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Floris Arntzenius (1864-1925)

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Floris Arntzenius is one of those painters who can be called a dutch impressionist. His touch is not as sunny as the French impressionists, but more subdued and influenced by weather and seasons in the Netherlands, making his paintings less bright and cheerfull. Still his depicting of daily life and townscapes makes his work of a rare quality. His painting can be compared with that of Jan Toorop, but where Toorop changed his style for several times during his life, Arntzenius stayed true to classic dutch impressionist scenes.

left Arntzenius / right Toorop

 

The Gemeentmuseum Den Haag has some very nice Arntzenius paintings in its collection and has published several catalogues over the years of which some are available at www.ftn-books.com

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Hermanus Berserik (1921-2002)

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I just thought about Berserik, because i lay my hands on one of the most intimate publications by an artist . It is the facsimile published BLADVULLING book by Hermanus Berserik full of sketches by this artist. He painted daily life scenes and was very fond of his sailing boat, which he depicted numerous times together with other nautic themes.

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You can still encounter his works at reasonable prices at auctions and his etchings can even be called CHEAP. If you do not know anything about the artist just visit:

Hermanus Berserik | De wereld onder een stolp

where a Berserik exhibition was held until the 18th of January. It gives some excellent in formation. The other way to get informed i to look for publications on the artist. www.ftn-books.com has several Berserik titles available.

BTW. I just learned at the MORE site that Berserik was an ex cellent photographer too.

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Sara Blokland (1969)

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Willem van Zoetendaal made me look more careful at the photographs by Sara Blokland. It was at the time he  was invited by Hans Locher to curate the Fotokabinetten exhibitions at the Gemeentemuseum Den Haag. It was at that time that i began to realizxe and see that photography was a very interesting and highly personal search for the inner soul of the photographed. The persons depicted in the photograph were not ordinary models but their appearance reflected their inner soul. Koos Breukel was one of them and surely Sara Blokland was the other with whom i experienced this.

Sara Blokland (1969 NL) is a visual artist, independant researcher and curator of photography. She lives and works in Amsterdam. She studied at the Rietveld Academy (BA in photography) and graduated at the Sandberg Institute (MFA photography and video) in the Netherlands and a MA in Film and Photographic Studies from the Leiden University.

As a visual artist she is predominately working with photography. Her work reflects on the complicated role of this medium in relation to the histories of individuals, the concept of ‘family’ and culture heritage. Blokland’s films and photographic works have a strong focus on the portrait and landscape as part of identity and memory.   Internationally her work has been exhibited in venues such as Kumho Museum (Seoul, Korea) and Gallery Lmak-projects (New York) the Stedelijk Museum Amsterdam, the Museum of Modern Art (Arnhem, Netherlands) and Gemeentemuseum The Hague (Netherlands). Her work is part of several private and public collections, such as the ABN-AMRO Collection, the Rabobank Collection, Museum of Fine Arts in Houston and Gemeentemuseum The Hague. She was also the photographer and editor of the book Van Waarde [Of Value] (2008) and the photographer of the publication The Surinam Police Band (2009).

Since 2009, she is the co-founder and co-director of UNFIXED Projects. The organization aims to create platforms for dialogue about photography, contemporary art and theory with a strong focus on cultural identity. In 2010 UNFIXED projects organized in cooperation with the Center for Contemporary Art Dordrecht in the Netherlands, the UNFIXED exhibition, artist-residency , workshop and symposium. Sara co-edited the publication: UNFIXED – photography and post colonial perspectives in contemporary art, which was co-published by Jap Sam Book in Spring 2012.

www.ftn-books.com has a very nice Sara Blokland publication available which was published by Willem van Zoetendaal.

blokland fam

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Wout Muller (1946-2000)

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Wout Muller , a member of the group of New Realist painters will certainly grow in importance and appreciation in the next decades to come. His technique and detailing is the best possible and his compositions are timeless. In many cases the paintings and drawings contain some erotic elements, which make their appeal certain for all decades to come.

Of course there are other realist painters who use erotic elements to enhance their paintings. Melle, Aat Veldhoen and Hans Kanters are among them, but none of them knows exactly how to create a landscape that looks more than a “dream” and has the softness needed to be an outstanding painting and not an ensemble of erotic objects. Yes, from all these painters Wout Muller is my personal favorite. www.ftn-books.com has some wout Muller titles available.

