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Hanne Darboven ( 1941-2009)

  • ARCO Foundation Collection, Madrid
  • Centre Georges Pompidou, Paris
  • Dia:Beacon, Beacon / NY
  • Dia:Chelsea, New York
  • Hamburger Bahnhof, Berlin
  • Hamburger Kunsthalle, Hamburg
  • Kaiser-Wilhelm-Museum, Krefeld
  • Ludwig Forum für Internationale Kunst, Aachen
  • MADRE, Neapel
  • Museum Abteiberg, Mönchengladbach
  • Museum für Moderne Kunst, Frankfurt am Main
  • Museum Küppersmühle, Duisburg
  • National Museum of Art, Architecture and Design, Oslo
  • Bundeskunstsammlung, Bonn
  • Schaulager, Basel
  • Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Gent

An impressive list and far from complete is this list of Museums that have a work or works by Hanne Darboven in their collection. Hanne Darboven was one of the most extreme Conceptual Artist from the last century. Making works with text, letters and numbers…always written and notated by hand in sequences reminding of the sequential works by the Minimal Art artists, by whom she was influenced ( LeWitt and Judd).

The calendar sequence has consistently formed the basis for the majority of her installations, and the ‘daily arithmetic’ consisting of checksums came to replace the year’s calendrical progression according to a complex and challenging mathematical logic. Always written out by hand, her paperwork thus comprised rows and rows of ascending and descending numbers, u-shapes, grids, line-notations and boxes. Employing this neutral language of numbers and using pen, pencil, the typewriter, and graph paper as materials, she began to make simple linear constructions of numbers that she called Konstruktionen. 

Whenever you encounter a Darboven, the detail is of less importance. It is the pure extreme large scale that impresses , which is the same reason that so little of her works are on permanent display. When you encounter one of Darboven’s works…. Take your time and experience the space and the walls, covered with her works from top to bottom and never forget it anymore.

Some nice publications available at www.ftn-books.com

 

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Fondation Louis Vuitton

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We joined our friends David and Monica this weekend in Paris. Planning this to meet each other half way planet earth took some organization, but it was worth it, because the exhibition of the Sergueï Chtchoukine collection is probably a once in a lifetime opportunity to see all these marvelous paintings in one place. Later i will blog on the exhibition itself, but for now i will focus on the building in which it is presented…the Fondation Louis Vuitton. Starting as a company making high quality bags, travel trunks and accessories out of prepared canvas and leather, the company later became one of the leading companies in the fashion world. Nowadays they are part of the LVMH group. A large holding specializing in luxury goods and one of the wealthiest companies in the world….and that shows, because in the Bois de Boulogne they build a museum which can not be compared with anything i have seen except the other Gehry designed buildings. Guggenheim Bilbao, Vitra in Weil Am Rhein and the Disney Concert Hall in LA), but this one is special….. First of all the layers / shells are all executed in white instead of the aluminium ones in Bilbao and L.A.). constructed and attached to each other with wooden supporting beams and because of the outer layer material, it was possible for Daniel Buren to convert these shells into one of his most complex, impressive and colorful In Situ works ever.

When you walk towards the entrance you get a glimpse of the pattern as it is executed, but when you leave the museum at the other side and walk into the garden, …..get some distance…..there it is …. you see a beautiful building totally covered by a great work of art. I do not know how long the Buren will be visible on the building but as long it is there, try to see it because it is well worth to see this one “live”. Compare it with the Christo In Situ works. Whenever you have seen one there is no photograph which can be compared with seeing the project with your own eyes. The scale in which it is executed makes these works special and so is this Daniel Buren….and Yes the Fondation Louis Vuitton is not the only one who combined these artist together, because books on Vuitton, Gehry and Buren can all be found at www.ftn-books.com

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Robert Jacobsen (1912-1993)….(the other Jacobsen)

Same decade, same museum, same curator and same designer for the catalogue. A week ago i wrote about Arne Jacobsen, but in the sixties another Jacobsen was given an exhibition in the Stedelijk Museum too. Robert Jacobsen had a solo exhibition in 1960 and his friend Willem Sandberg designed the catalogue for it. This time his approach was different because within the catalogue a special compartment was made in which an exhibition poster could be folded and sold together with the catalogue. This meant that most of the catalogues which are sold nowadays, lack the poster because in most cases it is or was sold separately. Both items are Willem Sandberg designs , so both are very much worth collecting. Beside the great design by Sandberg Robert Jacobsen is of course a magnificent artist too and after his Sixties exhibition in the Stedelijk i know of only one location in Europe, the Louisiana Museum, in which his works were presented. Most of his exhibitions took place in museums and galleries the US.

The print beside the portrait of Jacobsen is available at www.ftn-books.com as are the book titles on this page.

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Shinkichi Tajiri (1923-2009)

Tajiri…. Photographer, Painter, sculptor, graphic artist . He has practically explored every discipline art has. His claim to fame were his large sculptures and specially the KNOTS are more than impressive. As a person he is even more fascinating, because he was in the middle of things, because of his studies and travels he had met many very important artists.

In 1949 he went to Paris to study with Ossip Zadkine and then Fernand Léger. He met Karel Appel and Corneille in Paris and shows at the 1949 COBRA exhibition at the Stedelijk Museum, Amsterdam. In 1951 he went to Germany and taught at the Werkkunstschule Wuppertal. In 1955 he won a Golden Palm at Cannes, for his first short film, The Vipers, because of his experimental use of the language of film. From 1956 he lived in the Netherlands, since 1962 in Baarlo. He worked as a sculptor and painter. He exhibited at the famous Kassel documenta II, 1959; III, 1964 and IV, 1968. From 1969 Tajiri taught at the Hochschule für Bildende Künste at Berlin. 1969 and 1970 Shinkichi took pictures of every part of the Berlin Wall. In 1970 he went to Denmark and directed the award-winning documentary Bodil Joensen – en sommerdag juli 1970 about Bodil Joensen. In 1975 and 1976 he recreated the Daguerreotype: surreal portraits, nudes and daguerreotypes of the Wall.

