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Josef Albers silkscreens

A great inspiration for Sol LeWitt and considered by many as one of the greatest artists from the 20th Century. Josef Albers is the artist I am writing about this time. In an earlier blog I explained the importance for Minimal art of Josef Albers but this time the blog is devoted solely to the great original silkscreens I am exclusively offering on eBay. The series of 4 comes from a private collector and is from 1973. The silkscreens are executed on a double sheet of paper and are exquisite in the choice of colours. Albers is the true master of matching the best colours. The composition of HOMAGE TO THE SQUARE is always the same but the choice of colours and size make you look at a different work of art the moment you see it. These original silkscreens are 8.1 x 8.1 inch and now available at eBay’s  all international sites.

 

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Hildo Krop (continued)

Almost a year ago i published my first blog on Hildo Krop, who’s work you can encounter all over the streets and bridges of Amsterdam. You can read it here:

Hildo Krop (1884-1970)

I recently discovered that he also made some special covers for the “Kroniek van Kunst en Kultuur” which was published in the late Forties from last century. The woodcuts he made for the cover of this magazine have all a  very strong appealing composition. Dark and much influenced by his German counterparts these covers are wonderful prints. The best is of course that these were taken from the original woodblocks and therefore true original woodblock prints by Hildo krop.

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this “Kroniek van Kunst en Kultuur” is now available at http://www.ftn-books.com

 

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Günther Förg at the Gemeentemuseum in 2003

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An important discovery among the many invitations i acquired recently. It is an original sketching by Förg for what presumably could be a wall drawing in one of the rooms of the Gemeentemuseum during and after his 2003 exhibition. In that time Förg was experimenting with loosely painted forms on canvas and walls.

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On the painted paper sheet is the studio stamp of Günther Förg in Freiburg and the paper is devided into two parts. The upper part is painted with a deep green and handwritten the text Gemeentemuseum in blue ballpoint, underneath in pencil Den Haag 2003.  Left of the green a text in blue ballpoint ” Moikan (?)” The lower part of the design/drawing/painting is in a “leather brown” color and in pencil beside “Israel” is written . On the lowest part of the sheet the studio stamp in black ink.

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My educated guess is that this is a proposal for a wall drawing in one of the rooms of the Gemeentemuseum Den Haag and this highly collectable item is now available at www.ftn-books.com.

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Arie van Geest …naar Beckmann, 1999

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Recently i had the chance to acquire another Arie van Geest watercolor for the FTN art collection. The moment i saw it i was impressed and decided to make a bid. The watercolor is from the 17th of August of 1999 and fits perfect between the painting and another drawing i have in my inventory by Arie van Geest. I have grown fond of his art over the years. His earliest more abstract , fantasy like drawings are wonderful and his later paintings keep impressing and this drawing is one of the nicest i have seen by his hand. Both other drawings i have purchased i will keep for a later blog , but in case you are interested in purchasing do not hesitate to contact me at wvdelshout@ziggo.nl

Title of this drawing/watercolor is ” NAAR BECKMANN #, size paper 30 x 22 inches / ca. 75 x 55 cm.

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Jo Niemeyer (1946)

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For many of us Jo Niemeyer is not the most common name in constructivist art. However Niemeyer has a loyal following of admirers in Germany and Finland. ( the 1984 Helsinki book is available at http://www.ftn-books.com).

Working with the primary colors that Piet Mondriaan used too in his STIJL period the compositions look at first glance not that original, but study them closely and you will notice a much more complex composition  with mouvement on the works by Niemeyer. making these stand out on their own. Here is the text i found on Wikipedia on the artist.

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Jo Niemeyer was born in 1946 in the German village Alf. He comes from a long-time artist family. His mother was a textile designer and worked in Saabrücken at the former State School for Art and Crafts, where she was in charge of a handloom weaving factory. His father began to paint at a relatively young age, in abstract and concrete art. Unfortunately, his paintings were considered to be degenerate and most of his works were destroyed or lost during WWII.

After three years of studying photography and graphic art, Niemeyer executed his first geometrical painting in 1966. He travelled in several countries, including the United States and Canada, and in Scandinavia where he was particularly fascinated by nature. In 1967, he pursued his training in industrial design at the Finnish Institute for Art “Atheneum”. He decided in 1970 to quit his job as professional photographer to become a full-time independent artist.

