For many years this was the last time a dutch group of artists presented diutch art at the Sao Paulo Bienal exhibition. For several reasons the Bienal was boycotted and only in the late Eighties dutch art was presented once again at the Sao Paulo Bienal.
But the reason for this blog is not the presence of dutch art in SAo Paulo….no….. the reason is that this 1965 catalogue for the dutch pavillion was designed by Jurriaan Schrofer, who made this catalogue a very special one. The idea came from a leporello in which each fold contains a small catalogue. The artists present are for the official contribution: Co Westerik adnPeter Vos and for the special room: Melle, Carel Willink, Charles Roelofsz and Pyke Koch.
Schrofer managed to include all these artist in a very special way in this catalogue in which all the artists received their own small book. Cover design is special too in which the title spirals away….I really am a great fan of this catalogie which is now available at www.ftn-books.com.
First there was VERVE, later Fugare and finally de Nieuwe Haagse School.
Nowadays dutch art lovers know exactly what is meant by DE NIEUWE HAAGSE SCHOOL. it is a group of artist who lived and worked in Den Haag and met regularly in Pulchris Studio, de Posthoorn and de Haagse Kunstkring. But before this there was FUGARE. this FUGARE society was founded by George Lampe on the 26th of January 1960
The result? an artist mouvement with particpating artist that met regularly and inspired each other and held their exhibitions at the best venues in those days. Exhibitions were held at the Haags Gemeentemuseum, Stedelijk Museum, van Abbemuseum and Pulchri Studio. There was a place for all in Fugare. Jan van Heel painted figures and Willem Hussem abstract paintings and everything in between was appreciated as long as you were an active member who visited the meetings. Fugare is impiortant for dutch abstract painting and some nice Fugare publications are availabel at www.ftn-books.com
Yesterday morning the family of Co Westerik announced the death of this great dutch painter. His works are present in practically every large dutch museum and some admiring collectors ( the late Frits Becht ao) managed to buy more than average numbers of paintings from him and that is quite an accomplishment since his production was low…..extremely LOW. In many a year he managed to complete only as few as 3 paintings, making his work a rare work to add to a collection. It was different with his prints and drawings, because here his production was “normal”. One quality all his works have in common……it is the extreme detail and craftsmanship that make his works of high quality and stand out from the rest. At the time i worked at the Gemeentemuseum i met the artist on several occasions, but i only remember that i spoke to his representatives concerning catalogue and postcard productions. Even on these occasion he was highly (rightfully) concerned about the result. But in the end he had the publication as he had visualized it. The costs did not matter to him….the result did. ww.ftn-books.com has many titles available on Co Westerik.
It is over 35 years now that i know Arja van den Berg and followed her progress in art. She stayed true to all subjects close to her. Kitchen, fruits, dogs, cats and the occasional portraits complete her oeuvre. Painting, graphics and ceramics make her work diversified as much as possible, but subjects are always found “close by” in her daily life and studio. The books and prints that www.ftn-books.com has available of her show this on every page. Somewhat romantic, very skill full and highly accessible works, make her art timeless.
One of the last grand “old” masters of the dutch Art scene. Of course C ( Jacobus) Westerik has had his exhibitions abroad, but beside the Netherlands, germany and Belgium his name is not that well known. I met Westerik at the time he was making the portrait of Theo van Velzen. One of the former directors of the Haags Gemeentemuseum. The portrait was presented as a farewell present when van Velzen resigned to be hung in a gallery with portraits of other former directors. A small portrait which he managed to squeeze in and complete it in between 2 other paintings. His canvasses are not too big , but they are scarce because Westerik has a very small production yearly. I really do not know if he still is active as a painter, but at the time the van Velzen portrait was made , his production was 3 paintings a year. All were sold up front to collectors and museums. Among them Frits Becht (1930-2006) .He was the private collector with the largest Westerik collection .
He who was a personal friend for his entire life and followed his career through the years and bought many works. beside a painter Westerik was also known for his graphics in which he excelled. His production as a graphic artist was much much larger and there are almost a thousand different prints known by him. Westerik is a very important artist for dutch art and because i followed him over the years www.ftn-books.com has many publications on Westerik available.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20