Almost violent in his approach of his canvas. Bright colors, large mouvements, complex compositions in the true Lyrical abstract tradition. studied at AKI under Roger Raveel, who valued his works as important and promising.
Izaks died at an early age but had an extremely large production. His paintings come up for sale occasionally and are sold by the Izaks foundation who uses these funds for publications on Izaks and a yearly stipendium for promising young artists.
Just recently, onthe 12th of March Will ferwerda died at the age of 77. Known for his free expressionism and activist for his entire life he was one of the most colorful artists in the dutch art scene. He was locally a well known artist and many in Gorkum and Dordrecht had at some time met him.( A bit the same as Gerard Fieret in den Haag), but his art deserves so much better. It has some mysticism in it i can not explain, but when you look at he limited editions by Ferwerda ( available at http://www.ftn-books.com) , these images intrigue and show that Ferwerda was not an amateur , but a true and original artist.
In some ways Bouke Ylstrat reminds me of Jan Roëde. An artists who uses bright colors in combination with child like scenes, but Ylstra works differ enough to stand on their own. Where Roede populates many of his paintings with children, Ylstra depicts adults in their world and creates a world of their own. Combining human elements with abstract surfaces, filling them with symbolism and creating in this way a world of its own. Ylstra is not that know. Even in the Netherlands his work is rare to find, but when you look at his biography you will find that his works has been included in practically all of the large museums in the Netherlands.
1933 Geboren in Den Haag. Groeit op in Rotterdam.
1950 -1954 Academie voor Beeldende kunsten in Rotterdam.
1955 Ontmoet Marie José Nicolaí met wie hij trouwt. Ze gaan in Dordrecht wonen en krijgen drie kinderen.
1959 Maakt zijn eerste monumentale werk, een zeventig meter lang mozaïek in Leeuwarden.
1960 -1964 Docent “Vrij schilderen”aan de Academie voor Industriële Vormgeving in Eindhoven.
1964 -1967 Docent “Grafische technieken”aan de Academie voor Beeldende Kunsten in Rotterdam.
1967 -1972 Afdelingsdocent “Gebonden kunsten” aan de Academie van BK in Rotterdam.
1979 -1981 Adviseur “Beeldende kunst”van de Rijksbouwmeester Ministerie VROM.
1983 -1990 Docent “Vrij schilderen”aan de afdeling “Monumentaal” van de Rietveld Academie in Amsterdam. 1993. Eerste expositie Galerie Duo Duo / Rotterdam
Galerie Sapet / Mirmande Frankrijk 1994. Galerie Witt /Dordrecht
Zomerexpositie Duo Duo / Rotterdam 1995. Galerie Duo Duo / Rotterdam
Opdracht: ontwerp vloerintarsia school Rotterdam
1996. Galerie Witt / Dordrecht – Institut Néerlandais / Parijs Groepstentoonstelling 1997. Galerie Duo Duo / Rotterdam 1998. Galerie Witt /Dordrecht. Zomerexpo Duo Duo
Houten beeld bij experimentele bouw Almere 1999. Duo Duo / Rotterdam 2000. Galerie Witt / Dordrecht 2001. Galerie Duo Duo / Rotterdam – Opdracht ontwerp i.s.m Cor Kraat beelden voor het Raadhuis te Veenendaal 2002. Galerie Dom Arte / Rucphen Galerie Witt / Dordrecht
Opdracht beeld Rijkspolitie te Dordrecht 2003. Galerie Witt / Dordrecht
Opdracht Beeldengroep Westelijk Handelsterrein Rotterdam 2004. Galerie Duo Duo / Rotterdam 2005. Galerie Sapet / Mirmande frankrijk
Galerie Les Sagnes / st.Michel de Chabrianoux Frankrijk
Galerie Witt / Dordrecht 2006. Galerie Duo Duo / Dordrecht
Opdracht 4 beeldengroepen voor scholengemeenschap
ROC te Leeuwarden 2009. Bouke Ylstra is op 17 Augustus 2009 in zijn woonplaats Dordrecht overleden.
www.ftn-books.com has a nice Ylstra publication including an original drawing for sale.
