Todays blog on Christian Megert, because next Saturday afternoon an important Christian Megert exhibition will be opened at de Rijk/ Chabot fine art. Suisse born and one of the earliest ZERO artists, he researched space and composition mainly by using mirrors and reflecting materials .
Because of the reflections created this way his art is also very close to the Kinetic art which was made in those days. Megert stayed true to his discoveries in creating his compositions with reflecting materials (mainly mirrors) and is increasingly becoming more appreciated and collected by important collectors all over the world.
This is an exhibition not to be missed and any serious (ZERO) collector should pay a visit to the Megert exhibition at de Rijk/Chabot Fine Art.
Day 4 of my “forgotten artists” blogs is devoted to Vassilakis Takis. Now 92 years of age, but forgotten by most. It used to be different because in the 60’s his name was quite known among art lovers , specially the one interested in Kinetic art. His Grec origins never showed in his works , no classical sculptures for him, but investigating the relations between art and science, resulting in Kinetic works which were original. Still he never became the household name as others from his generation have become. No Soto, Staudt or Agam stature for Takis, but he had his moments in art, which resulted in some nice and very hard to find catalogues. 2 of them available at www.ftnbooks.com. Since the early 1950s, he has been exploring these new aesthetic territories, creating three-dimensional works of art that incorporate invisible energies as a fourth, active element. Takis, who describes himself as an “instinctive scientist,” employs powerful, elemental forces to generate the forms, movements, and musical sounds of both his static and kinetic works but never became famous for his kinetic art and that is a pity, because his approach is original, which resulted in somne nice works of which some of them are in some pubic collections ( mainly in France).
Several reasons why this catalogue is importand. First of all …this is one of the first Morellet catalogues published outside France. In 1971 Morellet was invited for a LICHTKUNST exhibition at the van Abbemuseum and Jan van Toorn was commissioned to design the catalogue with this exhibition. van Toorn decided for the Local printer LECTURIS ( still one of the very best printers in the Netherlands) and included within the catalogue multiple special prints after the large silkscreens by Morellet.
Making it this way more like an artist book than a simple exhibition catalogue. This made the book so special that it is arguably the best catalogue ever published with the works by Morellet.
Since, Morellet is one of the most appreciated and valued artist in the Kinetic and Minimal Art scenes and the catalogue is one which is sought after and collected by many admirers. The catalogue is available at www.ftn-books.com:
Pol Bury, painter and sculptor, but his importance comes from his early participation in the Kinetic arts mouvement. It has been a long time before i appreciated Pol Bury art., but since i collected some of his Derniere Le Miroir publications by Maeght i started to know his works a little better and the time i saw one of his sculptures at Bottrop , i was convinced of the importance of Pol Bury for Modern Art. The sculpture i refer to is in the permanent collection of Bottrop and acquired at the time of my visit the signed poster for the Bury exhibition in 1990. The poster shows the sculpture of the Bury kinetic sculpture. Like a giant flying saucer it stand in the middle of a pond , water coming out its opening. Mouvement and form , making it into a giant kinetic sculpture. This signed poster is available at www.ftn-books.com
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Pol Bury about his own work:
Pol Bury: I see no point in revealing the technical details of the mechanism that drives the movement [in my sculptures]. We are too quick, nowadays, in this particular art form, to equip ourselves with the engineer’s compasses and slide rule. For me movement is a medium, like colour and line for painters. No one asks a painter for a chemical analysis of his chosen medium. The perception of movement should be immediate and obvious to the viewer; most importantly, the means used to create the animation should be invisible, and readily forgotten.
