People following this blog know of my admiration for the artist Gerard Verdijk.
Verdijk is becoming increasingly recognized as one of the most avant-garde and influential artists from the last century in the Netherlands, but now his name spreads slowly across the border . During his lifetime his works were collected all over the world and because Verdijk had admirers and collectors everywhere his works can be found in the most unlikely places. Because of his exhibitions in the Netherlands, France, Italy, Germany and even the US his audience grew slowly but constantly and after he had a large retrospective in Dordrecht 2 years ago it is now time for the largest publication ever on Verdijk.
The Mountain of Einstein will be published in an edition of only 500 copies by the end of 2018. It will be a hardcover edition; size : 30 x 30 cm., pages: 396 .
Price ; 99.00 euro
This book will not be available at www.ftn-books.com, but can be ordered with:
Josephine Sloet, Les Places, St. Quentin, 24200 Marcillac, France
In case you are looking for other publications on Gerard Verdijk please have a look at www.ftn-books.com
We have met, but mr.van ‘t Slot does not remember and neither do i have any remembrance of our meeting, because it was at the beginning of my career with the Gemeentemuseum Den Haag and i was a rookie in the art world. Exhibitions were held with promising artists and John van ‘t Slot was one them. Gerrit Jan de Rook curated the cycle of exhibitions called KEUS VAN DE KUNSTENAAR. Three of these were held in the early eighties with artists like Maarten Ploeg, Piet Dieleman, Panamarenko, Piet Dirkx and of course John van ‘t Slot. My first impression…. his works looked strange with horses and figures in a landscape , but over the years they grow upon you and eventually you admire these paintings and in the end i was fortunate to finally acquire a large early painting for FTN art which is now up for sale.
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Van ‘t Slot is part of a mouvement called in the Netherlands the NIEUWE WILDEN. The same as their counterparts in Germany DIE NEUE WILDEN. In the eighties he was one of the artists that emerged and rose above others. Together with Rene Daniels and Marlene Dumas he was one of the chosen artists for the exhibition STOP MAKING SENSE, which showed the highlights in painting in the eighties and was presented in the Dordrechts Museum
What about these glasses!….it is the first thing you see when you look at this portrait of Willem Hussem, a dutch painter from the Hague who formed together with Nanninga , Roede and Bohemen the core of the “Posthoorngroep”. The met weekly in the famous cafe de Posthoorn where they discussed art and everything else, but most of all inspired each other to some of the greatest art found in the Netherlands in those days, Among them Willem Hussem was perhaps the most diverse ( painting , sculpture and poetry), but certainly one of the most outspoken member of the group. Willem Hussem his works are spread all over the Netherlands in Museums ( Gemeentemuseum Den Haag, Stedelijk Museum, Dordrechts museum) and many private collections. If you are searching to add a beautiful Hussem to your collection, let me know because i know of the whereabouts of some excellent paintings that are for sale by this great artist and of course www.ftn-books.com has some nice publications available.
First of all a personal note on Gerard Verdijk. I have known Gerard and met him on several occasions because he frequently visited the Haags Gemeentemuseum and its museum shop. One day after one of his visits , in which i expressed my interest in his works, he invited me to come over at his house and look at several ones he had for sale at that moment. Problem was…. i did not have the money to buy a work, but what remained after that visit was the appreciation for his works in which he explored contrasts in shape and color. Many, many years later all fell in place with the acquisition of a very large work by Verdijk, which was part of the Stuyvesant collection and sold at AAG auction. The work titled ….Horizontaal/Verticaal was from 1992 and exhibited at the Stedelijk Museum in the Verdijk exhibition so this together with the Stuyvesant collection it had an excellent provenance and had all the elements in it for which i admired Gerard’s his works. The contrast between the left and right side, the use of color. It looked so simple and yet its complexity is enormous.
That for a personal note. Now it is time Gerard Verdijk is remembered as one of the greatest painters from last century and the Dordrechts Museum recognized that and will open a retrospective on Verdijk on Saturday next, the 30th of July. A well deserved retrospective in which the different periods of his works will clearly show the evolution of Verdijk into the abstract painter he eventually became.
Because i have this personal interest in Verdijk, it is no wonder that the selection of books on Verdijk is quit large. Interested in Verdijk too? look at www-ftn-books.com or mail me for information on the little drawing i have for sale.