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A special PLAY catalogue by Swip Stolk and Frans Haks ( early dutch design 1968)

Imagine the old dutch game of ELECTRO . You habe to find the right combination between question and answer and than the light will light up when the answer is correct. This was the idea behind the play catalogue Swip Stolk designed together with Frans Haks for the ENVIRONMENT exhibition they organied in 1968 fro Studium Generale Utrecht.

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For me the importance is not the design of the the play catalogeu but the participating artists. Among them…Morellet, Megert, Struycken, Le Parc and Gerstner.

The “creme de la Creme ” all within one exhibition. This exhibition from 1968 is almost forgotten and one of the reasons is the rare catalogue which was published with this exhibition. Now i have one copy available. Text by Frans Haks, design by Swqip Stolk and produced by Jumbo. A classic among the Sixties catalogues in teh Netherlands anmd well worthdt collecting. Available at www.ftn-books.com

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Francois Morellet (1926-2016) and the van Abbemuseum catalogue from 1971

 

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Several reasons why this catalogue is importand. First of all …this is one of the first Morellet catalogues published outside France. In 1971 Morellet was invited for a LICHTKUNST exhibition at the van Abbemuseum and Jan van Toorn was commissioned to design the catalogue with this exhibition. van Toorn decided for the Local printer LECTURIS ( still one of the very best printers in the Netherlands) and included within the catalogue multiple special prints after the large silkscreens by Morellet.

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Making it this way more like an artist book than a simple exhibition catalogue. This made the book so special that it is arguably the best catalogue ever published with the works by Morellet.

 

Since, Morellet is one of the most appreciated and valued artist in the Kinetic and Minimal Art scenes and the catalogue is one which is sought after and collected by many admirers. The catalogue is available at www.ftn-books.com:

https://ftn-books.com/products/abbemuseum-francois-morellet-1971-nm

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Francois Morellet (1926-2016)

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It was 7 years ago that the Peter Stuyvesant collection was sold by Sothebys Amsterdam. Within this collection there were some very important Morellet paintings. Large , complex and typical Morellet. As i learned later one of them was bought by Joop van Caldenborgh. The initiator and founder of the Museum Voorlinden in Wassenaar. This painting was fantastic and showed for me why Morellet has become one of my favorite painters of all time.  The painting from the BAT collection was estimated between 20.000 and 30.000 euro, but had a hammer price of euro 432.750. Which is 14x the maximum estimated price.

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For us “mortals” this is completely out of reach, but still some great works by Morellet can be had at affordable prices , because Morellet contributed in many ways, to excellent publications in which original silkscreens or lithographs were included. One of these publications is available at www.ftn-books.com ( for availability inquire/ p.o.a.), together with many other rare Morellet publications from the 60’s and 70’s.

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After a short period of figurative/representational work, Morellet turned to abstraction in 1950 and he adopted a pictorial language of simple geometric forms: lines, squares and triangles assembled into two-dimensional compositions. In 1961, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio Le Parc, Jean-Pierre Yvaral (the son of Victor Vasarely) and Joël Stein, François Molnar and Vera Molnar (the last two left the group shortly after). Morellet began at this time to work with neon tube lighting.

From the 1960s on, Morellet worked in various materials (fabric, tape, neon, walls…) and in doing so investigated the use of the exhibition space in terms similar to artists of installation art and environmental art. He gained an international reputation, especially in Germany and France, and he was commissioned to create work for public and private collections in Switzerland, Great Britain, Italy, the Netherlands and the U.S.A.

Morellet , french, but in his approach to art more cosmopolitan, because he must be influenced by the minimal artists that were starting to appear on the art scene during the 60’s and early 70’s. He experimented with lines, grids, and light and developed an art form recognizable as being Morellet. an important artist and for me personally one of the greatest from last century.

 

 

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Denise Rene new additions

 

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The followers of this blog know that i have a preference for some galeries. Among them there is of course Galerie de France, galerie Steltman and certainly galerie Denise Rene. From the last one i have acquired some nice additions to my inventory.

Catalogue by Francois Morellet – 1967

Catalogue by Victoir Vasarely – 1966

Catalogue by Le Parc – Couleur – 1959

The catalogues of this gallery always amaze me. They stand out from many of the other catalogues published in the sixties and they are well worth collecting, because in many cases the edition size is very small and almost always the design is top notch…. even in some cases an original work of art is included. ( ~VASARELY invitation).

The choice is far from complete, but there are some very nice examples of GALERIE DENISE RENE catalogues available at www.ftn-books.com