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Floris Arntzenius (1864-1925)

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Floris Arntzenius is one of those painters who can be called a dutch impressionist. His touch is not as sunny as the French impressionists, but more subdued and influenced by weather and seasons in the Netherlands, making his paintings less bright and cheerfull. Still his depicting of daily life and townscapes makes his work of a rare quality. His painting can be compared with that of Jan Toorop, but where Toorop changed his style for several times during his life, Arntzenius stayed true to classic dutch impressionist scenes.

left Arntzenius / right Toorop

 

The Gemeentmuseum Den Haag has some very nice Arntzenius paintings in its collection and has published several catalogues over the years of which some are available at www.ftn-books.com

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Hermanus Berserik (1921-2002)

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I just thought about Berserik, because i lay my hands on one of the most intimate publications by an artist . It is the facsimile published BLADVULLING book by Hermanus Berserik full of sketches by this artist. He painted daily life scenes and was very fond of his sailing boat, which he depicted numerous times together with other nautic themes.

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You can still encounter his works at reasonable prices at auctions and his etchings can even be called CHEAP. If you do not know anything about the artist just visit:

Hermanus Berserik | De wereld onder een stolp

where a Berserik exhibition was held until the 18th of January. It gives some excellent in formation. The other way to get informed i to look for publications on the artist. www.ftn-books.com has several Berserik titles available.

BTW. I just learned at the MORE site that Berserik was an ex cellent photographer too.

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Christian Megert (1936)

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Todays blog on Christian Megert, because next Saturday afternoon an important Christian Megert exhibition will be opened at de Rijk/ Chabot fine art. Suisse born and one of the earliest ZERO artists, he researched space and composition mainly by using mirrors and reflecting materials .

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Because of the reflections created this way his art is also very close to the Kinetic art which was made in those days. Megert stayed true to his discoveries in creating his compositions with reflecting materials (mainly mirrors) and is increasingly becoming more appreciated and collected by important collectors all over the world.

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This is an exhibition not to be missed and any serious (ZERO) collector should pay a visit to the Megert exhibition at de Rijk/Chabot Fine Art.

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there are multiple publications on ZERO artist available at www.ftn-books.com

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Formula 1 and Art

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Another two weeks and the 2019 Formula 1 season will start with the Australian Grand Prix in Melbourne on the 17th of March.

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I have a lifetime fascination with Formula 1 and from my 17th until this day i am following the complete Formula 1 season. Qualifying and the Race itself i am present and dollow the live transmission. It is rare, but sometimes both items  i admire , Art and racing, are combined into sculpture or paintings. One of the artists that comes to mind is Kees van BOhemen who made a series on Racing and racing drivers in the late Sixties.

Furthermore there are of course the car manufactureres themselves who commission artist to develop and paint their cars into special editions. But Kees van BOhemen stands out for me since his use of paint and subjects leans towards total abstractiuon and it is only a small step to make a “racing” painting into an abstract painting. www.ftn-books.com has a nice selection of Kees van Boehemen catalogues available.

 

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Isabella Rozendaal (1987)

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A young dutch photographer, who deserves her exhibition at the Fotomuseum Den Haag is Isabella Rozendaal. She has gathered fame with her animal projects, but her other subjects result in excellent photographs too. The Fotomuseum Den Haag shows a selection of her best photographs from the 9th of feb 2019- 12th of May 2019

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An important exhibition at the Fotomuseum which can be combined with the Erwin Olaf exhibition at the same location orgqanized by the Gemeentemuseum Den Haag.

www.ftn-books.com has the completely sold out publication “on loving animals” available.rozendaal

 

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Josephine Sloet and FTN art

 

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I have a long time admiration for both Gerard Verdijk and Josephine Sloet and now after a decade of collecting both artists i am proud to announce a cooperation with Josephine. On a regular basis, new works by Josephine Sloet will be presented on the pages of ftn-blog.com where a special section will be devoted to new and older works by Josephine Sloet that are for sale. Paintings,  drawings and if possible photographs….all will be presented and all works listed are for sale through FTN-books/ FTN-art / FTN-blog. For more information, prices and viewing appointments please contact me at wvdelshout@ziggo.nl

We plan to have the first works with descriptions available through FTN-blog by the end of January 2019

More news to follow shortly….

