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Art & Project bulletins (1968-1989)

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Adriaan van Ravesteijn and Geert van Beijeren are in my opinion the most important gallery owners in the history of (dutch) Modern Art. Their gallery was for decades the venue for conceptual art and many important artists have found  in this gallery their starting point for their career.

Art & Project was an institution in the art scene and this was emphasized by publication of their Bulletins , which were published on a regular basis between 1968 and 1989.

bulletins 1-156

In total there were 156 bulletin published and i am proud to say that www.ftn-books.com has BULLETINS available by the following artists: Andre, Antonakos, Boezem, Breuker, Brouwn, Buren, Berghuis, Barry, Camesi, Charlton, Clemente, Chia, Cucchi, Cragg, Dibbets, Darboven, van Elk, Fulton, Flanagan, Giese , Gilbert & George, Knoebel, Leavitt, Long, Lord, Maconey, Mclean, Paladino, Pope, Ryman, Ruckriem, Rosenthal, Ruppersberg, Rajlich, Struycken, Salvo, Tremlett, Tordoir, Visser, Verhoef, Weiner, Yamazaki and the 1972 Catalogue of our Bulletins

( for more information and the “Bulletin” numbers available please inquire)

43 artist of the gallery Art & Project now available at www.ftn-books.com

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Jo Baer (1929)

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There is a firm relationship between the Netherland and Jo Baer, because since the early years of her career she has had her exhibitions in Amsterdam. She is considered to be a Minimal artist, but personally i am not so certain about this. In her early days she was more related to the Hard Edge mouvement, but in later paintings a great emptiness fills the canvasses only enhanced by a painted frame or a simple scarce geometrical object making these paintings as typical Minimal paintings and in the last 2 decades she turns again completely and produces lyrical abstract expressionist paintings. When you look at these 3 stages of her career you can destinguish 3 completely different styles and approaches to painting, but with one constant…the artist Jo Baer

www.ftn-books has some of the dutch Jo Baer publications available

 

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Robert Ryman (1930-2019)

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One of the greats in Abstract Modern Painting died at the age of 88 on the 8th of February 2019. White was his “color” and he painted on every material with his “white”. Impressed by the Rothko paintings at the Metropolitan Museum of Art where he was working as a museum guard, he started to paint himself and finding in the process the strength of “white” when used as the only color in his paintings. This approach made him famous within a period of 5 years. After these initial years he had had his first gallery exhibitions and soon after his his first major exhibition at the Guggenheim museum. Rymans paintings are highly recognizable abstract paintings and can be seen as the link between abstract expressionism and minimalism ( btw. Sol LeWitt also started his career as a museum guard). We are lucky to have al large collection of his paintings iin the Netherlands since the Stedelijk Museum started collecting his paintings from the very first years of his career. The result an impressive 11 paintings from all periods of his artistic life. Robert Ryman publications are available at www.ftn-books.com

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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Josephine Sloet and FTN art

 

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I have a long time admiration for both Gerard Verdijk and Josephine Sloet and now after a decade of collecting both artists i am proud to announce a cooperation with Josephine. On a regular basis, new works by Josephine Sloet will be presented on the pages of ftn-blog.com where a special section will be devoted to new and older works by Josephine Sloet that are for sale. Paintings,  drawings and if possible photographs….all will be presented and all works listed are for sale through FTN-books/ FTN-art / FTN-blog. For more information, prices and viewing appointments please contact me at wvdelshout@ziggo.nl

We plan to have the first works with descriptions available through FTN-blog by the end of January 2019

More news to follow shortly….

sloet atelier c

 

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Minimal Art at the Haags Gemeentemuseum

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It was in the early Eighties that i learned of the Minimal Art collection and history of the Haags Gemeentemuseum.

