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Richard Schur (1971)

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Writing a blog on Art is not only pointing into the right direction of the greatest of artists, but it certainly is my intention to introduce some lesser known artists and explain why they appeal to me personally. The artist Richard Schur was not known to me until i noticed his paintings at an auction. I was impressed in the way he made his compositions. Constructivist ones, but not in a rigid way like Mondrian did, but putting planes and surfaces ( almost rectangular) beside and on top of each other. It was a new approach tome and had rarely seen done this before ….plus i thought his paintings are very appealing. I was lucky that i could buy two of his works at auction . One will be for sale in a year, but in the meantime i will have it on my wall and try to find out why i fell in love with it. The other i plan to make it a permanent part of my collection. Visit Richard Schur’s site to see more of his painting and “meet” the artist and his works . ( https://www.sound-of-color.com )

For me, Abstraction is a place of collective 

and personal memories, experiences and emotions.

I’m a poet, a composer and an Old Master’s son. 

As a contemporary artist, tradition is my ally 

and my enemy. I’m interested in the directness 

of Expressionism, the clarity of Hard Edge 

and the precision of the Renaissance painters.

 Through a long, systematic and intuitive process, 

then, I aim to reflect the meaning of every brushstroke 

within the whole: anything matters here.

As if you could hear the sound of color, Richard Schur creates visual experiences based on the transcendental qualities of color.  Born in Munich (1971), Richard Schur studied with Jerry Zeniuk at the Academy of Fine Arts Munich, and graduated as “Meisterschüler” in 2000. From 2002 to 2008 he teached painting as Assistant Professor at the  Academy of Fine Arts Munich. Recent solo exhibitions include The Sound of Color, Galerie der Moderne, Stefan Vogdt, Munich (2017), Meadows, Cross Mackenzie Gallery, Washington, DC (2016), Manhattan Stories, Galerie Postel, Hamburg (2015). While recent Group shows include Ganz Konkret, Galerie Klaus Braun, Stuttgart (2017), Wendezeiten, CCA  Andraxt Kunsthalle, Mallorca, Spain (2016), Break Ground, ART 3, Brooklyn, NY, USA (2016). His work can be found in public and private collections worldwide including Pinakothek der Moderne, Munich, Guangdong Museum of Art in China, CCA, Centro Cultural Andraxt, Spain, Agnes Gund Collection, New York, BMW Group Art Collection and Allianz Art Collection.

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Ben Nicholson (1906-1978)

 

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There are not many photo portraits to be found of Ben Nicholson. This must have been an artist who did not searched for fame, but developed his style of painting in a very thorough way over the years. Started as many of his fellow artists in a figurative way, but influenced by Henry Moore and Barbara Hepworth ( who would become his second wife) he developed a very personal way of abstract painting. These are the ones i admire most of Ben Nicholson.

They have a constructivist quality and lightness in them which make these paintings very easy to like. The influence of Barbara Hepworth makes his art even more complete. Perhaps he is a little bit forgotten, but every decade a renewed interest is there, which results in a tremendous exhibition.

www.ftn-books.com has some very nice Nicholson publications available including the Willem Sandberg designed Stedelijk Museum catalogue from 1954

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Charles Bézie (1934)

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In some way the french have a special approach to contructivist art. Their art is in many cases much “lighter” than their counterparts in Germany or the US. There are of course Francois Morellet and Aurelie Nemours and for me Charles Bezie is also one of the great ones in France.

Here is a short extract from an interview which can be found on the Charles Bézie site at www.charles-bezie.fr

Since 1974, I use straight, horizontal and vertical lines and two diagonal lines. 
In the beginning, I wanted to distinguish my work from that of our great elders Malevith and Mondrian by means of eradicating the geometry by a web of fines lines. I call this my graphic period. 
During the years that followed, my work passed through several phases where the line thickened becoming even a strip and resulted in a sign which i called the “Quadrille” . 
In 1995, I abandoned oblique lines. 
Since that date my work has become the research of rhythms obtained from numbers, irregular rhythms with “Gradations” where squares see their surface divided by strokes and regular rhythms with “Cadences” where rows of squares are only underlined on the top and bottom. 
The year 2003 annonces the beginning of the “Suite Fibonacci”. This XIII century Italian mathematician from whom we retain the recurrent series of numbers which constitute themselves by the simple addition of the two precedent numbers and also because the quotients between the two adjacent numbers all approach the number 1.618, the famous “golden number”. 
My actual project is to continue working from numbers for as long at it gives a sense to my pictorial conception.

