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James Bishop (1927)

It was i think our third visit to the Josef Albers Museum in Bottrop when we encountered the works by James Bishop… and…they blew me away!

Large scaled paintings, extremely delicate colors combined in compositions which were part constructivist and familiar and other ways totally different because of the scale,  composition and impact.

I tried to find more on James Bishop , but beside the excellent gallery exhibitions at David Zwirner it is hard to find more on Bishop. Here is a short list of exhibitions in which he was presented.

  • 1963: Galerie Lucien Durand, Paris, France
  • 1966: Fischbach Gallery, New York, New York
  • 1993: Kunstmuseum Winterthur, Switzerland
  • 2008: Staatliche Graphische Sammlung, Munich, Germany
  • 2014: David Zwirner, New York, New York

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This is an artist who grows on you. An artist who is one of a kind. For me he has the same qualities as many better known artists from his genaration, but is not the household name in modern art he should be. Try to see some of his works when you the chance , because this is an artist well worth discovering. www.ftn-books.com has a signed exhibition poster from this artist available.

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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André Emmerich (1924-2007)

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Andre Emmerich was an exceptional art dealer. Robert Motherwell introduced Emmerich to “the small group of eccentric painters we now know as the New York Abstract Expressionist School”. During the second half of the 20th century the Emmerich Gallery was located in New York City and since 1959 in the Fuller Building at 41 East 57th Street and in the 1970s also at 420 West Broadway in Manhattan and in Zürich, Switzerland.

The gallery displayed leading artists working in a wide variety of styles including Abstract Expressionism, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Pop Art and Realism, among other movements. He organized important exhibitions of pre-Columbian art and wrote two acclaimed books, “Art Before Columbus” (1963) and “Sweat of the Sun and Tears of the Moon: Gold and Silver in Pre-Columbian Art” (1965), on the subject.

In addition to David Hockney, and John D. Graham the gallery represented many internationally known artists and estates including: Hans Hofmann, Morris Louis, Helen Frankenthaler, Kenneth Noland, Sam Francis, Sir Anthony Caro, Jules Olitski, Jack Bush, John Hoyland, Alexander Liberman, Al Held, Anne Ryan, Miriam Schapiro, Paul Brach, Herbert Ferber, Esteban Vicente, Friedel Dzubas, Neil Williams, Theodoros Stamos, Anne Truitt, Karel Appel, Pierre Alechinsky, Larry Poons, Larry Zox, Dan Christensen, Ronnie Landfield, Stanley Boxer, Pat Lipsky, Robert Natkin, Judy Pfaff, John Harrison Levee, William H. Bailey, Dorothea Rockburne, Nancy Graves, John McLaughlin, Ed Moses, Beverly Pepper, Piero Dorazio, among others.

Between 1982-96, Emmerich ran a 150-acre sculpture park called Top Gallant in Pawling, New York, on his country estate that once was a Quaker farm. There he displayed large-scale works by, among others, Alexander Calder, Beverly Pepper, Bernar Venet, Tony Rosenthal, Isaac Witkin, Mark di Suvero and George Rickey, as well as the work of younger artists like Keith HaringMany of the above mentioned artists are available with different publications at www.ftn-books.com

, but FTN books also has some specific Emmerich publications available.

In 1996, Sotheby’s bought the Andre Emmerich Gallery, with the aim of handling artists’ estates. One year later the Josef and Anni Albers Foundation, the main beneficiary of the Albers’ estates, did not renew its three-year contract.The gallery was eventually closed by Sotheby’s in 1998.

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Ad Reinhardt (1913-1967)

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If it had not been for the exhibition “SPIRITUAL IN ART ” in the Haags Gemeentemuseum, i probably would not have known Ad Reinhardt. Of course now i know him because of the Bottrop / Quadrat exhibition which was very impressive, but for most people in Europe Ad Reinhardt is far less familiar. His works are spread all over the world and can be admired in public Museums. The Stedelijk Museum only has a handful of prints which makes his works hard to find in the Netherlands. Still whenever one encounters a Reinhardt painting it always impresses me . Perhaps that is the reason why i bought some 9 years ago a beautiful Geert van Fastenhout, which is far more affordable than the steep prices Reinhardt fetch at auction nowadays , also a painting with the symbolic cross. An item which is frequently used by Reinhardt too.

left Reinhardt/ right van Fastenhout

In execution and intensity both painters are equal to each other. The difference…..van Fastenhout is known in France, Japan and the Netherlands, whereas Reinhardt is now known all over the world. www.ftn-books.com has recently added a beautiful German catalogue by the Kunsthalle Dusseldorf from 1972 , which includes an impressive original silkscreen with the depicting of the black/grey crosses.