In Finland, he met artist colleagues Lars-Gunnar Nordstrom and Matti Kujasalo, the former director of the Finnish Academy of Art in Helsinki. In the 80s, Kujasalo asked Niemeyer to lecture about different print techniques in the graphic art department. During this time, Niemeyer built up his knowledge of Finnish architecture. It was also in Helsinki in the late 60s that Niemeyer met his wife, Tuula Partanen. in 1972 she founded Edition Partanen which specialised in silkscreen prints and publication of graphic and art portfolios. The studio was established in South Germany with a showroom in Zurich, Switzerland. Edition Partanen collaborated with artists such as Rupprecht Geiger, Matti Kujasalo, Ilya Bolotowsky and Niemeyer himself.

Niemeyer began to elaborate his big scale project “20 steps around the world” which would be installed in 1997 in the City of Ropinsalmi in Finland. In this project, he explained, the earth replaced the canvas. According to him, earth is the carrier of his artistic work being integrated into the creative process only by minimal changes. In the context of this work an arbitrarily defined route around the earth is divided systematically and exactly into 20 segments which develop to a dynamic, logarithmic progression according to the ‘Golden Section’. The 20 steps are visualized by using an installation of 20 stainless-steel elements around the globe, precisely located on continents. The location of the points is achieved by using a computer and satellite navigation.

Over the years, Niemeyer has held successful one-man and group shows in Scandinavia, Italy, Switzerland, Israel, USA, England, Japan, Argentina, and Finland. His murals in public buildings can be found in countries all around the world including Switzerland and Germany, and in Scandinavia. Featured in numerous international publications and films, his works are in public and private collections and museums including in Japan, Germany, Canada, the Netherlands, Finland, Germany and Austria. Today, Jo Niemeyer works and lives in Germany, France and Finland.

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Antonio Calderara (1903-1978) (continued)

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Another blog on Calderara, not only because he is an important artist, but because i have added a very special Calderara to my inventory. It is a very small publication published by the van Eyck BV in the Netherlands. An edition estimated to be less than 500 copies and , what is more important. The little book contains 7 original small serigraphs/ silkscreens by the artist. Like so many of his publications, Calderara made something special of it. It is the same as with his Stedelijk Museum catalogue , which also contains 3 original serigraphs. One is already sold but i have 2 more copies available of this very special Calderara item.

Artist/ Author: Antonio Calderara/ tekst by : Jean Leering

Title : Antonio Calderara 

Pages : 28 

Publisher: van Eyck bv

Text / Language:  dutch

printed by Rosbeek . this printer included 7 original small silkscreen/serigraphs within this beautiful publication

Measurements: 6.1 x 6.1 inches.

Condition: mint- for the cover/mint for the silkscreens

available at www.ftn-books.com

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Bouke Ylstra (1933)

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In some ways Bouke Ylstrat reminds me of Jan Roëde. An artists who uses bright colors in combination with child like scenes, but Ylstra works differ enough to stand on their own. Where Roede populates many of his paintings with children, Ylstra depicts adults in their world and creates a world of their own. Combining human elements with abstract surfaces, filling them with symbolism and creating in this way a world of its own. Ylstra is not that know. Even in the Netherlands his work is rare to find, but when you look at his biography you will find that his works has been included in practically all of the large museums in the Netherlands.

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1933 Geboren in Den Haag. Groeit op in Rotterdam.
1950 -1954 Academie voor Beeldende kunsten in Rotterdam.
1955 Ontmoet Marie José Nicolaí met wie hij trouwt. Ze gaan in Dordrecht wonen en krijgen drie kinderen.
1959 Maakt zijn eerste monumentale werk, een zeventig meter lang mozaïek in Leeuwarden.
1960 -1964 Docent “Vrij schilderen”aan de Academie voor Industriële Vormgeving in Eindhoven.
1964 -1967 Docent “Grafische technieken”aan de Academie voor Beeldende Kunsten in Rotterdam.
1967 -1972 Afdelingsdocent “Gebonden kunsten” aan de Academie van BK in Rotterdam.
1979 -1981 Adviseur “Beeldende kunst”van de Rijksbouwmeester Ministerie VROM.
1983 -1990 
Docent “Vrij schilderen”aan de afdeling “Monumentaal” van de Rietveld Academie in Amsterdam.