C.B. 2007

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Blinky Palermo (1943-1977)

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Decades ahead of his time, the art of Blink Palermo has proven to be “classic”. The use of color and the forms he useed makes him stand out from his contemporary artists and in the decades after his death this art form developed into an art that i personally am a great fan of. Look at Piet Dirkx, Richter, Forg and many others who must be inspired by Blinky Palermo. His works are a combinaton of Constructivist and Minimal paintingsPalermo was born as Peter Schwarze, but took the name Blinky Palermo as an artist name at the time he studied with Joseph Beuys at the Dusseldorfer Kunstakademie. In 1973 he moved to New York where he stayed and worked until his death in 1977.

In the short time Blinky Palermo lived and worked as an artist he did not receive the recognition he deserved, but soon after his deat . Retrospective exhibition were being held and showed the importance of Palermo. Some of these publications are available at www.ftn-books.com

among these venues are Moma, Hirschhorn, Mocba, Lacma and Serpentine galeries. These are not the least venues to be presented as an artist and i predict that the works by Blinky Palermo prove to be highly original and groundbreaking in the years to come.

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Vladimir Tatlin (1885-1953)

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I always have liked the works by Tatlin. Being one of the first true constructivist artists he has always interested me as an artist. Inspired by Pablo Picasso he soon began to experiment with cubistic patterns, but eventually ended making pure abstract constructions. One of this constructions is only realized as a maquette because the actual work was never executed.  He began creating objects that sometimes seem poised between sculpture and architecture. Initially trained as an icon painter, he soon abandoned the traditionally pictorial concerns of painting and instead concentrated on the possibilities inherent in the materials he used – often metal, glass, and wood. He wanted above all to bend art to modern purposes and, ultimately, to tasks suited to the goals of Russia’s Communist revolution. He is remembered most for his Monument to the Third International (1919-20).

A design for the Communist International headquarters, as said it was realized as a model but never built. It crystallized his desire to bring about a synthesis of art and technology, and has remained a touchstone of that utopian goal for generations of artists since. The arc of his career has come to define the spirit of avant-gardism in the 20th century, the attempt to bring art to the service of everyday life.

www.ftn-books.com has some Tatlin titles available

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Aurélie Nemours (1910-2005)

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Finally i get the right signals that Aurélie Nemours is appreciated for her beautiful works of art. The last time i visited the Strasbourg Museum of Modern Art, her works were prominently on show, the same as i encountered them in Metz. It did me great pleasure, because these constructivis tcompositions shine in their simplicity and fascinated me from the first time i discovered them. For me there are 2 female artists that i would like to have in my collection. First there is Marthe Wery and secondly there is Aurélie Nemours.

From Aurélie Nemours i only have a beautiful print available, it is not ideal, but still it is better than nothing to have such a nice print in my inventory at www.ftn-books.com

 

nemours bb

 

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Felim Egan (1952) and the Stedelijk Museum

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I had never heard of Felim Egan, but when i saw one of his paintings ( for the first time at Seasons gallery in Den Haag) i became an admirer. A free kind of constructivist abstraction in soft colors, which looks like Irish mist over a landscape. Later i found 2 publications on this artist which are now available at www.ftn-books.com so when i encountered these i decide to write  a blog on an artist of whom i did not know very much except that he had exhibited in the Stedelijk Museum. I searched and found this article on his Felim Egan’s own website : www.felimegan.ie

FELlM EGAN was born in lreland in 1952 and studied at Belfast and Portsmouth, England before attending the Slade School of Art in London. He then spent a year at the British School at Rome in 1980 before returning to Dublin. Since then he has lived and worked at Sandymount Strand and the Docklands, on the edge of Dublin Bay.

He is known as a painter of restrained eloquence, who sparingly deploys a vocabulary of hieroglyphic motifs over monochromatic expanses of colour. His paintings are built up slowly with layers of thin colour applied to the surface and stone powder ground into the acrylic. The work is universal in spirit and at the same time emotionally intimate. His paintings are epiphanic, in that they convey to us the essential nature or meaning of something of which we were previously unaware. He is an abstract artist, a painter of quite formal abstract images, and yet his work is tied to the place he lives and works, to the long horizons, big skies and empty sands of the Strand and sea. In this way his abstract paintings are almost landscapes, with a magical quality that his neighbour, the poet Seamus Heaney, has aptly described “a balance of shifting brilliances”.