While making this blog on Bury i encountered an excellent site with many quotes on Bury and his importance. For those interested please visit:
The artist that walked the line between ZERO art and Kinetic art. Born in Belgium and died in Switzerland van Graevenitz lived for a long period of his life in Amsterdam /The Netherlands ( from 1970) and because of a plane accident his life ended far too early. I write this blog because on our way back from Italy , i decided to make a small detour to Zurich, because i always wanted to visit HAUS KONSTRUCTIV. Not for their special exhibitions, but because i had discovered they had a wonderful collection. The visit was a slight disappointment because no works from their collection were on show instead they had 2 solo exhibitions of which one was on Gerhard von Graevenitz. Only about 50 works were on show, but because of their mouvement it took a while before i had seen all of them. It was well worth the visit and if you are near Zurich make the detour yourself to discover von Graevenitz. He deserves to be known by all admirers of Modern art. Unfortunately it was not allowed to photograph the works but i found a nice Haus Konstruktiv contribution on You Tube in which the show on Von Graevenitz is discussed and shown.
the von Graevenitz exhibition is on show until the 6th of May and www.ftn-books.com has some nice pubications available on him.
Tomitaro Nachi was one of the first japanese artist ever to have an exhibition in the Stedelijk Museum. Wim Crouwel designed the catalogue for his exhibition and what makes it extra special is that the catalogue included a rare and beautiful multiple. There is wonderful short movie about this artist which was made at the time of his exhibition at the Stedelijk Museum in 1974.
The catalogue shines. It is like a minimal artist book and reflects the spirit of “Zero” and Kinetic art and was forgotten by most until recently it was sold at a local book auction and fetched a steep price of euro 120,– because it had the original multiple included. www.ftn-books.com has both copies available. The one with and the one without the multiple. Both are worth collecting, but as lng as it is there i would chose the one with the multiple included.
Rickey stayed an unknown artist to me until i bought 10 years ago an edition in which a small print was included of a design for a contruction in Berlin.
The print fascinated me and i started to search for publications on his work. For me he is a typical sixties artist . His works are rooted in the Kinetical art scene, because they move, turn, and spin. Elements which are also used by other artists who make large for works for outdoor place ( Auke de Vries does so in the Netherlands) .
Inspired by our todays visit to the Caldic collection of Joop van Caldenborgh in Wassenaar and because of my fondness for sculpture , the next 10 blogs will be devoted to Artist and sculptures. van Caldenborgh has been collecting great sculptures for more than 30 years now and collected a world famous collection which is on show on application on his estate in Wassenaar. One of the artist to be found there is Yaacov Aagam. An artist from Israel who has been known in the Netherlands for over 40 years now because of his show in the Stedelijk Museum ( catalogue available at www.ftn-books.com). His sculpture on the lawn of the Caldenborgh estate is particularly impressive because when you see it it appears to move because of its construction . A kinetic sculpture that does not move itself, but moves because of the movement of the spectator.
One of my favorite galleries of all time is the galerie Denise Rene in Paris and not only because the artists they represent are the ones i like most, but also because of their publications which in many cases contain something extra. Like this SOTO catalogue from 1970 which i acquired last week. The blue, silver and yellow squares within the catalogue are all executed in silkscreen prints and which combinations forms an abstract composition within the catalogue, which makes this catalogue some kind of an artist book and not an ordinary catalogue. This catalogue is now available at www.ftn-books.com. As for the other Denise Rene catalogues search for Denise Rene and find some other great catalogues by this famous gallery in Paris.
The follow up on the blog of yesterday is a logic one , since today a new exhibition on Ossip, yes…. he is the son of Jan Snoeck, will open at Gallery Ramakers. I really admire Ossip now for a period of almost 25 years and have been following his artistic career during these years. Saw his exhibitions in museums, art galleries and visited his studio numerous times and have seen his works developing from 2D into static 3D and now into kinetic 3D works. This latest show at gallery Ramakers will show his most recent ones.
The show will run from the 8th of January until the 5th of February.
When you are in the neighbourhood of Galerie Ramakers, Toussainkade 51 in Den Haag do not hesitate to enter the gallery …..and visit OSSIP. www.galerieramakers.nl
Later this year I will write a blog on the studio of Ossip….. a micro universe of strange and highly original art.
Only one publication on Ossip available at www.ftn-art.com , but ….it is an important one. Designed by Gracia Lebbink and in a very small edition of only 1000 copies.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20