Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.
I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.
The following blog has certainly to do with my personal fascination for the works of Tomas Rajlich. Rajlich has been a long time favorit of us and i was very happy that i finally could add the Art & Project Bulletin 134 from 1983 to our collection. Within the 4 pages the pages 2 and 3 are devoted to a beautiful golden composition with a fine mazed grid. This is a great composition and shows what Rajlich was doing at that time. Gold painted minimal compositions were painted and on it a grid in pencil was drawn. IN almost all cases the grid was 5 x 5 cm. squares in pencil. The Bulletin 134 is available at www.ftn-books.com
People following this blog know that i have acquired a large collection with Bulletins and invitations of the Art & Project gallery. Geert van Beijeren and Adriaan van Ravesteijn have published in nearly 30 years numerous publications. Bulletins, Catalogues, invitations, multiples and letters. Here is the final announcement of all their activities. In dutch they announce the ending of their gallery activities by the end of August 1998. This final announcement is now for sale at www.ftn-books.com
I now followed her career for over 10 years and was lucky to acquire some nice small works for our collection. She still amazes with her works in black and white turning horrid events into beautiful , almost abstract works of art. The large special project teh CARBON WAR ROOM “retrospective” at the Gemeentemuseum Den Haag ended last weekend. Online you still have a possibility to get an impression.
Raquel Maulwurf (Madrid, 1975) developed the installation ‘The Carbon War Room’ especially for the Gemeentemuseum. It arose from the desire to physically create the depth that is evoked in her charcoal drawings in three-dimensions. By working with a very large format and creating wall drawings that cover several walls, she previously captured the feeling of ‘walking into a drawing’. This third dimension was also added literally from the moment she began scratching the museum board she uses for her drawings with a box cutter. The installation in the museum’s Projects Gallery enables Maulwurf to take the final step.
The Carbon War room was a project specially done for the Gemeentemuseum, but can be placed everywhere in the world and consists of the objects and subjects which are very typical for her work.This is an artist who impresses and shows us a world of “beauty” and ” horror” at the same time.
Another iconic artist from the sixties, who has made a name for himself in the Netherlands is Robert Smithson, because of the project Broken circle/ Spiral hill from 1971 which he realized near Emmen.
It is unfortunate that Smithson only reached the age of 35 , otherwise other beautiful projects would have been realized, of which a great deal in the Netherlands because Smitshon was possibly the first land art artist who became famous over here because of his land art project near Emmen. His “Spiral Jetty” is probably his best known project, but for these travellers who like to visit a classic land art work. The Broken Circle Spiral Hill at Emmen is an absolute must. There are 2 important Smithson publications available at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20