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Oliver Boberg ( 1965 )

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The first time i was confronted with the work by Oliver Boberg was when he had  a large Retrospective exhibition. This was in 2004 at the Fotomuseum and i was very much impressed. Specially the large scale photographs had a feel of desolation and now i have bought for FTN Art two of his greatest photographs at a much smaller scale but still these are originals and very well worth collecting. The book i had on Boberg was sold years and years ago, but this is even better for the true admirer. The photographs are both from a very small edition of 20, numbered and signed and in pristine condition. Framed in a quite expensive frame and come from a collector from the US.

Memorial by Oliver Boberg , 2002,  edition 20, number 14/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 35 x 25 cm. , condition is MINT

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“Erdgeschoss” by Oliver Boberg , 2001, edition 20, number 13/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 38 x 15 cm. , condition is MINT

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Please visit the FTN art section on this page for more information

Oliver Boberg was born in Herten, Germany, in 1965. He studied art history at the University of Würzburg, Germany, from 1985–86, before transferring to the Art Academy Nürnberg to study painting from 1986–93. Since 1997 Boberg has garnered attention for his photographs of what appear to be bleak, uninhabited architectural sites but are in fact models constructed by the artist in his studio. The sense of neglect that haunts these scenes contradicts the painstaking meticulousness applied to their fabrication. In Boberg’s work from the late nineties, the elegant formalism of his compositions contrasts with the subject matter—color-drained stairwells, roof decks, and building facades painted to dissemble age and dilapidation. Works such as Park (1998) and Playground (2000) offer barren sites of disrepair despite their sunny titles. Boberg created his first films for the series Night Sites (2002–03). In these films, the artist utilizes familiar Hollywood devices—fluorescent blue lighting that typically permeates suspenseful night scenes and eerie settings like an abandoned alley or fog-coated forest—to promise a drama that never unfolds. In 2003, with his Building Shell series, Boberg returned to his characteristic photography of elaborate models, this time recreating multistory edifices in the midst of the construction process. In 2004 the artist began to work for the first time with black-and-white photography for his Pagesseries. In Pages and Walls (2007), Boberg revisited his photographic investigation of highly constructed, formalist sites of inattention. Inattention gives way to tragic neglect in his series Slums, begun in 2008, which focuses on the derelict makeshift dwellings composed of serrated tin and other urban debris. For this series, the artist juxtaposed his photographs with computer-generated drawings.

Solo exhibitions of Boberg’s work have been organized by the Museum of Contemporary Photography in Chicago (2001), Musée de l’Elysée in Lausanne (2002), Kunstverein Hannover (2003), and Duolun Museum of Modern Art in Shanghai (2005). His work has also been included in major group exhibitions such as Experiment at the San Francisco Museum of Modern Art (2000), Moving Pictures at the Solomon R. Guggenheim Museum in New York and the Guggenheim Museum Bilbao (2003), and Artist’s Choice: Herzog & De Meuron, Perception Restrained at the Museum of Modern Art in New York (2006). Boberg has been recognized with the Bayerischer Staatsförderpreis für junge Künstler, Fotografie (1997) and Förderpreis für bildende Kunst der Stadt Nürnberg (2005), among other awards. Boberg lives and works in Fürth, Germany.

 

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Max Liebermann (1847-1935)

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There is a long history between the art of Max Liebermann and the Netherlands, because Liebermann used to work for long periods of time in this country.

From 1874 until 1914 he stayed during the summer period in Holland and painted together with his friend Isaac Israels in Laren, Scheveningen and Noordwijk. This is the reason why so many of great Liebermann paintings can be found in this country. These were given, trade or sold to collectors and friends , building this way the largest collection of Liebermann paintings outside Germany.