About a week ago i announced the cooperation with Josephine Sloet and at that same day we met and had our first ever meeting, we thought it an excellent idea to devote a separate section of FTN-blog to Gerard Verdijk of whom a selection of works will be presented that will be for sale through FTN-art / FTN-blog. We will be making a first selection when we meet again at the beginning of January, so expect some Verdijk works by the end of February . The selection of paintings and/or drawings which will become available will be presented after the site of Josephine Sloet has gone “live” and all works presented will be for sale . For any inquiries please refer to firstname.lastname@example.org
A great announcemet to end this year filled with art and art publications and i am really looking forward to continue and offer you more art and artist publications in the year to come.
People following this blog know of my admiration for the artist Gerard Verdijk.
Verdijk is becoming increasingly recognized as one of the most avant-garde and influential artists from the last century in the Netherlands, but now his name spreads slowly across the border . During his lifetime his works were collected all over the world and because Verdijk had admirers and collectors everywhere his works can be found in the most unlikely places. Because of his exhibitions in the Netherlands, France, Italy, Germany and even the US his audience grew slowly but constantly and after he had a large retrospective in Dordrecht 2 years ago it is now time for the largest publication ever on Verdijk.
The Mountain of Einstein will be published in an edition of only 500 copies by the end of 2018. It will be a hardcover edition; size : 30 x 30 cm., pages: 396 .
We have met, but mr.van ‘t Slot does not remember and neither do i have any remembrance of our meeting, because it was at the beginning of my career with the Gemeentemuseum Den Haag and i was a rookie in the art world. Exhibitions were held with promising artists and John van ‘t Slot was one them. Gerrit Jan de Rook curated the cycle of exhibitions called KEUS VAN DE KUNSTENAAR. Three of these were held in the early eighties with artists like Maarten Ploeg, Piet Dieleman, Panamarenko, Piet Dirkx and of course John van ‘t Slot. My first impression…. his works looked strange with horses and figures in a landscape , but over the years they grow upon you and eventually you admire these paintings and in the end i was fortunate to finally acquire a large early painting for FTN art which is now up for sale.
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Van ‘t Slot is part of a mouvement called in the Netherlands the NIEUWE WILDEN. The same as their counterparts in Germany DIE NEUE WILDEN. In the eighties he was one of the artists that emerged and rose above others. Together with Rene Daniels and Marlene Dumas he was one of the chosen artists for the exhibition STOP MAKING SENSE, which showed the highlights in painting in the eighties and was presented in the Dordrechts Museum
What about these glasses!….it is the first thing you see when you look at this portrait of Willem Hussem, a dutch painter from the Hague who formed together with Nanninga , Roede and Bohemen the core of the “Posthoorngroep”. The met weekly in the famous cafe de Posthoorn where they discussed art and everything else, but most of all inspired each other to some of the greatest art found in the Netherlands in those days, Among them Willem Hussem was perhaps the most diverse ( painting , sculpture and poetry), but certainly one of the most outspoken member of the group. Willem Hussem his works are spread all over the Netherlands in Museums ( Gemeentemuseum Den Haag, Stedelijk Museum, Dordrechts museum) and many private collections. If you are searching to add a beautiful Hussem to your collection, let me know because i know of the whereabouts of some excellent paintings that are for sale by this great artist and of course www.ftn-books.com has some nice publications available.
First of all a personal note on Gerard Verdijk. I have known Gerard and met him on several occasions because he frequently visited the Haags Gemeentemuseum and its museum shop. One day after one of his visits , in which i expressed my interest in his works, he invited me to come over at his house and look at several ones he had for sale at that moment. Problem was…. i did not have the money to buy a work, but what remained after that visit was the appreciation for his works in which he explored contrasts in shape and color. Many, many years later all fell in place with the acquisition of a very large work by Verdijk, which was part of the Stuyvesant collection and sold at AAG auction. The work titled ….Horizontaal/Verticaal was from 1992 and exhibited at the Stedelijk Museum in the Verdijk exhibition so this together with the Stuyvesant collection it had an excellent provenance and had all the elements in it for which i admired Gerard’s his works. The contrast between the left and right side, the use of color. It looked so simple and yet its complexity is enormous.
That for a personal note. Now it is time Gerard Verdijk is remembered as one of the greatest painters from last century and the Dordrechts Museum recognized that and will open a retrospective on Verdijk on Saturday next, the 30th of July. A well deserved retrospective in which the different periods of his works will clearly show the evolution of Verdijk into the abstract painter he eventually became.
Because i have this personal interest in Verdijk, it is no wonder that the selection of books on Verdijk is quit large. Interested in Verdijk too? look at www-ftn-books.com or mail me for information on the little drawing i have for sale.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20