 

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Fiep Westendorp (1916-2004)

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Well, this one is on the border of true art… the illustrations of Fiep Westendorp are highly original and recognizable and they even sell nowadays at art prices, but first and foremost these are great quality book illustrations ( mainly for the ones written by Annie M.G. Schmidt) . Fiep Westendorp is a well established name in the dutch illustrator scene and because many of our generation have read the novels by Annie M.G. they also know the illustrations by Westendorp. Pluk en de Pettefelte, Jip en Janneke and other could not exist without the images created by Fiep Westendorp and she is now collected not only in the Netherlands, but all over the world. Great fun illustrations which deserve a large audience. Some Westendorp titles are available at www.ftn-books.com

 

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Wim Crouwel and the van Abbemuseum

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Before Wim Crouwel became the main designer for all publications published by the Stedelijk Museum Amsterdam in in the 60’s, 70’s and early Eighties (TD). There was a short 4 years that he made some beautiful publications for the van Abbemuseum Eindhoven. In these you can recognize the early Wim Crouwel. Size, use of multiple ( colored) papers, typography and layout are all typical for the early Wim Crouwel. www.ftn-books.com is fortunate to have a nice selection of these early WimCrouwel designed publications. Pictures tell a better story than words can . In this case , this certainly true. So here are some nice van Abbemuseum publications by Wim Crouwel.

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Sjoerd Buisman (1948)

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Another artist that you learn to admire over time. I encountered Buisman and the work he made for the first time when he covered the sides of the pond of the Gemeentemuseum  with willow branches . I could not find a photograph of it , but the effect is like the project with the Museum in Assen where he build a structure with willow branches.

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The project in the beginning looked like nothing , but because i worked at the museum i could literally see the growing of the project. Leaves were sprouting and the branches became leaved branches over time forming new branches to the existing ones and in the end there was a solid flat hedge of green surrounding the left pond of the Gemeentemuseum. It was a little like magic and the only elements needed. branches, water and sun developing in something spectacular. This was the first reason to admire Buisman and since i am almost always impressed with his projects. Less with his sculptures, but that is personal.

There are 2 Buisman publications available at www.ftn-books.com

the HollandseMeesters series presented Buisman in the Series.

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Carel Willink (1900-1983)

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In the time the PC. Hooftstraat in Amsterdam was not a fashion street, but an ordinary city street with a butcher, a grocery, baker, vegetables shop and even a garage. In those days there were some galleries who held residence in the P.C. Hooftstraat,. Among them there was gallery IKON, which presented religious icons and yes, i was the shopkeeper …it was one of my first jobs in the art world. At one day Carel Willink passed by , returned and entered the gallery. Hat, walking stick, bow tie . He really looked like a bohemian. Now almost 35 years later i still remember the person, but as an artist i lost interest. His technique is phenomenal, but in the last years of his life he only took consignments and made portraits for famous dutch people. One exception… . The (nude) portrait he made of his wife Sylvia is exceptionally beautiful.

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www.ftn-books.com has some nice catalogues on Carel Willink

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Cas Oorthuys (1908-1975)…a dutch Fifties master photographer.

 

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If you like dutch photography from the 20th century and specially the photography by Cas Oorthuys, you must take a look a the series of books  DE SCHOONHEID VAN ONS LAND , which were published along a general theme, depicting the typical dutch countryside, landscapes, cities , costumes and people of the fifties . The series was published by Contact over a decade. An excellent series with many photographs by Cas Oorthuys who started his career right after WWII and was contracted for this Contact series in the Fifties. Later he would publish many books of which some are available at www.ftn-books.com. His archives with over 500.000 negatives is believed to be one of the largest of any photographer. Oorthuys is a true master of dutch photography.

 

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Roger Bissière, a lyrical abstract painter (1866-1964) in a Wim Crouwel catalogue

 

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A lyrical abstract artist and related to other abstract French painters like Manessier and Bazaine, Admired by Willem Sandberg , Bissiere received his first Stedelijk Museum exhibition in 1958 and in the early sixties another followed , this time with a spectacular catalogue designed by Wim Crouwel and for me this catalogue is the reason to write this blog, because i find this catalogie one of the very best Wim Crouwel ever made.

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Clean, bright with some highly original details, the early smaller size and great typography makes this a Crouwel classic and the art…..well not bad either!

books available at www.ftn-books.com