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David van de Kop ( 1937-1994 )

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I would have liked to have known David van de Kop, since i have seen practically all his exhibitions in the Netherlands from the mid Eighties until his death in 1994. For me van de Kop is foremost a sculptor and less a painter. Most if his sculptures a fairly large and compositions with different kinds of materials . Steel, stone, ceramics. Every material is suitable for a sculpture. David van de Kop was educated by Carel Visser and in his turn he taught Arjanne van der Spek. Two artists i admire very much.

So for me personally it is a natural admiration, but his works are not only admired by me. His works are present in numerous dutch Museums of Modern art, but because of their size are hardly present within the collections of the well known dutch private collectors. This should be different, but time will show the importance of van de Kop and it will not take long before his works receive the recognition they deserve. David van de Kop publications are now available at http://www.ftn-books.com

( and yes it still is possible to not find a portrait photo of the artist, so i have put his sculpture DE WACHTERS, on top of the blog)

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Carel Visser…the 1975 van Abbemuseum catalogue

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This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975

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and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at http://www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.

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Art & Project bulletins (1968-1989)

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Adriaan van Ravesteijn and Geert van Beijeren are in my opinion the most important gallery owners in the history of (dutch) Modern Art. Their gallery was for decades the venue for conceptual art and many important artists have found  in this gallery their starting point for their career.

Art & Project was an institution in the art scene and this was emphasized by publication of their Bulletins , which were published on a regular basis between 1968 and 1989.

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In total there were 156 bulletin published and i am proud to say that http://www.ftn-books.com has BULLETINS available by the following artists: Andre, Antonakos, Boezem, Breuker, Brouwn, Buren, Berghuis, Barry, Camesi, Charlton, Clemente, Chia, Cucchi, Cragg, Dibbets, Darboven, van Elk, Fulton, Flanagan, Giese , Gilbert & George, Knoebel, Leavitt, Long, Lord, Maconey, Mclean, Paladino, Pope, Ryman, Ruckriem, Rosenthal, Ruppersberg, Rajlich, Struycken, Salvo, Tremlett, Tordoir, Visser, Verhoef, Weiner, Yamazaki and the 1972 Catalogue of our Bulletins

( for more information and the “Bulletin” numbers available please inquire)

43 artist of the gallery Art & Project now available at www.ftn-books.com

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Kunstenaar en Fabriek / Judd & LeWitt

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In 1970 only 2 years after the first exhibition with Minimal Art at the Haags Gemeentemuseum ( Curated by Enno Develing) , there was an initiative by 3 aspiring admirers who wanted to present their choice of Contemporary Art with a focus on Minimal Art. Organized by the Kunsthistorisch Instituut in 1970  a location was found with the Nebato Fabriek in Bergeijk. The Nebato metal construction company executed some of the works by LeWitt and Judd and in the meantime the artists stayed nearby with Martin and Mia Visser. The Visser’s collected during 3 decades one of the most famous of dutch  Modern Art collections and  focussed in those early years on Minimal Art . From the early beginning of 1966 they started collecting LeWitt and Judd. Building this way a world famous collection of Minimal Art. It all comes together in this exhibition at the Nebato factory in 1970. Participating artists were: van Amen, Balth, van benthumn, Graatsma, Gribling, Grosvenor, Judd, LeWit, Morris, van Munster, Naumann, Slothouber and Staakman. This catalogue is rare and one of the most important Minimal Art collectibles there is. publication is available at www.ftn-books.com

There is a nice article to be found on the internet in which the relation between Visser the collector and the (minimal )artists is explained.

Friday Food For Thought: Martin Visser – collector, designer, free spirit

 

 

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Martin Visser ( 1922-2009 )

Famous for his dutch designs. Especially his Martin Visser couch is a design classic, but Visser was so much more than a designer. Martin Visser build one of the most important private art collections in the world. Specializing in die Neue Wilden and Minimal art, his collection was after his death on the wish list of all the major and  important museums in the Netherlands. He was one of the first to collect Cobra, He recognized the importance of Keith Haring and was one of the first to collect Kiefer at a large scale. Visser’s life was art and the House Visser was designed by Gerrit Rietveld and the adjustments to the house done by Aldo van Eyck.

What is more to say about him.., He worked together with the greats in dutch design like Kho Liang Ie and Wim Crouwel. He knew all the great german painters from the eighties and conceptual art and land art had no mysteries to him. Visser was a force in the dutch art world and the Kroller Muller MUseum can show why he was such an important collector because they received the gift of 400 works from the Martin Visser collection. www.ftn-books.com has some nice publications on the Martin Visser collection.

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Sculpture 10 days… Day 5 ..Carel Visser ( 1928-2015)

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One sculptor you must mention in these sculpture 10 days is Carel Visser. 2 years ago Visser died, but his works remain and are present in every important dutch museum collection. His works are in many cases ” assemblages of found material, but during the last 3 decade of his life he made statues from Corten steel and these are the works that can be found frequently in many places in the Netherlands . His sculptures from window screens are less suitable to be presented in the streets ,

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but these are in the museums and can be seen there. It is time for a large retrospective on his works, because beside his sculpture there is also his print making in which he excelled. For many publications on Carel Visser please visit www.ftn-books.com