives and works in Amsterdam. She studied at the Rietveld Academy (BA in photography) and graduated at the Sandberg Institute (MFA photography and video) in the Netherlands and a MA in Film and Photographic Studies from the Leiden University.
As a visual artist she is predominately working with photography. Her work reflects on the complicated role of this medium in relation to the histories of individuals, the concept of ‘family’ and culture heritage. Blokland’s films and photographic works have a strong focus on the portrait and landscape as part of identity and memory. Internationally her work has been exhibited in venues such as Kumho Museum (Seoul, Korea) and Gallery Lmak-projects (New York) the Stedelijk Museum Amsterdam, the Museum of Modern Art (Arnhem, Netherlands) and Gemeentemuseum The Hague (Netherlands). Her work is part of several private and public collections, such as the ABN-AMRO Collection, the Rabobank Collection, Museum of Fine Arts in Houston and Gemeentemuseum The Hague. She was also the photographer and editor of the book Van Waarde [Of Value] (2008) and the photographer of the publication The Surinam Police Band (2009).
Since 2009, she is the co-founder and co-director of UNFIXED Projects. The organization aims to create platforms for dialogue about photography, contemporary art and theory with a strong focus on cultural identity. In 2010 UNFIXED projects organized in cooperation with the Center for Contemporary Art Dordrecht in the Netherlands, the UNFIXED exhibition, artist-residency , workshop and symposium. Sara co-edited the publication: UNFIXED – photography and post colonial perspectives in contemporary art, which was co-published by Jap Sam Book in Spring 2012.
www.ftn-books.com has a very nice Sara Blokland publication available which was published by Willem van Zoetendaal.
The first time i heard of Douwe Jan Bakker was the time Hans Locher mentioned Bakker to have an exhibition in the Gemeentemuseum. I did not know the artist at that time but soon would learn that he was and is one of the leading conceptual artists. The iedea behind the work is more important than the execution of it. Because another exhibition was cancelled. The Gemeentemuseum organized, before their renovation closure, the Retrospektive exhibition which was long time due. Douwe Jan Bakker did not have many of these exhibitions but this one was a necessary one and fortunately just in time because soon after, Douwe Jan Bakker died ( 1997). There are not many publications on Douwe Jan Bakker published, but www.ftn-books.com has two important ones for sale. The first is from the Gemeentemuseum (1996) and the second one from the Centraal Museum (1977). Artistically and from a art historian point of view important publications.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20