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Armando (1929) . …and the Armando Museum/ MOA museum

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At one time in the last decade there was a true Armando Museum in AMERSFOORT, but since a fire destroyed the museum in 2007 the largest part of the Armando collection had to be relocated and found a place in the MOA museum / Museum Oud Amelisweerd.

http://www.moa.nl/nl/Collections/Armando

and of course this great short documentary in the series HOLLANDSE MEESTERS which is an excellent portrait of thsi dutch master.

This site contains over 2100 works by Armando , which makes it the most important public place on the internet to view the works by Armando (Herman Dirk van Dodeweerd). You can spent some great time over there, but what it lacks is the story and the essential timeline on the works by Armando. No problem , because www.ftn-books.com has some great titles on Armando available at www.ftn-books.com to read and see whyArmando is such a great artist.

 

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Jaap van de Ende (1944)…an abstract constructivist

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Personally i think that Jaap van den Ende is the only true successor of Jan Schoonhoven. Specially his early works have the similar qualities as the ones Schoonhoven made in the sixties and early seventies. The Stedelijk Museum has some excellent examples of these early works in which little cut out pieces of grey plastic foil are placed on a white surface according a well though over pattern. the System and pattern make the composition, but thus creating a fascinating , lively work of art.

A little like the way Struycken worked, but with a simplicity that resembles the great early Sol LeWitt works. I love this early works, Later he changed his style into more colorful compositions, but always along a line of well thought over abstract contructivist forms. Since 1997 his works become far more realistic. Seascapes, parks and landscapes are all painted with perfection . a fascinating artist which you can encounter in several dutch museum collections. There are some nice van den Ende publications available at www.ftn-books.com

 

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Henk Peeters a very special composition

Later this year i will devote another short blog to Henk Peeters. Peeters has become world famous for his contributions to the art world as a ZERO / NUL artist. Since yesterday i added a small composition by Henk Peeters to my inventory. A s good as his best Informal and Zero paintings, but on a very small scale this is a great little piece of art and now available at www.ftn-books.com

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Ugo La Pietra (1938) / Edizioni Flaviana…Serie Minimultipli.

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Yesterday, the first of my new acquisitions was discussed in my blog. Today the second one will be presented to my readers. This one is another one from the 1967 publications by Edizioni Flaviana within their series of Minimultipli. Title …..Campo Tissurale….Condition of this one too is excellent and another one well worth collecting now, because these beautiful publications are getting more scarce every month and i believe to be the only seller on the internet who is offering 2 of these rare publications. Ugo La Pietra is still active as an artist and designer, but none of his work is considered more important than his sixties work in which he showed his admiration and close relationship to other ZERO / NUL artists. This exquisite small publication shows why and is available at www.ftn-books.com

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Enrico Castellani (1930) / Edizioni Flaviana…Serie Minimultipli.

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Manzoni, La Pietra, Colombo, Christo and Enrico Castellani. What do they have in common?. Yes , they were all artists who started their careers in the early sixties, but an another lesser known fact is that they were all chosen to publish within the Minimultipli series by Edizioni Flaviana a small, but also art collection worthy, work of art. The ones which i added today to the inventory of my store are considered to be the best of the series. Tomorrow the Ugo de La Pietra. But here is the Superficie Oro by Enrico Castellani from 1967.

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This Enrico Castellani is believed to have been published in an edition of only 1000 copies ( others within the series were published  also in 1000 copies) of which few will have survived as good as this one. The “envelope”, plastic covered inlay and the multiple are all in exceptional condition . Published in 1967. This Castellani is a true ZERO work of art. He encountered many dutch and german artist who belonged to the ZERO and NUL mouvements in Germany and the Netherlands and he himself , as his friends Fontana and Manzoni, were influenced by the ideas of these groups of artists. The ” Superficie Oro” shows it in the smallest scale possible, but even at this size, it truly is an outstanding work of art and now available at www.ftn-books.com.

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Ad Dekkers (1938-1974)…. dutch Minimal art

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Ad Dekkers was probably the first dutch minimal artist and even is somehow related to the dutch NUL / ZERO art of the sixties and because of his age 36 , on the day he died, there are not too many works by Dekkers. His oeuvre is limited and most of the important works are to be found in dutch ( museum) collections. ALL important dutch museums have work(s) by Ad Dekkers in their collections and these works prove to be more and more important when you look at them in conjunction with other art from the sixties and seventies. Dekkers announced his own death. He was manic depressed and his suicide was no surprise to the ones that had known him. He left us  a great and important oeuvre and many of the publications are available at www.ftn-books.com

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Lucio Fontana (1899-1968)

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For me , he is one of the greatest from Last century. Lucio Fontana has had a long career in art and joined several groups, before he became part of the ZERO mouvement.

