Christian Stein was the preferred location for Fabro to present his latest works on a regular basis.
Fabro was born in Turin, so this was a natural choice , and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.
Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax; the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.
He died on 22 June 2007 in Milan following a heart attack.
The Stein location presented some wonderful works and together with these exhibitions some great art related material was produced. Here is the invitation for the 1988 exhibition which is now for sale at http://www.ftn-books.com. A fold out card with prints on both sides.
If an artist has not acquired the fame he deserves it is hard to make his name more known at the end of his career. This is why i support any initiative to help the artist. Leonardo Delfino is such an artist. He rose to sdome fame at the end of the Fifties amnd early Sixties ( this is the period i last discussed in an earlier blog) and had an important exhibition at galerie Delta in 1971 ( catalogue available at http://www.ftn-books.com), but after some dutch and french exhibitions it was quiet, with hardly any exhibitions outside Italy and France. Born in Torino he soon went to France to help his career further on, but is stayed relatively quiet with hardly any exhibitions being held. This doe not mean his work is not interesting. His scupltures are timeless abstract colums or pieces of raising /concrete. I thinh he uses the same procedure to create his sculptures as Mmark Boyle does. Using the original to cast a raisin copy from it.
His art is financially far out of reach for me personally, but i really love his art. It has a mystical quality and it is the kind of kinetic art i really admire. Together Jesus Rafael Soto and Walter Leblanc he is one of the 3 artists i admire most from the era. His kinetic art has become a classic . Not the easiest kind of art to exhibit, but when it is done properly you will see the strength of his art.
I had the pleasure to visit the Colombo exhibition in castello di Rivoli ( near Torino) in 2009. in which his work was brought together and it showed itself in the best possible setting.
Here is a short biography:
He is one of the most important artist in Italy in experiencing kinetic and a member of the Arte Programmata moviment.
Between ’59 and ’60 he founds the “T Group”, linked to the international movement of “Nouvelle Tendence”. He held his firt solo show at the Galleria Pater (Milan, 1960).
He experiences in different fields of physics which include electrical and magnet devices, industrial neon lights and laser, all to exalt the aesthetic potential of technological rationalism. In the 1960s he made experimental films, kinetic object and enviroments. He has exhibited on numerous occasions in Italy and abroad.
In 1985 he becomes director of the Brera Academy where he teaches the “structuration of space”. He also takes part in avant-garde scenography (Operstheater of Frankfurt, 1986) and in designing virtual architectures (the “Architetture cacogoniometriche” in 1988, the “Spazi curvi”, 1992).
With his art-work was the winner of the Venice Biennial in 1968.
When i first learned that Rudi Fuchs would become the new director of the Haags Gemeentemuseum, i started following his career back and noticed some impressive exhibitions which were held at the Castello di Rivoli near Torino a modern art museum of which he was artistic director between 1984 and 1990.
The artists that he presented at that location were soon to become household names in the years he was director and head curator of the Haags Gemeentemuseum. The “Rennweg” book with art by Nitsch, Brus, Pichler , Attersee and Rainer was one of the first from the Castello di Rivoli that was available at the bookshop of the Haags Gemeentemuseum and now the circle is completed since i recently bought a” lot” at auction…all from the former library of Rudi Fuchs and within these…the RENNWEG catalogue which is now available at www.ftn-books.com
Luciano Fabro…an italian artist rooted in the ARTE POVERA and perhaps a little bit forgotten nowadays.
But Fabro stays very imortant for Modern Art, since his works are very much in line with other great artist from that era. Castellani and Manzoni were of great influence to him and in 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.
Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax; the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze. At the height of the ARTE POVERA group, the Boymans van Beuningen Museum organized and exhibition with the works by Luciano Fabro and after this exhibition other exhibitions followed in the Netherlands. The catalogue is available at www.ftn-books.com
I know his work and recognize it by his reflecting surfaces and mirror like qualities , but Pistoletto is much more than an artist who uses a “Gimmick”. Now , 85 years of age he has proven to be one of the most influential Italian artists from the last century and his works have spread all over the world . (I even have illy collection cups by Pistoletto in my collection ;-).