On this last subject www.ftn-books.com has a very nice publication available. Daguerreotyoes were Tajiri’s other specialty.

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Informele Kunst exhibition / 1983

Yes ….34 years ago i was a rookie and just had walked into the museum world and there there was this exhibition which i could not understand. An exhibition on INFORMELE KUNST in Nederland en Belgie ( dutch language) in the Schamhart wing with at the entrance an extremely large painting by Jan Cremer. At the time it was painted he asked a price for it of 1 million guilders.

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At that time a ridiculous amount of money for a work of art, but time passes and if i had known what i know on art now i would have started collecting these works which were within the exhibition. names? Schoonhoven, Leblanc, Cremer, Peeters, Armando, Verheyen, Gentils, Mortier. If only……….

A pity I did not start collecting these artists, because then the time was perfect to buy at reasonable prices. Prices started to rise from that year on and the end is not in sight. What remains is the excellent catalogue which is still available at www.ftn-books.com

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Matisse…..La Dance (1933)

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Matisse

On the location of the Museum of Modern Art in Paris, there is a basement and within that basement is one of the best kept art secrets of Paris. Open for the public, no ticket needed,……just walk down the stairs and see one of most breath taking paintings by Matisse ever.

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Matisse La Dance

The 3 works form together one large mural/painting in which elements of the Dance are depicted. Size approx. 25 x 5 meters.

No crowds, because people forget to visit this space with the Palais de Chaillot, but it is very well worth visiting and i can predict you will be in the neighbourhood, because when you visit Paris and want to have the best view on the Eiffel tower, you will stand opposite it at the Palais de Chaillot, walk another 200 meters to the left and you are standing before the LA DANCE, at least as impressive as the Eiffel tower you came for.

title: La danse

year : 1933

adresse: Palais de Chaillot, 1 Place du Trocadéro et du 11 Novembre, Paris

+: Installé dans le Palais de Chaillot en 1977

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Art & Project and Conceptual Art

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In & Out of Amsterdam

The best book from the last years on the fascinating world of Conceptual Art is by far the book IN & OUT of AMSTERDAM/ Travels in Conceptual Art 1960-1976. A book which i cherish , because this is a treasure trove of ideas and excellent publications which can still be found on the market(s). The book si published by MoMa where in 2009 the exhibition was held with the same name. In &Out of Amsterdam  shows the most important and possibly the best works by the following artists:

Bas Jan Ader

Stanley Brouwn ( see blog)

Hanne Darboven

Jan Dibbets

Ger van Elk

Gilbert & George

Sol LeWitt ( see blog)

Charlotte Posenenske

Allen Ruppersberg

Lawrence Weiner

All excellent artist and all published within the series of Bulletins published by Art & Project.

These publications have certainly become highly collectable items, because during the time they were published and now ( some 40 years ) few have survived. So start collecting them now while they are still available. see www.ftn-books.com

 

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Bram van Velde versus Willy Boers

 

Yesterday, i listed a lithograph by Bram van Velde on Kunstveiling.nl and because i searched for the title of the lithograph i encountered another painting by van Velde from an earlier date. The painting is from 1959 and now in the collection of a Belgium collector. ( See a nice article on van Velde at http://hyperallergic.com/182278/failure-as-success-in-painting-bram-van-velde-the-invisible-part-2/).

But what struck me most were the similarities between a painting from another dutch painter …Willy Boers. A painting i know very well, title “Quintessens” and from a much earlier date. A painting which is one of the key works in dutch Modern Art and one which is depicted in the book. DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND

This Willy Boers painting was made in 1947 and finished in 1948. There are 11 years apart in both works. The Boers painting is strongly influenced by Miro and Picasso, but is it possible that Bram van Velde has seen the Willy Boers painting?

The books are available at www.ftn-books.com

 

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Vasarely at Denise Rene, 1970

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The year….1970…..the exhibition MASTERS OF MODERN ART, location gallery Denise Rene…the invitation…..a special object designed by Victor Vasarely.

This is one of the most impressive invitations ever, because it was made in a limited edition and only a few will have remained during the past 47 years. The invitation is printed in an oblong format and consist on one side of the name of and the artists within the exhibition. The other side is printed with a Vasarely design on which a transparent, but printed design can be placed and moved over the original design. Resulting in an ever changing Vasarely composition. … a spectacular original Vasarely which is available at www.ftn-books.com

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Antonio Calderara (1903-1978)

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Because of a sale today, i was reminded of the very nice Antonio Calderara catalogue published by the Stedelijk Museum Amsterdam in 1977. The catalogue was designed by Wim Crouwel and what this one makes really special are the 3 original silkscreen prints within this publication. Thin, only  16 pages but with 3 striking silkscreens i consider this as one of the very best seventies Stedelijk Museum publications. Published with Sm catalogue number 616 the catalogue stands out from the others published in the same period. One of the silkscreens is used as cover ( orange /red) and 2 are within ( yellow and sky blue). The very little text and the beautiful impressive photograph of Calderara complete this exquisite publication. This one and others on Antonio Calderara are available at www.ftn-books.com