After ZERO he stayed true to his new found form of art in which monochrome paintings were slashed with a sharp Stanley knife or manipulated with his fingers,thus altering the surface with other materials and objects. Glass was one of his favorites to use. Fontana did not become very old, but in his art career of over 40 years he was one of the front runners in Modern Art. Willem Sandberg admired him very much and because of the importance of Zero and this admiration for Fontana, Fontana received his first Amsterdam monographic exhibition in the Stedelijk Museum in 1967. Catalogue design by Wim Crouwel makes this the perfect combination for a great publication. Sandberg/Crouwel and Fontana combined in one publication is hard to beat. Since 1967 , Fontana featured in many group exhibitions on Zero and had solo exhibitions all over the world. Art collectors must pay huge sums of money to acquire a Fontana ( if ever there is one for sale/ there was one at Dorotheum and Sothebys last year, they made  specials on youtube  on these paintings)

and Museums that have one in their collection are lucky, because his paintings are nowadays “hors catagorie”. What can be had at reasonable prices? Of course some great publication at www.ftn-books.com and whenever you find a MUSEUMJOURNAAL with the special Fontana cover, do not hesitate and ….BUY IT!!!.

 

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Beauty and simplicity at de RIJK Fine art

Last week i was in the Stedelijk Museum  Amsterdam and was very much impressed by the Malevich and “white” rooms with Dekkers and Schoonhoven. White and nothing but white and it reminded me of the current exhibition at de Rijk Fine Art ( Noordeinde 95 /Den Haag).

Excellent, high quality, museum worthy paintings by ao Schoonhoven , Dekkers and Leblanc… in a totally different setting which was more a cosy living room ( including the dog ;-), than a gallery. The simplicity and in the same time complexity of the works, work very well in this setting. They do not need a museum presentation to show their true qualities. This exhibition lasts until the 26th of February so i advise you to take a look at the de Rijk gallery and see for yourself the qualities of this great and important gallery exhibition.

For publications on Schoonhoven, Dekkers and Malevich visit www.ftn-books.com

 

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ZERO….the second exhibition

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NUL zero Stedelijk Museum

Mid sixties ZERO became an important part within the exhibition and collection program of the Stedelijk Museum. a.0. Jan Schoonhoven being one of the artists being presented. Zero had become “main stream” and accepted and therefore it was time for a large overview of what was and had become ZERO/ NUL. Wim Crouwel was asked for the design of the 2 catalogues. One with text and one with images. Both are exceptional designs executed in a glossy silver , perfect measurements and simple but beautiful typography.

( set is available at www.ftn-books.com)

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Informele Kunst exhibition / 1983

Yes ….34 years ago i was a rookie and just had walked into the museum world and there there was this exhibition which i could not understand. An exhibition on INFORMELE KUNST in Nederland en Belgie ( dutch language) in the Schamhart wing with at the entrance an extremely large painting by Jan Cremer. At the time it was painted he asked a price for it of 1 million guilders.

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At that time a ridiculous amount of money for a work of art, but time passes and if i had known what i know on art now i would have started collecting these works which were within the exhibition. names? Schoonhoven, Leblanc, Cremer, Peeters, Armando, Verheyen, Gentils, Mortier. If only……….

A pity I did not start collecting these artists, because then the time was perfect to buy at reasonable prices. Prices started to rise from that year on and the end is not in sight. What remains is the excellent catalogue which is still available at www.ftn-books.com

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ZERO..the first Stedelijk Museum catalogue

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NUL Stedeljk Museum

If there is one iconic ZERO catalogue it is the very first ZERO catalogue published with the ZERO exhibition of 1963. SO here are the photographs which makes this very important catalogue available to all. catalogue for sale at www.ftn-books.com

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Next week the second ZERO/NUL exhibition set

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Günther Uecker

All you need is a hammer and a bucket of nails….this is what you first think when you see the early ZERO works by Günther Uecker.

Together with Mack and Piene he belongs to the German part of the Zero mouvement.

It is now 15 years that ZERO is collected the world all over, but before this period the works by Uecker could only be seen in some of the larger german Museums.

Now his early Zero works and editions have spread all over the world, all because Zero has become such an important art mouvement.

Outside Germany , Uecker works was first presented in the dutch NUL exhibition from  1962 in the Stedelijk Museum. Together with Mack and Piene he made the light salon, which is still one of the masterpieces of Zero art.

Personally i have a preference for the works by Piene…. Uecker is a great artist, but what troubles me is that Uecker has not progressed with his art… he is still making paintings and objects with nails, cashing the great idea he once had. So an early Uecker for a collection can be one of the highlights, but a later period Uecker is just adding a famous name to a collection. Still there are some nice publications on Uecker at www.ftn-books.com