Crucial for the collection was the interest of almost all modern art curators in Minimal Art. Starting with Enno Develing who introduced the key artists of the Minimal Art scene for the first time in a large exhibition in 1968. Among them Donald Judd, Dan Flavin, Carl Andre and of course Sol LeWitt. Many of them would receive solo prentations in the years to follow, but this first time was a breakthrough for Minimal Art. The catalogue is arare book nowadays and i am lucky to have a copy for sale at www.ftn-books.com

After this first exhibition many exhibitions would follow. Enno Develing, Flip Bool, Rudi Fuchs and Franz Kaiser all took an interest in Minimal Art and because of this interest , exhibitions with LeWitt, Andre and Judd were organized in the decades after this first  1968 Minimal Art exhibition. I doubt that none was as important as this very first one, because after this first one Minimal Art was established as an art form, but another aspect that makes this first ( Develing ) exhibition important is that the relationship between the Gemeentemuseum and these artist was not only an artistic one.  The museum and its curators became friends with practically all Minimal Art artists, resulting in an ever growing collection of Minimal Art.

There is a nice link to a tribute to Sol LeWitt to be found over here:

http://www.gem-online.nl/files/media/gem/2016/sol_lewitt._a_tribute/ebook_sollewitt_web.pdf

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Blinky Palermo (1943-1977)

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Decades ahead of his time, the art of Blink Palermo has proven to be “classic”. The use of color and the forms he useed makes him stand out from his contemporary artists and in the decades after his death this art form developed into an art that i personally am a great fan of. Look at Piet Dirkx, Richter, Forg and many others who must be inspired by Blinky Palermo. His works are a combinaton of Constructivist and Minimal paintingsPalermo was born as Peter Schwarze, but took the name Blinky Palermo as an artist name at the time he studied with Joseph Beuys at the Dusseldorfer Kunstakademie. In 1973 he moved to New York where he stayed and worked until his death in 1977.

In the short time Blinky Palermo lived and worked as an artist he did not receive the recognition he deserved, but soon after his deat . Retrospective exhibition were being held and showed the importance of Palermo. Some of these publications are available at www.ftn-books.com

among these venues are Moma, Hirschhorn, Mocba, Lacma and Serpentine galeries. These are not the least venues to be presented as an artist and i predict that the works by Blinky Palermo prove to be highly original and groundbreaking in the years to come.

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Don Judd at the van Abbemuseum in 1970

This was after the presentation at the Haags Gemeentemuseum ( 1968) the 2nd exhibition within a short period of time Donald Judd received in the Netherlands. This time ( 1970) in the van Abbemuseum curated by Jean Leering, but what makes this for me even more special are 2 reasons.

The first is …i had never found the Judd catalogue before. I knew it existed , but never one was offered anywhere and secondly the design was done by one of the greats in dutch graphic design …Jan van Toorn.

judd goud z

And ….now i have one! it was hidden between a lot of books , but i found an excellent copy. What makes it even more special is that the cover is executed in gold and i believe that the design is done by Judd himself and executed in silkscreen. In those days editions where rarely more than 1000 copies and my guess is this edition is even less. So there you are…finally at www.ftn-books.com this rare Donald Judd / Don Judd for sale. It is one of the rare occasions that you can offer a truly rare publications and this one certainly is.

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Francois Morellet (1926-2016) and the van Abbemuseum catalogue from 1971

 

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Several reasons why this catalogue is importand. First of all …this is one of the first Morellet catalogues published outside France. In 1971 Morellet was invited for a LICHTKUNST exhibition at the van Abbemuseum and Jan van Toorn was commissioned to design the catalogue with this exhibition. van Toorn decided for the Local printer LECTURIS ( still one of the very best printers in the Netherlands) and included within the catalogue multiple special prints after the large silkscreens by Morellet.

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Making it this way more like an artist book than a simple exhibition catalogue. This made the book so special that it is arguably the best catalogue ever published with the works by Morellet.

 

Since, Morellet is one of the most appreciated and valued artist in the Kinetic and Minimal Art scenes and the catalogue is one which is sought after and collected by many admirers. The catalogue is available at www.ftn-books.com:

https://ftn-books.com/products/abbemuseum-francois-morellet-1971-nm