1993.  Eerste expositie Galerie Duo Duo / Rotterdam
Galerie Sapet / Mirmande Frankrijk
1994. Galerie Witt /Dordrecht
Zomerexpositie Duo Duo / Rotterdam
1995. Galerie Duo Duo / Rotterdam
Opdracht: ontwerp vloerintarsia school Rotterdam
1996. Galerie Witt / Dordrecht – Institut Néerlandais / Parijs Groepstentoonstelling
1997. Galerie Duo Duo / Rotterdam
1998. Galerie Witt /Dordrecht. Zomerexpo Duo Duo
Houten beeld bij experimentele bouw Almere
1999. Duo Duo / Rotterdam
2000. Galerie Witt / Dordrecht
2001. Galerie Duo Duo / Rotterdam – Opdracht ontwerp i.s.m Cor Kraat beelden voor het Raadhuis te Veenendaal
2002. Galerie Dom Arte / Rucphen Galerie Witt / Dordrecht
Opdracht beeld Rijkspolitie te Dordrecht
2003.  Galerie Witt / Dordrecht
Opdracht Beeldengroep Westelijk Handelsterrein Rotterdam
2004.  Galerie Duo Duo / Rotterdam
2005.  Galerie Sapet / Mirmande frankrijk
Galerie Les Sagnes / st.Michel de Chabrianoux Frankrijk
Galerie Witt / Dordrecht
2006.  Galerie Duo Duo / Dordrecht
Opdracht 4 beeldengroepen voor scholengemeenschap
ROC te Leeuwarden
2009. Bouke Ylstra is op 17 Augustus 2009 in zijn woonplaats Dordrecht overleden.
    

www.ftn-books.com has a nice Ylstra publication including an original drawing for sale.

 

 

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Vitra…das Original

 

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There is a very close realtionship between the heirs of Charles Eames an the heirs of VITRA company. This relation has developed and resulted in one of the most well known and respected furniture companies in Europe. VITRA stands for truly original designs, classic furniture and the best quality money can buy. This philosophy comes back in every printed outing the VITRA company does. Their publications are truely innovative and designed by he best graphic designers in the business. I have seen many books and commercial publications, but the one below is one of the best i have ever seen. Its size, print quality and design are all outstanding. It is a leporello kind of fold out but stapled within there are 3 separate books. making this 4 publications in one package. Photography, paper design and layout…..all AAA.  Short stories on Eames, Jongerius and Morrison included, what else do you want in a small publication. This is highly collectable and now available at www.ftn-books.com

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Gisela Andersch (1913-1987)

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Another rather obscure artist for us in the Netherlands was Gisela Andersch. An artsits presented by Willem Sandberg with a special exhibition in the Stedelijk Museum in 1961.

The catalogue for the exhibition was in one word….”SPECTACULAR”. It was not a catalogue but more a piece of art. The art being the cover and within  the stapled pages with the exhibition works. Cover was silkscreened upon the typical raw carton like paper Willem Sandberg was so fond of. Many people did not recognize the quality of this catalogue. But now that more and more collectors all over the world of Typography and catalogue design are appreciating the Stedelijk Museum catalogues, its importance is growing. This one is not collected for the artist, but for the combination of Sandberg excellent design together with the Andersch original art.

www.ftn-boooks.com has this Gisela Andersch catalogue available together with the van Abbemuseum one.

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Paul Kooiker (1964)….continued

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A few years ago i devoted a blog to Paul Kooiker of whom i have several publications available. Among these is the Hotel New York publication,  but this time i publish this blog to announce the sale of an original photograph by Paul Kooiker.

Kooiker is one of the leading photographers in the Netherlands these days and it is a rare opportunity to sell anoriginal signed photograph. One from the series i keep for my own collection but the one below is for sale:

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It is a great Paul Kooiker photograph. The setting and the models are typical for Kooiker and used in many series oof which some of the books are available at www.ftn-books.com