Egan has exhibited widely across Europe with 72 solo exhibitions since 1979 including major shows at the lrish Museum of Modern Art, Dublin,1996 and the Stedelijk Museum in Amsterdam, 1999. In 1981 he represented Ireland at the Xie Biennale de Paris and in 1985 at the San Paulo Bienal. In 1993 he won the prestigious UNESCO prize in Paris, and in 1995 the Premiere Prize at Cagnes-sur-Mer. His work hangs in numerous public collections including the Stedelijk Museum, Amsterdam; the Irish Museum of Modern Art, Dublin; the Ulster Museum, Belfast; the Metropolitan Museum of Art, New York, and the collection of the European Parliament. Major Commissions include; Dublin Castle; National Gallery of Ireland: O’Reilly Hall, UCD; Meeting House Square, Temple Bar; Pavilion Theatre, Dunlaoghaire; City Quay Building, Dublin; New Providence Wharf, London; the National Gallery of Ireland; Deutsche Bank, UK and Dublin and a large scale public ‘sculptural work’ at Cork Street, Dublin.
In 2005 he completed an installation of paintings at Deutsche Bank Headquarters, Dublin.

Felim Egan is a member of Aosdána.

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start FTN art with Siep van den Berg

Today is another milestone for me as a bookdealer in art books, because today i started on these pages ………FTN art

There will be irregular additions to this page, but all works depicted on these pages are for sale and guaranteed originals. The first original is a drawing/collage by Siep van den Berg who made this in 1979.

tekening/collage uit een serie constructivistische tekening/ Collage in blauw die Siep van den Berg heeft gemaakt op 16 augustus 1979 in Andelaroche ( Fr.) De tekening is eerst opgezet in balpen waarna er blauwe vlakken zijn bijgeplaatst ( of omgekeerd).
De tekening is gedateerd 16 9 79. Met notitie “Heleen Jarig Geweest” en signatuur in zwarte inkt …SvdB.

Kunstenaar : Siep van den Berg
titel: Heleen Jarig Geweest
techniek ; balpen en collage in blauw
afmetingen ; 27,7 x 20 cm.
gesigneerd : SvdB in zwarte inkt
gedateerd : 16 9 79
conditie : MINT-

price : euro 150,–

shipping Netherlands : euro 8,60

worldwide shipping costs: 11,95

berg heleen a

 

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Ruri Matsumoto (1981)

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Sometimes you encounter works by an artist for which you have an instant liking and admiration. This is the case with Ruri Matsumoto. She was born in Tokyo and had her education in Japan and Germany. This is where she followed lessons with Helmut Federle and Markus Lupertz a.o.. She stayed after her education in Germany and now has her own studio in Dusseldorf, which she will leave for a temporary studio in Berlin until January 2018.

Her works are characterized by the use of  very bright colors and are compositions of almost random like patterns formed with tape, but look more closely….. you will find layers of abstract constructivist forms making a spectacular work of art. Of course art is always something personal and subjective, but i like these paintings very much and because there is this rare chance to see her works at Livingstone Gallery i write this blog to let you know that until the 4th of November some of her works are on show in the PAINTING NOW exhibition, curated by Jan Wattjes.

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To get an excellent impression of her works please visit:

https://www.rurimatsumoto.com and of course http://www.livingstonegallery.nl/home

for the information on the exhibition at Livingstone gallery in The Hague

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100 years ….DE STIJL

It was 50 years ago Sgt. Pepper’s Lonely Hearts Club Band by the Beatles was released on the 1st of June, but 50 years before that date the DE STIJL group was founded in Leiden in 1917 with the publishing of the book de NIEUWE BEWEGING IN DE SCHILDERKUNST by Theo van Doesburg. Leiden , Utrecht ( home of the famous Rietveld huis) and Den Haag ( largest Mondrian/de Stijl collection in the world will be presenting exhibitions on DE STIJL and its influence on Modern Art. One basic thing about DE STIJL. Use of primary colors, dividing the surface in abstract elements. Mondrian and van Doesburg were originally friends and worked along these lines until van Doesburg thought his works were limited by the use of horizontal and vertical lines and wanted to use the “diagonal” too. This cooled down the friendship and van Doesburg decided to leave the group in 1924. Was it the end of the DE STIJL…no certainly not . The group stopped, but the ideas were there and were later found in BAUHAUS and constructivist modern art. To acknowledge the importance of DE STIJL is done now by these many exhibitions and certainly more than a few will be well worth visiting. Prepare yourself and look at the many DES TIJL/ Mondrian /van Doesburg publications available at www.ftn-books.com

PS . there is a very special bank by Ko Verzuu in blue and yellow which is exclusively available at ww.ftn-books.com. This was a prestige edition by the makers of ADO.

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