Posted on Leave a comment

Sergei Lobanov (1887-1943)

Schermafbeelding 2019-12-02 om 14.23.36.png

This is one of those artists that stayed out of sight for me because i never had seen his work in a museum before, but after i found a book ( available at http://www.ftn-books.com) it became clear to me that his implressionist art is not less than the the works by his french  and european counterparts.

Sergey Ivanovich Lobanov was one of the significant but little known artists of the first half of the 20th century. His fauvist landscapes participated in exhibitions of the Jack of Diamonds in 1910 and 1912. Unfortunately, Sergey Lobanov’s works were hardly displayed hereafter but for few exhibitions in the 1920s.
<divSergey Lobanov studied in art studios of F.I. Rerberg (1906) and I.I. Mashkov (1907), at the Moscow School for Painting, Sculpture and Architecture (1907-1913). As a school student yet, he got interested in the history of fine arts. Sergey Lobanov attended courses on the history of arts at the Moscow Archaeological Institute in 1914.

He became an official of the Museum and Monument Protection Department of the People’s Commissariat for Education in 1918. Sergey Lobanov was seated the custodian of the nationalized collection of S. I. Schukin in 1922. For one and a half decades the artist was the deputy director of the State Museum of New Western Art (later a considerable part of the museum collection was shifted to the Pushkin Museum of Fine Arts and made the basis of the collection of French painting of the second half of the 19th and 20th centuries).

After his short membership in the Artists Association of Revolutionary Russia he was excluded from it as being “alien to ideology of the Association” in 1924 and walked off from any art groups.

lobanov

Posted on Leave a comment

Ben Shahn (1898-1969)

Schermafbeelding 2018-08-20 om 13.37.50

Ben Shahn  is one of the older Modern Painters emerging in the 40’s and 50’s from the American art scene. Jewish background and born in Russia. After his marriage to mrs Goldstein he travelled North Africa and the great museums in Europe and this shows, because from that date the influence of Klee and Picasso can be recognized in his works. Later he developed a style of his own in which color was an important aspect in his paintings.

Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he united through the consistency of his authoritative line. His background in lithography contributed to his devotion to detail Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee’s drawings. While Shahn’s “love for exactitude” is apparent in his graphics, so too is his creativity. In fact, many of his paintings are inventive adaptations of his photography and that is an aspect i did not know before. The Ben Shahn catalogue designed by Willem Sandberg for the Stedelijk Museum and available at www.ftn-books.com shows exactly why i think Shahn is one of the more important painters from last century.

OLYMPUS DIGITAL CAMERA

Posted on 1 Comment

Icônes de l’Art Moderne. La Collection Chtchoukine

 

And there we were at the Fondation Louis Vuitton for the Chtchoukine collection…..

img_20170204_122241_pano

Linda, David , Monica and myself were looking forward to visit this exhibition. What could we expect? Great Picasso’s, the best Matisse paintings, iconic Monet’s.  and all in one exhibition …to see this must be a fantastic experience. Some of them i had seen before, like the Gauguin’s in the Beyeler and some even 100 times or more ,because these were in the Gemeentemuseum exhibition in 1996″ FROM MONET TO MATISSE”.

OLYMPUS DIGITAL CAMERA
Monet tot Matisse

The bowl with gold fish by Matisse is such a painting, but it were the lesser known paintings that impressed me most. There was this magnificent small Rousseau in which one could see the early days of industrialization. Airplane and balloon prominently present in the painting. Furthermore there was this Maurice Denis with the subdued pastel colors. Looking like the dejeuner sur l’Herbe but in the Denis way and a beautiful, very impressive Picasso of 3 Nude Women. But the best was at the end . The part where you could see Chtchoukine had a very good eye for the modern, because the Rodtchenko’s and Malevitch’s were the works in which you could see the transition into Modern Art.

Here above are my favorites from this exhibition and of course there are many books to be found on these painters in the inventory of www.ftn-books.com