Jan van Munster stands for me personally as the artist who experimenst with Neon and Pyrographics and using these to create Minimal objects and sculptures. I noticed his works for the first time when a work of him was presented at the Gemeentemuseum Den Haag. It weas a neon sculpture and made in an edition of a few copies and for sale at the museum shop. Unfortunately i did not have the insight at that time to buy it, but the memory remains, because it was the first van Munster i had seen. This is not the easiest of art to admire, but once you follow his career and search back throught the decades that he has made his art, you conclude that he always stayed true to his origins. One of the characteristics that keep reappearing is that he uses frequently two elements on his covers of the catalogues that are published with his works.
First…many of his covers are embossed and second. ….in many cases there is a special Pyrographic made/burnt into the cover of his catalogues, making these original, one of a kind works of art at a more than reasonable price. www.ftn-books.com has some nice van Munster titles available.
A blog on a very speciual multiple that was published on the occasion of the Henk Peeters Retrospective at the Gemeentemuseum Den Haag in 2011. On that occasion a reprint of the famous Nul/Zero 1964 catalogue was made in a small edition. It is the catalogue with the ZERO presentations by Armando, Peeters and Schoonhoven. All of these legendary artists have now passed away, but Peeters realized the importance of that catalogue and from that facsimile edition Peeters took some 20 copies and made multiples out of them by Stitching the front , back and inner work together and sign them with ECHT PEETERS. This has become one of the rarest of the later Peeters multiples and now one of those multiples is for sale at www.ftn-books.com
Henk Peeters (b. The Hague, 1925-2013)) was the most active member of the Dutch Nul group, notably with regard to the organization; he made the international contacts, organized the international ZERO (Nul) exhibitions at the Stedelijk Museum Amsterdam, and wrote on the theory of art. It was also he who first actively participated in international exhibitions with artist groups such as the German ZERO, the Italian Azimuth, and with artists Yves Klein, Yayoi Kusama and Lucio Fontana. He initiated the (utopian) project “Zero on Sea,” with more than fifty participating artists from over ten countries, and remained true to the fundamental concept of the Nul movement right up to his death in 2013. He sought to use his works of art to make the viewer conscious of his environment; he wanted to bring about a sensitive consciousness-raising, as it were. The materials that Peeters selected for his works frequently had a very tactile appeal, while he simultaneously created a certain untouchability; thus he stuck candle tapers behind plastic foil, or placed mesh in front of cotton wool. He also used fire on canvases, leaving behind traces of thick smoke, or burned holes into plastic, the so-called “Pyrographies.” With these – often white – works he was visually closely related to the German ZERO artists, but there was also a clear relationship with Nouveau Realisme; Peeters also used ready-mades, which he bought in inexpensive stores and isolated in the work of art. In these, he had a preference for modern, clean, industrial materials, such as plastic and nylon. He once said: “with my work, I have always wanted it to look just as fresh as if it was in the HEMA (the Dutch chain store). It must not be artified… I had no need for artistic cotton wool.” Henk Peeters also worked with natural processes, such as light and water reflections, and with ice, rain, snow and mist. Art and life should be joined together inextricably. And thus, in 1961 Henk Peeters became a work of art himself, when Piero Manzoni appointed him as one; this was certified and signed by the Italian artist. Until his death (Hall (NL), 2013), Henk Peeters restored artworks from the Nul period and remained an active spokesman for the group.
I have had a weakness for the art of Victor Vasarely. It must have been one of my first encounters with Modern Art in the Mid Sixties. In the window of an art dealer in de Hoogstraat in Den Haag there were on display signed serigraphs by Vasarely and since OP Art and Pop Art were popular i took an interest in these Vasarely too. I could not afford them, but found some 20 years later that Vasarely published highly affordable book publications which had the same quality as his prints. I have been collecting and adding Vasarely books and special publications to my collections ever since and yesterday i added another special publication. It is the 1961 Hanover gallery Vasarely catalogue. Not too many pages ( 32) , but what makes this special is the extra silkscreened inlay which can be combinedx together with the first print within the catalogue. My guess is not many of this rare cataloguue will have survived and what makes it even more special is the pristine condition of both silkscreened print and bookpage. Here are the photographs of this special and highly collectible Vasarely catalogue which is now available at www.ftn-books.com
Hollum/Rotterdam, Daan van Golden/Rotterdamse Kunststichting, 1971. Folded green cover with letterpress containing a stapled cellophane wrapped herbarium, 22,5 x 15 cms. (assemblage) between 2 cardboard sheets, 25 x 21 cms., consisting of a colour postcard, feathers, sand, tree-leaves, grass, fern. Van Golden spends October and November 1971 on the island of Ameland; while walking and cycling he collects leaves, mosses and so on; the result is a series of 500 cellophane wrapped herbariums. Van Golden’s Ameland report is distributed as the 6th edition of the ‘Atlas voor een nieuwe metropool’.