Why is he, i think, so important?…. Probably this is because he stayed true to his art and has developed it into a very personal and recognizable form which is now appreciated by many. Pistoletto had had his exhibitions in the Netherlands in the van Abbemuseum and Stedelijk Museum and has built steadily an appreciative audience because of these exhibitions in the Netherlands since his earliest one at the van Abbemuseum in 1986. Arte Povera is Pistoletto ….and within his works he brings together Fluxus and conceptual art. The admiration of Bacon started his art career, but since he has walked his own path of “REFLECTION”.
Architect, Photographer, furniture designer and engineer. All these disciplines were combined in one person…the genius Carlo Mollino.
Educated at the Politecnico di Torino he soon became one of the leading architects in that city. Linda and I will be visiting Torino later this year and we certainly will see some of these timeless Mollino buildings.
but for me Mollino stands for design and photography, because in both he excels. His engineering skills are undoubtedly there and so are his architectural accomplishments, but with his photography and design he is truly avant-garde. Look at his photographs and you know exactly where Araki and Saudek took their inspiration from and his furniture…. it has the “free” style of the later Memphis group but was much more stylish. (BTW this desk is still in production).
Mollino was a true genius who’s works are better known each year, because his name is not only known in Italy anymore. Because of some very important publications, exhibitions and books, his fame spreads all over the world. A unique artist and personality and one of the great multi disciplined artist from last century.
I found a very good blog on him at this address: https://buildllc.wordpress.com/2008/12/07/the-work-of-carlo-mollino/
Yesterday, the first of my new acquisitions was discussed in my blog. Today the second one will be presented to my readers. This one is another one from the 1967 publications by Edizioni Flaviana within their series of Minimultipli. Title …..Campo Tissurale….Condition of this one too is excellent and another one well worth collecting now, because these beautiful publications are getting more scarce every month and i believe to be the only seller on the internet who is offering 2 of these rare publications. Ugo La Pietra is still active as an artist and designer, but none of his work is considered more important than his sixties work in which he showed his admiration and close relationship to other ZERO / NUL artists. This exquisite small publication shows why and is available at www.ftn-books.com
The inventor of industrial painting? i am not sure, but here follows the text i found on Wikipedia on Gallizio after i sought information on him. He is rather obscure and rarely presented in collections , but in the 60’s the Stedelijk Museum held an exhibition and published an extremely nice catalogue on him. But this artist deserves better because for many he was a source of inspiration and a great influence. he was admired by Jorn, Constant and Debord.
Pinot-Gallizio was born in Alba, Piedmont, where he became an independent Left councilman and a chemist. In 1955, he met Asger Jorn, with whom he co-founded the Experimental Laboratory of the Imaginist Bauhaus in Alba, which was part of the International Movement for an Imaginist Bauhaus, in opposition to the return to productivism by others in the Bauhaus school, in particular Max Bill. It was held in Pinot-Gallizio’s studio, a monastery from the seventeenth century, and was attended by such artists as Enrico Baj who experimented with nuclear painting techniques, Walter Olmo, who experimented with musical interventions, Ettore Sottsass, Elena Verrone, and Piero Simondo.
Pinot-Gallizio drew from his background as a chemist in developing new painting techniques. In 1956 he, along with Jorn, organized the First World Congress of Free Artists, at which a representative from the Lettrist International spoke, foreshadowing the foundation of the Situationist International in 1957 by members of both groups, including Pinot-Gallizio. At this conference the Italian artists withdrew from the Laboratory, and after the formation of the SI only Pinot-Gallizio and his son, Giors Melanotte, remained. He helped to make the SI known in the art world with an exhibition in Paris in 1959
Another favorite of Rudi Fuchs was Carol Rama, A Turin born artist.
An Italian self-taught artist whose unconventional painting encompassed an erotic, and often sexually aggressive universe populated by characters who present themes of sexual identity with specific references to female sensuality. Her work was relatively little known until curator Lea Vergine included several pieces in a 1980 exhibition, prompting Rama to revisit her earlier watercolour style. This is the time Fuchs noticed her qualities and presented her in 2 separate exhibitions in the Stedelijk Museum. The importance of Rama must not be undersestimated , because she had contact and knew artists like Warhol, Bunuel and Man Ray. NOt being influenced by them but inspired she developed a style and art of her own , for which she was rewarded isn 2005 with a large retropective exhibition in the Fondazione Sandretto Re Rebaudengo in her birthplace of Turin. A great artist who is also present in the inventory of www.ftn-books.com.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20