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It was therefore no problem for the Gemeentemuseum to organize some 40 years ago one of the first retrospektives on Liebermann ( catalogue available at www.ftn-books.com) and because it was so long ago the Gemeentemuseum organized this year another Libermann exhibition with the focus on the dutch paintings he made during the summers he stayed here.

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MAX LIEBERMANN

IMPRESSIONS OF SUMMER

Max Liebermann (1847-1935) enjoyed a special bond with the Netherlands. From the end of the 19th century the German artist would visit Holland every summer. The country inspired his paintings for many years and he established a number of close friendships with artists from the Hague School. Despite these ties, Liebermann’s work is rarely exhibited in the Netherlands, so it is high time for a change!

The Gemeentemuseum is organising a major exhibition on this famous German artist:Max Liebermann – Impressions of summer. Top items from Liebermann’s oeuvre will highlight how he developed from Realist tot Impressionist. The exhibition will also consider his important role in the European art world, and his extraordinary private life.

 

Between 1870 and 1914 Liebermann spent a number of summers in the Netherlands with his friend Jozef Israels. Together they painted the fashionable lifestyle emerging in that period: outdoor cafés teeming with patrons enjoying the sun, riders and bathers on the beach. By that time Liebermann was a celebrated artist both in his native Germany and abroad, famous for his paintings with ‘sunspots’. In 1920 he was even appointed director of the academy in Berlin, a position he would have to relinquish towards the end of his life, when Hitler came to power. Yet he continued to be a favourite with the public in Germany, even after his death.

Despite the political and social tensions, Liebermann remained a sunny Impressionist in his work, as you will see in this exhibition. Max Liebermann – Impressions of Summer is organised with partner the Liebermann-Villa am Wannsee museum, featuring highlights like Free Hour at the Amsterdam Orphanage (1881-1882) and The Parrot Man (1902), painted at Amsterdam’s Artis zoo. Special detail: Liebermann’s Free Hour at the Amsterdam Orphanage will for the first time be leaving Frankfurt since it gained a permanent home there at the city’s Städel Museum.

 

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Alice Aycock (1946)

1983, Just 3 years after i started my career at the Gemeentemuseum Den Haag, the museum made an exhibition with Alice Aycock. Within the Schamhart buidling the complete floor was covered with large kinetic sculptures by Aycock and at that time i could not appreciate them at all. Now 35 year later i wished i had the same knowledge at that time that i have know, because recently i leafed through the catalogue and it struck met that these works were not only great in dimensions, but even after 35 years fascinating. Where Tinguely made his kinetic sculptures in the Sixties. Aycock made them in much more modern and industrialized/high tech versions in the Eighties and after. Alice Aycock has received international fame with her sculptures.

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What remains to me is a wonderful catalogue ( available at www.ftn-books.com) and the memory of meeting a great artist and beautiful woman back in 1983.

To give an impression of her more recent works here is a video on her 2010 presentation:

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Co Westerik ( 1924-2018) dies at the age of 94.

Yesterday morning the family of Co Westerik announced the death of this great dutch painter. His works are present in practically every large dutch museum and some admiring collectors ( the late Frits Becht ao) managed to buy more than average numbers of paintings from him and that is quite an accomplishment since his production was low…..extremely LOW. In many a year he managed to complete only as few as 3 paintings, making his work a rare work to add to a collection. It was different with his prints and drawings, because here his production was “normal”. One quality all his works have in common……it is the extreme detail and craftsmanship that make his works of high quality and stand out from the rest. At the time i worked at the Gemeentemuseum  i met the artist on several occasions, but i only remember that i spoke to his representatives concerning catalogue and postcard productions. Even on these occasion he was highly (rightfully) concerned about the result. But in the end he had the publication as he had visualized it. The costs did not matter to him….the result did. ww.ftn-books.com has many titles available on Co Westerik.