 

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Pol Bury (1922-2005) and kinetic art

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Pol Bury, painter and sculptor, but his importance comes from his early participation in the Kinetic arts mouvement. It has been a long time before i appreciated Pol Bury art., but since i collected some of his Derniere Le Miroir publications by Maeght i started to know his works a little better and the time i saw one of his sculptures at Bottrop , i was convinced of the importance of Pol Bury for Modern Art. The sculpture i refer to is in the permanent collection of Bottrop and  acquired at the time of my visit the signed poster for the Bury exhibition in 1990. The poster shows the sculpture of the Bury kinetic sculpture. Like a giant flying saucer it stand in the middle of a pond , water coming out its opening. Mouvement and form , making it into a giant kinetic sculpture. This signed poster is available at www.ftn-books.com

Pol Bury about his own work:

Pol Bury: I see no point in revealing the technical details of the mechanism that drives the movement [in my sculptures]. We are too quick, nowadays, in this particular art form, to equip ourselves with the engineer’s compasses and slide rule. For me movement is a medium, like colour and line for painters. No one asks a painter for a chemical analysis of his chosen medium. The perception of movement should be immediate and obvious to the viewer; most importantly, the means used to create the animation should be invisible, and readily forgotten.

While making this blog on Bury i encountered an excellent site with many quotes on Bury and his importance. For those interested please visit:

https://www.christies.com/features/The-master-of-slowness-An-oral-history-of-Pol-Bury-6848-1.aspx

and the ones that want to inform themselves on Bury. There is a nice selection of publications available at www.ftn-books.com

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Agnes Martin …the Islands (2004)

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Yesterday i spoke about the Josef Albers Museum in Bottrop and their excellent poster publications. Today i will present the very best of them. It is the magnificent Agnes Martin poster for the “the ISLANDS’ exhibition. Executed as an original silkscreen this poster is a true work of art.

martin islands poster a

Publisher: Quadrat /Josef Albers Museum, 2011 Measurements: 31.4 x 24 inches Condition: mint-

This is a highly collectable and important poster> not only because the exhibition was important, but because of the printing technique this is a masterpiece.

Poster and exhibition catalogue are both available through www.ftn-books.com

catalogue design by Walter Nikkels

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Manfred Mohr (1938)

 

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Another discovery from the Josef Albers Museum/Quadrat Bottrop is the artist Manfred MOhf of whom i had not heard until 8 years ago, but who i discovered at the Quadrat Museum, because they had some very nice limited prints available. Later i remembered that he also featured within the Blank Page set which i acquired some 25 years ago for my personal collection.

mohr bp a

Mohr is a digital Art pioneer and strangely enough this has no relation at all with his early years as an artist in which he was a jazz musician and action painter. I really love the works by Mohr, because they look simple compositions and almost the same , but when you look at the closely you will notice the difference and subtle changes which result in a completely different composition.

The publications by MOhr have all the same qualities. Oblong sized and showing these little differences in sequence resulting in a different composition. I love these kind of books. Small editions, artist like books, in most cases designed by the artist and really showing what the art is about and www.ftn-books.com has some of these books by Mohr available.

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Karl Gerstner and some typographic designs from the 60s

A Book market visit yesterday….. and some lucky finds. There is of course the very rare Karl Gerstner: Typographisches Memorandum which i found in very good condition. The copy will be available from today at www.ftn-books.com

I believe that this is the only copy currently on the market

Here are the pictures of this excellent and rare publication by Karl Gerstner.

The other books were perhaps less spectacular and not as rare as the Gerstner book, but it struck me that some great typographical designs were made by the end of sixties and in the early seventies and these are no exception. Please take a look at the photograph and see the covers by some lesser known designers like Philip Luidl, Wim Strijbosch, Hans Barvelink, Louis Emmerik and Siegfried Odermatt. Not the household names you encounter frequently in this blog and not as rare as the Gerstner publications i now have in stock, but great quality designers who made some outstanding covers/books.

design 60s

Until the end of the month there is a special discount on the Gerstner publications i have in stock. Use GERSTNER10 to receive a 10% discount on the Gerstner publications. Valid until the 31st of March.

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Josef Albers Museum / Quadrat Bottrop and its amazing poster publications.

It must have been in december some eight years ago that me, my wife and Ellis my sister in law decided to make a small detour to Bottrop after vsiting the Alsace region. When we arrived there were were impressed by the surroundings of the museum. a park and a sculpture garden next door to the museum building itself. Of coursse we came over there to see the Josef Albers paintings, but after the visit we started to see what wonderful items the bookshop was selling. Among them….posters, special prints and Josef Albers furniture.

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I bought the posters , because they were there for sale in all sorts of appearances. Specila prints, silks screened, signed and even limited editions and they were not exported or could not be ordered only bought on site. That is the reason why we returned one year later and i bought more of them. Making them a substantial part of my inventory. Most of them are sold out now, but i am fortunate to be able to offer them. These are among the very best exhibition poster sin the world by some of the grewatest names in Art today. The posters i bought are available at www.ftn-books.com…just search for Albers or Bottrop.

 

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Jean Dewasne (1921-1999) a very special print

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Before i visited for the first time the Quadrat Museum in Bottrop i never had seen many Jean Dewasne paintings. Yes there were a few in Brussels and Antwerp, but as many as there were in Bottrop was new to me. It made me realize that Dewasne was arguably one of the most influential and important Belgian painters from the last century and the Josef Albers/ Quadrat museum recognized his importance by holding a large retrospective on him in 1991.

I depicted the poster of this exhibition in this blog , because it is very special. The poster is a specially designed silkscreen and available at www.ftn-books.com

Not only the silkscreen exhibition print is special but also the catalogue with the 1991 exhibition contains 3 small silkscreens within , making this a true artist book. Since my visit of the Dewasne exhibition i always have been admiring him and i am still wondering why he has not become the great name in art he deserves to be.