Armando (1929) . …and the Armando Museum/ MOA museum

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At one time in the last decade there was a true Armando Museum in AMERSFOORT, but since a fire destroyed the museum in 2007 the largest part of the Armando collection had to be relocated and found a place in the MOA museum / Museum Oud Amelisweerd.

http://www.moa.nl/nl/Collections/Armando

and of course this great short documentary in the series HOLLANDSE MEESTERS which is an excellent portrait of thsi dutch master.

This site contains over 2100 works by Armando , which makes it the most important public place on the internet to view the works by Armando (Herman Dirk van Dodeweerd). You can spent some great time over there, but what it lacks is the story and the essential timeline on the works by Armando. No problem , because www.ftn-books.com has some great titles on Armando available at http://www.ftn-books.com to read and see whyArmando is such a great artist.

 

Jaap van de Ende (1944)…an abstract constructivist

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Personally i think that Jaap van den Ende is the only true successor of Jan Schoonhoven. Specially his early works have the similar qualities as the ones Schoonhoven made in the sixties and early seventies. The Stedelijk Museum has some excellent examples of these early works in which little cut out pieces of grey plastic foil are placed on a white surface according a well though over pattern. the System and pattern make the composition, but thus creating a fascinating , lively work of art.

A little like the way Struycken worked, but with a simplicity that resembles the great early Sol LeWitt works. I love this early works, Later he changed his style into more colorful compositions, but always along a line of well thought over abstract contructivist forms. Since 1997 his works become far more realistic. Seascapes, parks and landscapes are all painted with perfection . a fascinating artist which you can encounter in several dutch museum collections. There are some nice van den Ende publications available at www.ftn-books.com

 

Henk Peeters a very special composition

Later this year i will devote another short blog to Henk Peeters. Peeters has become world famous for his contributions to the art world as a ZERO / NUL artist. Since yesterday i added a small composition by Henk Peeters to my inventory. A s good as his best Informal and Zero paintings, but on a very small scale this is a great little piece of art and now available at www.ftn-books.com

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Ugo La Pietra (1938) / Edizioni Flaviana…Serie Minimultipli.

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Yesterday, the first of my new acquisitions was discussed in my blog. Today the second one will be presented to my readers. This one is another one from the 1967 publications by Edizioni Flaviana within their series of Minimultipli. Title …..Campo Tissurale….Condition of this one too is excellent and another one well worth collecting now, because these beautiful publications are getting more scarce every month and i believe to be the only seller on the internet who is offering 2 of these rare publications. Ugo La Pietra is still active as an artist and designer, but none of his work is considered more important than his sixties work in which he showed his admiration and close relationship to other ZERO / NUL artists. This exquisite small publication shows why and is available at www.ftn-books.com

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Enrico Castellani (1930) / Edizioni Flaviana…Serie Minimultipli.

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Manzoni, La Pietra, Colombo, Christo and Enrico Castellani. What do they have in common?. Yes , they were all artists who started their careers in the early sixties, but an another lesser known fact is that they were all chosen to publish within the Minimultipli series by Edizioni Flaviana a small, but also art collection worthy, work of art. The ones which i added today to the inventory of my store are considered to be the best of the series. Tomorrow the Ugo de La Pietra. But here is the Superficie Oro by Enrico Castellani from 1967.

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This Enrico Castellani is believed to have been published in an edition of only 1000 copies ( others within the series were published  also in 1000 copies) of which few will have survived as good as this one. The “envelope”, plastic covered inlay and the multiple are all in exceptional condition . Published in 1967. This Castellani is a true ZERO work of art. He encountered many dutch and german artist who belonged to the ZERO and NUL mouvements in Germany and the Netherlands and he himself , as his friends Fontana and Manzoni, were influenced by the ideas of these groups of artists. The ” Superficie Oro” shows it in the smallest scale possible, but even at this size, it truly is an outstanding work of art and now available at www.ftn-books.com.

Ad Dekkers (1938-1974)…. dutch Minimal art

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Ad Dekkers was probably the first dutch minimal artist and even is somehow related to the dutch NUL / ZERO art of the sixties and because of his age 36 , on the day he died, there are not too many works by Dekkers. His oeuvre is limited and most of the important works are to be found in dutch ( museum) collections. ALL important dutch museums have work(s) by Ad Dekkers in their collections and these works prove to be more and more important when you look at them in conjunction with other art from the sixties and seventies. Dekkers announced his own death. He was manic depressed and his suicide was no surprise to the ones that had known him. He left us  a great and important oeuvre and many of the publications are available at www.ftn-books.com

Lucio Fontana (1899-1968)

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For me , he is one of the greatest from Last century. Lucio Fontana has had a long career in art and joined several groups, before he became part of the ZERO mouvement.

After ZERO he stayed true to his new found form of art in which monochrome paintings were slashed with a sharp Stanley knife or manipulated with his fingers,thus altering the surface with other materials and objects. Glass was one of his favorites to use. Fontana did not become very old, but in his art career of over 40 years he was one of the front runners in Modern Art. Willem Sandberg admired him very much and because of the importance of Zero and this admiration for Fontana, Fontana received his first Amsterdam monographic exhibition in the Stedelijk Museum in 1967. Catalogue design by Wim Crouwel makes this the perfect combination for a great publication. Sandberg/Crouwel and Fontana combined in one publication is hard to beat. Since 1967 , Fontana featured in many group exhibitions on Zero and had solo exhibitions all over the world. Art collectors must pay huge sums of money to acquire a Fontana ( if ever there is one for sale/ there was one at Dorotheum and Sothebys last year, they made  specials on youtube  on these paintings)

and Museums that have one in their collection are lucky, because his paintings are nowadays “hors catagorie”. What can be had at reasonable prices? Of course some great publication at www.ftn-books.com and whenever you find a MUSEUMJOURNAAL with the special Fontana cover, do not hesitate and ….BUY IT!!!.