Thi is the comple description of the publication which was made after AVn Golden visited Ameland for the Atlas van een nieuwe Metropool project. This extremely rare publication is now available at www.ftnbooks.com
Since ii have sold several Scholte multiples during the last months , i was on the look out for more of these excellent mScholte multiple editions and……found them. I contacted a collector of whom i knew he had sold me several in the past and he could help me with 6 more of these Scholte multiples. All from the” Lucifer in paradise ” edition which was originally sold at the Kruidvat stores in 2007. As far as i know all are unique because every one of them depicts a different kind of set of match boxes. The one on the upper right is not available. It is now part of my personal collection because Donald Duck is an all time favorite of mine. The other 5 are all available at www.ftn-books.com. For more inquiries please mail me at firstname.lastname@example.org
For me the first confrontation with Scholte’s art was at the gallery ‘t Venster where he had a show on the floor below where Piet Dirks was having his first Rotterdam gallery exhibition. I was shown around by mrs van Gennep who told me that Scholte was a rising star in the art world. Rob Scholte is one of the great dutch contemporary artists. He was on the rise when there was an assassination attempt on him. His car was blown up and in the vent he lost both his legs. This story is known by almost everyone in the Netherland. People who know something of the art scene in the Eighties know that Scholte, Klashorst and Ploeg were the names that rose to fame and of these three Rob Scholte was picked up by important german galleries. Since the bomb explosion it took Scholte a very long time to come back as an artist, but finally he managed to make a come back and have his art in the spot light again, although it never became as important as before his assassination attempt. But his name was important enough to be invited for a “Kruidvat” project.
The shops of Kruidvat had the idea to make important art and artists financially accessible to their customers and Scholte was invited to participate. Scholte made silkscreens on canvas of collages of lucifer boxes. Which were sold out immediately after they were published and presented in the Kruidvat stores. www.ftn-books.com has managed to acquire 2 of these highly collectable art works of which the last one is now available at www.ftn-books.com
This is one of those catalogues that has become famous. When i started collecting Stedelijk Museum catalogues some 20 years ago. The first “lot” i bought contained 2 of these and my first thought was….who in the world is interested in these catalogues, but his has changed over the years. 2 reasons….
1st. Herman de Vries has become one of the most important artists since he first presented his works in the Stedelijk Museum.
2nd. What i did not realize at that time, but which is realized by many nowadays is that these catalogues were not a catalogue at all, but true multiples that were published on the occasion af an exhibition. Among them, Soto, Hamilton, Paolozzi, Arp, Calder and…. certainly this RANDOM SHAPES by Herman de Vries.
It was published with no 578 and contained a white cover which contained a see through envelope containing the Random shapes by de Vries a6 page folder with explanation in dutch made it complete.
The Random Shapes has become iconic for the Stedelijk Museum catalogues and finally after a long time i managed to find me another copy which is available at www.ftn-books.com
Robin Winters has had his exhibitions in the Netherlands. Both in museums and galleries he was presented in solo exhibitions during the 90’s. These days, Winters is represented by the Deweer gallery in Belgium, but in the Nineties there were several who thought this artist was interesting enough to develop special publications with Winters. One of these “specials” was produced by Bebert. It is a large cotton sheet printed with heads which are so typical for Winters his art.
Here is the description as it appears at www.ftn-books.com where this large work is for sale.
Artist/ Author: Robin Winters Title : composition with figures on cotton tissue Published: 1986 Measurements: 150 x 130 cm for the cotton tissue. 16 x 12 cm for the paper print Condition: nm++/ Mint for the large cotton print extra information on this item: Highly collectable multiples by Winters . edition of only 169. Signed and dated with initials on the accompanying paper print.
Later today i will include this beautiful and impressive Robin Winters at www.ftn art too.
Beside this impressive multiple there are some very nice publications published in Europe which are also for sale at www.ftn-books.com
Tomitaro Nachi was one of the first japanese artist ever to have an exhibition in the Stedelijk Museum. Wim Crouwel designed the catalogue for his exhibition and what makes it extra special is that the catalogue included a rare and beautiful multiple. There is wonderful short movie about this artist which was made at the time of his exhibition at the Stedelijk Museum in 1974.
The catalogue shines. It is like a minimal artist book and reflects the spirit of “Zero” and Kinetic art and was forgotten by most until recently it was sold at a local book auction and fetched a steep price of euro 120,– because it had the original multiple included. www.ftn-books.com has both copies available. The one with and the one without the multiple. Both are worth collecting, but as lng as it is there i would chose the one with the multiple included.
This is one of the highlights in my inventory. Not because it is expensive, but i think this is outright beautiful and has everything what a great art limited edition should be. Slipcase, loose sheets. prints spread over double pages , best possible print quality, very limited edition, signed and numbered. This is really superb and needs to be presented in this blog on SEVEN MAXIMS by Mangold.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20